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Lenny Kravitz tickets for Le Printemps de Pérouges concert in Saint-Maurice-de-Rémens

Tuesday, 23 June 2026 at 6:00 PM · Le Printemps de Perouges Saint-Maurice-de-Rémens, France
· Capacity: 5,000

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Looking for Lenny Kravitz tickets in Saint-Maurice-de-Rémens? Secure your place for the 23 June 2026 concert at Le Printemps de Pérouges, with rock, funk and soul energy from the "Blue Electric Light" era and DE'WAYNE on the bill

Lenny Kravitz at Chùteau de Saint-Maurice-de-Rémens Park

Lenny Kravitz is coming to Le Printemps de Pérouges in Saint-Maurice-de-Rémens, in the French department of Ain, with a concert evening that combines a festival format, an open-air setting and a career built on the fusion of rock, funk, soul and R&B. The date is Tuesday, 23.06.2026, and the event is announced to begin at 18:00. The venue is Chùteau de Saint-Maurice-de-Rémens Park, a space that in recent years has given the festival a distinctive character: this is not an indoor arena, but an open-air concert, in the greenery of a former family estate connected with Antoine de Saint-Exupéry.

For Kravitz, this is one of the French dates in the European part of the tour schedule. Immediately after Saint-Maurice-de-Rémens comes a performance in Nßmes, so this concert has a clear position in a series of summer performances at festivals and on large open-air stages. Tickets for this event are in demand.

Why Kravitz remains a powerful concert name

Lenny Kravitz has never been a performer who can be reduced to a single genre box. His sound relies on guitar, groove, bass lines, a gospel feeling in the choruses and an aesthetic that evokes the seventies, but does not remain trapped in a retro image. In the same concert breath, a firm rock riff, softer soul, a funk rhythm and a pop chorus that the audience immediately recognizes can all meet.

The wider audience most often associates him with the songs "Are You Gonna Go My Way", "Fly Away", "It Ain't Over 'Til It's Over", "Again" and "American Woman". These are titles that explain why his concerts attract several generations: some visitors come because of the albums from the nineties, some because of the radio repertoire that has remained present for decades, and some because of the current touring energy around the album "Blue Electric Light".

The Grammy overview of Kravitz's career records wins in the category of male rock vocal performance for "Fly Away", "American Woman", "Again" and "Dig In". This is important context because it speaks of the type of performer who, on stage, does not rely only on a catalogue of hits, but also on vocal control, guitar presence and work with the band.

"Blue Electric Light" as the current concert framework

The album "Blue Electric Light" was released in 2024 through Roxie Records/BMG, and Kravitz wrote and recorded it in his studio in the Bahamas. In a career lasting more than three decades, that album functions as a return to his basic ingredients: guitar, bass, elastic funk, psychedelic details, soul vocals and anthemic choruses.

Songs such as "TK421", "Human" and "Paralyzed" opened a new phase of the concert repertoire. At previous performances within the "Blue Electric Light" tour cycle, the new material stood alongside older concert mainstays. This does not mean that the order of songs for Saint-Maurice-de-Rémens is known in advance, but it gives a good sense of what the audience can expect: a mixture of fresh material and songs that shaped Kravitz's status as a major live performer.

Concert profile of the evening

On the festival program page for Tuesday, 23.06, DE'WAYNE is also listed alongside Lenny Kravitz. This is an important addition to the evening because it announces rock and alternative energy for the audience before the main performance. DE'WAYNE stylistically moves through guitar-charged, contemporary pop-punk, rock and alternative expression, which fits well into an evening whose central performer is known for crossing genres.

For visitors who come primarily because of Kravitz, the main draw remains the encounter with songs that are already part of collective radio memory. For those who follow his newer work, the concert is an opportunity to hear "Blue Electric Light" in a festival space, where bass and guitar have a different physical force than on a recording. Places are disappearing quickly.

  • Performer: Lenny Kravitz
  • Additional performer on the program: DE'WAYNE
  • Festival: Le Printemps de PĂ©rouges
  • Venue: ChĂąteau de Saint-Maurice-de-RĂ©mens Park
  • Town: Saint-Maurice-de-RĂ©mens, France
  • Date and time: 23.06.2026 at 18:00

What the audience can expect from the performance

Kravitz's concerts most often function as a broad overview of his career. In his case, this is not only a series of singles, but also a change of moods: from an open guitar strike to slower, more sensual songs, from funk to gospel-colored finales. His band has a key role because the songs often breathe differently than in the studio versions: the guitar gets longer phrases, the rhythm section expands the groove, and the choruses become a space for the audience.

