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Buy tickets for concert André Rieu - 08.02.2026., Kino Rialto Poznań, Poznan, Poland Buy tickets for concert André Rieu - 08.02.2026., Kino Rialto Poznań, Poznan, Poland

CONCERT

André Rieu

Kino Rialto Poznań, Poznan, PL
08. February 2026. 15:00h
2026
08
February
Photo by: Domagoj Skledar/ arhiva (vlastita)
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Tickets for Andre Rieu at Kino Rialto Poznań, Poznań – ticket sales for the Wesołych Świąt concert screening

Experience André Rieu’s Wesołych Świąt concert on the big screen at Kino Rialto Poznań in Poznań, with a full 155-minute program of waltzes, orchestra highlights and festive classics. Tickets are available; ticket sales let you buy tickets early and secure a comfortable seat for this one-day screening
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Concert on the big screen in Poznań

Poznań in February gets a musical date that combines the splendor of concert production and the comfort of a cinema hall, because the Kino Rialto Poznań is showing the concert program by Andre Rieu titled André Rieu. Wesołych Świąt!. The screening is scheduled for 08.02.2026 at 15:00, and the ticket is valid for 1 day, which is enough to turn the visit into a small city outing with a clear focus on music, atmosphere, and shared experience. This format is particularly attractive to an audience that wants a complete concert story, but also the security of a seat, excellent sound, and the visibility that a cinema offers, without standing and without compromise on visibility. In Rieu's programs, waltzes and famous melodies come in waves, so it easily happens that the audience laughs, sings along, or simply surrenders to the rhythm, even though the environment is formally a cinema hall. If you want to be part of that date in Poznań, ticket sales are available, and Secure your tickets for this event immediately! and click the button below marked as

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A cinema screening of a concert spectacle in practice means that the viewer gets an edited, dramaturgically shaped experience with an emphasis on details that we often miss in large arenas, from the facial expressions of the soloists to the tiny gestures of the orchestra and the audience in the frame. The program Wesołych Świąt! is described as a Christmas-New Year concert, filmed as a cinema spectacle, with a duration of 155 minutes and Polish subtitles, which points to an evening of music that is not a short postcard, but a full-blooded performance with multiple sections, changes of tempo, and an emotional arc. That is precisely why tickets and cards become a practical topic already when planning, because it is about an afternoon slot on a Sunday, when demand in the cultural quarters of Poznań is traditionally strong and when visitors organize themselves more easily in pairs or as a family. Unlike a classical concert, here the focus is on a neat schedule and precision of the start, so it is recommended to arrive earlier to avoid a rush and to find a seat in peace before the music takes over the attention. Cards for this type of event are often bought in advance because the audience wants exactly that specific date and exactly that specific atmosphere, and in Poznań the name Andre Rieu is easily recognized even outside the narrow circle of classical music. If you are already thinking about a seat in the hall, Buy tickets via the button below and plan an afternoon that will sound like a festive entry into the holiday season, even though strictly speaking it is already February.
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What the program Wesołych Świąt! brings

The program itself was announced as a Christmas-New Year concert by Andre Rieu and his Johann Strauss Orchestra, designed to combine carols, waltzes, polkas, and popular holiday hits into one large, warmly directed story. The announcement particularly highlights the guest appearance of the young singer Emma Kok, who as part of the program performs a song known from the animated film Frozen, listed in the Polish announcement as “Mam tę moc”, which is a detail that says the repertoire intentionally crosses borders between “classical” and “general” musical memory. Alongside her, great performance moments with a massive sound are mentioned, such as the performance of 400 members of a brass band in the traditional song “Go Tell It on the Mountain”, as well as the guest appearance of Anna Reker in the performance of the carol “Dzwoneczków dźwięk”, so it is clear that an impression of grandeur and togetherness is targetedly built. Rieu's concept is not museum-like, but scenic, full of small surprises, humor, and emotional peaks, and precisely in such a concept the cinema screen becomes a partner, because the frame catches both the splendor of the orchestration and the reactions of the audience, creating the impression that you are “inside” regardless of the distance from the stage. The duration of 155 minutes indicates that the program goes beyond a series of numbers and develops as an evening with its own rhythm, so visitors should count on a full concert schedule and on the fact that the atmosphere will build gradually, from the first waltzes to the final moments that usually end with ovations. Since the projection is in a single slot, tickets for this event become a sort of reservation of an emotional journey, and that is why it pays to get them on time if you want exactly that date and exactly that afternoon in Poznań.

