Postavke privatnosti

Buy tickets for concert Laufey - 12.05.2026., AsiaWorld-Expo - Arena (Hall 1), Hong Kong, China Buy tickets for concert Laufey - 12.05.2026., AsiaWorld-Expo - Arena (Hall 1), Hong Kong, China

CONCERT

Laufey

AsiaWorld-Expo - Arena (Hall 1), Hong Kong, CN
12. May 2026. 20:00h
2026
12
May
Photo by: Domagoj Skledar - illustration/ arhiva (vlastita)

Laufey tickets for AsiaWorld-Arena Hong Kong, A Matter of Time tour and elegant jazz-pop live concert

Looking for tickets to Laufey in Hong Kong? The AsiaWorld-Arena concert brings her jazz-pop style, classical shades and the "A Matter of Time" era, with favorites such as "From the Start" and "Goddess" in the live frame. Plan your ticket purchase and trip to AsiaWorld-Expo in time

Laufey in Hong Kong: jazz-pop intimacy on a grand stage

Laufey comes to AsiaWorld-Expo - Arena (Hall 1) on 12.05.2026 at 20:00, with a concert as part of the "A Matter of Time Tour". For the audience in Hong Kong, this is more than just another date on the schedule: the concert at AsiaWorld-Arena is marked as the beginning of the Asian leg of the tour, after performances in Europe and North America. The ticket is valid for one day, and the format is a concert - the focus is on Laufey, her voice, her songwriting and the blend of jazz, classical music and pop that in recent years has brought a new generation of listeners to a sound rarely heard in arenas.

Laufey has become one of the most recognizable names in contemporary jazz-pop precisely because she does not try to sound like a typical arena-pop performer. Her songs often start from a quieter space: piano, guitar, strings, gentle swing, a vocal that is not chasing an effect but a nuance. At the same time, her melodies have the clarity of a pop single. That is why songs such as "From the Start", "Promise", "Goddess", "Let You Break My Heart Again" and the newer "Tough Luck" work well both in headphones and in front of thousands of people.Tickets for this event are in demand.

Why "A Matter of Time" is an important context for this concert

The concert in Hong Kong comes at a stage when Laufey is no longer just an interesting new phenomenon, but an artist with a clearly built world. The album "Bewitched" brought her a Grammy in the Best Traditional Pop Vocal Album category, and after that, with her third album "A Matter of Time", she expanded her sound without losing recognizability. On that album she collaborated with producers Spencer Stewart and Aaron Dessner, which is an important detail because the newer material reveals more space, more modern production and more dramatic transitions, while strings, classical sensitivity and jazz phrasing still remain."A Matter of Time" does not feel like an attempt to escape the older sound, but rather like a more mature continuation of the same handwriting. In the new songs, Laufey writes about love, insecurity, self-image and the unrest hidden behind a neat exterior. In interviews around the album, she emphasized that she wanted to allow more emotional tension and less perfection. For the concert audience, this means that the newer repertoire naturally leans on older favorites: romantic nostalgia is still present, but now with more edges.

Musical style: old world, new audience

Laufey's sound is often described through jazz, classical music and pop, but it is most accurately understood through the way she connects disciplines. As a vocalist, she uses soft phrasing and clear diction. As an instrumentalist and songwriter, she thinks in harmonies reminiscent of the Great American Songbook, bossa nova and orchestral pop. As a performer of the new generation, she knows how to shorten a song to an emotional core that the audience immediately recognizes.That is why her audience is unusually broad. At the same concert, there may be listeners who discovered her through short video formats, music students interested in harmony and arrangement, lovers of Norah Jones and Ella Fitzgerald, as well as fans of contemporary indie-pop. Laufey does not require musical prior knowledge from the audience. It is enough to follow the story in the song, the change in the color of the voice and the moment when a quiet melody turns into collective singing.


  • For longtime fans: the concert is an opportunity to hear how older songs fit into the new era of the album "A Matter of Time".

