Postavke privatnosti

Buy tickets for concert Bad Bunny - 25.01.2026., Atanasio Girardot, Medellin, Colombia Buy tickets for concert Bad Bunny - 25.01.2026., Atanasio Girardot, Medellin, Colombia

CONCERT

Bad Bunny

Atanasio Girardot, Medellin, CO
25. January 2026. 20:00h
2026
25
January
Photo by: Domagoj Skledar/ arhiva (vlastita)
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

Tickets for Bad Bunny in MedellĂ­n at Atanasio Girardot Stadium: concert night, venue tips and access

Tickets for Bad Bunny’s Medellín concert bring you to Atanasio Girardot for a one-night stadium show. This page focuses on ticket sales and buying tickets for 25 January 2026 at 20:00, with venue context in the Laureles-Estadio area, access via Estadio metro station, and planning notes for arrival and entry
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

Bad Bunny and Medellin in the same rhythm

Medellin is getting ready for Bad Bunny’s big concert at the Atanasio Girardot Stadium, where the performance is scheduled for an evening slot that gives the city a special glow and energy. The concert takes place on Sunday, January 25, and it starts at 20:00, while the ticket is valid for 1 day, which is important for planning arrival and return. This date has been circled on many calendars for a long time, because it’s an artist who creates a stadium atmosphere like a sports final, with massive crowd choruses and a production that highlights every chorus. Medellin, meanwhile, is a city that gives urban music a strong local stamp, so an evening is expected in which Latin rhythms will blend with the special energy of a crowd that knows how to sing from the first to the last minute. If you plan to be part of that story, ticket sales are available and it makes sense to act in time, because for concerts like these, tickets often become a topic of conversation even before the spotlights turn on. Secure your tickets for this event now!

Three nights of interest and one night to remember

The January 25 concert fits into a series of Medellin dates at the same venue, which is a clear signal of how strong the audience interest is and how quickly tickets turn into a rare commodity. When consecutive nights by the same artist are announced in a city, it usually means demand has gone beyond the usual concert cycle and that tickets have become part of a broader social event. In practice, this brings two parallel effects: on the one hand, excitement grows, and on the other, visitors start thinking earlier and earlier about logistics, tickets, and getting to the stadium. For many, it’s precisely the third night in a row when a special looseness in the crowd can be felt, because the city is already in concert mode and stories about the atmosphere are already circulating among fans. In that context, buying tickets is not just a technical step, but an entry into a shared experience, so it is recommended to secure tickets as soon as the decision to attend is made. Tickets for this concert disappear quickly, so buy your tickets in time.

Bad Bunny as a global phenomenon of the urban music scene

In recent years, Bad Bunny has become a benchmark for how far an artist can go while remaining faithful to the Spanish language and still conquering global charts. His story is not just a story of hits, but also of the way he changed perceptions of reggaeton and Latin trap in the mainstream, especially in major markets where such sounds were previously treated as a niche. In industry terms, his status is also confirmed by official records of awards and nominations, along with the fact that in relevant places he is listed as a three-time Grammy winner, with a string of nominations across multiple years. You can feel that on tours too, because stadium audiences often come from multiple cities and regions, and interest in tickets grows even among people who aren’t necessarily fans of a single song, but of the phenomenon built around him. Medellin as the host gets a concert that brings local urban-music crowds and a broader international audience into the same space—people who travel for events like this—so the city itself takes on a festival-like dynamic in those days. That is precisely why information about tickets, admission, and planning your arrival becomes just as important a part of the story as the setlist.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

The album DeBÍ TiRAR MáS FOToS and the narrative that carries the tour

The current tour draws on a period in which Bad Bunny creatively expanded the framework of urban music, and the album DeBÍ TiRAR MáS FOToS is often described as a project that connects modernity with Puerto Rico’s heritage, with an emphasized emotional line and meticulously built production. Critical pieces point out that this material has more layers than a standard club bop, because you can hear references to more traditional rhythms and melodies, as well as a contemporary approach that translates well to a big stadium. Extra weight to that period is also added by the fact that the album received major recognition at the Latin Grammy, which in industry terms is a signal that this is not only about popularity but also about an assessment of quality. For the audience, that usually means one thing: the concert isn’t just a run of hits, but a dramaturgy in which the new material gets room, and the older hits arrive at the right moment to lift the stands. When such a concept moves to Atanasio Girardot, the expectation is that songs will gain massive choruses that the crowd turns into communal singing, and tickets become entry to a night that functions like a collective celebration. If you want to experience that narrative up close, it makes sense to follow ticket sales and secure tickets before interest rises further as the concert approaches.

A setlist that blends hits and the moment

With Bad Bunny, the audience usually expects a combination of big, recognizable singles and newer songs that have defined the current phase, and that mix often creates the feeling that several eras of a career are being condensed into one place. His catalog is broad enough to cover multiple moods in the same night, from energetic rhythmic explosions that get the crowd on its feet to more emotional moments in which the stadium turns into a gigantic choir. For Medellin, it’s especially interesting how such a setlist fits into the local sensibility, because the city is strongly connected to urban music and to an audience that reacts loudly, together, and without restraint at concerts like this. It’s the kind of night where even those in the more distant stands feel like they’re part of a shared story, and tickets are experienced as a pass into a collective experience, not just a seat or standing spot. In practice, you increasingly hear that people plan their arrival earlier, arrange transportation, and coordinate with friends, because they want to make the most of a one-day ticket and the rhythm of the night. In that environment, tickets aren’t just a formality, but the first step toward a night in which Medellin will be remembered for loud choruses and a stadium that vibrates.

