See Myles Smith live at a folk-pop concert in Salt Lake City at The Lot at The Complex on August 12, 2026. Expect songs such as "Stargazing", music from his debut album and an opening set by Jonah Kagen. Plan your ticket purchase and arrive early for the full evening
Myles Smith at The Lot: a folk-pop evening under the open sky in Salt Lake City
Myles Smith is coming to Salt Lake City at a time when his journey from viral singer-songwriter to performer on major international stages is entering a new phase. The concert will take place on August 12, 2026, at The Lot at The Complex, with the start announced for 7:00 PM. Doors open at 6:00 PM, leaving enough time to enter and become familiar with the outdoor concert venue before the program begins.
The performer listed on the schedule is Myles Smith. The British singer-songwriter became globally recognizable thanks to the song "Stargazing", but the Salt Lake City performance comes after an important step in his career: the release of his debut album "My Mess, My Heart, My Life." in June 2026. This is therefore not a concert built around just one hit, but an opportunity for the audience to hear a performer with a broader catalog and a more clearly defined live identity.
Jonah Kagen has been confirmed as the opening act, an American singer-songwriter whose organic folk and alternative pop complement Smith's sound well. The combination of the two performers gives the evening a recognizable direction: acoustic guitars, powerful choruses, personal lyrics and songs that are intimate enough for attentive listening, yet direct enough for singing together.
Tickets for this event are currently on sale.
From "Stargazing" to the debut album
"Stargazing" is the song that transformed Myles Smith from an online discovery into an internationally recognizable name. The single reached number four on the UK chart, and during 2024 it became the biggest single by a British artist on that chart. Its appeal lies in an effective combination of acoustic guitar, warm vocals and a chorus that easily shifts from a personal confession into a song for a large audience.
Smith received the BRITs Rising Star award in 2025, confirming that his success was not limited to a single viral moment. In the meantime, the songs "Nice To Meet You", "Gold", "Stay (If You Wanna Dance)" and "Drive Safe" broadened the picture of his work. "Drive Safe", a collaboration with Niall Horan, shows how Smith's songwriting approach fits into contemporary pop without losing its intimacy.
The debut album "My Mess, My Heart, My Life." was released on June 19, 2026, and contains 15 songs. Alongside previously known singles, the album includes titles such as "Hold Me In The Dark", "Grandma's Place", "Mary's Song", "Sertraline", "Heaven", "Dying Days", "Lifetime" and "Dublin Lights". The title itself accurately describes the foundation of Smith's writing: emotions are not arranged into a perfect story, but remain connected to mistakes, family memories, relationships and personal change.
For concert audiences, this means that the repertoire is now more varied than it was at the time of his initial breakthrough. The new material creates room for quieter moments and for full-band arrangements. The exact song order for Salt Lake City has not been announced, so a particular set list should not be assumed. Nevertheless, the evening can be expected to connect the debut album with the songs that brought Smith to an international audience.
What Myles Smith sounds like live
Previous reviews of Smith's concerts often emphasize the relationship between his acoustic foundation and the energy of the band. Songs may begin as simple singer-songwriter performances and then expand through percussion, backing vocals and choruses that invite a response from the audience. This transition from the personal to the collective is one of the reasons his music works both in smaller halls and at major festivals.
Smith does not perform as an artist focused on choreography or an elaborate stage production. The emphasis is on the vocals, guitar, band and communication with the audience. The biggest shared moment of the evening will probably be connected to "Stargazing", while "Nice To Meet You" and "Stay (If You Wanna Dance)" bring a lighter, more rhythmic tone. Songs from the debut album may create a contrast between the energetic sections of the program and quieter moments in which the lyrics come to the forefront.
Pre-confirmed guests, special effects or a precisely determined performance duration should not be expected, because these details have not been announced.
It is worth securing tickets in good time.
Jonah Kagen as the opening to the evening
Jonah Kagen writes, performs and produces his own music, combining the folk tradition with modern alternative production. His guitar technique and approach to building songs rely on rhythmic playing, clear melodies and lyrics about relationships, inner conflicts and the search for stability.
The song "God Needs The Devil" became his most recognizable title and reached number one in the alternative radio format. The album "Sunflowers and Leather" further developed a sound that combines an acoustic foundation with more spacious arrangements. For audiences attending because of Myles Smith, Kagen's performance should not feel like a departure in genre, but rather a natural beginning to the evening.
Arriving before his performance also makes sense because of the flow of the program. Since the doors open at 6:00 PM, arriving early reduces pressure at the entrance and allows the concert to be experienced as a complete event.
The Lot: an outdoor venue within The Complex
The Lot is an outdoor concert venue within The Complex, a music complex in the western part of downtown Salt Lake City. The stage is set up at the northern end of the outdoor parking area, while the indoor lobby, bars and concession facilities remain available during outdoor events. This arrangement combines the festival atmosphere of an open-air stage with the infrastructure of a permanent concert facility.