  • For a wider audience: the easiest entry into Laufey's world is through melodies that immediately stay in the ear, especially "From the Start".

  • For lovers of jazz and classical music: the interesting part is the way Laufey introduces strings, a swing feeling and classically shaped melodies into a pop format.

  • For travelers to Hong Kong: the hall is located next to the airport, so it is logistically simpler than many city arenas.



What can be expected from the live performance

For the Hong Kong concert, there is no need to guess the exact setlist, nor would that be fair to the audience. However, previous performances on the "A Matter of Time Tour" show a clear direction: a large part of the program relies on songs from the album "A Matter of Time", with the return of recognizable compositions from the "Bewitched" period and earlier releases. On earlier European dates, songs such as "Tough Luck", "Snow White", "Goddess", "Promise" and "From the Start" appeared, but every concert should be viewed as a separate performance, not as a copy of the previous one.

Live, Laufey is especially interesting because her music does not rest only on big choruses. The transitions between songs are important, as are short instrumental nuances, the way the vocal remains close to the microphone and the moment when the audience follows the ballads in silence. In an arena space, this can create a beautiful contrast: a large hall, but songs that often sound as if they were written for a small club, salon or theater.

Seats are disappearing quickly.

AsiaWorld-Arena: a large hall next to the airport

AsiaWorld-Arena, or Hall 1 within the AsiaWorld-Expo complex, is one of Hong Kong's most important venues for international concerts. It is located on Lantau, next to Hong Kong International Airport, which makes it practical for the local audience, visitors from other parts of Asia and those arriving in the city by plane. The hall is designed for large productions, but for Laufey's concert it will be especially interesting to see how the more intimate jazz-pop material breathes in a space of arena proportions.

The hall's capacity in concert configurations is listed at up to around 14,000 people, while for fully seated setups around 12,500 seats are mentioned. These are figures that explain why Laufey's current career phase differs from early club and theater performances: her music has remained close, but the setting is now large. Precisely that contrast may be the most appealing part of the evening - songs that have the delicacy of a chamber performance, but are sung by a full-sized hall.For visitors coming for the first time, the advantage of the AsiaWorld-Expo complex is its clear transport connectivity. Airport Express and MTR lead to AsiaWorld-Expo Station, and the complex is connected with transport routes toward the airport, Kowloon, Hong Kong Island and other parts of the city. For drivers, the nearby public car parks 11 SKIES North and 11 SKIES South are listed, open 24 hours, with a note that traffic and parking instructions may change on event days.

Practical for arrival


  • By train: the simplest option for many visitors is the Airport Express to AsiaWorld-Expo station.

  • From Tung Chung: a combination of the MTR and local bus transport toward the complex is possible.

  • By taxi: the destination is AsiaWorld-Expo or AsiaWorld-Arena on Lantau, next to Hong Kong International Airport.

  • By car: 11 SKIES North and South Carparks are nearby, but on event days one should count on diversions and an earlier arrival.

  • For air travelers: the proximity of the airport is especially practical if coming to Hong Kong only for the concert or for a short stay.

A city that works well for a concert trip

Hong Kong is a logical Asian stop for this kind of concert. The city has an audience accustomed to international tours, a good public transport network and a strong concert infrastructure. For visitors from the region, an additional advantage is that AsiaWorld-Expo is located outside the densest center, but is connected to key transport points. This means that the trip can be organized without a long crossing through the city immediately before the performance.

For those staying longer, the concert can be connected with a stay on Lantau, a trip toward Tung Chung or a return to Kowloon and the central parts of Hong Kong after the performance. Still, the most important advice remains simple: check the latest transport instructions on the day of the concert and leave earlier, because a large hall next to the airport can mean crowds before the start and after the end of the program.

Who this concert is especially attractive for

This concert will most strongly appeal to an audience that likes it when pop has musical depth and jazz does not sound closed or museum-like. Laufey is a rare example of an artist who has managed to transfer vocal elegance and classical discipline into the space of a mass audience without turning songs into empty nostalgia. Her popularity does not rest only on retro aesthetics, but on the feeling that old musical forms can speak about very contemporary emotions.