Andre Rieu: the waltz as a universal language

Andre Rieu has for years been building the identity of the “King of Waltz” on the idea that music should be understandable and human, and not exclusively academic, and that the rhythm of the waltz is a bridge that connects the audience faster than any explanations. In one interview transmitted through an agency conversation, his thesis is highlighted that the world needs more waltzes, especially in turbulent times, because the three-quarter time signature acts almost like a door into another world and creates a feeling of relief, a shared smile, and relaxation. That philosophy explains well why his concerts are so popular in different countries and why the audience perceives them as an event, and not as a “program”, because he offers not only a performance but also a script of emotion, in which classical music meets film, musical, pop, and folk motifs, always with an emphasis on melody. Rieu is therein a conductor and violinist, but also the host of the evening, a person who creates the impression that he is addressing the audience directly, so even when you watch a projection in the cinema, that feeling of an “invitation” remains, because the camera follows his communication, smile, and small rituals. Precisely because of that, tickets for his programs are not just an entry into the hall but also an entry into a recognizable world, in which the audience often feels safe enough to clap in rhythm, hum the chorus, or simply surrender to nostalgia. If you are attracted by the idea of getting an evening in the middle of winter that sounds like a celebration, then cards for this concert are more than a formality, because they are an entry into a format that is designed to lift energy and mood.

Johann Strauss Orchestra and the mechanics of the spectacle

Rieu's central “machine” is the Johann Strauss Orchestra, an ensemble that was, according to his own materials, founded in 1987, and held its first public concert on January 1, 1988, after a period of intensive rehearsals. The orchestra started with twelve musicians, and today, depending on the production, performs with sixty or even seventy-five performers on very large stages, which explains why his sound image has that fullness that reminds of a film soundtrack. That growth is not just a number, but also an aesthetic decision, because a larger composition allows waltzes to sound splendid, polkas to be playful, and famous melodies to get a symphonic shine, without the loss of simple recognizability. In the holiday program, this comes to the fore particularly, because intimate moments of soloists and massive images with large brass and choral moments alternate, so the audience feels the dynamics of the “small” and “large” in the same evening. When such a concert is transferred to the cinema, a unique combination is obtained: on one hand, the feeling of a large production is retained, and on the other, listening precision is achieved, because cinema sound systems emphasize details in orchestration and the balance between sections. That is why tickets in this context can be observed as an entry into a performance architecture that is planned to the last note, and not just as a card for a seat in the hall.
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Kino Rialto Poznań as a concert stage

Kino Rialto Poznań is not just a cinema that occasionally shows concert programs, but an art house institution that, according to city information, has operated continuously for decades and has profiled itself as a place for film, festival titles, and cultural events in a broader sense. After renovation in 2011, the hall disposes of 229 seats, including places adapted for people with disabilities, and the description also lists concrete technical parameters such as a screen size of 9 meters by 3.8 meters and a Dolby Digital sound system, which is important when we talk about a concert where sound is half the experience. In the same context, digital D Cinema projection is mentioned, with 4K capabilities, which gives the viewer a clear picture that the space is prepared for displays in which detail and image dynamics carry a large part of the emotion. With Rieu's recorded concerts, the camera loves close-ups, but also wide shots of the orchestra and audience, so the technical quality of the projection is not secondary, but crucial for the feeling of “presence”. Precisely for this reason, many visitors to such events treat the purchase of tickets as an investment in a quality outing, because they know they will get a good view and good sound regardless of the row. If your goal is pure enjoyment of music, Kino Rialto Poznań offers that kind of focused hall where the concert becomes a listening experience, and not background noise, so cards have additional value compared to the usual cinema slot.

Rialto also builds its role in the city on the identity of a neighborhood cinema in Jeżyce, and that local context makes arriving at the projection not look like an “incidental” outing, but like a small cultural ritual. In its own description, the cinema emphasizes the motto “Kino Art House Jeżyce” and the idea that alongside film it also organizes events connected with broadly understood culture, from special screenings to programs that attract different generations. That programmatic framework explains well why Rieu's holiday concert fits into the repertoire, because it is about an event that simultaneously has an artistic performance, popular reach, and a clear emotional theme, and the audience in such a space comes ready for a meeting, conversation, and shared reaction. When a concert that is already designed as a celebration is shown in such a hall, the atmosphere transfers even outside the screen, into the lobby, to the entrance, and into the streets of the neighborhood, so the city gets yet another evening in which culture steps out of strict form. For visitors, it is useful to know that this is a one-time slot in the sense of a ticket that is valid for 1 day, so planning the arrival and buying cards turn into a simple decision: you choose the date, arrive earlier, sit down, and surrender to the program. In that sense, ticket sales are not just logistics, but part of the preparation, because the audience often wants to choose a seat and have the certainty that they will watch the whole program without interruption. If you like the idea of extending the holiday atmosphere into February, then tickets for this event can become the simplest way to enable that for yourself.

