Postavke privatnosti

Buy tickets for concert André Rieu - 30.01.2026., Roig Arena, Valencia, Spain Buy tickets for concert André Rieu - 30.01.2026., Roig Arena, Valencia, Spain

CONCERT

André Rieu

Roig Arena, Valencia, ES
30. January 2026. 20:00h
2026
30
January
Photo by: Domagoj Skledar/ arhiva (vlastita)

Tickets for André Rieu in Valencia at Roig Arena: concert seats, buying guide, venue and visitor information

Tickets for André Rieu at Roig Arena in Valencia are available to buy on this page, with a quick look at the show’s waltz-driven repertoire and arena atmosphere. You’ll also find practical arrival notes for Quatre Carreres, entrances and parking, plus key details for the one-night concert on 30 January 2026

The waltz that brings André Rieu to Valencia

Valencia at the end of January gets a concert that is often described as an experience, not just a performance: André Rieu comes to Roig Arena and brings his distinctive blend of waltzes, film music, and evergreens that can be both a gala and a party in the same breath. The concert is announced for January 30, 2026, at 20:00, and the ticket is valid for 1 day, making it a clear, focused event for those who want to plan an evening without multi-day packages and complicated schedules. Roig Arena is located in the Quatre Carreres district, at the address C/ del Bomber Ramón Duart, 12, 46013 València, so logistically it is a location that naturally fits into the modern part of the city, close to major urban axes and new amenities. Rieu's audience is traditionally colorful, from classical music lovers to visitors coming to this type of concert for the first time, and precisely this openness explains why ticket sales are generally strong as soon as the date is announced. If you aim for seats with a good view and want to plan your arrival without haste, Secure your tickets for this event immediately! because interest in such performances often grows as the date approaches. In Valencia, this will be especially felt because the event is placed in a new, media-visible hall that attracts both the local audience and guests.

André Rieu and the Johann Strauss Orchestra as a concert phenomenon

At the center of the evening is André Rieu, a violinist and conductor who built a concert format in which the strictness of classical performance merges with direct communication with the audience, humor, and dramaturgy resembling a television spectacle. His Johann Strauss Orchestra was formed in 1987, and already after the first months of rehearsals, the first concert was held at the beginning of 1988, which is today often cited as the beginning of a story that grew from a small group to a full ensemble for large arenas. The orchestra started with twelve members, and in modern productions, it performs with about 60 musicians, sometimes more when stage conditions and stage size allow, which clearly speaks of the scale of the performance arriving in Valencia. Rieu does not "simplify" classical music thereby, but translates it into the language of a big show, so the waltz becomes the central emotional engine of the evening, and the audience often participates with applause, singing, and spontaneous reactions. Such an approach also explains the long-standing demand for tickets, because many visitors come again, looking for a similar feeling of shared celebration in the hall. If you are thinking about going in company or as a gift, buying tickets for this concert makes sense also due to the fact that the program often relies on generally known themes, so the experience does not require "prior knowledge" of classical music.

Repertoire and dramaturgy: from waltzes to film themes

Rieu's performances are almost always built as a journey through genres, in which the waltzes of Johann Strauss naturally mix with operetta numbers, popular standards, and melodies that the audience recognizes from movies and musicals. It is important that the concert is not conceived as a static recital, but as a series of scenes that follow one another dramaturgically, so at one moment orchestral splendor dominates, and in the next, the space is taken over by soloists and special guests, often with elements of surprise. Precisely because of this, the audience often describes the atmosphere as a "festival of emotions", because the mood changes from solemn to playful, without the feeling of jumping randomly. In such a format, the hall also becomes an instrument: lighting, set design, and the rhythm of changes on stage make 20:00 not just the start of the concert, but an entry into a pre-directed evening that lasts as a whole. For visitors, this means it is worth arriving earlier, to pass the entrances without stress, find a seat, and catch the introductory minutes that often set the tone of the entire performance. As the date approaches, tickets for such productions can become a subject of search, so Tickets for this concert disappear quickly, so buy tickets on time if you want to avoid later uncertainty. Additional value lies in the fact that the program is conceived so that different generations find "their" point of recognition, from classical themes to melodies remembered from the radio ether.

