Postavke privatnosti

Buy tickets for concert Raye - 19.05.2026., O2 Arena, London, United Kingdom Buy tickets for concert Raye - 19.05.2026., O2 Arena, London, United Kingdom

CONCERT

Raye

O2 Arena, London, UK
19. May 2026. 18:30h
2026
19
May
Photo by: Domagoj Skledar - illustration/ arhiva (vlastita)

Raye tickets for the O2 Arena London concert and This Tour May Contain New Music live with guests Absolutely and Amma

Looking for Raye tickets in London and planning to buy for the O2 Arena concert? On 19 May 2026, she brings pop, R&B, soul and jazz-club drama to This Tour May Contain New Music, with songs from her breakthrough era and the newer This Music May Contain Hope chapter

RAYE in London: a homecoming at the end of the tour

RAYE performs at O2 Arena in London on Tuesday, 19 May 2026, with entry starting at 18:30. The concert is part of the "THIS TOUR MAY CONTAIN NEW MUSIC" tour, which has several nights at the London venue, placing this performance in the final, hometown part of her major concert cycle. For audiences who have followed RAYE since the single "Escapism.", but also for those who discovered her only through the newer phase of her career, this is an opportunity to hear an artist who has moved from a songwriting background to the status of one of the most recognisable British pop and R&B musicians.

Her London concert is not just another stop on the route. RAYE is an artist from South London, and O2 Arena is a space where a local story turns into a performance for tens of thousands of people. After years of writing songs for other artists, fighting for her own authorial voice and the success of the album "My 21st Century Blues", her current phase sounds more assured, more lavish and more ambitious on stage. Tickets for this event are in demand.

Why RAYE is so important right now

RAYE made a strong impact on the wider public with the song "Escapism.", which brought her dark, club-oriented and emotionally direct approach to a global audience. But her story does not begin with that single. Before her major solo breakthrough, she was a sought-after songwriter and collaborator, and her work connects pop, R&B, soul, jazz, dance and elements of hip-hop. That breadth is precisely why her concerts rely not only on choruses for mass singalongs, but also on band dynamics, vocal performance and personal introductions to the songs.At the BRIT Awards 2024 she won six awards in one evening, setting a new ceremony record. Among the honours were Album of the Year, Artist of the Year, Best New Artist, Song of the Year and R&B Act, and she was also highlighted as Songwriter of the Year. That fact is important for understanding her concert: RAYE does not come to the stage only as a singer of pop hits, but as a songwriter presenting her own material, her own fractures and her own victories to the audience.

Her Grammy 2025 nominations further strengthened the international context. RAYE was recognised in categories covering both performance and songwriting work, including Best New Artist and Songwriter Of The Year, Non-Classical. That is a rare combination for an artist who moves simultaneously between radio pop, a jazz-club atmosphere, ballads and dramatic orchestrations.

A new era: "THIS MUSIC MAY CONTAIN HOPE."

The current tour is connected to her new phase and the album "THIS MUSIC MAY CONTAIN HOPE.", released in 2026. The album includes the singles "WHERE IS MY HUSBAND!" and "Click Clack Symphony", and the tour title itself clearly leaves room for newer material in the repertoire. That does not mean every song is already known to the audience, but it provides a good framework: the concert does not rely only on past successes, but presents RAYE as an artist who has already stepped into the next chapter.In more recent performances, critics have particularly highlighted her ability to combine theatricality, humour, vulnerability and vocal control. The audience can expect a concert that moves from intimate moments to lavish, brassy arrangements. This is an important difference compared with many pop arena shows: with RAYE, the sense of cabaret, soul and a jazz club is often transferred into a space much larger than a classic concert hall.

Her music works most powerfully when it contrasts. In one song she can sound like a confession after a long night out, in another like an orchestrated soul number, and then move into a rhythm that drives the audience almost like a club track. That is why this concert appeals both to those who follow contemporary British pop, to R&B lovers, and to audiences who value strong live vocals.

