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Yesterday - today - tomorrow in music: farewell to Bob Weir, Bruno Mars’s tour, SAULT, and the Bad Bunny drama

Here’s a fan-focused recap of the music weekend: farewell to Bob Weir, a new single and the start of the campaign for Bruno Mars’s tour, and SAULT’s fresh album. At the same time we’re tracking the showbiz noise around Bad Bunny’s lawsuit and the concert pulse of festivals like Winter Jazzfest and FYA Fest. Find out what’s trending now and what to watch tomorrow when it comes to presales and ticket buying.

Yesterday - today - tomorrow in music: farewell to Bob Weir, Bruno Mars’s tour, SAULT, and the Bad Bunny drama
Photo by: Domagoj Skledar - illustration/ arhiva (vlastita)
On the night of January 10, 2026, the music world paused for a moment: news of Bob Weir’s death spread through scenes from San Francisco to European clubs, and fans started replaying Grateful Dead classics as if they were checking the pulse of an era. News like that always flips a weekend on its head: suddenly it doesn’t matter who had the loudest chorus, but who left the deepest mark.

Today, January 11, 2026, the rhythm is getting back on track. While some say goodbye and share memories, others are grinding out tour miles and wrapping up festival weekends. The focus is on where the music is happening tonight, but also on what’s unfolding online: new videos, album announcements, and those small but important posts that fans read like coded messages.

And tomorrow, January 12, 2026, that familiar nerve game begins: presale registrations, first codes, first debates about prices and the best spot in the venue. If you’re the kind of fan who likes to stay a step ahead, tomorrow is a day for reminders, cards, and fast fingers.

Yesterday: what artists did and who impressed

Bob Weir

The news that marked January 10, 2026 is the passing of Bob Weir, co-founder and rhythm guitarist of the Grateful Dead. In the hours after the announcement, social media turned into an improvised memorial: fans shared concert recordings, youthful setlists, and younger generations discovered why “Deadhead” is more than a label and how a community culture formed around the band.

For a fan, it means one thing: in the coming days there will be a stronger tribute wave, from radio specials to spontaneously organized club nights. Although the Grateful Dead has lived for years through different lineups and projects, this is a moment when the story closes and opens at the same time: a chapter of the original magic closes, and a new re-listen of the catalog opens with ears that no longer take anything for granted. (Source)

Bruno Mars

While part of the scene was in memory mode, on January 10, 2026 Bruno Mars stole attention with a pure pop moment: the new single and video “I Just Might” sparked a wave of comments, from excitement about the retro funk vibe to those wanting something fresher. The video is clearly made to be watched more than once, and it gives fans exactly what they love: charisma, precise choreography, and the feeling that Bruno is returning to his strongest zone.

What matters most for a fan is the context: this isn’t just a new song, but the start of a major campaign for an album and a tour. If your goal is to catch tickets without stress, yesterday was a good day to get informed, and tomorrow becomes key because of presale registrations. (Source)

Mustafa and “Artists for Aid”

The charity benefit “Artists for Aid,” tied to January 10, 2026, once again reminds us that a lineup doesn’t have to serve only ego and the algorithm. According to announcements, Mustafa is bringing together big names and directing focus toward raising funds to help Sudan and Palestine, and the very idea of the event has already sparked debate about whether concerts can bring back a sense of shared purpose.

For fans, it’s a specific kind of must-see night: the point is less about big production and more about encounters and unexpected combinations of artists on the same stage. And if you care about an atmosphere where the crowd listens, not just records, events like these often surprise the most. (Source)

Bad Bunny

The showbiz part of yesterday (January 10, 2026, in our time zone) was marked by a story that always divides fans: a $16 million lawsuit, tied to alleged unauthorized use of a voice recording in songs. Topics like that quickly become memes online, but behind it is a serious question of copyright and personal rights.

