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Buy tickets for concert David Lee Roth - 16.05.2026., Warner Theatre, Washington, United States of America Buy tickets for concert David Lee Roth - 16.05.2026., Warner Theatre, Washington, United States of America

CONCERT

David Lee Roth

Warner Theatre, Washington, US
16. May 2026. 20:00h
2026
16
May
Photo by: Domagoj Skledar - illustration/ arhiva (vlastita)
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David Lee Roth tickets for Warner Theatre Washington - hard rock classics and Van Halen energy in concert

Looking to buy tickets for David Lee Roth in Washington? The May 16, 2026 concert at Warner Theatre brings hard rock hooks, Van Halen classics and the close feel of a historic theatre, ideal for fans who want a lively frontman and a set rooted in rock memory
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David Lee Roth at Warner Theatre: an evening for an audience that wants to hear the voice of a rock era

David Lee Roth performs at Warner Theatre in Washington on May 16, 2026, at 8:00 PM, as part of the concert series "A Night With David Lee Roth". This is an evening aimed at an audience that connects Roth's name above all with the explosive energy of the early Van Halen period, the big choruses of American hard rock and the stage character of a frontman who knew how to turn a classic rock concert into a theatrical appearance before the audience. Tickets for this event are in demand.

Roth is best known as the original singer of Van Halen, the band whose singles such as "Jump", "Panama", "Runnin' With The Devil" and "You Really Got Me" marked radio rock of the late 1970s and the first half of the 1980s. His style was never only a vocal performance: there were speech, jokes, cabaret gestures, rock ego, glamorous excess and the feeling that the stage is a place where a song must also be acted out, not only sung.
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What makes this concert interesting

The concert in Washington comes at a stage in which Roth has returned to more intensive contact with the audience. After returning to the stage in 2025, when the media recorded his first full performance after a break of several years, 2026 brings a more extensive schedule of performances across North America. Washington is placed on that schedule between concerts in Greensboro and Glenside, which makes it one of the East Coast stops for audiences from the wider region of the U.S. capital.

The greatest interest in this concert will be among listeners who want to hear a repertoire leaning on the Van Halen era. According to reports from the beginning of Roth's 2026 tour, the first concerts were strongly oriented toward songs from that period, with a repertoire dominated by classics connected with his best-known years. This does not mean that every later evening is the same or that the exact order of songs can be guaranteed in advance, but it gives a clear framework of expectations: this is a concert for an audience that comes for recognizable hard rock choruses, guitar-driven force and songs that function as a collective memory of arena-sized radio rock.
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Musical style and stage signature

David Lee Roth belongs to the type of performer whose personality is just as important as the catalogue of songs. His expression combines hard rock, glam, blues-rock, a pop sense for the chorus and old-school entertainer discipline. In the best moments of Van Halen songs, one hears the tension between a technically lavish guitar, a rhythm that pushes forward and Roth's vocal performance, which often turns songs into stage images: calling to the audience, banter, charming and brief theatrical gestures.

For visitors, that means they should not expect a sterile reconstruction of studio recordings. Roth's concert is more an encounter with the character of the songs than a museum-precise reproduction. His way of performing often relies on spoken rhythm, phrasing, communication with the audience and the recognizable attitude of a frontman who knows how to keep the hall's attention. That is exactly why the concert can be especially attractive to those who like it when a rock performance has personality, not only a neatly played repertoire.
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Seats are disappearing quickly.

The repertoire the audience can expect

There is no publicly confirmed complete set list for the concert at Warner Theatre that could be cited as a certain program for the evening. Still, previous performances from the current phase give a good direction. Media reports about the beginning of the 2026 tour state that songs from the Van Halen catalogue prevailed on the opening evening, and among the often mentioned titles in the context of Roth's comeback performances are "Panama", "Jump", "Runnin' With The Devil" and "You Really Got Me".
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These are songs that have a different function in a concert hall than ordinary hits. "Panama" carries a driving hard rock momentum, "Jump" is the most widely recognizable pop-rock moment from the beginning of the MTV era, while "Runnin' With The Devil" takes the audience back toward the harder, rawer sound of the first Van Halen album. In such a framework, Washington can expect an evening in which the audience will probably react already to the first bars of the best-known songs, without the need for a long introduction.

For whom this is an especially good choice


  • For long-time fans of the Van Halen period with David Lee Roth on vocals.

  • For an audience that likes American hard rock with big choruses and a stage frontman in the foreground.

  • For visitors who want a concert in a theatre hall, not in a large sports arena.

  • For travelers who want to combine a stay in Washington with an evening rock program in the city center.

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Warner Theatre as a space for a rock evening

Warner Theatre is located at 513 13th St NW in Washington, in the Penn Quarter area, close to the city's business and cultural center. The hall was opened in 1924 as Earle Theatre, and today it hosts events of different formats, from concerts and theatre programs to special productions. For a concert visitor, the most important thing is that this is not an impersonal arena: the theatre layout, balconies and historic interior create a feeling of closer contact with the stage.

The capacity of Warner Theatre is stated in the range of up to about 2000 visitors, depending on the event configuration. That is large enough for a strong shared audience experience, but compact enough that the performance is not lost in distance. With a performer like Roth, for whom direct communication with the hall is an important part of the performance, such a space can be an advantage: audience reactions are heard quickly, and a stage gesture more easily reaches the last rows.
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Arrival, metro and parking

Warner Theatre is especially practical for visitors arriving by public transport. The hall is about a two-minute walk from the Metro Center station, served by the Red, Orange, Blue and Silver lines. For tourists and visitors who do not know Washington, this is an important advantage: the concert is located in a part of the city where the stress of searching for a parking space immediately before the start can be avoided.

