Concert

Kraftwerk at Arena Pula - tickets for an evening of electronic classics, robotics and the Multimedia Tour

Tuesday, 28 July 2026 at 8:00 PM · Arena Pula, Croatia
· Capacity: 5,000
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Experience Kraftwerk live at Arena Pula on 28 July 2026. Expect electronic classics, robotic aesthetics and synchronized projections inside the Roman amphitheatre. Plan your ticket purchase and prepare for nearly two hours of music spanning the group's influential career

Kraftwerk at the Arena: electronic minimalism beneath stone arches

Kraftwerk is coming to the Arena in Pula on Tuesday, 28 July 2026 at 20:00, with a concert announced as a seated performance and a retrospective of a career spanning more than five decades. The programme is expected to last almost two hours. This is an important detail: this is not a festival appearance with a shortened time slot, but a complete concert format in which the music, projections and precisely designed stage setting develop as a single whole.

For audiences who know Kraftwerk only through a few major songs, this is an opportunity to hear how their catalogue connects into an uninterrupted story about cars, trains, computers, radio, robots, cycling and the relationship between humans and machines. For long-time fans, the attraction is different: hearing music that shaped electropop, techno, hip-hop, new wave and industrial electronic music in a Roman amphitheatre is not an ordinary concert setting.

Ticket sales for this event are under way.

Why Kraftwerk still sounds contemporary

Kraftwerk was formed in Düsseldorf in the early 1970s, and Ralf Hütter has remained the group’s central creative figure. Their crucial shift was not limited to the use of synthesisers and drum machines. The band built its own language: short melodic phrases, strict repetition, electronically processed vocals, graphically clean visuals and themes taken from modern everyday life.

"Autobahn" transformed a motorway drive into a long electronic composition. "Radioactivity" connected communication, energy and danger through several seemingly simple motifs. "Trans-Europe Express" combined the rhythm of a train with the idea of European connectedness. "The Model" became a coolly elegant pop hit, while "The Robots", "Computer Love" and "Tour de France" demonstrated how much precise, reduced music can vary in atmosphere.

Their rhythmic patterns and the idea of a band as an audiovisual project were adopted by artists from hip-hop, pop, techno, house and industrial music. MoMA presented their work over eight consecutive evenings, while the Rock & Roll Hall of Fame inducted them in 2021 in the Musical Influence category. This is why the concert also attracts audiences who otherwise rarely attend electronic performances.

The current phase: Radio-Activity and the Multimedia Tour

The context of the Pula concert is not a new studio album, but the current phase of the Multimedia Tour and the reopening of the catalogue to a new generation of listeners. In May 2026, editions marking the 50th anniversary of the album "Radio-Activity" were released. The new Dolby Atmos version was created from the original 16-track tapes at Kling Klang Studio, with work by Ralf Hütter and Fritz Hilpert.

The themes of radio waves, energy and technological progress no longer feel like historical science fiction. In a world of uninterrupted data transmission and automation, the old material gains a new context without major alterations.

The Multimedia Tour is built precisely on that ability. The concert is not conceived as a sequence of separate hits with the usual speeches between songs. Kraftwerk constructs a continuous flow in which sound and image explain one another. Numbers, typography, roads, railway formations, computer networks, cycling footage and robotic figures become part of the rhythm rather than merely a background.

What can be expected from the live performance

The exact set list for Pula has not been announced, and it should not be assumed that the concert will follow the same order as previous performances. Nevertheless, the announcement of a career retrospective and experiences from concerts held during 2026 provide a fairly clear framework. The audience can expect a survey of the most important periods, from "Autobahn" and "Radioactivity" through "Trans-Europe Express", "The Man-Machine" and "Computer World" to material associated with "Tour de France".

At the Belfast performance in May 2026, Ralf Hütter appeared with Henning Schmitz, Falk Grieffenhagen and Georg Bongartz. The performance included precisely synchronised projections, as well as moments in which the sound was altered live, particularly during "Autobahn" and the ending of "Neon Lights". The audience responded strongly to sequences associated with "Tour de France", "Trans-Europe Express" and "The Robots". This does not guarantee the repertoire in Pula, but it demonstrates how the current tour treats the catalogue: familiar compositions are not museum exhibits, but material that can be subtly changed in performance.

Kraftwerk does not use traditional rock dynamics. The performers generally stand behind consoles, while the tension emerges through rhythm, layers of synthesisers and the relationship with the enormous image behind them. A seated format can therefore be an advantage: the view of the entire stage is more important than proximity to just one member of the group.

Who will find the concert particularly appealing

  • Long-time fans who want a complete survey of the catalogue rather than a short festival selection.
  • Fans of techno, electro, synth-pop, new wave and hip-hop who are interested in the source of many later production ideas.
  • Audiences for whom visual art, typography, design and the relationship between sound and moving images are important.
  • Visitors who usually choose concert halls, theatres and audiovisual performances rather than traditional rock concerts.
  • Younger listeners who discovered Kraftwerk through samples, remixes, documentaries or performers influenced by the group.

Seats are disappearing quickly.

The Arena as part of the concert image

The Arena in Pula is one of the best-preserved Roman amphitheatres and is now used for concerts, film, opera, ballet and other performances. It can accommodate approximately 5,000 spectators for events, although the actual number depends on the stage, production and seating arrangement. A seated layout has been announced for Kraftwerk, so the general capacity should not be used when assessing availability in individual sections.

