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Buy tickets for concert Bad Bunny - 24.01.2026., Atanasio Girardot, Medellin, Colombia Buy tickets for concert Bad Bunny - 24.01.2026., Atanasio Girardot, Medellin, Colombia

CONCERT

Bad Bunny

Atanasio Girardot, Medellin, CO
24. January 2026. 20:00h
2026
24
January
Photo by: Domagoj Skledar/ arhiva (vlastita)

Tickets for Bad Bunny Concert in Medellín, Estadio Atanasio Girardot, DeBÍ TiRAR MáS FOToS World Tour

Buy tickets for Bad Bunny at Estadio Atanasio Girardot in Medellín and get key info for ticket sales and entry. Learn what to expect from the DeBÍ TiRAR MáS FOToS World Tour stadium show, seating vs. floor vibe, and practical tips for getting there and leaving after the concert. The ticket is valid for one day

Bad Bunny is coming to Medellín as part of a headline-making stadium tour

Medellín is getting ready for a big concert night where a packed atmosphere, powerful production, and a crowd that knows every word are expected, because Bad Bunny is performing at Atanasio Girardot stadium in a city that in recent years has become an unmissable stop on the map of Latin American mega events. The concert is announced for January 24, and according to the schedule, additional nights are also planned in Medellín around the same weekend, which speaks to the scale of interest and demand that often turns into a race for tickets. This show carries all the hallmarks of a stadium spectacle: huge sound, mass crowd choreographies, and a set that builds from the first chorus to the final wave of lights, while the stands turn the stadium into a choir. The ticket is valid for one day, which means the experience is concentrated into a single night and the audience wants to make the most of every moment, from entry to the last song. Secure your tickets for this event right away!, because when three consecutive nights of the same performer are announced in Medellín, experience shows that tickets and sections can fill up faster than many expect.

A tour that connects global popularity with the city’s local energy

The performance in Medellín is part of the DeBÍ TiRAR MáS FOToS World Tour, a stadium-format run that stretches across multiple continents and deliberately chooses major city arenas where that recognizable feeling of mass togetherness can be achieved. This type of tour means precisely staged production for the artist, but also flexibility in the setlist, because the audience’s energy differs from city to city and often sets the concert’s pace. Bad Bunny enters this phase after years in which he grew from a regional phenomenon into a name that appears on equal footing in global music roundups, awards seasons, and the biggest festival conversations. His more recent work has further cemented that position, and during 2025 the media also highlighted his success on the Latin Grammy scene, which further raised expectations for the live show. When that kind of momentum moves into a stadium, every song gains an extra dimension, because the bass and rhythm are felt not only in the ears but in the body, and the crowd reacts as one.

Setlist and production: what Bad Bunny sounds like when the stage expands to a stadium

Bad Bunny stadium-format concerts are usually built as a series of strong moments that combine fast rhythms, tempo shifts, and clearly marked peaks, so that even the audience in the farthest stands feels the night’s narrative. In practice, that means a cross-section of his discography is expected, with emphasis on songs that work best on big sound systems and in a crowd, where choruses become a shared ritual. Stadium production relies on the tour’s visual identity, dynamic lighting blocks, and precisely timed transitions, because in such spaces every second matters to keep the audience focused. That is exactly why tickets for this concert attract different groups of visitors: from those who come for classic hits to the crowd that follows new material and wants to hear it in a full, powerful arrangement. Tickets are not just entry to an event, but entry into a collective experience that happens rarely in a stadium, because few performers can hold the attention of tens of thousands of people at the same time. Buy tickets via the button below, because when the spotlights come on and the first wave of rhythm starts, questions about whether you should have come disappear in the first minute.