What the audience can expect from the performance

The confirmed tour title "THIS TOUR MAY CONTAIN NEW MUSIC" points to a repertoire that includes the current phase of her career, while the London dates at O2 Arena come after the tour has already passed through a series of European and North American stops. There is no need to guess the exact set-list, because it can change from night to night, but the key point is clear: today RAYE performs as an artist who has both recognisable hits and enough new material for the concert not to sound like a retrospective.Several groups will probably be recognisable in the audience. Some come because of "Escapism.", the song that opened a huge international market for RAYE. Others come because of the album "My 21st Century Blues", whose directness created a loyal fan base. A third group discovered her through the new era, the single "WHERE IS MY HUSBAND!" and the atmosphere of the album "THIS MUSIC MAY CONTAIN HOPE.". The good news for all of them: her concert form supports both singing along and silence between the lines.

The way RAYE uses a live band is especially interesting. Reviews from the tour have mentioned an expanded line-up with strings and brass, giving her songs a cinematic and theatrical feel. This should not be understood as a guarantee of identical production every night, but it describes the direction well: the vocal is not hidden behind a backing track, but is at the centre of the arrangements.


  • For long-time fans: the concert brings the context of the journey from "My 21st Century Blues" to the new album.

  • For the wider audience: RAYE has enough well-known songs and a strong vocal identity for the performance to work even without knowing the entire discography.

  • For lovers of R&B, soul and jazz: her arrangements often move beyond the standard pop format and rely on the dynamics of a live band.

  • For visitors travelling to London: O2 Arena is well connected by public transport, making arrival and return planning easier.

Special guests and the confirmed framework of the evening

Special guests Absolutely and Amma have also been announced for the London date. This is a detail worth noting because it is not a randomly added programme, but artists who are connected to RAYE by family and creativity. Such a context gives the evening a warmer frame, especially in London, where the hometown audience often responds more sensitively to artists who come from the same city and return with international success.

What has not been confirmed should not be turned into a promise. There is no need to speculate about surprise guests, the exact length of the concert or special effects. What is already known is enough: RAYE arrives with her current tour, a new album chapter, familiar songs and guests listed with the event. Ticket sales for this event are underway.

O2 Arena: a venue that changes the scale of the concert

O2 Arena, part of The O2 complex on Greenwich Peninsula, is one of London’s best-known concert venues. For visitors, that means two things. First, it is a space accustomed to major international tours, with organisation adapted to a huge flow of audience members. Second, although the arena is large, its enclosed form and modern infrastructure allow for a concert experience that is not the same as an open-air stadium: sound, light and the stage picture remain concentrated in one space.The capacity of O2 Arena for concerts is often stated as up to around 20,000 visitors, depending on the configuration of the stage and seating. For RAYE, that carries special weight. Her songs often begin intimately, almost like a conversation, and then expand into choruses the audience can take over. In such a hall, the contrast between quieter moments and collective singing can be the strongest part of the evening.

The complex is located at Peninsula Square, London SE10 0DX. For first-time visitors it is important to know that The O2 is not just an arena, but a larger space with restaurants, shops and facilities around the venue. This makes an earlier arrival easier, especially if one wants to avoid the crowd immediately before entry. Places are disappearing quickly.

How to get to O2 Arena

The simplest arrival for most visitors is by public transport. The nearest Underground station is North Greenwich on the Jubilee line, located next to The O2 complex. The Jubilee line connects this part of London with important points in the city, so travelling from the centre is practical even for visitors who are in London only briefly.For those arriving by car, The O2 has several car parks, but for arena events it is recommended to book parking in advance because capacity fills up on days of major concerts. A drop-off and pick-up area is also available at Car Park 1, but crowds should be expected around the end of the concert. If possible, public transport will be the calmer choice.


  • Underground: North Greenwich, Jubilee line, is the closest station to the complex.

  • Car: parking for events should be planned in advance because the number of spaces is limited.

  • Bicycle: The O2 lists more than 400 bicycle stands at North Greenwich Station and car parks 2, 3 and 4.

  • Early arrival: useful because of security checks, crowds and easier orientation within the complex.



London as a concert weekend, even though the concert is on Tuesday

London is an especially logical city for a RAYE concert. She is not only a British artist performing in a major metropolis; her identity, language and stage confidence are strongly connected to South London. For visitors coming from outside the United Kingdom, that adds another layer: this performance is not separate from the city, but feels like a return to the ground from which her story began.Greenwich Peninsula works well for a shorter stay because it allows a combination of the concert, a walk along the Thames and a quick return toward the centre. Visitors arriving from Croatia or other European countries should pay particular attention to arrival time in the city, accommodation check-in and evening transport after the concert. Since entry is listed as starting at 18:30, it is wise not to plan arrival at the last minute.