Roig Arena as a new stage for major events

Roig Arena in Valencia is not just another hall, but a project that was conceived from the beginning as a multipurpose center for sports and entertainment, with flexible configurations and a strong technological emphasis. The opening is linked to the autumn of 2025, and in the communication of the hall and partners, an investment of about 400 million euros is emphasized, as well as the ambition for the space to become a reference point for international tours, concerts, and major sports competitions. In concert mode, a capacity of up to about 20,000 visitors is mentioned, which is a level that allows even a large production like Rieu's to be organized without compromise regarding the stage, sound, and visibility. Architecturally and urbanistically, the hall is described as an element that changes the face of the Quatre Carreres district and becomes a new "anchor" content, and accompanying spaces are also linked to it, from catering zones to solutions for audience flow. For the concert, this means simpler control of entrances and exits, clearer movement flows, and greater comfort, which is especially important when it comes to an audience that arrives earlier and wants to enjoy the whole evening without haste. In practice, such a hall also boosts interest in tickets, because part of the audience wants to experience the space as well, not just the performer, so buying tickets turns into an "entry" into a new big city story. If you care about the experience from the best perspective, Buy tickets via the button below and plan your arrival as part of the evening, and not just as entering the hall at the last minute.

Quatre Carreres and contemporary Valencia around the hall

The location of Roig Arena in Quatre Carreres naturally connects to a part of Valencia that has been strongly redefining itself in recent decades through large public spaces, park corridors, and cultural contents. Nearby is the Ciutat de les Arts i les Ciencies, a complex that has become a globally recognizable symbol of contemporary Valencia, with an address on Av. del Professor López Piñero and a range of contents that attract visitors throughout the day. This proximity is not just a tourist curiosity, but also a practical advantage: the area is used to larger flows of visitors, has clear urban landmarks, and often better connected pedestrian and traffic routes than peripheral locations. Additionally, the idea of connecting and activating the urban fabric around the hall is often emphasized in project descriptions, with mention of park and public surfaces that should create a logical transition between the hall and the city. For concert visitors, this means that the evening can be combined with a stay in the city, dinner in the vicinity, or a walk through the modern part of Valencia before entering the hall. In such a context, tickets are not just a "seat ticket", but a trigger for a complete outing, so many decide to secure tickets earlier to be able to peacefully reserve other elements of the trip as well. Valencia in that part of the city offers a visually striking ambience, which often fits with Rieu's aesthetic of glamour and stage elegance, so the entire impression becomes a harmonious whole.

How to plan arrival without stress

For a concert in a large arena, it is crucial to plan the arrival so as to avoid crowds immediately before the start, and Roig Arena in its arrival information emphasizes key points such as entrances, accessible doors, parking, box offices, and information points. The hall itself is at the address C/ Bomber RamĂłn Duart, 12, 46013 Valencia, while the parking is connected to the arena at Av. dels Germans Maristes, 16D, also in Quatre Carreres, which is useful to know if you are coming by car and want to set the navigation precisely. The parking is described as an organized solution with clearly defined working hours, and individual sources related to operational organization mention a capacity of 1,034 spaces distributed through multiple floors, including spaces for persons with reduced mobility and electric vehicles. If you are coming by public transport, it is practical that metro and bus line options passing close to Bomber RamĂłn Duart street are mentioned in the vicinity, with a recommendation to check the schedule on the day of the event, especially due to possible changes around major events. In a broader sense, Valencia is a city where the metro and tram network is an important pillar of movement, and tourist information often emphasizes the practicality and frequency of lines in evening slots, which can be a good option if you want to avoid looking for parking after the concert. Precisely because of this, tickets and the arrival plan are often mentioned together: as soon as you secure tickets, it is easier to determine the departure time, mode of transport, and margin for entering the hall without haste.