Bad Bunny as the voice of a generation and a mirror of contemporary Latin culture

In the story of Bad Bunny, it is hard to separate music from cultural impact, because his lyrics, aesthetics, and public messages often work together and create a broader picture of identity, belonging, and the self-confidence of the audience that follows him. His sound developed at the intersection of reggaeton, Latin trap, and pop sensibility, but the key remained his ability to turn a personal story into a mass feeling, whether it’s listened to on headphones or in a stadium. In the more recent period, the media also noted themes that go beyond music, from social commentary to the debates that accompany great fame, and all of that further increases interest in live performances. Concert audiences often arrive expecting to get more than a set of songs—an evening that is both entertainment and a symbolic moment of togetherness, especially in cities where Latin pop culture is not just a trend but part of everyday life. That is why tickets are seen as confirmation of participation in an event that is retold, recorded, shared, and remembered, not just as a formal document for entry. When the concert ends, the story of that night continues to live on in the streets, in clubs, and on social networks, and it is precisely that afterlife of an event that makes the difference between an ordinary performance and a great city moment.

Atanasio Girardot: a stadium with the city’s identity and a capacity for spectacle

Estadio Atanasio Girardot is not just a sports backdrop, but a central place in the city’s rhythm, part of a larger sports complex, and a space where Medellín has for years gathered audiences around the biggest matches and events. It opened in 1953 and over the decades underwent adaptations and modernizations, and today it is most often mentioned as the home of Medellín’s two biggest clubs, Atlético Nacional and Independiente Medellín, with a capacity that relevant guides list at around 40,943 seats. Such a stadium has a clear acoustic and logistical advantage for concerts, because it enables large audience sections, wide approaches, and production that can grow in height and width without losing visibility. In urban terms, the location is in the central part of the city west of downtown, which makes it easier for visitors to combine the concert with the rest of the evening, whether they arrive earlier or plan to stay after the show. The address is often given as a descriptive city orientation between Carrera 70 and 73 and Calle 48 and 50, which is precise enough for navigating the Laureles and Estadio neighborhoods, where transport and hospitality offerings are naturally intensified. For concert nights, that means tickets also carry logistical value, because the chosen section often determines how you will enter, where you will wait, and how much time you will have to enjoy the atmosphere before the program starts.

Medellín as a stage: city energy, nightlife, and a concert weekend

Medellín is often described as the city of eternal spring, but for concert visitors its ability to offer urban dynamism, good gastronomy, and neighborhoods that naturally stay alive late into the night is just as important. The area around the stadium is known for being residential and generally well organized, and according to local guides and descriptions, Carrera 70 is one of the key city arteries of nightlife, with a string of bars and restaurants that become even more lively on concert days. This creates a typical concert scenario in which the crowd gathers earlier, plans routes, meets in nearby venues, and then flows in waves toward the entrances, which is part of the experience just as much as the songs themselves. In such an environment, ticket sales gain additional weight, because the concert is not viewed in isolation, but as the central event of the weekend, around which the entire plan for staying in the city is built. Given that additional show nights are announced in Medellín around the same date, the crowd is often a mix of local fans and travelers from other parts of Colombia and the region, which makes the atmosphere louder and more diverse. Tickets for this concert disappear quickly, so buy tickets in time, especially if you want a specific section that best matches your style of following a concert, whether you prefer the stands or the floor.

Getting to the stadium and moving around the city during concert night

One practical advantage of Atanasio Girardot is its connection to public transport, because it is near the Estadio station on Line B of the metro system, and according to official information Line B connects San Javier and San Antonio, enabling transfers and broader connections with the rest of the network. For visitors, that means arrival can be planned without relying exclusively on a car or taxi, which matters when a large number of people set off at the same time after the concert. Official information about Line B usually includes operating-hour frameworks and station data, so it pays to plan the return with a realistic assessment of crowds, because after a stadium concert bottlenecks often form at exits and in surrounding streets. In practice, it is smart to arrive earlier, because entry checks can take time, and tickets should be ready for inspection, along with a basic document if security asks for it. Movement inside the stadium also depends on the section, so part of the audience will have separate approaches and entrances, which further emphasizes the importance of buying tickets thoughtfully and in line with how you want to spend the evening. Secure your tickets for this event right away!, but then take the arrival plan just as seriously, because well-organized logistics are often the difference between stress and full enjoyment of the program.

