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Buy tickets for concert Amy MacDonald - 18.02.2026., THE HALL, Dubendorf, Switzerland Buy tickets for concert Amy MacDonald - 18.02.2026., THE HALL, Dubendorf, Switzerland

CONCERT

Amy MacDonald

THE HALL, Dubendorf, CH
18. February 2026. 20:30h
2026
18
February
Photo by: Domagoj Skledar/ arhiva (vlastita)
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Tickets for Amy MacDonald at THE HALL Dübendorf: concert details, venue guide and arrival tips

Looking for tickets for Amy MacDonald at THE HALL in Dübendorf? Here you can handle ticket purchase for the 18 February 2026 concert and get the essentials on the venue setup, show flow, arrival via Stettbach, entry rules, and what to expect from the live atmosphere in the Zürich area
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Amy Macdonald brings her big pop rock comeback to Dübendorf

Amy MacDonald's concert in Dübendorf, Switzerland is announced for THE HALL, and the stage will light up on February 18th with a time highlighted as 20:30, while the ticket is valid for one day and is worth planning as a complete evening, from arrival to return after the program ends. In a space that has become one of the most recognizable concert hubs of the greater Zurich area in recent years, a performance is expected that combines recognizable Scottish emotionality and choruses that are sung effortlessly, even when the audience hears a new song for the first time. If you follow her work from early hits to the current studio period, this tour stop is a logical place where old and new merge into the same set, with an emphasis on energy that sounds bigger and fuller live than on recordings. Ticket sales for such dates usually accelerate as soon as the audience realizes that it is a hall that fills capacity quickly, and the announcement of the hall already suggests strong interest that is felt even before the first chord. Secure your tickets for this event immediately and click the button marked

as soon as you see it below, because that is exactly the fastest way to check availability and enter the hall where the atmosphere builds from the first verse.

A voice that marked European radio and festival stages

Amy MacDonald is a performer whose breakthrough from 2007 is still felt on European radios, but her story has not remained locked in one decade, but expands through albums, tours, and the ability to package stubborn persistence and optimism into a simple melody. It is precisely this combination of easily memorable choruses and life details that is the reason why she is often spoken of as an author who does not fake vulnerability, but turns it into a concert engine that lifts the audience from their seats. Announcements related to the current cycle emphasize that she is one of the favorite British performers with an extremely strong audience in continental Europe, and the numbers mentioned in this context, from sales and streams to a full hall, primarily serve as a framework for one simple fact: her music travels well and sounds equally good in clubs, arenas, and festivals. In practice, this means that at the concert in Dübendorf, an audience can be expected that comes both for nostalgia and for new songs, and this mix often creates a special dynamic, because older hits are experienced as a common language, while newer material is tested in real time. When such a profile of a performer is combined with a hall that is technically built for powerful sound and clear visibility, the ticket becomes more than an entrance, it becomes a ticket to an evening remembered for singing, rhythm, and the feeling that the story is happening in front of you.
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From This Is The Life to today's songwriting maturity

The story of Amy MacDonald is often summarized in one sentence about a song that marked a generation, but her career is actually understood only when one sees how she built a recognizable pop rock signature from a simple acoustic idea, in which guitar and rhythm rely on a solid skeleton, and the vocals carry emotion without exaggeration. At her concerts, that signature is heard as a series of small decisions, from the emphasis on the chorus to the way songs open and close, and even the audience that usually listens to various genres often finds a moment where they catch themselves singing. The current announcement of the hall speaks of a new chapter and an album that brings back a sense of catharsis and escape, which is a good description of what happens when her songs are transferred from headphones to a space full of people, because then personal themes turn into a collective experience. Precisely because of this effect, tickets for such concerts have special value, because they offer more than just a performance, they offer a common rhythm in which people, regardless of language, find themselves on the same chorus. If you are the type who wants to be close to the stage and feel the dynamics of the band firsthand, it is worth thinking about tickets on time, because the capacity of the hall is large, but the interest can be even greater, especially when it comes to dates near Zurich. In this sense, buying tickets is not just logistics, but also a decision on how you want to experience the evening, peacefully from the stands or in the dense concert parterre where energy is transferred from row to row.

