Postavke privatnosti

Buy tickets for concert André Rieu - 27.02.2026., GETEC Arena, Magdeburg, Germany Buy tickets for concert André Rieu - 27.02.2026., GETEC Arena, Magdeburg, Germany

CONCERT

André Rieu

GETEC Arena, Magdeburg, DE
27. February 2026. 19:30h
2026
27
February
Photo by: Domagoj Skledar/ arhiva (vlastita)

Tickets for André Rieu at GETEC Arena in Magdeburg – ticket sales for a one-night arena concert, info

André Rieu brings his arena show to GETEC Arena in Magdeburg with waltzes, famous melodies and big-stage flair. This page is focused on ticket sales and tickets purchase for the concert on February 27, 2026 at 7:30 PM (one-day ticket), with the venue address Berliner Chaussee 32 plus arrival and seating guidance

A Concert that Turns the Hall into a Waltz Dance Floor

Magdeburg will get an evening at the end of February that is recognized in concert calendars for one thing: when André Rieu appears, the atmosphere becomes simultaneously festive and lightheartedly fun, as if the classics have moved from the concert hall straight into a social gathering. The concert is scheduled for 27.02.2026 at 19:30, and takes place at the GETEC Arena in Magdeburg, with the ticket being valid for 1 day, which makes this evening a clear and simple plan: you come, you experience, and you take home the impression of a grand stage spectacle. Rieu's audience usually comes with the idea of not just listening to a concert but participating in the experience, so the interest in tickets and cards regularly intensifies as the performance date approaches. Ticket sales are available and, if you want to choose a seat without compromise, it makes sense to react early because tickets for such arena dates are often in high demand. Secure your tickets for this event immediately!

André Rieu and the Recipe for Global Concert Euphoria

In the world of serious music, few managed to combine a high performance level and a mass, almost festival-like sense of community, but André Rieu has been doing exactly that for decades, building a recognizable signature around waltzes and melodies that the audience instinctively recognizes. His stage is not just a place where a program is performed but also a space where the audience is led through emotions, from nostalgia to cheerfulness, with the impression that every composition is a little story. He comes to Magdeburg with the concept of a “brand new show”, which usually means a refreshed repertoire, new stage solutions, and the same recognizable feeling that everything is designed to be approachable but not superficial. Rieu performs with the Johann Strauss Orchestra, an ensemble that is regularly described in his announcements as an orchestra of about 60 musicians, along with soloists and special guests, so the sound fills to arena proportions and gets that “cinematic” breadth. When such an ensemble enters a space like the GETEC Arena, tickets are no longer just an entrance to the hall but an entrance into an evening to be remembered, which is why buying tickets often turns into a small project of planning the ideal seat and the ideal company.

What Can Be Expected from the Program and the Scenic Impression

Rieu's concerts traditionally rely on a repertoire that ranges from romantic, emotional ballads to the most famous waltzes, and the key is in the dramaturgy: the evening is built as a series of peaks and pauses, so that the audience remains “inside” from the first to the last minute. In practice, this means that in the same breath an elegant waltz can happen, then a well-known melody from popular culture, and then a moment in which a soloist or guest steals the focus and creates a small theatrical scene within the concert. A special value is that the audience is not treated as strictly passive, but is often encouraged to clap in rhythm, hum, or spontaneously raise the energy in the stands, which also changes the perception of the hall: from a sports space to a concert “box” with a great resonance of emotions. If you follow Rieu's announcements, the emphasis is on a “colourful concert full of surprises”, which usually manifests in changes of mood, humor in hosting, and stage choreography that goes beyond the classic “orchestra sits, audience listens”. That is precisely why tickets are also talked about as an investment in experience, because you don't buy tickets just for one favorite composition but for the entire concept of an evening in which the program develops as a journey.

Magdeburg as a Backdrop for a Grand Arena Spectacle

Magdeburg has a specific urban rhythm: a city that lies along the Elbe and which throughout history carried the weight of important European and German stories, and today is increasingly positioning itself as a place where large arena productions make sense and have an audience. When a concert that fills arenas is brought to such a city, an interesting contrast is obtained between monumental history and modern event-identity, which often creates an additional motive for coming even to those who are not local. In Magdeburg, cultural life is not reduced only to institutions but also to events that temporarily take over the city, so a concert in the GETEC Arena becomes a reason for a weekend trip, dinner in the city, and a short introduction to the local scene. This context is also important for ticket sales, because part of the audience buys tickets and cards precisely because they want the “package”: concert plus city, concert plus a walk by the river, concert plus a photo in front of one of the recognizable points of the center. In late winter, when the days are shorter, a well-organized arena event gains additional weight, because it offers a safe, warm, and scenically rich evening without dependence on weather conditions. Because of this, tickets for such dates can become sought after even outside the local circle, so it is worth thinking about buying tickets in time if you want to sit in the sector that suits you best.