Tickets, audience interest, and what the one-day format means

A ticket for this event is valid for one day, which in practice means each ticket is tied to a specific night and does not carry over to other dates, even when the same performer plays several consecutive nights at the same venue. Exactly such a schedule in Medellín, where three concert nights are planned around the same weekend, typically arises when demand proves higher than the initial capacity, so the audience is spread across dates, but interest in tickets still remains strong. Media reports about the concert announcement in Medellín mentioned large differences among categories, from more affordable stands to premium sections and boxes, which is common for stadium productions that offer different levels of comfort and views of the stage. For the audience, that means buying tickets is not only a matter of price, but also of experience, because the perception of sound, crowding, and dynamics will differ depending on position, and for some the most important thing is to be as close as possible to the floor, while others prefer an overview from the stands. Ticket sales in such cases often move in waves, with heightened spikes of interest as the date approaches, so many wait until the last moment and then realize the choice is limited. Buy tickets via the button below, especially if it matters to you to secure the section that best matches your way of experiencing a concert and the night’s tempo.

How to prepare for a night in the stadium: rhythm, rules, and small details that make the difference

A stadium concert requires different preparation than a club show, because the space is larger, entrances are more strictly controlled, and moving through stands and corridors can take more time than people expect. The most important thing is to plan your arrival so you have enough time to enter, find your section, and briefly absorb the atmosphere before the start, because it is precisely in that pre-show moment that the sense of togetherness is created, which later explodes in the choruses. Tickets should be kept readily accessible, whether in digital form or in another intended way, because at large events multiple checks are often carried out, and losing a ticket or not being able to access it can ruin the whole night. Clothing and footwear should be adapted for long standing or climbing the stands, and it is also useful to account for the fact that in a crowd the temperature is perceived differently, so layering can be practical. Inside the stadium, the rhythm of the night is dictated by mass movements of the crowd, so it is important to agree on a meeting point if you are coming in a group, because signals and communication are sometimes hindered when several tens of thousands of people move at the same time. On such a night, tickets are not just entry, but also a key to peace of mind, because when you know tickets are secured and the plan is clear, only what you came for remains: music, voices, and the moment when Medellín sings in one rhythm.

The concert as part of a bigger picture: Medellín on the map of the biggest Latin tours

When a stadium tour brings an artist like Bad Bunny to Medellín, it is not just another date on the schedule, but also a signal of the strength of local concert infrastructure, an audience that can fill a large space, and a city that knows how to handle mass events. In such moments Medellín becomes a meeting place for different audiences, from local fans to visitors from other cities, and the stadium turns into a temporary festival of emotions, rhythm, and identity. For the regional scene, that also means further raising production standards, because after nights like these the audience expects stronger sound, better organization, and more ambitious performances, and organizers get confirmation that big projects can be delivered. Media announcements and tour overviews emphasize its international character and the fact that it is a stadium-format run across multiple countries, which gives Medellín a place in the same sentence with the most important concert destinations. Tickets are therefore also a kind of souvenir in advance, because they carry the promise that you will be part of a night that is remembered, photographed, and retold, while the city and the stadium for a moment turn into the biggest open-air club. If you want to be part of that wave, ticket sales are available and the simplest way is to buy tickets via the button labeled

, because everything else in this story begins only when you have tickets in your hands.

Sources:
- Live Nation LatAm - concert announcement in Medellín at Estadio Atanasio Girardot and additional dates around the same weekend
- JamBase - information about the date and time of the performance in Medellín and an overview of tour dates
- Pitchfork - announcement of the Debí Tirar Más Fotos World Tour and context of the stadium format
- AP News - report on the success of the album Debí Tirar Más Fotos and the awards context during 2025.
- The Stadium Guide - capacity, history, location, and orientation address of the stadium and a practical description of arrival
- Metro de Medellín (official pages) - basic information about Line B and the context of the public transport system
- El País (America Colombia) - report on strong interest and additional concert dates in Medellín and the range of ticket categories
- El Tiempo (Colombia) - overview of the stadium’s development and modernizations over the decades in the local context

Everything you need to know about tickets for concert Bad Bunny

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+ How to find tickets for specific sections at the Bad Bunny concert?

9 hours ago, Author: Culture & events desk

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Culture & events desk

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