Earlier performances on the "Blue Electric Light Tour" showed that Kravitz likes to combine new songs with well-known titles. In that sense, the audience in Saint-Maurice-de-Rémens should not expect only a presentation of the new album, but a concert arc through different stages of his career. However, the exact setlist for this evening has not been announced in advance and should not be treated as guaranteed.

The greatest value of such a performance is not in guessing the order of songs, but in the performance itself. Kravitz is a performer whose stage is built on physical presence: guitar low, rhythm forward, vocals in the center, and communication with the audience simple and direct. In an open-air space, this kind of concert depends especially on the energy of the audience, because choruses such as "Fly Away" or "Are You Gonna Go My Way" are not only songs for listening, but songs for singing together.

A festival that places the concert outside the usual arena

Le Printemps de Pérouges is not just a series of evening concerts. The festival is held in Chùteau de Saint-Maurice-de-Rémens Park, a location that the organizers present as the area around the former family estate of Antoine de Saint-Exupéry. It is precisely this landscape that changes the experience of the concert: the audience does not enter a standard hall with stands and a closed roof, but a festival atmosphere in which arrival, food, drink, encounters with other visitors and waiting for the performance form part of the evening.

For Lenny Kravitz's music, such a space makes sense. His sound is neither sterile nor cold; it works best when the air between the instruments can be felt, when the bass can spread the rhythm, and the guitar has enough space for a rougher tone. The open space of the park can give the concert a more relaxed, summer character, without losing the intensity brought by a major rock performance.

The festival's 2026 program begins precisely with this evening featuring Lenny Kravitz and DE'WAYNE, and continues in the following days with names such as Magma, The Australian Pink Floyd Show, Jean-Louis Aubert, Sam Sauvage, Christophe Maé, ST GRAAL, Theodora, Miki, Louane, Luiza and Mentissa. For visitors traveling from Lyon or the surrounding area, this means that Kravitz is not an isolated event, but the starting point of a broader festival week.

Saint-Maurice-de-Rémens and getting to the concert

Saint-Maurice-de-Rémens is located in the department of Ain, between the wider Lyon area and Bourg-en-Bresse. The festival states that the location is around 40 minutes from Lyon and around 30 minutes from Bourg-en-Bresse. This is useful information for visitors planning to arrive by car, but also for those considering a combination of train and a short ride to the festival site.

By car, the usual route is the A42 motorway from the direction of Lyon towards Geneva, with exit 7 Meximieux/Pérouges or exit 8 Ambérieu-en-Bugey, depending on the direction of arrival and traffic conditions. Tourist information for Ain also mentions access by train to the Meximieux/Pérouges or Ambérieu-en-Bugey stations, after which the chùteau is roughly 10 minutes away by road through the surrounding area.

  • By car: A42 from the direction of Lyon towards Geneva, exit 7 Meximieux/PĂ©rouges or exit 8 AmbĂ©rieu-en-Bugey.
  • By train: the nearest useful stations are Meximieux/PĂ©rouges and AmbĂ©rieu-en-Bugey.
  • From the station to the location: the chĂąteau is about 10 minutes by road from the listed railway stations.
  • Parking: tourist information for the event mentions free parking areas next to the festival site.
  • Alternative: the festival encourages carpooling and also mentions the bicycle as a practical option for local visitors.

For those coming from outside the region, it is important to distinguish the name of the festival from the location. Le Printemps de Pérouges bears the name of Pérouges, but the Lenny Kravitz concert takes place in Saint-Maurice-de-Rémens. This is useful to remember when planning accommodation, navigation and the return after the end of the evening.

The timing of the evening and the rhythm of the festival

The event is announced to begin at 18:00, which for a festival evening can be understood as the time from which arrival, entry and settling into the space should be planned. The festival page for the evening program indicates a framework from 19:30 to around 23:00, with major concerts most often around 21:00 or 21:30. Such a schedule means that one should not arrive at the last moment, especially if traveling by car, if one wants to eat something in the festival zone or take a good position in the space.

Since this is an open-air festival, comfort depends on preparation. Light clothing, a layer for the later part of the evening, checking the weather forecast before departure and enough time for arrival are reasonably more important than rushing. It is worth securing tickets in time.

For whom this concert is especially attractive

This concert has several clear audiences. The first are long-time fans who have followed Kravitz since the "Let Love Rule", "Mama Said" and "Are You Gonna Go My Way" phase. For them, the appeal lies in the encounter with songs that have long outgrown the album format and become a concert ritual.