New era of the tour and what can be expected in the set

The announced concert at THE HALL bears the label of the tour cycle related to the album Is This What Youve Been Waiting For, which clearly communicates that the program will be composed to combine recognizable singles and current songs that live from the same formula, clear melody, and strong chorus in one evening. According to the hall's information, the evening has a defined structure with an earlier opening of the entrance and a planned finish around 22:00, which is useful for planning the trip, but also for understanding the rhythm of the concert, because such a schedule usually means that the audience gets enough time to warm up and gradually raise the intensity. The announcement also lists Better Joy, which suggests that the audience will get an introduction before the main performance that sets the atmosphere and fills the hall, so for a good experience it is important to arrive earlier, pass the entrance without stress and catch the beginning of the program. When ticket sales approach the last wave or when a label appears that interest is extreme, the audience often increases expectations and the hall itself begins to sound like an instrument, because every chorus returns from the balcony and parterre at the same moment. Tickets for this concert disappear quickly, so buy tickets on time and click the button marked

as soon as it is available, especially if you want to choose your viewing angle, because the experience differs significantly between the stands and standing in the parterre. In the set, one can realistically expect a cross-section of the career, with an emphasis on songs that are created to be sung loudly and together, while newer material will show how her songwriting maturity has brought a greater dose of self-confidence and wider arrangements.
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Live atmosphere and why tickets are part of the story, not just entry

In a world where music is often consumed in short forms, an Amy MacDonald concert functions as a reminder that songs are best understood when you share them with others, because then lyrics about struggle, hope, and escape get a concrete face and sound in the crowd. THE HALL is a space built for moments in which the audience suddenly becomes a choir, and that is precisely one of the reasons why tickets for such concerts are treated as an entrance to an experience, and not just as paper or a code. When the audience sings familiar choruses, that kind of shared energy arises which cannot be reproduced on a recording, because every voice, every pause, and every applause turns into part of the arrangement. In such an atmosphere, new songs most often pass the test without mercy, if they have a chorus, the audience catches it, if they have a story, the audience feels it, and if they have rhythm, the hall returns it back like a wave. That is why ticket sales are an important signal, not only to the organizer but also to the audience, because it says how loud the evening will be and how quickly the space will fill up. Buy tickets via the button below and do not wait for the last moment, because when the hall approaches full capacity, both the entrance and the cloakroom and the bars work under greater load, and you want to enter peacefully, find a place and wait for the start in a good rhythm, instead of rushing through the foyer.

THE HALL as a stage of big sound and clear visibility

THE HALL in Dübendorf, at the address Hoffnigstrasse 1, 8600 Dübendorf, is conceived as a modular hall that adapts to different event formats, and for the concert context, this means a combination of a large surface and technology that facilitates good sound and a good image from almost every point. According to the data of the hall itself, capacities range up to 5,062 visitors in a combination of standing and seating, with the possibility of around 4,100 standing places and around 3,051 places in a theatrical layout, so the audience can expect serious concert momentum, but also relatively controlled comfort. Technical details such as a hydraulic stage that can be divided, telescopic stands, and a large LED screen create conditions in which the performance does not rely only on lights and smoke, but on precisely guided production that follows the dynamics of the songs. The hall additionally emphasizes that it is a space without pillars that would obstruct the view, which is an important detail when you have a performer whose performance often relies on contact with the audience and on the emotion being seen on the face just as it is heard in the voice. In practice, such a space enhances the impression of togetherness, because the audience from the balcony and parterre has the feeling that they share the same moment, and not that they are divided into separate zones. When the fact is added to this that THE HALL has an underground garage with about 250 places and that it is transport-connected to the Stettbach hub, it is clear why this place has become a natural choice for tours that want a large reach without losing intimacy, and tickets then become also an entrance to a well-organized infrastructure, not just to the concert.

Dübendorf and the Zurich environment, the city as the concert context

Dübendorf is part of the wider Zurich urban belt and practically leans on Zurich, so you often experience a concert in THE HALL as a Zurich evening with a slightly different rhythm, close enough that the journey is simple, but far enough out of the center that entry and exit can be more fluid. In the immediate vicinity is the Stettbach train station, which is an important point for S Bahn and tram connections, and the hall itself in its information strongly recommends arriving by public transport precisely because of the proximity of the station. In a broader context, Dübendorf is also known for the area of the former airfield, where the Switzerland Innovation Park Zurich is developing, a project that positions the city and the environment as a space for research, development, and testing in areas such as robotics, mobility, and advanced manufacturing. This combination of a technological environment and concert infrastructure often creates an interesting profile of the audience, because local visitors, people working in Zurich, and international fans who plan a short trip to Switzerland just because of this performance meet in the same space. In such a city, a concert is not an isolated event, but part of an evening in which before and after the performance you naturally move through a transport hub and neighborhoods that have their everyday life, and that is precisely why it is useful to think in advance about tickets and arrival, in order to avoid crowds and enter the hall without haste. If your goal is to experience the full package, from warm-up to the last song, tickets and good logistics go together, because in Switzerland the rhythm of the evening often keeps to the schedule very precisely.
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Practical information for visitors, arrival and entry

