Postavke privatnosti

Buy tickets for concert Marko Perković - Thompson - 11.01.2026., Žatika Sport Centre, Poreč, Croatia

Buy tickets for concert Marko Perković - Thompson - 11.01.2026., Žatika Sport Centre, Poreč, Croatia

CONCERT

MARKO PERKOVIĆ - THOMPSON

Žatika Sport Centre, Poreč, HR
11. January 2026. 20:00h
2026
11
January
Photo by: Domagoj Skledar/ arhiva (vlastita)

Ulaznice: Tickets for Marko Perković Thompson Concert in Poreč - Online Purchase, Žatika Sports Hall

Buy ulaznice (tickets) for the Marko Perković Thompson concert at Žatika Sports Hall in Poreč. The show starts at 20:00 on 11 Jan 2026 and each ticket is valid for one day. This page is for ticket sales and purchase, with practical tips on entry, easy travel planning to the venue and nearby accommodation

Marko Perković Thompson Concert in Poreč

Poreč is getting an evening this winter that is expected to gather audiences from all over Istria and beyond, as Marko Perković Thompson, one of the most recognizable local performers, performs at the Žatika Sports Hall. The concert is announced for 11.01.2026 at 20:00, and the ticket is valid for 1 day, which means the entire experience is concentrated in one powerful time slot planned in advance. Since other dates for the same performance sometimes appear in various announcements, it is most reliable to follow the information written on your purchased ticket and on the purchase confirmation, so you can organize your arrival without stress. That is exactly why buying tickets and checking details become the first step toward a relaxed evening, whether you are coming from Poreč, Rovinj, Pazin, Rijeka, or from the interior. Secure your tickets for this event immediately and click the button labeled

below, because interest in indoor concerts of this profile can be very pronounced, especially when it comes to the only ticket term.

Thompson as a Phenomenon of the Local Concert Audience

Marko Perković Thompson occupies a specific place on the Croatian scene because he has built a career on songs that the audience often perceives as collective anthems, and this is most felt precisely at concerts. His repertoire includes patriotic, love, and spiritual motifs, and this combination in the hall regularly creates an atmosphere in which the audience actively participates, sings, and experiences the songs as a collective experience. In such a context, tickets are not just a formality, but an entry into an evening in which emotion is transferred from the stage to the stands and back, so even those who otherwise rarely go to concerts often choose exactly these kinds of performances. It is also important that the indoor format differs from open spaces, because the sound is more compact, the light is more intimate, and the audience reaction is more direct, which enhances the impression of togetherness. If you want to avoid uncertainty about the availability of seats or sectors, buy tickets via the button below and plan your place in time, especially if you are coming in a group or want a specific zone in the hall.

From War Wake-up Call to Concert Standard

A wider part of the audience most often links Thompson to the beginnings in the early nineties and songs that marked the period, but his concert story has been upgraded and expanded over the years into different thematic circles. In practice, this means that one type of song does not dominate the concert, but the dynamics are built in waves, from powerful choruses to slower moments in which the audience takes a breath, and then returns to the energy again. The indoor concert in Poreč can therefore be seen as a cross-section of a career, but also as a specific event that depends on the space, production, and the mood of the audience that day. A ticket valid for one day gives a clear framework to both the visitor and the organization, because everything is logistically subordinated to one evening, from entry and controls to the end and exit. Precisely because of this, ticket sales and the pace of purchase often follow the rhythm of media announcements and recommendations among the audience, so a large jump in interest can appear in a short time. When you feel that a story is being created around the performance, do not wait for the last moment, but secure your tickets earlier, so you can focus only on the music and the journey later.

A Repertoire Sung in Unison and How the Atmosphere is Built

At Thompson's concerts, the audience often comes with a clear expectation to hear songs that have been present in the public space for years, from stadiums to private gatherings, so part of the impression is precisely in the mass singing of the chorus. The indoor ambiance, especially in a space with a capacity of several thousand people, emphasizes this effect because the voice of the audience becomes an integral part of the sound image, and the performer on stage relies on the energy of the hall. In such an evening arrangement, there is often a clear dramaturgy, with a beginning that quickly raises tension, a middle that brings strong blocks of songs, and a finale that relies on the most recognizable moments, whereby the audience often stays singing even after the last beats. Although the exact setlist is known to change from city to city, the character of the performance mostly remains recognizable, and that is why tickets are talked about as an entry into an experience, and not just as paper or code. If you are coming for the first time, it is worth considering arriving earlier and entering peacefully, because crowds at the entrances can be larger when the hall is well filled. Tickets for this concert can quickly become sought after, so buy tickets on time and choose the position that suits you best in peace.