For a fan, that means two things. First, news like this often affects the narrative around an artist and pushes the music into the background. Second, if there are further legal steps, it could spill over into future releases, sample clearances, and the way “reality” in lyrics is discussed. (Source)

SAULT

When the mysterious collective SAULT drops something, fans always feel like they’ve received a secret package. The news and the release of the album “Chapter 1” started spinning during the night of January 10, 2026 CET, and the story gained extra weight because of the names in the credits and the fact that the band has been building a mythology of surprise releases for years.

For a fan, this is the kind of album you don’t listen to casually. Best advice: play it from start to finish, without shuffle, and follow how the energy shifts between tracks. It’s also a good sign that January will be stronger than we usually expect after the holiday lull. (Source)

Morrissey

Morrissey managed to be Morrissey again: on January 10, 2026 (through the U.S. January 9), news spread about a new album, “Make-Up Is a Lie,” and the release of the title track. Fans immediately started dissecting the sound and lyrics, and skeptics pulled out the old list of canceled concerts and controversies.

For the audience that has followed him for years, it’s a familiar movie: each new cycle has a dose of provocation, a dose of nostalgia, and a dose of the question of whether the tour will survive without interruptions. If you like that drama-pop around the man and the work, yesterday gave you a new round of material. (Source)

NYC Winter Jazzfest

Saturday, January 10, 2026, in New York was another night when Winter Jazzfest showed why jazz still has the best live culture: different scenes, parallel sets, and a crowd moving from club to club as if collecting badges. The Brooklyn Marathon program includes acts like LOHA Watts, which means the emphasis is on virtuosity and energy, not posing.

For a fan who’s on the fence, the rule is: if you love the feeling that you might stumble upon the next big band in a small room, this is a festival experienced by walking, not just by one concert. That’s the charm: you build your own lineup in real time. (Source)

FYA Fest

The hardcore crowd had its reset button on January 10, 2026: FYA Fest in Orlando kicked off with a lineup that looks like a list for testing the limits of doors and knees. These festivals aren’t for everyone, but for genre fans they have clear value: you get a dense concentration of bands you otherwise chase for months.

If you’re interested in the buzz, it’s most often in mosh pit videos and in debates about who had the hardest set and who sounded too clean. And yes, it’s the kind of weekend after which the next day you check whether you have bruises, but also whether your new favorite songs are already in the playlist. (Source)

Today: concerts, premieres, and stars

Playing tonight: concert guide

Today, January 11, 2026, the focus is on festivals catching their closing nights and club programs that don’t rely on stadium numbers, but on atmosphere. If you like traveling for music, this Sunday is a typical example of how January can be richer than its “dead season” reputation.

NYC Winter Jazzfest shifts its focus into clubs tonight, and one highlighted slot is the program at Nublu with a run of artists living on the edge of jazz and experiment. At the same time, Noah Kahan’s “Out of the Blue” is finishing its four-day format in Mexico, which is a special story for fans: it’s more a music vacation than a classic festival.
  • Info for fans: if you’re going to club shows, arrive early because of entry congestion and for a better spot; at festivals, check logistics and resort rules.
  • Where to follow: official festival and venue sites, and artists’ posts on Instagram and X on the day of the show.
(Source)

What artists are doing: news and promo activity

A day after big news, social media is working overtime today. With big names, the most leaks come through Stories: quick thanks, backstage shots, and small instructions for fans on where to sign up for presales or where to watch video premieres. This weekend is a good reminder that the audience today is part of the campaign, not just a consumer.

In practice that means: expect more call-to-action posts, especially from artists who have just announced tours. Bruno Mars’s campaign for “The Romantic Tour” is moving toward the phase where fans are invited to register for early ticket access, and posts like that become the most important content in the feed today. (Source)
  • Info for fans: save your registration confirmation and check the seating map before presale, because in presale rushes there’s no time to think.
  • Where to follow: official ticketing partners (Ticketmaster and official stadium/arena sites) and official artist profiles.

