Postavke privatnosti

Buy tickets for concert Florence + The Machine - 01.05.2026., State Farm Arena, Atlanta, United States of America Buy tickets for concert Florence + The Machine - 01.05.2026., State Farm Arena, Atlanta, United States of America

CONCERT

Florence + The Machine

State Farm Arena, Atlanta, US
01. May 2026. 19:30h
2026
01
May
Photo by: Domagoj Skledar - illustration/ arhiva (vlastita)

Florence + The Machine tickets for State Farm Arena Atlanta and the voice of Everybody Scream tour night

Looking for tickets to Florence + The Machine in Atlanta? The concert at State Farm Arena on May 1, 2026 brings Florence Welch's powerful voice, fan favorites like "Dog Days Are Over" and "Shake It Out", plus the new mood of the "Everybody Scream" tour

Florence + The Machine in Atlanta: an evening for voice, choirs and one great collective chorus

Florence + The Machine is coming to State Farm Arena in Atlanta on Friday, May 1, 2026, with a concert as part of the "Everybody Scream North American Tour 2026". The start is announced for 7:30 PM, and doors open to the public at 6:30 PM. This is an important detail for everyone who wants to avoid crowds in downtown Atlanta, pass through security on time and find their seat before the evening moves toward what Florence Welch is most recognizable for: a voice that can move from an intimate whisper into an almost ritualistic rapture.

This concert is not only a meeting with a band that has been filling large halls for years. It comes at a moment when Florence + The Machine is performing with new material from the album "Everybody Scream", released on October 31, 2025, and once again connects baroque pop, art rock, indie rock, gospel choirs, drums and a darker, theatrical poetics. For the audience in Atlanta, this means an evening that naturally leans on the great songs from earlier phases of the career, but also on the band’s current musical image: more mystical, sharper and very rewarding on stage.

Tickets for this event are in demand.

Why this performance is interesting right now

Florence + The Machine is led by Florence Welch, a singer and songwriter whose performances do not rely on cold choreographic precision, but on movement, voice, contact with the audience and a feeling of collective release. Since the breakthrough with the song "Dog Days Are Over", the band has built a recognizable sound in which harp, big drums, choral choruses, indie rock guitars and lyrics often speaking about the body, fear, desire, faith, escape and returning to oneself meet.

For the wider audience, the fastest entry into the world of Florence + The Machine remains songs such as "Dog Days Are Over", "Shake It Out", "You've Got the Love", "Spectrum", "Cosmic Love" and "Ship to Wreck". Longtime fans, however, know very well that Florence Welch concerts are not remembered only for the best-known choruses. They are remembered for the way the songs expand live: the drums become stronger, the quieter parts gain tension, and Florence Welch’s voice often leads the entire hall as if it were a choir.

The current tour is titled "Everybody Scream", just like the band’s sixth studio album. That title describes well the phase in which Florence + The Machine now finds itself. The new material returns to the great themes that have followed the band from the beginning - ecstasy, vulnerability and transformation - but shapes them with a darker and more mature language. On the album’s official page, "Everybody Scream", "One of the Greats" and "Sympathy Magic" are highlighted, which gives a clear sign that the new stage does not want to hide behind earlier hits, but to enter the concert repertoire as its equal part.

What the audience can expect from the concert

A static performance should not be expected. Florence Welch is a singer who uses space physically: she moves, lowers the intensity and then raises it again, often sings as if addressing an individual in the hall, and then in the next moment opens the chorus toward the entire arena. Precisely that change of scale - from personal confession to great collective singing - is one of the main values of a Florence + The Machine concert.

Considering the previous performances on this tour, the audience can expect a combination of the new album and songs that marked earlier phases of the career. This does not mean that it is possible to state in advance the exact order of songs for Atlanta. Set lists can change, and the best approach is to come prepared for a concert that will not be only a sequence of familiar titles, but a whole with its own rhythm. For those coming to Florence + The Machine for the first time, this is an opportunity to hear why the band works equally convincingly in a large arena and in more intimate, quieter moments.

