Chase and Status tickets for Robinson Pavilion Perth and the high-energy "Section 63" drum and bass show

Chase and Status in Perth: drum and bass in a space made for powerful sound

Chase and Status arrive at Robinson Pavilion in Perth on June 25, 2026, starting at 17:00, as part of the "Section 63" concept, a new format that the British duo presents as a departure from the classic DJ performance. The ticket is valid for one day, and interest in this series is already high: dates have been announced for June 25, 26 and 27 in the same venue, with confirmed guest ShockOne for all three performances. Tickets for this event are in demand.

For an audience that follows drum and bass, jungle, bass music and festival electronics, this is not just another date on the calendar. Chase and Status, namely Saul Milton and Will Kennard, have been shaping the sound of the British electronic scene for more than two decades. Their catalogue combines fast breakbeat rhythms, deep bass, vocals from the grime and hip-hop world, and choruses that have moved from underground clubs to major stages. "Baddadan", "Disconnect", "Backbone", "No Problem", "Blind Faith" and "End Credits" are part of the repertoire by which audiences recognize them, although the final set list for Perth has not been publicly announced.

Why "Section 63" matters in the current phase of their career

"Section 63" arrives at a moment when Chase and Status are once again among the most visible names on the global bass scene. The album, or mixtape, "2 Ruff - Vol. 1", gave them fresh commercial and club momentum: the project reached No. 4 on the Official Albums Chart, and collaborations with Bou, Flowdan, Becky Hill, ArrDee, Hedex, Stefflon Don, Clementine Douglas and other artists gathered around it. That wave did not remain only on streaming platforms. "Baddadan" became one of the recognizable drum and bass anthems of a newer generation, while "Backbone" with Stormzy entered straight at No. 1 on the UK singles chart in August 2024.

In the same period, the duo won the BRIT Award for Producer of the Year, which is important because their reputation has never rested only on performances. Chase and Status are producers who build entire sonic spaces: from dark, almost industrial bass lines to vocal choruses that carry festival intensity. Because of this, their performance attracts several layers of audience. Longtime fans come for material from earlier phases, new audiences for the "Baddadan" and "Backbone" era, and electronic music lovers for their ability to present drum and bass as a massive but also precisely directed live experience.

What the audience can expect from the evening

The organizers have announced "Section 63" as an immersive experience and a new step in the Chase and Status performance format. Production details have not been fully revealed, which is important to emphasize: one should not expect unverified claims about effects, guests or the exact order of songs. What can be described is the context. Previous Chase and Status performances are known for a direct rhythmic impact, frequent transitions, strong communication with the audience and the sense that songs function as waves of energy rather than as separate radio singles.

At Robinson Pavilion, such an approach can work especially well because it is a large, enclosed, multifunctional space within Claremont Showground. It is not a stadium where part of the audience is lost in the distance, but a pavilion intended for large exhibitions, festivals, markets and music events. For electronic music, that means a space in which bass, light and audience movement become part of the same experience. Places are disappearing quickly.

Musical profile of the evening

Chase and Status are strongest when they combine the raw energy of drum and bass with vocals that have weight of their own. That is why their performances are not experienced as a series of songs for dancing, but as a collision of scenes: club culture, grime, pop, jungle tradition and festival production. In more recent releases, that fusion is even more pronounced. "Disconnect" with Becky Hill brings the melodic side of their sound, "Baddadan" emphasizes MC energy and the pressure of soundsystem culture, while "Backbone" with Stormzy connects drum and bass with British rap authority.

For the audience, this means an evening that will especially attract:

• fans of drum and bass, jungle and bass music who want to hear artists with major influence on the genre;
• visitors who discovered Chase and Status through "Baddadan", "Disconnect" or "Backbone";
• audiences who like electronic performances with strong vocal moments and rapid shifts of energy;
• travelers looking for a rare concert reason to visit Perth and Western Australia.

ShockOne as confirmed support

ShockOne, a producer and DJ from Perth, has been announced for all three dates, further strengthening the local character of the evening. His presence makes sense not only as an introduction to Chase and Status, but also as a link with the Australian bass scene. In practice, this gives the audience a broader framework: the evening is not reduced only to the headline performance, but has a clear drum and bass and bass identity from the early part of the program.

The exact performance schedule and duration of individual sets should not be assumed until the organizer publishes details for the day of the event. Since the start is indicated for 17:00, visitors who want to avoid crowds at the entrance and catch the beginning of the evening should plan to arrive earlier, especially if they are coming by public transport or by car.

Robinson Pavilion: a large indoor space at Claremont Showground

Robinson Pavilion is located within Claremont Showground, at 1 Graylands Road, Claremont WA 6010. According to venue information, it is the largest indoor space within the complex, with an area of 4,056 square meters. The pavilion has toilets, air conditioning, power connections, a PA system and is accessible as a multifunctional space for larger events.