The Complex has been operating since 2010 and includes several venues of different sizes. The Lot does not have a fixed capacity published on the venue's current website, so describing it with an unverified number would not be useful. It is more important to know that it is a large open area, without the intimacy of a small club, but also without the distance characteristic of a stadium.
In an outdoor venue, the experience depends more on a visitor's position than it does in a small hall. Those who want a clearer view and a stronger feeling of proximity to the stage should arrive earlier, while the rear sections of the venue will suit visitors who value freedom of movement more highly.
It is advisable to check the weather forecast immediately before leaving and choose clothing suitable for evening conditions. Venue rules do not allow outside food or drinks to be brought in, including sealed and empty water bottles.
Key information for visitors
- Performer: Myles Smith
- Opening act: Jonah Kagen
- Venue: The Lot at The Complex, 536 West 100 South, Salt Lake City
- Date: August 12, 2026
- Doors open: 6:00 PM
- Announced start: 7:00 PM
- Venue: outdoor concert location with access to the indoor lobby, concessions and bars
- Accessibility: a designated seating area is available to visitors who require an accessible zone, subject to availability
The exact finishing time has not been announced. Visitors using public transportation should check the evening timetable and leave enough time to exit the venue after the concert.
Arrival by public transportation and car
The Complex is located at 536 West 100 South, near the western edge of downtown Salt Lake City and The Gateway complex. The facility is one or two city blocks away from the Salt Lake Central, Old Greek Town and Planetarium stations. Salt Lake Central connects TRAX and FrontRunner, so it may be convenient for visitors arriving from other parts of the metropolitan area. Before departure, it is useful to check the current line schedule and the time of the final return service.
Drivers have three basic options:
- Street parking on the surrounding streets, which is governed by city regulations and is not guaranteed.
- Underground parking garages within The Gateway, east of The Complex.
- Limited parking within The Complex when it is offered for a particular event.
When using street parking, prohibition signs should be followed carefully. Vehicles left in unauthorized zones may be fined or towed, and valuables should not be left inside the vehicle. Since the concert takes place on a weekday, it is practical to arrive earlier, park outside the immediate congestion and complete the final part of the journey on foot.
Entry rules and practical preparation
The Complex screens visitors upon entry. Large bags, backpacks, tote bags and water containers are not permitted. Smaller purses, waist bags and small crossbody bags are generally acceptable. Weapons, outside food and drinks, professional photography and video equipment without accreditation, markers and pens are not permitted.
There is no re-entry after admission, so visitors should check that they have everything they need before passing through security. The venue operates without cash and accepts major cards and contactless payments. Visitors with medical needs should contact staff upon arrival. Medical personnel are present at events, and accessible parking spaces inside the main gates are available on a first-come, first-served basis with the appropriate permit clearly displayed.
For a smoother arrival, it is useful to prepare the ticket before approaching security, reduce the contents of the bag to a minimum and agree on a meeting point with the group before entering.
Who will find the concert particularly appealing
The concert will appeal most strongly to audiences who follow contemporary folk-pop and singer-songwriter pop with large choruses. Longtime followers of Myles Smith will have the opportunity to hear how the early material fits alongside songs from the debut album, while the broader audience will recognize at least "Stargazing" and "Nice To Meet You". The program is also accessible to visitors who usually listen to performers at the intersection of pop, folk and alternative music.
Jonah Kagen expands the evening toward American alternative folk. His performance may be particularly interesting to fans of acoustic guitar and introspective lyrics. The common denominator between the two performers is not only the genre, but also the way they transform personal stories into choruses for a large audience.
The evening's main strengths will be the songs, vocals, guitars and audience response. The outdoor setting of The Lot provides enough space for a full concert sound while maintaining a more immediate relationship with the stage than large stadium performances.
Planning the evening in Salt Lake City
The area around The Gateway and the western part of downtown offers options for a meal before the concert, but bringing food and drinks into the venue is not permitted. The safest plan is to finish dinner early enough, arrive near the venue before the doors open and allow additional time for parking or walking from the station.
The ticket is valid for one day. Before leaving, visitors should check the door-opening time, entry conditions and any possible schedule changes again. It is worth securing tickets in good time and planning to arrive early enough to hear Jonah Kagen as well, because his performance is not merely an opening formality but a stylistically important part of the evening.
Sources:
- The Complex - concert announcement, door-opening time, performers and location.
- The Complex Plan Your Visit - address, entry rules, accessibility, parking, public transportation and payment methods.
- The Complex Venues - description of The Lot and the context of the complex.
- Myles Smith Store and Sony Music - release date, track listing and context of the album "My Mess, My Heart, My Life."
- Official Charts - the chart result of the song "Stargazing" and the artist's career context.
- BRIT Awards - BRITs Rising Star 2025 recognition.
- Jonah Kagen - biographical information, musical approach and the song "God Needs The Devil".
- The Guardian, The Upcoming and 27 Magazine - descriptions of previous concert performances and audience reactions.