Seats are disappearing quickly.The band’s musical style will especially attract audiences who love powerful vocals, atmospheric rock, dramatic arrangements and songs that are not afraid of big emotions. This is not a concert for those looking for a strictly minimalist pop performance. It is more intended for listeners who love when a song has an arc: an introduction, tension, explosion and a final chorus in which the audience no longer feels like an observer, but like part of the sound.

CMAT as the confirmed guest of the evening

CMAT, the Irish singer-songwriter whose performances fit well into an evening in which a blend of pop, drama and authorial character is expected, has also been confirmed for the Atlanta concert. Her music often relies on witty, sharp and emotionally open lyrics, with melodies that can sound accessible, but have a clear authorial personality behind them. As an introduction to Florence + The Machine, CMAT can give the audience a different, but compatible tone: less ritualistic, more narrative, with enough charm and theatricality not to seem like a random addition to the program.

It is important to emphasize that apart from the confirmed guest, there is no need to speculate about additional guests, the duration of the concert or special production elements. What has been confirmed is clear enough: the main performer of the evening is Florence + The Machine, the tour is connected to "Everybody Scream", and CMAT has been announced as the supporting performer for this part of the North American dates.

State Farm Arena: a large hall in the heart of downtown Atlanta

State Farm Arena is located at 1 State Farm Drive, Atlanta, GA 30303, in the city center, near the intersection of Marietta Street and Centennial Olympic Park Drive. It is a hall that, after a major renovation, opened on October 20, 2018, and according to the arena’s own data has a capacity of 17,044. For a concert like this, that is an important framework: the space is large enough to receive a large audience, but it is not a stadium, so the musical experience still remains in an enclosed arena where the vocal, drums and choral parts can powerfully return toward the audience.

For Florence + The Machine, such a space makes sense. The band’s songs often demand breadth, especially when choruses grow into collective singing. At the same time, an enclosed arena can better hold the tension of quieter moments than an open stadium. Audiences who like to clearly hear the vocal and the dynamics of the arrangements should arrive early enough, without nervousness about entry and parking, because the beginning of the evening can determine how easily they surrender to the concert.


  • Address: 1 State Farm Drive, Atlanta, GA 30303.

  • Concert start: 7:30 PM.

  • Doors open: 6:30 PM for the general public.

  • Arena capacity: 17,044 according to State Farm Arena data.

  • Supporting performer: CMAT.

Arrival, parking and public transport

State Farm Arena is convenient in terms of traffic precisely because it is in downtown Atlanta. Visitors arriving by public transport can use MARTA, with the arena stating that the SEC District station is only a few steps from the entrance. For those arriving by car, the arena highlights several parking options: State Farm Drive, Diamond Deck, Sapphire Deck and Ruby Lot. The differences are primarily in distance from the entrance and type of access, so it is worth planning an earlier arrival, especially because the concert takes place on a Friday evening.

According to the arena’s information, Sapphire Deck is located at 127 Centennial Olympic Park Dr. NW and is less than a five-minute walk away. Ruby Lot is at 199 Alabama St. SW and less than a three-minute walk away. State Farm Drive is at the arena’s own address, 1 State Farm Dr., and Diamond Deck is at 100 Lower Andrew Young International Dr. The arena states that State Farm Drive and Diamond Deck are options with less than a one-minute walk, but the choice depends on availability, drivers’ habits and the plan for leaving after the concert.

If you are traveling from outside Atlanta, it is practical to know that the arena is in a part of the city where it is easy to combine a concert, dinner, hotel and a walk around the Centennial Olympic Park area. This does not mean one should rely on arriving at the last moment. Concerts in large arenas create crowds around entrances, security checks, parking lots and surrounding streets. For a performance like this, it is better to arrive earlier, pass through the entrance without rushing and leave yourself time to get oriented in the arena.