Three things matter for the Chase and Status concert. First, an enclosed space helps create concentrated sound and a denser sense of togetherness. Second, the pavilion format suits electronic music because the audience does not come to sit and observe from afar, but to move and react to the rhythm. Third, Claremont Showground is already developed as a complex for large events, so arrival is not tied only to one entrance or one transport option.

Basic arrival information

• Venue: Robinson Pavilion, Claremont Showground, Perth, Australia.
• Complex address: 1 Graylands Road, Claremont WA 6010.
• Space format: large indoor pavilion within a showground and event complex.
• Pavilion area: 4,056 m2.
• Transport: train, bus, car and rideshare options according to Claremont Showground information.
• Rail access: Showgrounds Station operates for larger events, and Claremont Station is an additional nearby station for regular lines.

How to plan arrival in Claremont

Claremont Showground is located west of central Perth, approximately 8 kilometers from the city’s central business district. For visitors who do not know the city, this is a useful distance: close enough for easy arrival, but far enough outside the very center that traffic and entrance planning should be taken seriously. The venue organizers state that the complex is connected by train, bus, car and rideshare services. For large events, special information about entrances, parking and stations should be checked before departure.

The train is often the simplest option for large music events at Claremont Showground. Showgrounds Station is used during larger events and provides direct access to the complex, while Claremont Station is a practical alternative for regular lines. If you arrive by car, it is important to account for variable parking conditions around large events. The venue lists parking within the complex, but availability may depend on the specific event, entrances and traffic regulation on that day.

Perth can easily be combined with a concert trip: the city lies by the Indian Ocean, the Swan River shapes central views, and Fremantle is a nearby port point for visitors staying longer than one evening.

Who this concert is especially attractive for

This performance has a wide range of potential audience, but it will hit three groups most strongly. The first are fans who have followed Chase and Status since the period of the albums "More Than Alot" and "No More Idols", when their sound and concert identity solidified between the club scene and major stages. The second are newer listeners who came to them through "2 Ruff - Vol. 1", the viral life of "Baddadan" and the collaboration with Stormzy. The third are visitors who do not necessarily follow every single, but want to experience a powerful electronic performance in a space large enough for production and focused enough for direct contact with the audience.

The special nature of the date also lies in the limited character of the "Section 63" concept. The announcement lists London, Tilburg and Perth as the cities in the initial presentation of this format, and Perth is highlighted as the only stop for Australia, New Zealand and the southern hemisphere. This gives the concert additional weight: it is not a routine tour stop repeated in every larger city, but a rare presentation of a new format on the global Chase and Status map. It is worth securing tickets in time for available dates and checking entry conditions before arrival.

Practical rhythm of the evening

The 17:00 start suggests an evening that can begin while the city is still in its daytime rhythm and end in full concert energy. This changes the way of planning. It is good to avoid arriving at the last minute, especially because electronic events often create crowds at security checks and cloakroom points if they are available. Since the exact timetable of individual performances has not been publicly confirmed, it is most reasonable to assume that the program may develop gradually and that the support can be an important part of the experience, not just an introduction.

The audience should prepare for a physically intense performance: fast tempo, dense bass, a lot of movement and loud production. It is useful to bring only what is necessary, check entry rules and plan the return in advance, especially if using public transport or rideshare.

Concert context: more than one date

Perth gets an important role in this phase of Chase and Status’s career because "Section 63" is being presented as a limited and ambitious concept. After the success of "2 Ruff - Vol. 1", BRIT recognition and the first UK number one with "Backbone", the duo enter 2026 with enough fresh material and reputation for the audience to expect a performance that relies on the present, not only on nostalgia. This is perhaps the most important difference compared with many comeback tours: Chase and Status are not a name relying only on earlier hits, but artists who have expanded their circle of listeners again in recent years.

Robinson Pavilion, meanwhile, provides a framework that matches that moment. It is not an intimate club, but neither is it a space in which energy necessarily dissipates. A large indoor pavilion can handle powerful sound, larger attendance and production that wants to pull the audience into the same pulse. For fans who love bass culture, that is precisely the key: the moment when familiar songs, unreleased transitions, MC energy and the crowd’s reaction merge into a single rhythm of the evening.

Ticket sales for this event are underway for available dates. Visitors traveling to Perth are especially advised to plan accommodation, arrival to Claremont and return after the concert before the event date approaches, because a limited series of this kind of format naturally attracts audiences from outside the city itself.

Sources:
- Handsome Tours - information on the "Section 63" concept, Perth dates, confirmed ShockOne support and description of the limited series.
- Palace J Entertainment - confirmation that the June 25 and 26 dates are sold out, that a third date has been added and that ShockOne is support for all three performances.
- Claremont Showground - information on Robinson Pavilion, address, venue area, facilities and transport access to the complex.
- Official Charts - information on "2 Ruff - Vol. 1", collaborators on the project and the success of the single "Backbone" on the UK chart.
- BRIT Awards - confirmation that Chase and Status won Producer of the Year 2024.
- Tourism Western Australia and Destination Perth - context of Perth, the coast, the Swan River area and broader city orientation for visitors.