Postavke privatnosti

Yesterday, today, tomorrow: Pulp in Adelaide, Lady Gaga in Fort Worth and new albums by Bruno Mars and Gorillaz

Find out what defined 27 February: Pulp lifted Adelaide, Bruno Mars and Gorillaz released new albums, Radiohead entered an online controversy, and PinkPantheress got a Four Tet remix. Today, 28 February, the evening belongs to Lady Gaga in Fort Worth, Karan Aujla in New Delhi and Joe Bonamassa in Cincinnati, while Montreux Jazz Festival Miami keeps the festival buzz going, and presale waves for Joji and Metallica are on the horizon.

Yesterday, today, tomorrow: Pulp in Adelaide, Lady Gaga in Fort Worth and new albums by Bruno Mars and Gorillaz
Photo by: Domagoj Skledar - illustration/ arhiva (vlastita)
Yesterday, 27 February 2026, Adelaide got that kind of festival moment people retell for years: Pulp played a triumphant free concert at the opening of the Adelaide Festival in Elder Park, after weeks of noise about whether they would even perform at all. For fans, it was a textbook example of how a band can return to the narrative without new singles: just step on stage, nail the city’s tone, and let the hits do the work.

Today, 28 February 2026, the focus shifts to artists who are moving in real time: from Lady Gaga raising production to spectacle level tonight, through Karan Aujla filling a stadium and changing the city’s rhythm, to Joe Bonamassa once again playing the pure-playing and new-record card. If your plan is strictly “be where it’s happening,” this is the day when it pays to follow both official announcements and fan clips, because the first minutes often reveal the most.

When you’re hunting tickets and want to compare offers across multiple platforms for concerts, festivals, stand-up comedy and similar events, it’s practical to start with Cronetik.com, an international site for searching and comparing offers. Prices and availability can jump hour by hour, so it’s smart to check more than one source before you click “buy”.

Tomorrow, 1 March 2026, a second wave arrives: the second night of big tours, festival finales, and deadlines for signing up to presale lists. If you’re the kind of fan who likes being “ahead of the story,” tomorrow is when you catch sign-up windows and announcements that quickly turn into sold out.

Yesterday: what the artists did and who impressed

Pulp

On Friday, 27 February 2026, Pulp handled the festival opening in Adelaide in front of a huge crowd and deftly balanced between the music and an atmosphere that had been tense in previous days because of accompanying cultural controversies. The set was exactly what fans want at a start like this: hit the familiar right away, keep the pace, and only then drop “deep cuts” for the crew who know every lyric.

For a fan, the point is clear: this wasn’t just a nostalgia concert, but the return of a band that knows how to turn context into energy, without moralizing into the mic and without empty slogans. If you’re interested in what it looks like when a Britpop legend shows up “at the right time in the right place,” this was the moment. (Source)

Bruno Mars

Bruno Mars did on 27 February 2026 what few can: he dropped an album and immediately locked it in with a visual that’s “memeable” enough to run all weekend. In the “Risk It All” video he goes for a mariachi aesthetic, and he does it with the confidence of someone who knows the audience loves it when a pop star has a concept, not just choreography.

For a fan, this is a signal that Mars is entering a new phase: less “single then waiting,” more “album as event,” with a story that spreads across social networks without looking like a marketing task. If you loved him for charm and precision, here you get both—just with a new color and new references. (Source)

Gorillaz

Gorillaz released the album “The Mountain” on 27 February 2026 and immediately positioned it as the kind of record fans take apart: who guests where, which instrument, what was recorded live and what is a studio trick. The story about recording and inspiration, with an emphasis on India and guests from different worlds, fits perfectly with their identity as a band that constantly turns into a small festival.

For a fan, the most fun part is that “detail hunt”: when you realize you like a song first because of the chorus, and only then notice how many layers are inside. “The Mountain” is that kind of album: you can listen to it casually and you’ll be fine, but if you like digging, you’ll get much more. (Source)

Radiohead

Yesterday, 27 February 2026, Radiohead ended up at the center of a viral story that didn’t start with them at all: they reacted after a U.S. institution used a version of their song in a social-media post. The band, according to reports, requested the content be removed and made it clear they don’t want their music used in that kind of context.