Entry rules and practical notes

For this event, State Farm Arena states a bag policy: permitted bags must be 14" x 14" x 6" or smaller, and all bags are subject to inspection. The arena also states that it does not enforce a clear-bag-only policy. Medical bags and baby bags are exempt from the size limit, but are inspected. These are pieces of information worth checking before departure, because arena rules can change depending on the event.

The arena is a cashless environment, which means that payment by card is expected for tickets, food, drinks and sales points in the arena. For visitors from outside the USA, this is an especially important detail: before arrival, it is necessary to check the card, mobile payment and any bank limits, because relying on cash inside the arena is not recommended.

It is worth securing tickets in time.

Atlanta as a concert city

Atlanta is a city where a big concert evening can easily turn into a shorter city stay. State Farm Arena is located downtown, near hotel, hospitality and tourist points, so visitors arriving from other cities do not necessarily have to plan only arrival and departure. The most practical thing is to organize accommodation, transport and dinner around the downtown area, especially if one wants to avoid longer car movement after the concert.

For audiences coming for the first time, Atlanta offers a different context from some other stops on the tour. It is not only another date between Florida and Nashville. The concert comes after performances in Tampa and Miami, and the day after, the tour continues toward Nashville. Atlanta is thus part of a very dense southern section of the North American route, which usually means that the audience gets the band in the full rhythm of the tour, after the program has already passed through several major cities.

Who this concert is the best choice for

Florence + The Machine in Atlanta will especially attract three types of audience. The first are longtime fans who have gone with the band from "Lungs" and "Ceremonials" to "Dance Fever" and "Everybody Scream". For them, this concert is an opportunity to hear how older material fits into the new, darker and more mature phase. The second are listeners who know the biggest songs, but have never been to a Florence Welch concert. For them, the arena could be the best introduction, because her voice and stage presence especially come to the fore before a large audience.The third group are concert lovers looking for a performance with a strong identity. Florence + The Machine is not a project easily reduced to one genre. In the same performance, elements of indie rock, art pop, soul, folk and an almost liturgical choral intensity can be heard. Because of that, the concert can also be attractive to audiences who otherwise listen to different performers, but value performances in which risk, vulnerability and the singer’s physical presence are felt.

How to prepare for the evening

The best preparation is not learning an imagined set list, but listening to the range of the career. It is good to go through songs from the album "Everybody Scream", especially those highlighted in the current phase, but also to return to earlier albums. Florence + The Machine live often works through contrast: one song can sound like a confession, another like an escape, a third like mass singing. The better the audience knows that range, the more easily it will feel the transitions between quieter and more explosive moments.

Practically, it pays for visitors to arrive before 6:30 PM if they want to catch a calmer rhythm of entry, especially if they are taking care of parking, arranging a meeting with friends or coming to the arena for the first time. One should bring only what is necessary, respect the bag limits and count on a security check. Since this is a large arena in the city center, leaving after the concert should also be planned: public transport, rideshare or a preselected parking lot can significantly reduce stress at the end of the evening.

The atmosphere carried by "Everybody Scream"

The title of the tour "Everybody Scream" should not be understood only as a dramatic slogan. In the context of Florence + The Machine, it points to what this band’s concerts often do best: they turn personal verses into a collective voice. Florence Welch has the rare ability to maintain a feeling of closeness in a large space. When a song begins quietly, the audience listens almost theatrically; when the chorus explodes, that same audience becomes part of the arrangement.

That is why this concert is interesting even to those who may not follow every new single. Florence + The Machine live is not only a cross-section of the discography, but an experience of tempo, space and collective breath. In State Farm Arena, that impression will rely especially on the size of the hall, on the sound of the crowd and on Florence Welch’s ability to lead several thousand people through songs that are at once intimate and enormous.

Ticket sales for this event are ongoing.

Short guide for visitors

For the most pleasant arrival, the most important thing is to coordinate three things: time, transport and arena rules. The concert starts at 7:30 PM, doors open at 6:30 PM, and the location in downtown Atlanta means that traffic and parking crowds can intensify as the start approaches. If you are arriving by car, a preselected parking lot will make arrival easier. If you use public transport, MARTA and the SEC District station are the simplest choice according to the arena’s information.

