Concert

James Blake in Paris: tickets for Le Grand Rex concert featuring Trying Times and his most beloved songs

Monday, 12 October 2026 at 8:00 PM · Le Grand Rex Paris, France
· Capacity: 2,700
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Experience James Blake live at Le Grand Rex in Paris on 12 October 2026. The Trying Times tour brings tracks from his new album together with favourites such as Retrograde and The Limit to Your Love. Explore the concert details, choose your preferred date and plan your ticket purchase for an evening of electronic soul

James Blake will perform on October 12, 2026, at Le Grand Rex in Paris, where, starting at 8:00 PM, he will present music from his album "Trying Times" alongside a selection of songs that have defined his career. The British singer, songwriter and producer brings his distinctive blend of electronic music, soul, alternative R&B and deeply emotional vocals to Paris. The concert is part of the "Trying Times European Tour", with Paris hosting two consecutive performances on October 12 and 13.

For audiences who discovered James Blake through songs such as "Retrograde", "The Limit to Your Love" or "Say What You Will", the Paris concert offers an opportunity to hear how his music has evolved from minimalist electronic arrangements to richer, more layered compositions. The contrast between quiet piano passages, expressive vocals and deep electronic bass will be particularly striking in the main auditorium of Le Grand Rex. It is worth checking ticket availability for the preferred Paris date in advance, as the two performances are separate concert events.

The Trying Times tour marks a new chapter in James Blake's career

Released on March 13, 2026, through Good Boy Records, "Trying Times" is the centerpiece of the current tour. It is Blake's seventh studio album and his first independently released full-length record following his departure from a major record label. The new material continues to explore the space between electronic production, piano, soul and pop melodies while introducing a stronger thematic connection between the songs.

At the heart of the album are human relationships, the uncertainties of modern life, feelings of isolation and the need for closeness. The single "Death of Love" is one of the clearest examples of this approach. On the track, Blake combines restrained production with an almost choral sense of emotion, while "I Had a Dream She Took My Hand" opens up a different, more melodically direct musical space. The title track, "Trying Times", connects a personal narrative with the sense of uncertainty that runs throughout the album.

The album features British rapper Dave on "Doesn't Just Happen" and American singer Monica Martin on "Didn't Come To Argue". It also includes "Walk Out Music", "Make Something Up", "Days Go By", "Rest Of Your Life" and "Through The High Wire". The different approaches to rhythm and vocals give Blake a wide range of possibilities for interpreting these songs in concert.

His independent recording phase is particularly important for understanding this tour. In recent years, Blake has spoken publicly about the economics of the music industry and the position of independent artists, and "Trying Times" represents a concrete step toward greater control over his own releases. Audiences are therefore attending not only a presentation of new songs but also a performance by a musician who is redefining how he releases and presents his work.

From Retrograde to new songs: how Blake's concert repertoire is changing

James Blake has developed a distinctive live performance style in which silence and the space between notes are just as important as melody. His cover of "The Limit to Your Love", originally associated with Canadian musician Feist, became an early example of his ability to transform a familiar composition into something entirely different. Deep bass, stripped-back piano and prominently featured vocals characterized his breakthrough to a wider audience.

"Retrograde", from the album "Overgrown", remains one of his most recognizable works. "Overgrown" won the Mercury Prize in 2013, further establishing Blake as one of the most compelling British songwriters of his generation. Later albums, including "Assume Form", "Friends That Break Your Heart" and "Playing Robots into Heaven", expanded his sound into various forms of electronic, pop and experimental music.

The repertoire of the current tour already provides a clear picture of what audiences can expect. During his performances in Brussels on October 8 and 9, Blake performed "Walk Out Music", "Death of Love", "I Had a Dream She Took My Hand", "Make Something Up", "Trying Times", "Days Go By" and "Doesn't Just Happen". Older songs included "Retrograde", "Radio Silence", "I'll Come Too", "You're Too Precious" and "Say What You Will".

Those concerts also featured covers of "The Limit to Your Love" and "Godspeed", a song by Frank Ocean. These examples demonstrate how Blake's live program embraces different periods of his career. The Paris setlist has not been confirmed in the same order, so previous performances should be viewed as an indication of his current musical direction rather than a guaranteed list of songs.

Why his songs sound different live than on the albums

A defining feature of Blake's approach is the constant shifting of attention between vocals, piano and electronic layers. In some songs, the voice occupies almost the entire musical space, while others rely on rhythmic repetition, powerful bass or transitions between subtle and intense passages. This range makes his concerts appealing both to listeners who seek rhythm in electronic music and to those who place greater importance on melody and lyrics.