For a fan, this is a reminder of how thin the line is today between a “soundtrack” and “appropriation”: your song can end up inside someone else’s narrative without asking, and then comes a chain of reactions, screenshots, and arguments. And yes, Radiohead is still a band that doesn’t choose lukewarm wording when it thinks a line has been crossed. (Source)

PinkPantheress

PinkPantheress dropped the Four Tet remix of “Illegal” on 27 February 2026, making the move fans love: take a known track and give it a “second life” that’s different enough to sound new again. The remix immediately started circulating among people who follow DJ sets and club memes, because Four Tet has an audience that jumps on collaborations like this.

For a fan, this is win-win: you get a song that was already in your playlist, but now it has a version for a different mood, and you also get confirmation that PinkPantheress is still in that league where pop and club credibility connect without forcing it. (Source)

Fever Ray

Fever Ray released two new songs on 27 February 2026 for the soundtrack of the film “The Bride!”, packaged as something that sounds like a mini world of its own. This is the kind of drop that instantly sets off Karin Dreijer fans’ radar: not a classic radio single, but an art piece you listen to with titles, atmosphere, and a “what did the artist mean” moment.

For a fan, things like this are gold because they expand the discography in unexpected directions: you get new music, but also a reason to follow the film and the aesthetic around it. And yes, it’s that Fever Ray feeling again: weird, beautiful, and a little unsettling, in the best possible way. (Source)

Mitski

Mitski launched a new album on 27 February 2026 and immediately “sealed” it with the video for “If I Leave,” a classic release-day tactic: give fans something visual they can share and interpret while the album is still getting under the skin. The video goes for a spooky, domestic atmosphere that fits Mitski’s aesthetic perfectly: intimate, but a bit unsettling.

For a fan, this is the day two parallel conversations open: the first is “which song is the favorite after the first listen,” and the second is “what the video is actually suggesting.” Mitski is strong here because she never offers easy answers—and that’s exactly what fans love. (Source)

Darius Rucker

Darius Rucker was yesterday in “let’s sell summer” mode: the “Songs Of Summer Tour” was announced, with clear info on when ticket sales start, plus the detail fans care about most: time and purchase channel. Per the promoter’s official announcement, sales started on Friday 27 February 2026, and some dates have later windows. That’s exactly the kind of news that fills inboxes and group chats.

For a fan, there’s no philosophy here: if you love him live, this is a “sing the choruses outdoors” tour, with guests that change by date. The practical advice is simple: check the exact on-sale window for your city and don’t rely on “I’ll buy tomorrow,” because summer routes can move fast. (Source)

Montreux Jazz Festival Miami

Yesterday in Miami, Montreux Jazz Festival Miami began, running from 27 February to 1 March 2026, and it’s the kind of festival where fans don’t go only “for one name,” but for the vibe and combinations. According to available information, the festival is set up as an urban jazz party with strong names and clearly highlighted ticket prices, which is always a plus when you plan ahead.

For a fan who likes a good lineup without too much “mainstage politics,” festivals like this are a jackpot: you can catch someone’s set up close, discover a new artist, and go home feeling like you were at an event, not a “selfie factory.” If you’re there, these are days for improvisation and quick decisions. (Source)

Today: concerts, premieres, and stars

Performing tonight: concert guide

If 28 February 2026 is your “go out” day, tonight you’ve got three different movies at the same time: a pop mega-spectacle, a stadium full of regional pop energy, and blues rock with no frills. Lady Gaga performs tonight in Fort Worth at Dickies Arena, with clearly stated entry and start times, and a note that tickets are available via Ticketmaster. In parallel, in New Delhi, Karan Aujla fills Jawaharlal Nehru Stadium, and city services have announced special traffic measures due to the expected number of people.

The third option is for fans who like it when the main “special effect” is the guitar: Joe Bonamassa plays tonight at the Taft Theatre in Cincinnati, and the venue description emphasizes that the tour comes after the release of his album “Breakthrough”. And if you’re in Miami, Montreux Jazz Festival Miami enters day two, when the program usually “opens up” best once the crowd is warmed up.
  • Info for fans: Lady Gaga, Fort Worth: check entry times and package types, because part of the audience enters earlier due to VIP options. Details
  • Info for fans: Karan Aujla, New Delhi: expect crowds and traffic restrictions around the stadium during the event. Details
  • Info for fans: Joe Bonamassa, Cincinnati: the venue emphasizes entry rules and the bag policy, so don’t show up “blind”. Details
  • Where to follow: If you’re not on site, the best “buzz” comes through fan clips and short reports on the artists’ and promoters’ social channels, plus official posts from the venue and the festival.