For those who nevertheless arrive by car, there is a nearby garage connected with The Warner Building, with an entrance on 12th St between E St NW and F St NW, and other nearby garages are also available. Since this is the center of Washington, it is good to plan to arrive earlier, especially for visitors who want dinner before the concert or are coming from outside the city. It has been announced that doors for this event open at 6:30 PM, and the start is at 8:00 PM.
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  • Address: 513 13th St NW, Washington, DC 20004.

  • Nearest metro station: Metro Center.

  • Metro lines: Red, Orange, Blue and Silver.

  • Doors: 6:30 PM according to published information for the event.

  • Concert start: 8:00 PM.



Washington as a concert stop

Washington is not only the administrative center of the U.S., but also a city with a dense cultural schedule. Penn Quarter, the area where Warner Theatre is located, is good for visitors who want to take a walk before the concert, eat something nearby or connect the evening program with a tour of the center. The hall is close enough to major transport points that it is also suitable for audiences coming from Maryland, Virginia or other parts of the wider region.
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In the context of Roth's tour, Washington also has symbolic weight: it is a major classic rock market, a city where local audiences, business travelers, tourists and fans meet, and for a concert like this they may come from outside the city core itself. Such a mixture often creates an interesting concert audience - from people who listened to Van Halen when the albums came out to younger visitors who got to know those songs through radio, films, sports broadcasts and family record collections.

It is worth securing tickets in time.

The atmosphere worth expecting

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The best way to understand this concert is to view it as an encounter with a catalogue that has already become part of American rock memory. Roth's songs, especially those connected with the Van Halen period, were not written for quiet listening from the back row. They demand a reaction: a chorus the audience recognizes, a rhythm that is easy to catch and a frontman who knows that the audience is not only an observer, but part of the evening.

Warner Theatre adds to this a different kind of tension than a large arena. In a theatre space, the audience sees movement more clearly, hears communication from the stage and more easily feels changes in energy between songs. If the concert relies on Roth's and Van Halen's best-known moments, the greatest value of the evening will be precisely in that combination: songs built for large spaces, but performed in a hall where the audience does not feel lost.

Practical advice before arrival

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For visitors coming to Warner Theatre for the first time, it is smartest to check the route to the hall in advance and count on evening crowds in the center of Washington. The metro is the simplest option for many visitors, especially because the Metro Center station is very close. If you arrive by car, reserving parking in advance can reduce the risk of circling through the center immediately before the doors open.

For the concert itself, it is worth arriving earlier, not only because of entry but also because of orientation in the hall. Warner Theatre has several seating levels, and older theatre halls often require a little more time to find the correct entrance, row and seat. Anyone coming from outside Washington should take into account traffic toward the center, security checks and the time needed to pick up or display tickets.


  • Plan to arrive before 8:00 PM, especially if you are picking up tickets or coming to the hall for the first time.

  • For public transport, aim for Metro Center, then take a short walk to 13th St NW.

  • For driving by car, check garages near Warner Theatre before departure.

  • Do not rely on assumptions about the duration of the performance; the evening program may depend on production and the hall schedule.

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The broader context of Roth's return to the stage

Roth's return to concerts is especially interesting because it comes after a period in which it seemed that his relationship with the stage would remain uncertain. In 2025, the media recorded his return after a longer break, and the 2026 tour shows that this return continues through a series of dates. For an audience that remembers him from the most visible period of Van Halen, this is an opportunity to hear again the songs that shaped the sound of one generation.

At the same time, it is important not to view the concert only through nostalgia. Roth is a performer whose stage identity was always tied to the present moment: how he speaks to the audience, how he arranges energy, how he plays with his own myth and how he brings old songs before a new audience. Precisely that combination of the past and the present performance makes the evening at Warner Theatre interesting also for those who did not have the chance to see him in the earliest phases of his career.
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Why Warner Theatre specifically

Big rock hits are often associated with arenas, but a theatre hall can give them a different sharpness. At Warner Theatre, the audience gets a closer relationship with the performer, a clearer visual image of the stage and a space that carries its own history. For Roth's type of performance, in which voice, body language and communication with the audience are almost as important as the songs themselves, such an ambience can be very effective.

The concert in Washington is therefore not just another stop on the schedule. It is an opportunity to hear a catalogue connected with one of the most recognizable frontmen of American rock in a hall that has enough intimacy for detail, but also enough capacity for a loud, shared audience reaction. Ticket sales for this event are underway.
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Sources:

- David Lee Roth artist page - used for the 2026 tour schedule and confirmation of the performance in Washington at Warner Theatre.

- Event page for Warner Theatre - used for the date, start time and name of the concert program "A Night With David Lee Roth".
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- Warner Theatre - used for information about the address, arrival by metro, nearby parking and the hall's position in Penn Quarter.

- Destination DC - used for the information about Warner Theatre's capacity of up to about 2000 visitors and the hall's connection with the Metro Center station.

- BIG 100 Washington - used for information about doors opening at 6:30 PM, the start at 8:00 PM and the hall address.
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- Consequence - used for context about the beginning of Roth's 2026 tour and the emphasis on a repertoire oriented toward Van Halen classics.

- Ultimate Classic Rock - used for additional context about the opening performances of the 2026 tour and the return of songs from the early Van Halen catalogue.

- Entertainment Weekly - used for context about Roth's return to the stage in 2025 after a break of several years and the focus of previous performances on Van Halen songs.
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Everything you need to know about tickets for concert David Lee Roth

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2 hours ago, Author: Culture & events desk

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