The transition between older compositions rooted in minimalism and new material that addresses personal and social themes more openly could be especially interesting. Unlike concerts where songs remain almost unchanged from their studio versions, Blake's style allows room for different emphases, extended instrumental passages and shifts in dynamics. This does not mean that every performance is improvised, but rather that the live presentation can reveal details that are less noticeable on recordings.

Monica Martin confirmed as the opening act in Paris

Monica Martin, an American singer and songwriter known for her expressive voice and work in alternative pop and soul, has been announced for the Paris concert program. Her participation is particularly interesting because she collaborates with Blake on "Didn't Come To Argue", a track from his current album "Trying Times".

Martin also performed as part of Blake's concert program in Brussels shortly before the Paris dates. Her music, built around emotionally expressive vocals and restrained arrangements, fits stylistically with an evening dedicated to Blake's repertoire. Although her appearance has been confirmed for the Paris program, the venue's published schedule does not specify the exact timing of her opening performance or whether the two artists will perform their album collaboration together.

For visitors, this means arriving sufficiently early is advisable to avoid missing the beginning of the musical program. In addition to the headlining performance, the evening offers an opportunity to discover a musician whose work holds an important place in Blake's current discography.

Le Grand Rex: a historic Parisian venue for contemporary electronic music

Le Grand Rex is located at 1 Boulevard Poissonnière in Paris's second arrondissement. The venue opened on December 8, 1932, and is one of the most recognizable examples of Parisian art déco architecture. Its monumental façade, lavishly decorated interior and large auditorium distinguish it from traditional concert clubs.

According to the venue's information, the main auditorium has 2,702 seats. Originally designed for film screenings, the building has become an important location for concerts, premieres and other cultural events over the decades. Its interior design, featuring balconies, decorative elements and a ceiling reminiscent of a starry sky, contributes to the atmosphere of a historic theater.

For a James Blake performance, such a setting offers an interesting advantage: audiences can experience the artist in an environment that encourages more focused listening than large outdoor festival grounds. This is particularly important for music that alternates between extremely quiet vocal moments and electronic passages with pronounced bass. The final sound experience will, of course, depend on the concert production and seating position.

Unlike enormous arenas, the main auditorium of Le Grand Rex allows the venue's visual identity to connect more clearly with the artist's performance. Views of the stage, balcony positions and the auditorium layout can significantly influence the experience, making it important to pay attention to the designated section or seat when selecting tickets.

How to reach Le Grand Rex and what to know before entering

The venue is located in central Paris, in the Grands Boulevards district. It is well connected by public transport, and the Paris Métro is the easiest way to reach it for most visitors. Bonne Nouvelle station is immediately next to the venue, while Grands Boulevards and Sentier stations are also within walking distance.

Essential information for attending the concert:

  • Concert date: Monday, October 12, 2026.
  • Scheduled program start: 8:00 PM, Paris local time.
  • Address: Le Grand Rex, 1 Boulevard Poissonnière, 75002 Paris, France.
  • Métro: Bonne Nouvelle, lines 8 and 9; alternatively, Grands Boulevards or Sentier.
  • Main auditorium capacity: 2,702 seats.
  • Parking: Rex Atrium public parking garage, 5-7 Rue du Faubourg Poissonnière.
  • Accessibility: the main auditorium is accessible to people with reduced mobility, subject to advance verification of suitable seating.
  • Opening act: Monica Martin.

Le Grand Rex states that doors for concerts generally open approximately an hour and a half before the start, but this does not confirm the exact opening time for this particular evening. Visitors should check the information associated with their tickets and the latest announcements from the organizers. It is also important to distinguish between the scheduled start of the program and the beginning of James Blake's own performance, particularly because of the opening act.

Venue rules prohibit bringing food and drinks purchased outside the building. Electric scooters and electric bicycle batteries are also prohibited for safety reasons. Visitors carrying large luggage should check storage options in advance rather than assume they will be allowed to bring it into the auditorium.

For those arriving by car, the Rex Atrium public parking garage is located nearby. However, traffic in central Paris and the possibility of evening congestion make the Métro worth considering. Visitors using public transport after the concert should check the last departures on their routes, especially if they are traveling onward to more distant parts of the city.

Two Paris concerts as part of the European tour

The Paris performance is part of a broader European series of concerts promoting James Blake's "Trying Times". The tour included London in late September and continued with concerts in Utrecht and Brussels in early October. Following the Paris dates, performances are scheduled in Berlin and Cologne, followed by further concerts in the United Kingdom.

What makes Paris special is that Le Grand Rex will host Blake on two consecutive evenings. The concerts are scheduled for October 12 and 13, each with a program start time of 8:00 PM. This arrangement gives audiences a choice of two dates, but a ticket for one evening does not grant admission to the other concert.