The second audience is the wider, radio audience: people who may not know the entire discography, but immediately recognize "Fly Away", "American Woman" or "It Ain't Over 'Til It's Over". For such visitors, the concert offers enough familiar moments, but also the possibility of hearing how Kravitz's newer material fits into older songs.

The third audience are lovers of live rock and funk. For them, the band, rhythm, guitar and the feeling that songs change on stage are important. Kravitz is especially interesting here because his best moments are not only in the choruses, but in the way he builds tension between the groove and the guitar wall.

A location that gives a different feeling of closeness

Chùteau de Saint-Maurice-de-Rémens Park brings a different perspective from large indoor arenas. An open space often creates a more relaxed arrival and a broader feeling of space, but at the same time it can be very powerful when the audience gathers in front of the stage. With a performer such as Kravitz, who relies on rhythmic energy and contact with the audience, such a framework can be an advantage.

There is no need to exaggerate claims about acoustics or production if the details have not been announced. What can be said is that the festival location in the park brings a natural summer setting, and Lenny Kravitz's concert will probably gain the most in moments when the audience takes over the chorus. Such moments do not depend on pyrotechnics or special effects, but on songs that are familiar enough for the audience to carry them together with the band.

A practical guide before departure

Planning for this concert should begin with arrival. Since this is a festival evening outdoors, traffic around the location may be slower immediately before the start of the program. Those coming from Lyon, Bourg-en-Bresse or from the direction of Geneva should factor in enough time for the motorway, the exit, local roads and parking.

The second important thing is the rhythm of the evening. A start at 18:00 does not mean that arrival should be planned just before the main performance. The festival format has value precisely in arriving earlier: it is easier to pass through the entrance, get to know the space, find a place and enter the atmosphere before the lights turn toward the stage. Ticket sales for this event are ongoing.

The third thing is expectations of the repertoire. At a concert like this, Kravitz will attract an audience of different generations, so it is realistic to expect a balance between hits and songs from the newer cycle. The order and exact choice of songs have not been announced, but that is precisely part of the live concert experience: a familiar riff may come earlier than expected, a slower song may cut through the rhythm of the evening, and the finale may turn into communal singing.

City context for visitors who travel

Saint-Maurice-de-Rémens is not a metropolis but a smaller commune in Ain, which gives the concert a different feeling from a performance in the center of Lyon. This is an advantage for those who want a festival outing, but it requires more careful planning of the return. If using the train, arrival at the stations Meximieux/Pérouges or Ambérieu-en-Bugey and transport to the location should be coordinated in advance. If arriving by car, it is useful to arrange shared transport and depart earlier than one would plan for a concert in a city hall.

The proximity of Lyon makes this concert accessible to a wider audience from the Auvergne-RhÎne-Alpes region, while the festival name can also attract visitors who combine the music program with a short stay in the surroundings. Pérouges, the medieval town after which the festival is named, lies within the wider tourist context of the area, but the Lenny Kravitz evening itself takes place in Saint-Maurice-de-Rémens. That difference is small on the map, but important in practice.

Why this evening has weight in the program

Opening the festival sequence with a performer such as Lenny Kravitz gives Le Printemps de Pérouges an international emphasis already on the first day. Kravitz is a performer who brings both rock iconography and pop breadth into the festival space: guitar-driven enough for lovers of a strong sound, memorable enough for a large audience, experienced enough to know how to lead a concert evening from the first riff to the last chorus.

In Saint-Maurice-de-Rémens, that energy is placed in a space that is not neutral. The chùteau park, the summer timing, the proximity of Lyon and the festival character give the concert a broader framework than a usual hall performance. For the audience, this means that the evening is not reduced only to arriving in front of the stage, but to the entire rhythm of travel, entry, waiting, encounters and singing together.

Sources:
- LennyKravitz.com - 2026 tour schedule and confirmation of the date in Saint-Maurice-de-Rémens
- Festival Printemps de Pérouges - 2026 program page, location, performers for 23.06 and the framework of the evening program
- Ain Tourisme - practical information on arriving by car and train, parking and the position of the festival site
- BMG - information about the album "Blue Electric Light", its release and current discographic context
- Grammy.com - overview of Kravitz's Grammy awards and nominations
- setlist.fm - overview of an earlier performance within the "Blue Electric Light Tour", used only as context for live expectations, not as an announcement of the repertoire

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