New songs and albums

If you’re in the mood for something new today, January 2026 isn’t holding back. SAULT’s “Chapter 1” has already opened debates among fans who love mysterious drops, and Bruno delivered a radio-friendly single that will spin everywhere. Plus: Morrissey further rolled his album cycle with a new song and a release announcement.

The best fan way to listen today: make a mini list of three new items (one pop, one alternative, one mystery) and compare audience reactions in the comments. It’s not the same how a song sounds, and how it looks when the crowd latches onto a single line or a frame from the video.
  • Info for fans: if you like videos, watch premieres on official channels because that’s where the real reach of the hype shows fastest.
  • Where to follow: Pitchfork and similar music media for curation of new releases, plus official YouTube channels of the artists.
(Source)

Top charts and trends

Charts are a cold shower for everyone who thinks buzz equals numbers. Billboard’s Hot 100 for the week labeled with the date January 10, 2026 offers a good frame for discussion: who is holding momentum after the holidays, and who stayed on a viral wave without staying power.

For a fan, it’s useful to watch not only No. 1, but the moves: artists who quietly grow are often the ones who surprise with bigger rooms in February. If you plan concerts ahead, charts are a good filter for who will have the highest ticket demand.
  • Info for fans: check global charts too, not only national ones, if you follow artists who dominate streaming.
  • Where to follow: official chart sites and music media analyses.
(Source)

Tomorrow and the coming days: prepare your wallets

  • Bruno Mars: the deadline to sign up for the artist presale expires January 12, 2026 (Pacific time) on official channels, and presale starts January 14, while general sale begins January 15. (Details)
  • Bruno Mars: some stadiums additionally emphasize that presale access is tied to a Ticketmaster account and registration via the artist’s official site. (Official document)
  • FYA Fest: the festival continues on January 11, 2026, and if you’re in a hardcore mood, it’s now-or-never weekend. (Details)
  • NYC Winter Jazzfest: tonight’s program is only part of a broader week; if you’re arriving in New York in the coming days, follow the schedule by venues. (Details)
  • Noah Kahan: “Out of the Blue” ends January 11, 2026, and fans usually get additional posts and after-movie content after weekends like this. (Source)
  • Governors Ball: organizers have already announced the lineup and directed fans to official ticket sales; expect new waves of information and presale codes through the coming week. (Source)
  • Wilco: in mid-January the festival format “Sky Blue Sky” returns to Mexico, with multiple band sets and supporting names. (Source)
  • Heavenly: a new album after three decades arrives at the end of February, but the story around the comeback tour is already heating up; a good moment to write down dates. (Source)
  • My Chemical Romance: the 2026 tour calendar already looks like a marathon, and newly added dates suggest demand will be brutal. (Source)
  • Mustafa: “Artists for Aid” is today’s topic, but tomorrow and the coming days expect more information about guests and logistics through official sales channels. (Details)
  • Bruno Mars: Ticketmaster and media regularly warn to be cautious with resellers; if your goal is to avoid risk, stick to official sales links. (Source)
  • For streamers: Pitchfork’s 2026 new albums guide is a useful to-do list if you want to track announcements without missing anything. (Details)

In short for fans

  • Spin Grateful Dead today and watch how tributes grow through the week; there will be lots of tributes and live recordings.
  • If you’re targeting Bruno Mars tickets, set January 12, 2026 as your registration deadline and prepare an account on the ticketing platform.
  • Listen to SAULT in one go, without skipping; it’s an album that works best as a story.
  • Follow the Bad Bunny story with a cool head: the news is loud, the legal epilogue slow; wait for confirmed developments.
  • If you’re in New York, Winter Jazzfest is the best way to catch more artists in one night without committing to just one stage.
  • Hardcore fans: FYA Fest is a weekend for a live reset and new favorites, but watch logistics and set times.
  • Morrissey is back in an album cycle; if you love debates and interpretations, fan comments are already half the fun.
  • For 2026 festival plans, follow official sites and sales channels; when sales start, the first 10 minutes are often everything.

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