Within the context of the tour, the Paris performances follow shows at which a substantial portion of the new album has already been presented. This matters for audiences interested in experiencing his current live sound rather than simply hearing a selection of older hits. Blake remains an artist who draws equally on the intimacy of vocal performance and the possibilities of contemporary electronic production.

Visitors traveling to Paris specifically for the concert are advised to secure tickets for their preferred date first and then coordinate transport and accommodation. Both announced performances take place at the same venue but are separate events.

Who will find a James Blake concert particularly appealing?

Blake's audience is not confined to a single musical genre. His work brings together listeners from the British electronic scene, alternative R&B, contemporary soul and experimental pop. His early releases attracted fans of post-dubstep and minimalist production, while later albums appealed to audiences interested in strong melodies and more intimate songwriting.

For longtime fans, the concert offers an opportunity to compare different periods of his career. Those familiar with him through "Retrograde" or "The Limit to Your Love" can expect to encounter newer material that demonstrates how his approach to songwriting has changed. For new listeners, "Trying Times" can serve as a natural starting point for exploring his work.

Blake's influence extends beyond his solo discography. He has collaborated with artists including Beyoncé, Frank Ocean, Kendrick Lamar, Travis Scott, SZA and ROSALÍA, with his production and songwriting partnerships spanning different areas of contemporary popular music. Nevertheless, the Paris concert focuses on his own work, and appearances by those well-known collaborators have not been announced.

This makes the evening particularly appealing to listeners who appreciate the details of music production, emotional precision in vocal delivery and arrangements that do not rely exclusively on conventional pop formulas. Audiences expecting an uninterrupted dance-oriented performance should anticipate considerably more varied dynamics, including quieter passages and occasional powerful rhythmic climaxes.

Paris before and after the concert: what the Grands Boulevards area offers

The central Paris location of Le Grand Rex makes it easy to combine the concert with time spent exploring the city. Grands Boulevards is known for its theaters, restaurants, cafés and historic passages, while the immediate surroundings of the venue offer numerous options for dinner or a short walk before the program.

Nearby are Passage Jouffroy and Passage des Panoramas, covered shopping arcades that form distinctive parts of Parisian urban history. Boulevard Montmartre and its surrounding streets offer a different experience of Paris from the areas around major tourist landmarks, with a greater emphasis on everyday city life and evening cultural activities.

For visitors coming from other cities, the venue's connection to the public transport network and the possibility of choosing accommodation in different parts of Paris are practical advantages. Staying immediately next to Le Grand Rex is not necessary, but checking public transport options for the return journey after the event is advisable.

Tickets, evening schedule and details worth checking

The James Blake concert on October 12 is scheduled to begin at 8:00 PM at Le Grand Rex. Visitors should remember that several performances on his European tour are taking place during the same week, including a second Paris concert the following day. When selecting tickets, it is essential to verify the exact date, venue name and any assigned seat number.

Le Grand Rex notes that seating arrangements may vary depending on the event. For assigned seating, the ticket contains information about the designated seat, while general seating arrangements require visitors to follow the rules established for that particular event. It is not advisable to assume that the layout will be the same as for regular film screenings.

Ticket availability may change right up until the concert begins. Anyone wishing to attend a particular evening should check available seats in good time and secure a ticket that matches their travel plans. For people requiring accessible seating or assistance with entry, contacting the venue in advance is particularly important.

The announced program combines music from "Trying Times", earlier Blake favorites and a performance by Monica Martin. The exact order of songs and the ending time have not been confirmed in advance. Arriving with sufficient time to spare allows for easier entry and the opportunity to follow the program from the beginning, particularly in a historic venue where the organization of the auditorium and access to different levels may require additional time.

Sources:
- Le Grand Rex - confirmation of the October 12 and 13, 2026 concerts, schedule, Monica Martin and entry rules: https://www.legrandrex.com/en/evenement/1786
- Le Grand Rex - address, auditorium capacity, Métro, parking, accessibility and usual door opening times: https://www.legrandrex.com/en/infos-pratiques
- Le Grand Rex - venue history and art déco architecture: https://www.legrandrex.com/en/toute-une-histoire
- James Blake - Trying Times European Tour - published European tour schedule: https://drop.cobrand.com/d/JamesBlake/tryingtimeseuropeantour
- Official Charts - release date of "Trying Times", record label context and track listing: https://www.officialcharts.com/albums/james-blake-trying-times/
- Apple Music - album description, thematic context, track listing and Blake's statements: https://music.apple.com/us/album/trying-times/1880811313
- setlist.fm - records of songs performed at concerts in Utrecht and Brussels in October 2026: https://www.setlist.fm/setlists/james-blake-33d5c461.html
- Ville de Paris - architectural and historical features of Le Grand Rex: https://www.paris.fr/en/pages/historic-monuments-the-most-beautiful-cinemas-in-paris-29681

Accommodation nearby

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