Practical notes for the concert evening

With large arenas, the biggest problems are usually not created by the concert itself, but by logistics before and after it. RAYE at O2 Arena will attract an audience of different age groups, from younger fans following viral moments to audiences who came because of the vocals, albums and awards. For that reason, increased traffic around the complex, queues at the entrance and crowds at North Greenwich station after the programme ends should be expected.

Doors for this date are listed at 18:30. This is not necessarily the start time of RAYE’s performance, but a time that helps visitors plan their arrival. Since guests Absolutely and Amma have also been announced, it is worth arriving early enough if one wants to catch the full evening programme. It is worth securing tickets in time.

  • Date: 19 May 2026.

  • Entry: 18:30.

  • Venue: O2 Arena, London.

  • Tour: "THIS TOUR MAY CONTAIN NEW MUSIC".

  • Guests: Absolutely and Amma are listed with the London event.

  • Nearest station: North Greenwich on the Jubilee line.



What impression the audience will take away

The best reason to go to RAYE is not only the song list, but the way she performs them. Her voice can be rough, soft, theatrical and precise in the same evening. In songs such as "Ice Cream Man" or "Escapism.", the audience hears a directness that is not decoration, but the centre of her expression. In the newer material, especially around the album "THIS MUSIC MAY CONTAIN HOPE.", the emphasis shifts toward recovery, light and self-awareness, but without losing the drama.

This is a concert for an audience that likes it when an arena does not sound sterile. On stage, RAYE often comes across as someone who builds a relationship with the audience between songs, explains the emotional terrain and then turns it into performance. At O2 Arena, such an approach can be particularly effective: a large space, a hometown, the tour finale and an artist who in a few years has travelled the road from fighting to release an album to becoming a multiple-award-winning songwriter.For visitors choosing one concert in London in spring 2026, this performance has a clear argument. RAYE arrives with confirmed hits, a new album cycle, a strong vocal identity and a venue that can handle both silence and the explosion of choruses. Tickets for this event are in demand.

Sources:

- The O2 - details on the RAYE concert date, entry time, the "THIS TOUR MAY CONTAIN NEW MUSIC" tour, London dates and the new single.- Ticketmaster UK - confirmation of the London date of 19 May 2026, the 18:30 time and the tour name.

- Live Nation UK - confirmation of the event at The O2 and special guests Absolutely and Amma.

- GRAMMY.com - context of RAYE’s Grammy 2025 nominations and her songwriting profile.- PRS for Music M Magazine - information on RAYE’s record six BRIT Awards wins in 2024 and the Songwriter of the Year award.

- RAYE - information on the album "THIS MUSIC MAY CONTAIN HOPE.", the singles "WHERE IS MY HUSBAND!" and "Click Clack Symphony".

- The O2 - information on arrival, parking, bicycle stands and traffic organisation around the complex.- The Times - description of the concert form on the tour, including emphasis on theatricality, the band and new material.

Everything you need to know about tickets for concert Raye

+ Where to find tickets for concert Raye?

+ How to choose the best seat to enjoy the Raye concert?

+ When is the best time to buy tickets for the Raye concert?

+ Can tickets for concert Raye be delivered electronically?

+ Are tickets for concert Raye purchased through partners safe?

+ Are there tickets for concert Raye in family sections?

+ What to do if tickets for concert Raye are sold out?

+ Can I buy tickets for concert Raye at the last minute?

+ What information do I need to buy tickets for the Raye concert?

+ How to find tickets for specific sections at the Raye concert?

2 hours ago, Author: Culture & events desk

Find accommodation nearby


You may be interested

Wednesday 13.05. 2026 20:00
Greek Theatre Los Angeles, 2700 N Vermont Ave
Wednesday 20.05. 2026 18:30
O2 Arena, Peninsula Square
Friday 03.07. 2026 20:30
Auditorium Stravinski, Grand' Rue 95
Friday 28.08. 2026 08:00
Bramham Park, Bramham Park
Saturday 29.08. 2026 09:30
Richfield Avenue, Richfield Avenue
Sunday 30.08. 2026 09:30
Bramham Park, Bramham Park

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.