Tickets, audience interest, and the rhythm of the evening in the arena

At André Rieu's concerts, a specific pattern is often seen: the audience does not come just "for the music", but for the atmosphere, so tickets are sought also because of the feeling of togetherness, glamour, and participation in a mass moment that is remembered. This is especially true when the performance happens in a new hall that attracts the attention of both the local community and international visitors, because then tickets also gain the dimension of an event that marks the season. On an evening like this, it is important to count on crowds at the entrances and on the need to arrive in the hall zone earlier, and ticket sales are often the first indicator of how much pressure there will be on the logistics around the start of the concert. The ticket is valid for 1 day, so the entire focus is on one evening, which means that most visitors will be arriving in a similar time window, and that is another reason not to leave the arrival for the last minutes. If you already know you want to be part of the atmosphere, Secure your tickets for this event immediately! and then leave yourself enough time for entry, finding a seat, and peaceful settling before the music starts. In Rieu's productions, it often happens that the audience "warms up" already in the first numbers, so it is a pity to miss the initial part that sets the energy and relationship with the orchestra, and that is an experience that is felt especially strongly in the arena.

What the audience usually experiences at an André Rieu concert

One of the special features of Rieu's performances is the feeling that the boundary between the stage and the auditorium is occasionally erased, not physically, but emotionally, through the way the orchestra and soloists address the audience and how the audience reacts. In the arena, this gets an additional dimension because the energy spreads like a wave, and moments of applause, laughter, or collective humming become part of the arrangement, almost like "another instrument". In such an environment, it is worth choosing tickets according to one's own habits: someone wants a central view and a sense of the whole, someone prefers a side perspective closer to the stage, and someone wants comfort and a faster exit after the concert, which all affects the decision when and how to complete the ticket purchase. Roig Arena is designed as a flexible space for large productions, so clear organization of sectors and audience flows is expected, which is important especially for those who want to avoid crowds on staircases and corridors. Additionally, such concerts often have an audience of different age groups, so it is useful to know that arrival information and facility maps generally emphasize accessible entrances and solutions for persons who need easier access. When everything is added up, tickets are more than a formality: they are an entry into an evening in which classical music is experienced without distance, with an emphasis on emotion and a shared moment in the hall.

Valencia in January as a backdrop for a concert outing

January in Valencia is often grateful for a visit because the city does not have the summer level of crowds, and still offers the recognizable Mediterranean liveliness, which is good news for those who want to combine the concert with a short city getaway. The area around Ciutat de les Arts i les Ciencies provides a visually impressive backdrop and is a good choice for an afternoon walk before the concert, especially if you want to experience the contemporary identity of the city which is often linked to architecture and large public spaces. In such a plan, tickets gain additional value because they become an "anchor" around which the day is organized, from museums and a walk to dinner and arrival at the arena. It is important thereby to leave enough time for the transfer to Quatre Carreres, because although the area is well connected, ahead of major events traffic jams can slow down arrival, and entering the arena requires security and organizational steps. In January, an earlier departure after the concert is also often planned, so it is useful to check public transport options and parking operating hours, so that the return is as peaceful as the arrival. If you want to keep everything simple, secure tickets, plan an arrival earlier, and surrender to an evening in which music, the city, and the new arena work together on the same impression.

Most important information for visitors

André Rieu's concert in Valencia takes place at Roig Arena, and the key data worth having at hand are clear: the date is January 30, 2026, start at 20:00, the ticket is valid for 1 day, and the location of the hall is C/ del Bomber Ramón Duart, 12, Quatre Carreres, 46013 València, Spain. For those coming by car, it is a practical piece of information that the parking is linked to Av. dels Germans Maristes, 16D, 46013 Valencia, and that there are defined rules and parking operating hours, with the possibility of extension after the end of the event. For arrival by public transport, it is useful to roughly count on a combination of metro and bus connections towards the Quatre Carreres area, with a recommendation to check the schedule on the day of the concert, especially if multiple larger events are taking place in the city in parallel. It is wise to arrive at the arena earlier, because the biggest crowds are precisely in the last hour before the start, and entry, finding the sector, and settling into the seat are part of the experience you want to do without nervousness. Ticket sales are available, so if you are planning to go, Buy tickets via the button below and arrange the evening so that you have space left for enjoyment, and not for rushing. Such concerts live from the atmosphere of a full hall, and that is a reason more to secure tickets on time and enter the evening relaxed, ready for waltzes, emotion, and stage spectacle in the new large Valencian arena.