What the artists are doing: news and promo activity

Lady Gaga today isn’t just “on a tour date,” but in full narrative mode: the venue describes the tour concept, the team, and recent media moments fueling interest. That matters because it gives fans a frame: tonight’s show isn’t just a setlist, but a production built as a world, with a clear visual signature and carefully timed singles.

Bruno Mars, after yesterday’s album drop, is already in the phase where the audience does the job instead of PR: clips are shared, favorite tracks are compared, and “hidden” details in videos are hunted. In the same wave, artists like PinkPantheress and Fever Ray live off fans quickly recognizing a new version or a new soundtrack piece and making their own interpretations before media catch up.
  • Info for fans: With big tours today, the rule is “check everything twice”: entry times, venue restrictions, and the latest safety and traffic updates.
  • Where to follow: Gaga: official arena pages and Ticketmaster; Bruno Mars and others: YouTube premieres and official artist profiles, plus trusted music media.
  • Where to follow: If you want a “clean” overview without scrolling through 200 stories, start with this official information about tonight’s show. Details

New songs and albums

The weekend of 28 February 2026 sounds diverse: yesterday Bruno Mars released “The Romantic”, Gorillaz dropped “The Mountain”, and today fans are already making their first “top 3” lists. Mitski also put a new album into play yesterday and a visual for “If I Leave”, so today’s feed is full of those reactions like “this is too good for a first listen”. Add to that the PinkPantheress remix that works as a “second version of the same emotion” and Fever Ray turning a soundtrack into a mini EP, and you get a day where it’s worth setting aside an hour and really listening, not just skimming.

Meanwhile, Joe Bonamassa is an example of how a “classic” career today lives online just as much as on stage: the venue emphasizes that he comes fresh off the album “Breakthrough”, so tonight’s concert is the logical place where new material gets tested on the audience without filters.
  • Info for fans: If you like discovering right away, listen to the Gorillaz album as a whole before you start searching for the “best track,” because it’s built like a journey. Details
  • Info for fans: Mitski: don’t skip the video, because it adds an extra layer of interpretation. Details
  • Where to follow: Pitchfork and similar outlets quickly publish “what’s new today,” but the most accurate approach is always to start with official artist channels and streaming services.

Top charts and trends

If you want a quick reality check on what’s really big, a look at the charts for the week ending 28 February 2026 shows Taylor Swift with “Opalite” holding the top spot on the Billboard Hot 100, while Bruno Mars with “I Just Might” stays high in the top 10. That’s interesting because you can clearly see the “dual engine”: one part of the audience pushes big pop narratives, and another part does long-term streaming that keeps songs at the top for weeks.

On the album front, the Billboard 200 for the same week shows a battle of big names at the top, with Bad Bunny and J. Cole among the strongest. In the UK, the Official Charts midweek update for the period 23 February to 1 March 2026 keeps at No. 1 the duet Sam Fender and Olivia Dean with “Rein Me In”, a good reminder that the British audience often has its own separate “main character” moment, independent of U.S. trends.
  • Info for fans: If you follow trends, compare the top 10 singles with what pops up on your For You feed: you’ll often see that viral and “chart” aren’t the same.
  • Where to follow: Billboard Hot 100 and Billboard 200 (week of 28 February 2026). Details Details
  • Where to follow: UK midweek snapshot (23 February 2026 to 1 March 2026). Details