Longtime fans will get an overview of the moment Laufey is in after the major breakthrough, Grammy recognition and an album that further expanded her expression. New audiences will get an accessible entry into the catalog: enough hits for recognition, enough ballads for silence and enough arrangement details so that the concert is not just a sequence of songs. For couples, solo visitors and groups of friends, this is an event with a different rhythm from a typical pop spectacle - less noise for the sake of noise, more attention to voice, lyrics and the space between notes.It is worth securing tickets in time.

Entry details and behavior in the hall

AsiaWorld-Expo states for this event that the audience is encouraged not to bring bags or backpacks into the hall, because faster entry lanes may be used for visitors without bags if available. It is also stated that checks with handheld metal detectors may be carried out upon entry into the concert space, if such a procedure is applied for the event. These are practical pieces of information that should be taken seriously: a smaller bag, an earlier arrival and a prepared ticket usually mean a calmer entry.Not enough reliable details have been published to write about the duration of the performance, breaks, special guests or additional production elements for the Hong Kong date. Therefore, it is safer to expect a concert that follows the framework of the "A Matter of Time Tour", with Laufey at the center and a program that connects her newest album with the songs that brought her to a global audience.

How to prepare for the evening

The best preparation for this concert is not only listening to the biggest hits, but also carefully going through "A Matter of Time". That album carries the current identity of the tour and gives context to the songs that will probably occupy an important place in the program. After that, the natural return is to "Bewitched", the album that brought Laufey to Grammy recognition and whose romantic, jazz-colored motifs became her trademark.For visitors who know Laufey only through "From the Start", the concert may be a surprise. Behind that viral, cheerful swing stands a catalog that can be melancholic, theatrical, ironic and vulnerable. Precisely for that reason, the audience does not come only for one hit, but for a specific world: songs that sound like an old film frame, yet speak in the language of today's insecurities, infatuations and self-observation.

Ticket sales for this event are in progress.

What this date means within the tour

Hong Kong has a special place in the schedule because the concert is marked as the beginning of the Asian leg of the tour. After it come dates in other major Asian cities, including Taipei, Singapore, Jakarta, Manila, Bangkok, Kuala Lumpur, Tokyo and Seoul, and then additional stops in China. This makes the Hong Kong performance the first regional encounter of the audience with the Asian chapter of the "A Matter of Time Tour".

For an artist whose identity is connected with several musical and cultural spaces, the Asian tour carries additional weight. Laufey is an Icelandic-Chinese songwriter, singer, producer and multi-instrumentalist, and her audience in Asia has been growing in recent years together with global interest in her sound. The concert in Hong Kong is therefore not only a local date, but the starting point of a wider regional journey that connects a new career phase with an audience that accepted her music very early and very loudly.

Short reminder for visitors


  • Event: Laufey - "A Matter of Time Tour".

  • Venue: AsiaWorld-Expo - Arena (Hall 1), Hong Kong.

  • Time: the start is announced for 20:00.

  • Ticket: valid for one day.

  • Musical focus: jazz-pop, classical influences, intimate songwriting and material from the current "A Matter of Time" phase.

  • Arrival: it is most practical to plan the route toward AsiaWorld-Expo Station and check traffic notices on the day of the event.



This is a concert for an audience that wants to hear how a quiet, precisely written song behaves in a large space. Laufey has built a career on the blend of elegance and immediacy: she can sound as if she comes from an old jazz club, while at the same time speaking to an audience that grew up with streaming, social networks and rapid genre changes. At AsiaWorld-Arena, that blend receives a large frame, but the essence remains the same - the voice, the song and the feeling that every melody can be heard up close, even when the hall is full.

Sources:- AsiaWorld-Expo - event page used for the date, venue, beginning of the Asian leg of the tour, description of Laufey's style, recognitions and entry notes.

- Laufey - tour page used for the schedule of Asian dates and confirmation of the Hong Kong performance as part of the "A Matter of Time Tour".