GETEC Arena as a Hall that Changes Identity Depending on the Event

GETEC Arena in Magdeburg is described as a multifunctional hall capable of transforming in a short time from a sports “home” into a concert arena, and exactly that flexibility is the reason why productions that require serious logistics end up in it. According to information about the hall, it is located in the Brückfeld city area, relatively close to the center, and is positioned so that it is accessible to visitors coming from outside, which in the case of large concerts directly affects the flow of the audience and the organization of arrival. The hall has been in function since 1997, and through the years it has built a reputation as a space where the stands rise steeply upwards, which is important for the experience because the audience usually gets good visibility, whether they are watching sports or a large stage with an orchestra. For a concert like Rieu's, the acoustic side is also significant, because the orchestral sound in the arena must remain clear, and the hall's announcements emphasize precisely the combination of visibility and the impression of energy that spreads when the audience reacts. An organizational detail that means a lot to many is the highlighted barrier-free accessibility, which expands the circle of visitors and facilitates the planning of arrival. When such a space is combined with a performer who fills halls, cards and tickets become part of a broader planning of the evening, from choosing the sector to deciding how much earlier to come to avoid crowds.

Atmosphere in the Arena and How the Ticket Affects the Experience

In arena concerts, there is a clear difference between “being present” and “being immersed”, and this difference is most often felt through the choice of seat and the dynamics of the audience around you, so a ticket is not just a formality but also a form of choosing a perspective. If you prefer details, facial expressions, and contact with the stage, sitting closer to the podium usually gives a more intense impression, while many choose the higher stand for the wider picture, especially when the production includes larger scenography, light, and an orchestra that fills the entire width of the stage. Rieu's audience is known for reacting spontaneously, and when a mass rhythm of applause and cheers is created in the arena, the sense of community increases regardless of the sector, which is also the reason why many buy tickets as a “gift of experience” for family or friends. In such an environment, ticket sales have their own psychology: people do not buy just to “have a ticket”, but to have a place in an evening that is a social event as much as a musical one. If you are planning an arrival in a pair or a larger group, buying tickets earlier often makes it easier to sit together, and that is a detail that in the arena can decide whether the evening will be “incidental” or truly special. Tickets for this concert are disappearing quickly, so buy your tickets on time.

Practical Information for Arrival, Address, and Movement Around the Hall

For visitors, it is crucial to know that the GETEC Arena is located at the address Berliner Chaussee 32, 39114 Magdeburg, which is information that is repeated in the announcements of the concert itself, so it is worth having it at hand already when planning the route. If you are coming by public transport, the city's transport network offers direct connections from wider city points towards the “Arenen” and “Jerichower Platz” areas, whereby in the timetable information of the city transport network, tram line 6 is highlighted as the line that connects the main station and the arena zone, which is practical for visitors who want to avoid last-minute parking. For those coming by car, the logic of large events remains the same: come earlier, follow the signage, and count on increased traffic around the complex, and the location and parking plans in the arena zone show several parking areas and special places for people with disabilities, which facilitates orientation before the crowds start. An additional value is that the hall is described as barrier-free and relatively close to the center, so part of the audience also decides on a combination: parking a bit further, a short walk, and entry without stress. Since the ticket is one-day, the evening is compact, but that is exactly why it is smart to plan the arrival so that there is time for checks at the entrance and settling into the stands without rushing. Buy tickets via the button below and plan your arrival so that you enter the hall calmly, because the best part of such evenings happens when you are ready to listen from the first note.

The City Before and After the Concert: Ideas for a Short Program in Magdeburg

If you want to turn the concert into a small trip, Magdeburg offers several points that easily fit into the schedule before the performance, without the need for complicated logistical detours. The Magdeburger Dom is listed in tourist descriptions as the first Gothic-conceived cathedral on German soil and one of the most striking landmarks of the city, so it is a good option for an afternoon walk and a short introduction to the historical layer of the place where the concert is held. For a completely different visual contrast, there is the Grüne Zitadelle von Magdeburg, a recognizable Hundertwasser architecture presented in local descriptions as an “experience of colors and shapes” in the very heart of the city, ideal for those who like to take photos and “catch” the atmosphere before going to the arena. Lovers of open spaces can consider Elbauenpark, which is described as a large green oasis with the Jahrtausendturm and various attractions, so it is interesting as an idea for those who come earlier during the day. In the late winter term at the end of February, the emphasis is usually on indoor content, but even a short walk along the Elbe or through the central zones of the city can be a good introduction to the evening when you know that a warm hall and an orchestra are waiting for you. In such a plan, tickets and cards become the “anchor” of the schedule: everything else adapts to the fact that at 19:30 you will be in your place, rested and ready for the program.