Žatika Sports Hall as a Stage for Great Events

Žatika is known in Poreč as a multi-purpose space built for large sports events, and over the years it has proven suitable for concerts, fairs, and events that require a solid infrastructure. The hall is designed with stands and flexible solutions that allow for different configurations, so the concert layout can be adapted to the production, stage size, and expected audience flow. This adaptability is important for the experience, as it affects visibility, the noise level in the parterre, and how quickly people can move toward the entrances, cloakrooms, or toilets. When planning your ticket purchase, Žatika is the type of space where the difference between sectors is not only in the distance from the stage, but also in the perspective, the way the sound spreads, and the overall dynamics of the audience in a certain part of the hall. If you want an evening without rush, also consider accommodation in the city or surrounding area, especially if you are coming from a distance, and it is simplest to start from the link Accommodation near the venue so you can immediately coordinate your arrival, rest, and concert. In this part of the story, tickets and passes become part of a broader plan, because good organization often means a better experience of the music itself.

What a Concert Night in an Indoor Format Looks Like

Indoor concerts have their own special logic, as the audience arrives in waves, entry is controlled, and the experience is built from the moment you enter the space and feel the sound of the rehearsal or the intro music. Žatika is large enough to accommodate thousands of people, but compact enough to feel the density of the atmosphere, especially when the choruses are sung in unison and when the hall turns into a unique choir. In such an environment, production, lighting, and the PA system have a powerful effect, because everything happens in an enclosed space and every detail reaches the audience, from the smallest transitions to the loudest climaxes. Buying tickets in this context is not just a question of whether you will enter, but also how you want to experience the evening, whether you want to sit and follow the concert more calmly or you want to be in the part where the energy is most pronounced. If you plan to come earlier, you can leave time for a walk through the city or dinner, and if you come later, it is good practice to have the ticket ready and avoid nervousness in the last minutes. Secure your tickets for this event immediately and click the button labeled

below, so you can enter the hall with the feeling that everything is already sorted.

Poreč as a Winter Backdrop for the Concert

Poreč is most often mentioned as a summer destination, but winter in the city has a special atmosphere, a calmer rhythm, and more space to experience the old town center without the typical season. A concert in Žatika in January therefore often becomes a reason for a short trip, as a walk by the sea, a visit to historical locations, and an evening out for a major musical event can be combined in one day. Audiences coming from other parts of Croatia often like to use the opportunity for a more relaxed stay, and accommodation plays a big role in that plan, especially if you want to avoid driving at night after the concert. That is why it is practical to look at Accommodation offers in Poreč for concert visitors on time, because the selection narrows when many are looking for rooms and apartments around the same time. Although the ticket is one-day, the experience of the city often extends to the entire weekend or at least the entire day, so ticket purchases also fit into a broader plan of travel, food, and rest. When such things fall into place, the evening at Žatika becomes the central event, and Poreč is experienced as a background that gives the concert additional value.

The Euphrasian Basilica and Historical Layers Defining the City

One of the reasons why Poreč carries special weight even outside the summer season is its historical core, and especially the Euphrasian Basilica and the complex which is among the most significant early Christian monuments on the Adriatic. Such locations create a sense of continuity and cultural depth, so visiting the city for a concert can also include a short cultural break, especially if you arrive earlier during the day. When history, a walk through old streets, and evening concert energy combine on the same day, the experience is more layered and stays longer in memory, and the concert ticket becomes just one part of a broader story. For visitors coming to Poreč for the first time, such a combination is practical because the key points are relatively close, so an itinerary can be organized without great effort, with enough time for rest before the concert. If you plan to stay overnight, it is good to coordinate the schedule so that before going to the hall, you have time to return to the accommodation without rushing, change, and head toward Žatika, and the starting point can be Accommodation for event visitors near the center. In such a scenario, buying tickets also gains additional meaning, because it opens the door to a day that is not just a concert, but also a small winter trip to Istria.

Location, Arrival, and Practical Organization of the Evening

The Žatika Sports Hall is located in Poreč at the address Vukovarska ulica 32, which is information that is useful to enter into the navigation early enough to avoid stress, especially if you arrive during the peak of arrivals. The largest number of visitors come to these kinds of concerts by car, but regardless of transport, the common advice is the same: come earlier, because time at the entrance is spent on controls, finding the sector, and navigating the hall. As the ticket is valid for one day, everything happens within one evening, so even small delays can mean that you will miss the beginning or the first songs, which is often a shame at a concert with an extremely active audience. If you are planning a trip from more distant places, consider an earlier arrival in Poreč, a short break, and buffer time for eventual crowds, and then also where you will sleep, which is most quickly solved through Accommodation in the host city and surroundings. In this part of planning, tickets and passes also have a logistical role, because based on their sector and entry method, it is easier to decide where to park and when to head toward the entrance. Secure your tickets for this event immediately and click the button labeled

below, so you can then plan everything else around a secure spot in the hall.