Musically, the evening is most attractive to those who like a concert to have dramaturgy. Here, the point is not only to wait for one famous chorus. The point is how Florence Welch’s voice moves through the space, how songs from different periods of the career lean on one another and how the new album "Everybody Scream" changes the color of the entire evening. Atlanta gets a concert in which the band’s current phase meets songs that long ago outgrew the status of radio hits.

Sources:
- State Farm Arena - data on the Florence + The Machine concert in Atlanta, start time, door opening, confirmed guest CMAT, bag rules, cashless payment and visit planning.
- State Farm Arena - information on the arena address, parking options, parking lot distances, MARTA public transport and the downtown Atlanta location.
- State Farm Arena - data on the opening of the renovated arena on October 20, 2018, and the capacity of 17,044.
- Florence + The Machine - "Everybody Scream" album page with the current release and highlighted songs "Everybody Scream", "One of the Greats" and "Sympathy Magic".
- Pitchfork - announcement of the "Everybody Scream" tour, album context, North American route and confirmed supporting performers by dates.
- Grammy.com - biographical context of Florence + The Machine and the significance of the song "Dog Days Are Over" in the band’s career.
- The Guardian - critical context of the album "Everybody Scream", its sound, theatricality and place in the later phase of Florence Welch’s career.

Everything you need to know about tickets for concert Florence + The Machine

+ Where to find tickets for concert Florence + The Machine?

+ How to choose the best seat to enjoy the Florence + The Machine concert?

+ When is the best time to buy tickets for the Florence + The Machine concert?

+ Can tickets for concert Florence + The Machine be delivered electronically?

+ Are tickets for concert Florence + The Machine purchased through partners safe?

+ Are there tickets for concert Florence + The Machine in family sections?

+ What to do if tickets for concert Florence + The Machine are sold out?

+ Can I buy tickets for concert Florence + The Machine at the last minute?

+ What information do I need to buy tickets for the Florence + The Machine concert?

+ How to find tickets for specific sections at the Florence + The Machine concert?

2 hours ago, Author: Culture & events desk

Find accommodation nearby


You may be interested

Tuesday 28.04. 2026 19:30
Benchmark International Arena, 401 Channelside Dr
Wednesday 29.04. 2026 19:30
Kaseya Center, 601 Biscayne Blvd
Saturday 02.05. 2026 19:30
Bridgestone Arena, 501 Broadway
Monday 04.05. 2026 19:30
Moody Center, 2001 Robert Dedman Dr
Tuesday 05.05. 2026 20:00
Toyota Center, 1510 Polk St, Houston
Thursday 07.05. 2026 19:30
Dickies Arena, 1911 Montgomery St
Saturday 09.05. 2026 19:30
Desert Diamond Arena, 9400 W Maryland Ave
Tuesday 12.05. 2026 19:30
Climate Pledge Arena, 334 1st Ave N
Wednesday 13.05. 2026 19:30
Moda Center, 1 N Center Ct St
Friday 15.05. 2026 19:30
Chase Center, 1 Warriors Way
Tuesday 19.05. 2026 19:30
Kia Forum, 3900 W Manchester Blvd
Wednesday 20.05. 2026 19:30
Kia Forum, 3900 W Manchester Blvd
Sunday 21.06. 2026 13:00
Flugplatz Neuhausen Ob Eck, Flugplatz Neuhausen Ob Eck
Friday 10.07. 2026 12:30
Passeio Marítimo de Algés, ---
Tuesday 14.07. 2026 16:30
OAKA "Spyros Louis", Leof. Olimpionikou Spirou Loui 1, Marousi 151 23
Monday 24.08. 2026 17:00
Royal Highland Showgrounds, Ingliston
Friday 28.08. 2026 09:00
Bramham Park, Bramham Park
Friday 28.08. 2026 09:00
Richfield Avenue, Richfield Avenue
Saturday 29.08. 2026 09:00
Richfield Avenue, Richfield Avenue

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.