Audience, Behavior in the Hall, and Small Things that Make a Big Difference

Rieu's concerts attract a diverse audience, from passionate lovers of classics to people who otherwise do not follow concert halls but love melodies that are remembered, so the atmosphere is usually inclusive and without pretentiousness. That is exactly why a mixture of dressing styles is often seen in the arena, from more elegant combinations to relaxed variants, where the most important thing is that you feel comfortable because the evening can last as a full arena event with an introductory part, a main block, and additions. If you are coming with family, it is useful to think about the dynamics of entry and exit, because large productions can create waves of movement, and everything goes easier when you agree on a meeting point and the moment of departure. In similar arena conditions, the rule “less stress, more impression” works well: come earlier, drink water before the start, settle in, and allow the orchestra to pull you in, instead of spending the last five minutes searching for the entrance or seat. Since tickets are one-day, many visitors want to make the most of the evening and stay until the last encore, so it is worth planning the return as well, either by public transport or by car. When interest is high, buying tickets on time often also means better peace of mind: you know where you are sitting, you know how you are coming, and all that remains for you is to enjoy the program.

The Rhythm of the Evening and How to Prepare for 19:30

The starting time at 19:30 itself gives enough space to arrange the day without rushing: an afternoon for the city, an early dinner, then arrival towards the GETEC Arena with a buffer that protects you from unexpected crowds and long lines. In practice, it is most comfortable if you arrive in the hall zone earlier than you think you need to, because then you have time to check the entrances, find your seat, and enter the atmosphere while the hall fills up, and precisely that filling of the stands can be part of the magic of large concerts. When the lights go down and the orchestra starts, the focus shifts to the music and the scenic rhythm, and with Rieu, that rhythm often turns into a sense of collective celebration, so it is not surprising that the audience stays long in their impressions after the concert. If you are still thinking about going, it makes sense to turn the decision into a concrete step, because tickets for such a concert are not just paper or a digital code, but an entrance to an evening that combines orchestral splendor, recognizable melodies, and arena energy. Ticket sales are available, and when the performer is known for sold-out dates, the logic is simple: those who choose earlier usually choose better. Buy tickets via the button below and set the evening as a clear plan, because such concerts are most worth it when you experience them completely, without improvising at the last moment.

Sources:
- André Rieu (andrerieu.com) + concert announcement in Magdeburg, date, time, and hall address
- MVGM (mvgm.de) + information about GETEC Arena as a multifunctional hall, history, and characteristics of the space
- MVGM (mvgm.de) + location plan and parking lots in the arena zone (PDF)
- Magdeburger Verkehrsbetriebe (mvbnet.de) + information about tram line 6 and stations towards the arena zone
- Magdeburg Tourist (magdeburg-tourist.de) + information about Magdeburger Dom and Grüne Zitadelle
- Elbauenpark (elbauenpark.de) + official information about the park and Jahrtausendturm

Everything you need to know about tickets for concert André Rieu

+ Where to find tickets for concert André Rieu?

+ How to choose the best seat to enjoy the André Rieu concert?

+ When is the best time to buy tickets for the André Rieu concert?

+ Can tickets for concert André Rieu be delivered electronically?

+ Are tickets for concert André Rieu purchased through partners safe?

+ Are there tickets for concert André Rieu in family sections?

+ What to do if tickets for concert André Rieu are sold out?

+ Can I buy tickets for concert André Rieu at the last minute?

+ What information do I need to buy tickets for the André Rieu concert?

+ How to find tickets for specific sections at the André Rieu concert?