Tickets, Controls, and Small Tricks for a Peaceful Entry

At large indoor concerts, the most common source of nervousness is not the songs or the audience, but the entrance, because many people with the same goal gather in a short time, and everyone wants to enter before the start. That is why it is useful to have the ticket ready on the screen or printed, check the readability of the code, and prepare a personal document if identification is required, so unnecessary delays are not created at the entrance. Since the ticket is valid for one day, there is no room for subsequent entry without consequences, so it is responsible to think about the arrival time, especially if you are coming with children or in a larger group. If you are traveling from outside Poreč, a good practice is to agree on a meeting place, a backup contact, and a plan B for parking or arriving by taxi, so everyone enters together and without panic. Buying tickets on time helps here also because it leaves you more room for choosing a position and for calmly reading the instructions that come with the ticket, so less is solved in the last minute. When you solve all that, the concert becomes what it should be: an evening of music, emotion, and togetherness, not a struggle with logistics.

Production and Audience Energy at Žatika

Thompson's concerts generally rely on strong interaction with the audience, and a hall like Žatika further intensifies this effect because the audience reaction returns to the stage almost instantly. In moments when the most famous choruses are sung, the impression is not just that you are listening to a concert, but that you are participating in an event built from thousands of voices, and such an experience is the reason why tickets are talked about as something secured on time. Lighting and the PA system in an enclosed space give greater control to the production, so the emphasis in the songs can be built more precisely, and the dynamics of the evening remain firm from start to finish. For the audience, this means that even the quieter moments are experienced intensely, as every detail is clearly heard, and at the same time, the full power of the band and the hall is felt in the loud blocks. If you want to experience exactly that compact energy, it is important to plan your arrival so that you are in your place before the start, because the atmosphere is often set already in the first songs. Ticket sales are available via the button below, and tickets for this type of performance often become a topic of conversation in a short time, so it is reasonable to react as soon as you know you are coming.

Accommodation, the City, and Details That Make the Difference

Many visitors to these kinds of concerts do not come for just a few hours, but combine the concert with a stay in the city, which is particularly interesting in Poreč due to the combination of the sea, history, and winter calmness. If you want to await the evening peacefully, it is most practical to secure an overnight stay in advance and thus avoid a late drive, and the starting point can be Accommodation for the concert night near Žatika so you can immediately see options that suit your budget and plan. In this way, tickets and passes are naturally connected with the rest of the organization, because when you know where you are sleeping, it is easier to determine when to leave, where to park, and how much earlier to arrive at the entrance. In winter Poreč, it is often simpler to find a quieter restaurant or café before the concert, and after the concert, it is pleasant to have a place where you can retreat without rush, especially if you were in the most energetic part of the audience. If you are coming with friends, accommodation also helps because it allows for a safer return plan, without arranging drivers or quick decisions after midnight. Tickets for this concert quickly disappear in moments when interest jumps, so buy tickets on time via the button below and click the button labeled , and then calmly arrange accommodation and the rest of the trip so the evening passes without improvisation.

Sources:
- Entrio: event page with start time and hall address
- SZGP: description of the Žatika Multipurpose Hall with capacities and technical features
- SZGP: calendar entry of the event at Žatika in January 2026 with organizer and date range
- Wikipedia: basic data on the Žatika Sports Hall and construction for the World Handball Championship
- Wikipedia: basic biographical data on Marko Perković Thompson
- UNESCO: description of the Euphrasian Basilica and world heritage status in the historical core of Poreč

Everything you need to know about tickets for concert Marko Perković - Thompson

+ Where to find tickets for concert Marko Perković - Thompson?

+ How to choose the best seat to enjoy the Marko Perković - Thompson concert?

+ When is the best time to buy tickets for the Marko Perković - Thompson concert?

+ Can tickets for concert Marko Perković - Thompson be delivered electronically?

+ Are tickets for concert Marko Perković - Thompson purchased through partners safe?

+ Are there tickets for concert Marko Perković - Thompson in family sections?

+ What to do if tickets for concert Marko Perković - Thompson are sold out?

+ Can I buy tickets for concert Marko Perković - Thompson at the last minute?

+ What information do I need to buy tickets for the Marko Perković - Thompson concert?

+ How to find tickets for specific sections at the Marko Perković - Thompson concert?

20 December, 2025, Author: Culture & events desk

Find accommodation nearby


You may be interested

Saturday 27.12. 2025 20:00
Arena Zagreb, Ulica Vice Vukova 8
Saturday 10.01. 2026 20:00
Žatika Sport Centre, Vukovarska ul. 3
Friday 16.01. 2026 20:00
Športski centar GRIPE, Osječka ul. 11
Saturday 17.01. 2026 20:00
Športski centar GRIPE, Osječka ul. 11

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.