The combination of Kraftwerk and the Arena works through contrast. On one side are stone arches, irregular surfaces and a building from antiquity. On the other are the strict grids, straight lines, digital numbers and robotic geometry of their projections. As daylight fades during the evening, the visual part of the performance becomes increasingly prominent, while the outlines of the amphitheatre remain visible around the screen and stage.

An open-air venue provides a different sound experience from an indoor hall, depending on the seat, production and weather. Kraftwerk’s music is based on clear low frequencies and precise rhythms, so it is advisable to arrive early and find your seat without rushing. In a seated format, the section and viewing angle are more important than at an event with general standing.

It is worth securing tickets in good time.

Arriving in Pula and getting to the Arena

The Arena is located beside the historic centre, on Flavijevska Street, near the waterfront, ferry terminal and city bus station. Visitors staying in the central part of the city will find walking the simplest option. On evenings with major programmes, traffic around the amphitheatre may be temporarily redirected, and some bus stops beside the Arena may be out of service.

Those arriving by car should not expect to park immediately beside the entrance. For previous summer concerts, the city recommended Mandrač and Gregovica as peripheral options. Mandrač is approximately a ten-minute walk from the Arena, while Gregovica is connected by city buses. Schedules, charges and special traffic arrangements for 28 July may differ, so they should be checked immediately before travelling.

Pulapromet connects the city’s neighbourhoods and surrounding settlements with a network of daytime and night routes. Its application displays timetables, journey planning and the real-time location of buses. For the concert evening, it is especially important to check the last departures and any changes to stops in the Arena area.

Travellers arriving by air can use the shuttle between Pula Airport and the main bus station. A summer timetable with several daily departures has been published for 28 July, but it is subject to changes connected with the flight schedule. Since the concert is in the evening, arriving on the same day leaves less room for flight delays, baggage collection and transfer through the city.

A practical plan for the concert evening

  • Check the section and entrance stated on your ticket before reaching the amphitheatre.
  • Plan to arrive early, because the 20:00 start may bring a large number of visitors into the area within the same period.
  • Do not rely on parking beside the Arena; choose a walking route, public transport or a peripheral car park in advance.
  • Check the weather forecast on the day of the concert because this is an open-air venue.
  • Bring only what is permitted under the entry rules and check restrictions concerning bags, bottles, umbrellas and professional photographic equipment.
  • Keep enough battery power on your phone for your ticket, the city map and any transport changes after the concert.

The opening time of the entrances is not currently stated on the programme page. No supporting act, special guests or interval have been announced either. The announcement refers to almost two hours of Kraftwerk’s retrospective, so it is safer to plan the evening without relying on an additional programme that has not been confirmed.

How best to experience Kraftwerk in this venue

A Kraftwerk concert requires a slightly different kind of attention from a performance centred on a vocal frontman. It is worth observing how motifs return and change: a number on the screen becomes a rhythm, the rhythm becomes a word, the word turns into a sign, and then the entire composition acquires a visual identity. In songs such as "Numbers", "Computer World" or "Radioactivity", language often functions as another electronic instrument.

Central seats offer the most balanced view of the symmetrical stage and wide projections. Side sections may provide a stronger sense of the Arena itself, because the stone arches and audience appear more prominently within the field of vision. There is no universally best position: the choice depends on whether the frontal image of the screen, proximity to the stage or a broader view of the amphitheatre is more important.

The audience should not expect a traditional nostalgic concert. Kraftwerk does not reconstruct the 1970s through lengthy stories about the past. Old analogue motifs, early computer displays and robotic figures appear historical and contemporary at the same time.

Pula between the concert and the city

For travelling visitors, the concert can easily be combined with a short stay in the city. The Arena stands on the edge of the historic centre, so the Forum, the Temple of Augustus, the Arch of the Sergii and the streets of the old town are accessible on foot. A summer evening around the Arena is usually busy, making it useful to organise dinner and arrival with some extra time rather than attempting to enter during the final minutes.

After the performance, the largest crowds form along narrow pedestrian routes, near taxi ranks and on roads around the centre. Those who do not have to leave immediately by car can wait for the first wave of the audience to disperse. Travellers with a late bus, transfer or pre-arranged transport should check the departure point, because temporary traffic arrangements may move the usual boarding locations.

Kraftwerk in Pula is not merely a meeting between a familiar catalogue and an impressive historical location. The most interesting part of the evening will be the way two strict architectures overlap: a Roman amphitheatre built for mass gatherings and a digital concert system in which every tone, image and movement is precisely arranged.

Sources:
- Pula Arena - date, time, seated format, Multimedia Tour and announced concert duration.
- Kraftwerk - concert archive and catalogue overview.
- The Guardian - review of the Belfast performance in May 2026, the current line-up and performance elements.
- Louder - the 50th-anniversary edition of "Radio-Activity" and the Dolby Atmos processing from the original tapes.
- MoMA - Kraftwerk retrospective and description of their influence on electronic music, hip-hop and performance art.
- Rock & Roll Hall of Fame - induction in the Musical Influence category in 2021.
- Pula Tourist Board - Arena capacity, location, city information and previous parking recommendations during events.
- City of Pula - recommended Mandrač and Gregovica locations for summer concerts.
- Pulapromet - city and night routes, application and information about temporary traffic changes.
- Pula Airport - shuttle to the bus station and the summer timetable for late July 2026.

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