10 February, 2026, Author: Culture & events desk

Find accommodation nearby


You may be interested

Wednesday 25.02. 2026 19:30
ZAG Arena, Expo Plaza 7
Thursday 26.02. 2026 19:30
Barclaycard Arena, Hellgrundweg 44
Saturday 28.02. 2026 19:30
Uber Arena, Uber Platz 1
Wednesday 11.03. 2026 19:30
Hanns-Martin-Schleyer-Halle, Mercedesstraße 69
Thursday 12.03. 2026 19:30
Arena Nuernberger Versicherung, Kurt-Leucht-Weg 11
Friday 13.03. 2026 19:30
Olympia Hall, Olympiapark München, Spiridon-Louis-Ring 3
Saturday 14.03. 2026 19:30
SAP Arena, An d. Arena 1
Thursday 19.03. 2026 20:00
Unipol Arena, Via Gino Cervi, 2
Friday 20.03. 2026 20:00
Inalpi Arena, Corso Sebastopoli, 123
Saturday 21.03. 2026 19:00
Mediolanum Forum, Via Giuseppe di Vittorio, 6
Friday 03.04. 2026 00:00
Al Dana Amphitheatre, Sakhir 1062
Thursday 09.04. 2026 19:30
SSE Arena Belfast, 2 Queens Quay
Wednesday 06.05. 2026 19:30
ERGO ARENA, plac Dwóch Miast 1
Thursday 07.05. 2026 19:30
Atlas Arena, aleja ks. bp. Władysława Bandurskiego 7
Friday 08.05. 2026 19:00
PreZero Arena Gliwice, Akademicka 50
Saturday 09.05. 2026 19:30
Tauron Arena, Stanisława Lema 7
Wednesday 27.05. 2026 19:30
Messe Erfurt GmbH, Gothaer Str. 34
Thursday 28.05. 2026 19:30
QUARTERBACK Immobilien ARENA, Am Sportforum 2
Friday 29.05. 2026 19:30
O2 Arena, Českomoravská 2345/17a
Saturday 30.05. 2026 19:30
O2 Arena, Českomoravská 2345/17a
Tuesday 02.06. 2026 20:00
Žalgirio Arena, Karaliaus Mindaugo pr. 50
Wednesday 03.06. 2026 20:00
Žalgirio Arena, Karaliaus Mindaugo pr. 50
Thursday 04.06. 2026 20:00
Xiaomi Arēna, Skanstes iela 21, Vidzemes priekšpilsēta
Saturday 06.06. 2026 00:00
Veikkaus Arena, Areenankuja 1
Thursday 11.06. 2026 19:30
Royal Arena, Hannemanns Allé 18-20
Friday 12.06. 2026 20:00
Scandinavium, Göteborg
Saturday 13.06. 2026 19:30
Unity Arena, John Strandruds Vei 16
Thursday 02.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Friday 03.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Saturday 04.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Sunday 05.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Thursday 09.07. 2026 21:00
Vrijthof, ---
Friday 10.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Saturday 11.07. 2026 21:00
Vrijthof, ---
Sunday 12.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Thursday 16.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Friday 17.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Saturday 18.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Sunday 19.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Wednesday 09.09. 2026 18:00
P&J Live, E Burn Rd
Thursday 10.09. 2026 19:00
OVO Hydro, Exhibition Way, Stobcross Rd
Friday 11.09. 2026 19:30
Co-op Live, Etihad Campus, 1 Sportcity Way
Saturday 12.09. 2026 19:30
M&S Bank Arena, King's Dock, Port of Liverpool, 16 Monarchs Quay
Wednesday 16.09. 2026 19:30
Motorpoint Arena Nottingham, Bolero Square, Nottingham NG1 1LA
Thursday 17.09. 2026 19:30
OVO Arena Wembley, Arena Square, Engineers Way, Wembley Park
Friday 18.09. 2026 19:30
OVO Arena Wembley, Arena Square, Engineers Way, Wembley Park
Saturday 19.09. 2026 19:30
bp pulse LIVE, bp pulse LIVE, Perimeter Rd, Marston Green
Thursday 24.09. 2026 19:00
Festhalle Messe Frankfurt, Messe Frankfurt Venue GmbH, Ludwig-Erhard-Anlage 1
Friday 25.09. 2026 19:30
Hallenstadion, Wallisellenstrasse 45
Saturday 26.09. 2026 19:30
Centre sportif de Malley SA, Chem. du Viaduc 14
Tuesday 06.10. 2026 19:00
Veikkaus Arena, Areenankuja 1
Friday 16.10. 2026 19:30
MVM Dome, Üllői út 133-135
Saturday 17.10. 2026 19:30
MVM Dome, Üllői út 133-135
Thursday 29.10. 2026 20:00
MEO Arena, Rossio dos Olivais
Friday 30.10. 2026 20:00
MEO Arena, Rossio dos Olivais
Thursday 05.11. 2026 19:30
TIPOS Arena - Arena of Ondrej Nepela, Odbojárov 9
Friday 06.11. 2026 19:30
Wiener Stadthalle, Roland-Rainer-Platz 1
Friday 13.11. 2026 19:30
Lanxess Arena, Willy-Brandt-Platz 3
Saturday 14.11. 2026 19:30
Westfalenhalle, Rheinlanddamm 200
Thursday 19.11. 2026 19:30
Štark Arena, Bulevar Arsenija Čarnojevica 58
Friday 20.11. 2026 19:30
Arena Zagreb, Ulica Vice Vukova 8
Saturday 21.11. 2026 19:30
Arena Stožice, Vojkova cesta 100
Saturday 12.12. 2026 19:30
MECC, Forum 100
Sunday 13.12. 2026 19:30
MECC, Forum 100
Saturday 19.12. 2026 19:30
MECC, Forum 100
Sunday 20.12. 2026 19:00
MECC, Forum 100
Saturday 09.01. 2027 19:00
Ziggo Dome, De Passage 100
Sunday 10.01. 2027 19:00
AFAS Dome, Schijnpoortweg 119

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.