Jeżyce and Poznań: a neighborhood that loves culture

Jeżyce is described in city texts as a part of Poznań where Dąbrowskiego street opens a space recognizable by Art Nouveau architecture, and nearby cultural points like Nowy Theatre and impressive urban units around Roosevelt street are listed. Such a framework gives additional meaning to going to the Kino Rialto Poznań, because the concert slot can be combined with a walk through the neighborhood, a short tour, or simply with the experience of a city that is not just a tourist postcard but a living cultural network. According to local guides, Jeżyce developed strongly after inclusion into the city structure, and today many perceive them as a place where tradition, city everyday life, and the creative scene meet, which is also seen by how much cultural content is concentrated in a relatively small area. Dąbrowskiego as one of the main streets through that part of the city is a logical location for a cinema that is simultaneously neighborhood and city, because it is relatively easy to fit it into the route of arrival from the center and into the plan of an evening or afternoon outing. In such an environment, a concert on the screen gets an additional level: the audience comes not only for the title, but also for the place, because the feeling of arriving at an art house hall is different from an anonymous multiplex. That is why tickets are often bought with the idea “we are going to Jeżyce for a cultural afternoon”, and not just “we are going to a projection”, so even cards in that sense become part of the city experience, not just a confirmation of entry.
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Tickets, atmosphere, and how to prepare

The atmosphere of Rieu's programs usually relies on a combination of recognizable melodies and scenic shine, so the audience quickly enters the mood as if present on the actual stage, and not in a cinema, especially when waltzes, polkas, and holiday songs are lined up. The announcement of the program Wesołych Świąt! emphasizes warmth, laughter, and emotions, and the idea that it is about more than an “ordinary” Christmas concert, which is important for the expectation of the audience: this is not just a musical backdrop, but an evening that has its own character and its own dramaturgy. In practice, this means that tickets are most sought after among those who want to feel that shared atmosphere, whether as a family outing, whether as a romantic afternoon, whether as a meeting with friends, because Rieu's repertoire is wide enough for everyone to find at least a few of “their” moments in it. Since guests like Emma Kok and large ensembles are also highlighted, the viewer can also expect moments that provoke a spontaneous reaction, and in a cinema hall that reaction is transmitted like a wave, because everyone listens to the same sound balance and watches the same frame. Precisely for this reason, cards for this concert disappear quickly in slots that fit well into the weekend, so it is recommended that the purchase of tickets be made earlier if you do not want to risk being left without the desired seat. If you already know that you want to be there, Cards for this concert disappear quickly, so buy tickets on time and click the button below marked as

.

Practically, the event is held in Kino Rialto Poznań, at the address ul. Dąbrowskiego 38, 60-842 Poznań, in a neighborhood and culturally active part of the city, which facilitates the planning of arrival and transport, whether you are coming from the center or from other parts of Poznań. The start is at 15:00, and since the program lasts 155 minutes, it is good to leave enough time in the schedule to avoid arriving at the last moment, because with such projections it is most beautiful to catch the beginning, the introductory atmosphere, and the first bars without disturbance. The ticket is valid for 1 day, so the plan is clear and simple, and all you need is to choose that slot and organize the arrival with a small time “cushion”, especially if you want to sit down calmly and prepare for a long concert flow. According to city information, the cinema has one hall and an emphasis on the quality of projection and sound, which is essential for concert content, and in practice means that the choice of seat is also more a question of personal comfort than a struggle for visibility. If you are thinking about tickets, keep in mind that the announcement for this slot also mentions a starting price, so tickets can fit into a reasonable cost plan for a cultural outing, with the gain of an experience that we otherwise seek in large arenas. Ticket sales are available, and Buy tickets via the button below and look for the mark
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, in order to secure your place in the hall without complications.

Sources:
- Kino Rialto Poznań, Nasze cykle: event announcement and date 08.02.2026 at 15:00 and basic information about the program
- Kino Rialto Poznań, Repertuar: description of the program “André Rieu. Wesołych Świąt!” and details about guests and duration 155 minutes
- Poznan.pl: data about Kino Rialto (address ul. Dąbrowskiego 38, capacity 229 seats, screen size and Dolby Digital)
- European Film Academy: profile of cinema Rialto in Europa Cinemas and Sieć Kin Studyjnych networks and data on renovation and capacity
- Kino Rialto Poznań, O kinie: identity of art house cinema and program framework “Kino Art House Jeżyce”
- Poznan.pl, Jeżyce District: city context Jeżyce, Dąbrowskiego street, cultural points and Art Nouveau architecture
- In Your Pocket, Jeżyce: description of development and character of the neighborhood and urban context
- André Rieu, The Johann Strauss Orchestra: data on the founding of the orchestra in 1987 and development of the ensemble
- André Rieu Press Room, Biography: career chronology and key milestones in the development of the project Johann Strauss Orchestra
- WELT.de (dpa interview): Rieu's view on the waltz and the idea that music connects people in turbulent times

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9 hours ago, Author: Culture & events desk

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