Tomorrow and the coming days: prepare your wallets

  • 1 March 2026: Lady Gaga has a second night in Fort Worth at Dickies Arena, ideal for fans hunting a “better seat” after part of the audience burns out on night one. Details
  • 1 March 2026: Montreux Jazz Festival Miami heads toward its finale, so tomorrow is realistically a “last call” for those who waited until the last moment. Details
  • 1 March 2026: Joji: per the promoter’s announcement, the deadline to sign up for artist presale in some regions is tomorrow evening Pacific Time, so if you want to skip the general sale, this is the day to “sign up”. Details
  • 2 March 2026: Metallica starts fan club presale for the Sphere residency in Las Vegas, per the announcement on the band’s official site. Details
  • 3 March 2026: Outside Lands announces the lineup and immediately after opens the Loyalty presale, with a new system that lets fans see the lineup first and only then buy. Details
  • 4 March 2026: Outside Lands: the Ranger presale starts the day after, so this is the date for people who haven’t been to the festival before but want to get in before the general sale. Details
  • 6 March 2026: Metallica: general ticket sales for the Sphere residency start per the band’s official announcement, so this is a date to mark on the calendar if you’re targeting “No Repeat Weekend” combinations. Details
  • 6 March 2026: Joji: global general on sale per the promoter’s announcement, after a series of presale windows. Details
  • 6 March 2026: Fever Ray: the full soundtrack for the film “The Bride!” releases that day per information from the EP announcements, so this is the day for fans who like it when “film” and “album” overlap. Details
  • March 2026: Darius Rucker: some cities have later ticket windows (March), so it’s worth checking the notes next to dates if you’re targeting a specific venue. Details
  • 20 March 2026: Underscores: the album “U” was announced for that date, so more singles and visuals can already be expected in the coming weeks. Details
  • Early March 2026: Expect additional lineup announcements and presale codes for big summer festivals too, because the most important windows for “lowest price in the first wave” are opening right now.
At the end, a quick reminder for those planning ahead: for searching and comparing ticket offers across different platforms for concerts, festivals, stand-up comedy and similar events, Cronetik.com can help. Always assume prices and availability change, especially when the first wave of fans hits after a lineup or tour announcement.

In short for fans

  • Spin Bruno Mars “The Romantic” and immediately watch the “Risk It All” video, because it’s clearly made for fans to dissect frame by frame.
  • Listen through Gorillaz “The Mountain” in one go, and only then build a playlist: the album has layers you hear only on a second pass.
  • If you’re going tonight to a concert, check venue rules and entry time, because that’s the most common reason for missing the opening minutes.
  • Mitski fans: don’t skip the “If I Leave” video, because it’s part of the story, not just an add-on.
  • PinkPantheress: compare the original “Illegal” and the Four Tet version and decide which fits you better—this is a perfect “pop vs club” mood test.
  • Joji: if you’re targeting presale, tomorrow is a key day for sign-ups and deadlines—don’t leave it for the last hour.
  • Outside Lands: the lineup is coming soon, and this year the presale starts only after the lineup announcement, which is a rare fair move in the festival world.
  • Metallica: mark 2 and 6 March 2026 if you’re interested in the Sphere residency, because presale and general sale are clearly scheduled.

Find accommodation nearby

Creation time: 4 hours ago

newsroom

The editorial team of the Karlobag.eu portal is dedicated to providing the latest news and information across various aspects of life, covering a wide range of topics including political, economic, cultural, and sporting events. Our goal is to provide readers with relevant information they need to make informed decisions, while promoting transparency, honesty, and moral values in every aspect of our work.

Diverse Topics for All Interests

Whether you are interested in the latest political decisions impacting society, economic trends shaping the business world, cultural events enriching our daily lives, or sporting events bringing the community together, the Karlobag.eu editorial team offers a comprehensive overview of relevant information. Our journalists strive to cover all aspects of life, ensuring that our readers are always informed about the most important events shaping our environment.

Promoting Transparency and Accountability

One of the key goals of our editorial team is to promote transparency in all segments of society. Through detailed research and objective reporting, we aim to ensure that our readers have access to truthful and verified information. We believe that transparency is the foundation for building trust between the public and institutions, and we continuously advocate for accountability and integrity in all our news.

Interactivity and Engagement with Readers

The Karlobag.eu portal is not just a news source; it is a platform for interaction and engagement with our readers. We encourage feedback, comments, and discussions to better understand the needs and interests of our audience. Through regular surveys and interactive content, we strive to create a community that actively participates in shaping the content we provide.

Quality and Timely Reporting

We are aware of the importance of fast and accurate reporting in today’s fast-paced world. Our editorial team works tirelessly to ensure that our readers receive the latest information in real-time. By utilizing the most advanced technologies and data collection tools, our journalists can quickly respond to events and provide detailed analyses that help our readers better understand the complexity of current issues.

Education and Awareness

One of our key objectives is to educate and raise public awareness about important issues affecting society. Through in-depth investigative articles, analyses, and specialized reports, we aim to provide our readers with a deep understanding of complex topics. We believe that an informed public is the foundation for building a better society, where each individual can make thoughtful decisions and actively participate in social changes.

The editorial team of the Karlobag.eu portal is committed to creating a transparent, honest, and morally-oriented media that serves the interests of our community. Through our work, we strive to build bridges between information and citizens, ensuring that every member of our community is equipped with the knowledge they need to make informed decisions.

NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.