Sources:
- André Rieu official tour page: announcement of the concert in Valencia, date, time, and address of the hall
- André Rieu official page about the Johann Strauss Orchestra: founding year and size of the orchestra
- Roig Arena: page How to get to the hall, addresses of the hall and parking and organizational points
- Roig Arena news: information on capacities and planned number of visitors in the first year of operation
- HOK: announcement about the opening of Roig Arena and context of the project in Valencia
- Visit Valencia: information about Ciutat de les Arts i les Ciencies and city mobility by metro
- Valencia Basket Club: information about parking and parking capacity next to Roig Arena

Everything you need to know about tickets for concert André Rieu

+ Where to find tickets for concert André Rieu?

+ How to choose the best seat to enjoy the André Rieu concert?

+ When is the best time to buy tickets for the André Rieu concert?

+ Can tickets for concert André Rieu be delivered electronically?

+ Are tickets for concert André Rieu purchased through partners safe?

+ Are there tickets for concert André Rieu in family sections?

+ What to do if tickets for concert André Rieu are sold out?

+ Can I buy tickets for concert André Rieu at the last minute?

+ What information do I need to buy tickets for the André Rieu concert?

+ How to find tickets for specific sections at the André Rieu concert?

11 hours ago, Author: Culture & events desk

Find accommodation nearby


You may be interested

Monday 26.01. 2026 20:00
Jose Maria Martin Carpena Arena, Calle Miguel de Mérida Nicolich, 2, Carretera de Cádiz
Tuesday 27.01. 2026 20:00
Jose Maria Martin Carpena Arena, Calle Miguel de Mérida Nicolich, 2, Carretera de Cádiz
Thursday 29.01. 2026 20:00
WiZink Center, Av. de Felipe II, s/n, Salamanca
Saturday 31.01. 2026 20:00
Palau Sant Jordi, Passeig OlĂ­mpic, 5, Sants-MontjuĂŻc
Sunday 01.02. 2026 18:00
Cinema Sokół, Kościuszki 11
Monday 02.02. 2026 18:30
Chodzieski Culture Cinema Notec, WarsztatĂłw Jazzowych 2
Tuesday 03.02. 2026 19:30
Arena 8888 Sofia, BAN IV km., Blvd Asen Yordanov 1
Wednesday 04.02. 2026 19:30
Arena 8888 Sofia, BAN IV km., Blvd Asen Yordanov 1
Sunday 08.02. 2026 15:00
Kino Rialto Poznań, Jana Henryka Dąbrowskiego 38
Wednesday 25.02. 2026 19:30
ZAG Arena, Expo Plaza 7
Thursday 26.02. 2026 19:30
Barclaycard Arena, Hellgrundweg 44
Friday 27.02. 2026 19:30
GETEC Arena, Berliner Chaussee 32
Saturday 28.02. 2026 19:30
Uber Arena, Uber Platz 1
Wednesday 11.03. 2026 19:30
Hanns-Martin-Schleyer-Halle, MercedesstraĂźe 69
Thursday 12.03. 2026 19:30
Arena Nuernberger Versicherung, Kurt-Leucht-Weg 11
Friday 13.03. 2026 19:30
Olympia Hall, Olympiapark MĂĽnchen, Spiridon-Louis-Ring 3
Saturday 14.03. 2026 19:30
SAP Arena, An d. Arena 1
Thursday 19.03. 2026 20:00
Unipol Arena, Via Gino Cervi, 2
Friday 20.03. 2026 20:00
Inalpi Arena, Corso Sebastopoli, 123
Saturday 21.03. 2026 19:00
Mediolanum Forum, Via Giuseppe di Vittorio, 6
Friday 03.04. 2026 00:00
Al Dana Amphitheatre, Sakhir 1062
Thursday 09.04. 2026 19:30
SSE Arena Belfast, 2 Queens Quay
Wednesday 06.05. 2026 19:30
ERGO ARENA, plac DwĂłch Miast 1
Thursday 07.05. 2026 19:30
Atlas Arena, aleja ks. bp. Władysława Bandurskiego 7
Friday 08.05. 2026 19:00
PreZero Arena Gliwice, Akademicka 50
Saturday 09.05. 2026 19:30
Tauron Arena, Stanisława Lema 7