For visitors, it is most important to know that THE HALL is at the address Hoffnigstrasse 1 in Dübendorf and that it is located literally next to Stettbach, so arriving by train, tram, or bus is in many cases the simplest choice, especially if you are coming from Zurich or the wider region. The hall warns that increased security measures can cause longer waits at the entrance, which is another argument to arrive earlier, especially if you want to leave your jacket without stress and catch the beginning of the program. The same information also emphasizes the rule about bag size, whereby bags larger than A4 are not allowed, so it is smart to choose a smaller bag and thereby speed up the passage. If you plan to come by car, the underground garage of the hall comes into consideration, but also the wider parking infrastructure around the hub, whereby it is worth counting on traffic concentrating in a short time after the program ends. The ticket for this event is valid for one day, which sounds banal, but it is important for those who plan to combine the concert with additional content in the city, because the ticket opens one evening for you, and not a multi-day stay. Secure your tickets for this event immediately and click the button marked

, and after purchase, it is useful to save the ticket and basic information on your phone or in print, so that you have everything ready at the entrance and avoid unnecessary retention.

Food, drink and tempo before the concert

Part of the experience in THE HALL is not only the stage, but also what happens before the first performance, because the hall emphasizes the gastro offer and the concept of an evening in which the concert can be connected with an earlier arrival and stay in the space. On their channels, seasonal variants like a winter atmosphere on the roof terrace are also mentioned, which is in practice an invitation to the audience not to arrive in the last ten minutes, but to arrange the evening as an outing in which the mood is gradually built. This is particularly useful in February, when weather conditions in Switzerland can be colder, so it is pleasant to have the option to warm up in the foyer and grab a drink or a bite before entering the parterre. Such an approach also has practical value, because earlier arrival reduces pressure on the entrance and cloakroom, so you settle in the hall faster and have time to orient yourself, especially if you are coming to THE HALL for the first time. In addition, the schedule that the hall usually highlights, from the earlier opening of the entrance to the finish around 22:00, enables planning the return, whether by public transport towards Zurich or further towards the region. In such a rhythm, tickets and passes are not just a formality, they are a signal that you are part of the evening from the beginning, and not someone rushing into the middle of the set, so buying tickets on time pays off both for peace of mind and for a better experience.
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What a concert evening looks like when interest is high

When the hall highlights the sold out label next to the event on its page, it is information that speaks both of the popularity of the performer and the profile of the space, because THE HALL regularly hosts big tours and is used to an audience that comes organized and early. In such a situation, the atmosphere is often felt already on the approach, because people gather around the entrance, exchange expectations, take photos, and prepare for an evening in which they will sing the chorus together multiple times, which in pop rock has a particularly strong effect. If additional ticket availability appears in the meantime or if the hall releases a new contingent, this is usually seen through the simplest verification channel, so it is useful to follow the button marked

and react quickly, without long thinking. It is also important to understand that at such performances the audience often divides into those who want to be as close to the stage as possible and those who want a stable view from the balcony, and both approaches make sense, they just create a different type of experience. On the parterre you get the physical energy of the crowd, while from the stand you get a wider picture of the production, lights, and movement of the band, which is particularly interesting in a hall that has a large LED screen and modern lighting. Because of this, tickets are often bought with a clear intention, and not casually, because the audience already knows what type of evening they want, louder and denser or clearer and more comfortable, so ticket sales are at the same time an indicator of how the hall will fill up and where the greatest crowd will be created.

Why this performance is important for fans in the region

The Swiss stop on a major European tour often carries special weight, because it gathers an audience from multiple countries that are transport-connected with Zurich, and Dübendorf as a location enables both those living in the city and those arriving by train from the wider region to come to the concert. Amy MacDonald in such a context gets an audience that is used to large halls, but also an audience that appreciates a clear authorial story, so the concert turns into a kind of meeting of different listening habits on the same chorus. The hall specially emphasized in its announcement her ability to build positive, uplifting songs from relatable stories about struggle and hope, which is exactly what is felt most at concerts, because the audience comes for an emotion that is simultaneously personal and shared. In February, when the concert season is in full swing, such dates become points around which weekends and short trips are planned, so tickets are often bought as part of a wider plan, not just as a spontaneous decision. If you follow how tours develop, you will see that it is precisely in such halls, with a capacity of over several thousand people, that it is best heard how alive a song is, because the chorus must carry the space regardless of whether you are two meters or fifty meters from the stage. That is why buying tickets also has an emotional dimension, because a ticket in this case is not just an entrance, but a confirmation that you have decided to be part of an evening in which a new era and old hits meet in front of an audience that knows what it wants and shows it loudly.
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Sources:
- THE HALL, Amy Macdonald event page, details about the tour, schedule, status and supporting artist
- THE HALL, HALL page, technical features and capacities of the space
- THE HALL, Anfahrtsplan, address and recommendations for arrival and proximity to Stettbach station
- THE HALL, news about the name change from Samsung Hall to THE HALL from January 1, 2022
- Innovation Park Zurich, description of the development of the innovation ecosystem in the Dübendorf airfield area

Everything you need to know about tickets for concert Amy MacDonald

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12 hours ago, Author: Culture & events desk

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