- GRAMMY.com - interview and profile used for the context of the album "A Matter of Time", collaborations with Spencer Stewart and Aaron Dessner and the creative direction of the current phase.- AsiaWorld-Expo - hall and arrival pages used for information about the location, transport connectivity, car parks and features of the complex.

- setlist.fm - overview of previous performances used exclusively for general insight into songs that appeared earlier on the tour, without claiming that the Hong Kong setlist is known in advance.

- The Beat Asia and Lifestyle Asia Hong Kong - regional preview articles used for additional context of the Asian leg of the tour and the Hong Kong date.

Everything you need to know about tickets for concert Laufey

+ Where to find tickets for concert Laufey?

+ How to choose the best seat to enjoy the Laufey concert?

+ When is the best time to buy tickets for the Laufey concert?

+ Can tickets for concert Laufey be delivered electronically?

+ Are tickets for concert Laufey purchased through partners safe?

+ Are there tickets for concert Laufey in family sections?

+ What to do if tickets for concert Laufey are sold out?

+ Can I buy tickets for concert Laufey at the last minute?

+ What information do I need to buy tickets for the Laufey concert?

+ How to find tickets for specific sections at the Laufey concert?

3 hours ago, Author: Culture & events desk

Find accommodation nearby


You may be interested

Friday 15.05. 2026 20:00
National Taiwan Sport University Arena, No. 250, Wenhua 1st Rd, Guishan District
Tuesday 19.05. 2026 20:00
Singapore Indoor Stadium, 2 Stadium Walk
Tuesday 26.05. 2026 00:00
SM Mall of Asia Arena, Mall of Asia Complex, J.W. Diokno Boulevard, cor Coral Way
Wednesday 27.05. 2026 00:00
SM Mall of Asia Arena, Mall of Asia Complex, J.W. Diokno Boulevard, cor Coral Way
Thursday 28.05. 2026 00:00
SM Mall of Asia Arena, Mall of Asia Complex, J.W. Diokno Boulevard, cor Coral Way
Sunday 31.05. 2026 17:00
IMPACT Arena, IMPACT Arena Hall, Popular Rd, Ban Mai
Tuesday 02.06. 2026 12:00
Axiata Arena, L2-E-10, Enterprise 4, Technology Park Malaysia, Lebuhraya Bukit Jalil, Bukit Jalil
Friday 05.06. 2026 19:00
Tokyo Garden Theater, 2 Chome-1-6 Ariake, Koto City
Sunday 07.06. 2026 18:00
KINTEX Hall 9, 217-59 Kinteksu-ro, Daehwa-dong, Ilsanseo-gu
Monday 15.06. 2026 19:00
Capital Indoor Stadium, Bagou Cun, Haidian District
Wednesday 17.06. 2026 19:30
Mercedes-Benz Arena, No. 1200 Shibo Avenue (Expo Avenue), Pudong New Area
Saturday 25.07. 2026 20:00
RAC Arena, 700 Wellington St
Tuesday 28.07. 2026 20:00
Arena at Adelaide Entertainment Centre - Complex, 98 Port Rd, Hindmarsh
Thursday 30.07. 2026 20:00
Rod Laver Arena, 200 Batman Ave
Friday 31.07. 2026 19:30
Rod Laver Arena, 200 Batman Ave
Saturday 01.08. 2026 19:30
Rod Laver Arena, 200 Batman Ave
Monday 03.08. 2026 19:30
Brisbane Entertainment Centre, Brisbane Entertainment Centre, 1 Melaleuca Dr, Boondall QLD 4034
Friday 07.08. 2026 20:00
Qudos Bank Arena, 19 Edwin Flack Ave, Sydney Olympic Park
Saturday 08.08. 2026 19:30
Qudos Bank Arena, 19 Edwin Flack Ave, Sydney Olympic Park
Wednesday 12.08. 2026 19:30
Spark Arena, 42/80 Mahuhu Crescent, Parnell

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.