Wednesday 27.05. 2026 19:30
Messe Erfurt GmbH, Gothaer Str. 34
Thursday 28.05. 2026 19:30
QUARTERBACK Immobilien ARENA, Am Sportforum 2
Friday 29.05. 2026 19:30
O2 Arena, Českomoravská 2345/17a
Saturday 30.05. 2026 19:30
O2 Arena, Českomoravská 2345/17a
Tuesday 02.06. 2026 20:00
Žalgirio Arena, Karaliaus Mindaugo pr. 50
Wednesday 03.06. 2026 20:00
Žalgirio Arena, Karaliaus Mindaugo pr. 50
Thursday 04.06. 2026 20:00
Xiaomi Arēna, Skanstes iela 21, Vidzemes priekšpilsēta
Saturday 06.06. 2026 00:00
Veikkaus Arena, Areenankuja 1
Thursday 11.06. 2026 19:30
Royal Arena, Hannemanns Allé 18-20
Friday 12.06. 2026 20:00
Scandinavium, Göteborg
Saturday 13.06. 2026 19:30
Unity Arena, John Strandruds Vei 16
Thursday 02.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Friday 03.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Saturday 04.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Sunday 05.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Thursday 09.07. 2026 21:00
Vrijthof, ---
Friday 10.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Saturday 11.07. 2026 21:00
Vrijthof, ---
Sunday 12.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Thursday 16.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Friday 17.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Saturday 18.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Sunday 19.07. 2026 21:00
Theater aan het Vrijthof, Vrijthof 47
Wednesday 09.09. 2026 18:00
P&J Live, E Burn Rd
Thursday 10.09. 2026 19:00
OVO Hydro, Exhibition Way, Stobcross Rd
Friday 11.09. 2026 19:30
Co-op Live, Etihad Campus, 1 Sportcity Way
Saturday 12.09. 2026 19:30
M&S Bank Arena, King's Dock, Port of Liverpool, 16 Monarchs Quay
Wednesday 16.09. 2026 19:30
Motorpoint Arena Nottingham, Bolero Square, Nottingham NG1 1LA
Thursday 17.09. 2026 19:30
OVO Arena Wembley, Arena Square, Engineers Way, Wembley Park
Friday 18.09. 2026 19:30
OVO Arena Wembley, Arena Square, Engineers Way, Wembley Park
Saturday 19.09. 2026 19:30
bp pulse LIVE, bp pulse LIVE, Perimeter Rd, Marston Green
Thursday 24.09. 2026 19:00
Festhalle Messe Frankfurt, Messe Frankfurt Venue GmbH, Ludwig-Erhard-Anlage 1
Friday 25.09. 2026 19:30
Hallenstadion, Wallisellenstrasse 45
Saturday 26.09. 2026 19:30
Centre sportif de Malley SA, Chem. du Viaduc 14
Tuesday 06.10. 2026 19:00
Veikkaus Arena, Areenankuja 1
Friday 16.10. 2026 19:30
MVM Dome, Üllői út 133-135
Saturday 17.10. 2026 19:30
MVM Dome, Üllői út 133-135
Thursday 29.10. 2026 20:00
MEO Arena, Rossio dos Olivais
Friday 30.10. 2026 20:00
MEO Arena, Rossio dos Olivais
Thursday 05.11. 2026 19:30
TIPOS Arena - Arena of Ondrej Nepela, Odbojárov 9
Friday 06.11. 2026 19:30
Wiener Stadthalle, Roland-Rainer-Platz 1
Friday 13.11. 2026 19:30
Lanxess Arena, Willy-Brandt-Platz 3
Saturday 14.11. 2026 19:30
Westfalenhalle, Rheinlanddamm 200
Thursday 19.11. 2026 19:30
Ĺ tark Arena, Bulevar Arsenija ÄŚarnojevica 58
Friday 20.11. 2026 19:30
Arena Zagreb, Ulica Vice Vukova 8
Saturday 21.11. 2026 19:30
Arena StoĹľice, Vojkova cesta 100
Saturday 12.12. 2026 19:30
MECC, Forum 100
Sunday 13.12. 2026 19:30
MECC, Forum 100
Saturday 19.12. 2026 19:30
MECC, Forum 100
Sunday 20.12. 2026 19:00
MECC, Forum 100
Saturday 09.01. 2027 19:00
Ziggo Dome, De Passage 100
Sunday 10.01. 2027 19:00
AFAS Dome, Schijnpoortweg 119

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.