Stadium-scale production and the experience of major tours

Stadium concerts today are built not only on sound but on the overall impression, and in previous tours Bad Bunny has shown that his team thinks on a scale that matches global pop and hip-hop spectacles. Figures from a recent major tour, along with reports on revenue and ticket sales at the level of hundreds of thousands of attendees, hint at how strong the infrastructure behind such performances is and how much attention is paid to details. In productions like these, the choreography of light, visuals, and moments in which the crowd is intentionally included is important—whether through choruses, rhythmic chanting, or interaction with visuals on screens. In a stadium like Atanasio Girardot, that gains an extra dimension, because the space demands powerful sound and a clear visual story that reaches every stand. That is precisely why tickets also gain a practical value of choice, because different positions in the stadium can offer a different experience of the production, from a more intimate view of the performer to a panoramic sense of the entire scenography. Buy tickets via the button below and plan the experience according to what matters most to you, whether you’re chasing the energy of the front rows or you want the wide view of a stadium spectacle.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

Atanasio Girardot, a stadium with the city’s identity

Atanasio Girardot is not just a football field, but one of Medellin’s key public spaces where sport, culture, and mass events intersect. The stadium and the entire sports complex are located in the Laureles-Estadio zone, and over decades that area has built a reputation as the place where the city gathers when big emotions and shared moments are at stake. Historically, the stadium has hosted international competitions and events, and in more recent times it has also been confirmed as a stage for major concerts—an combination that gives it an especially broad identity. In FIFA announcements and reports on tournaments, it is highlighted that Medellin, through Atanasio Girardot, was one of the important locations for matches in major youth competitions, which speaks to the logistical and organizational strength of the venue. For the concert context, that is important information, because it means the infrastructure around the stadium already has experience working with a large number of people, entry control, and crowd flow. When Bad Bunny is brought to a place like that, the city gets an event that fits into the tradition of large gatherings, and tickets become part of the broader story of how Medellin uses its biggest spaces for global culture.

Modernization and the broader picture of the complex’s development

In recent years, Medellin has more and more often been talking about modernizing key public spaces, and plans for Atanasio Girardot and the wider complex have been presented publicly as a project that should give the stadium a new level of capacity and comfort. In business and city announcements, the idea of expanding capacity toward a figure of around 60,000 spectators is mentioned, along with adding elements such as greater stand functionality and infrastructure improvements—important both for sports and for major concerts. Such announcements are especially interesting in the weeks when mega-concerts arrive, because they show the city is thinking long-term: events like Bad Bunny’s performance are not an exception but the direction in which Medellin wants to position itself. For visitors, that means the stadium is already in the focus of big plans, so around it a natural additional traffic and organizational dynamic is created, from access to crowd management. Ultimately, the January 25 concert happens at a moment when Atanasio Girardot is both a symbol of tradition and a symbol of future investment, and such moments often amplify the feeling of attending something bigger than a single night. If you’re among those who want to be part of that stadium history, ticket sales are a topic worth settling in time, because dates like these in the city quickly sell out or become hard to access.

Laureles-Estadio and Medellin’s urban scene

The Laureles-Estadio neighborhood is known to many for its combination of residential streets, sports facilities, and locations that are easily connected by public transport, and that is precisely what makes it practical for days of big events. When a mega-concert happens at the stadium, the surroundings turn into a zone of intensified movement, with many people arriving earlier to avoid crowds and catch the pre-concert atmosphere. Medellin as a city has a strong connection to the urban-Latin wave, and the fact that Atanasio Girardot has already hosted major concerts by regional stars shows how much the audience here loves events that last for hours and bring together different generations. Media descriptions of recent big concerts at the same venue often highlight massive scenography and long performances, which suggests that audiences in Medellin expect more than a standard set and know how to reward the artist with energy. In that context, Bad Bunny arrives on ground that is already warmed up: the city knows what a big night means, the stadium knows what a full stand means, and the crowd knows what it means to sing in unison. That’s why tickets for this concert also have cultural value, because you’re not buying only entry to a performance but entry into Medellin’s urban story built through big stadium nights.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

Tickets, audience interest, and demand dynamics

For months, the concert has been talked about as one of the season’s most sought-after dates, and media reports from Colombia had already emphasized earlier that, due to strong demand, it was expanded to multiple dates in Medellin. Such a trend usually means tickets shift from an ordinary purchase to planning, because people organize in advance, track availability, and choose the options that suit them best. Media also carried information about a wide price range, which is common for stadium concerts because different stands and sections offer different experiences, from a view of the full production to proximity to the performer. For visitors, it is therefore important to think about their own priorities: do you want the best view of the visuals, the strongest sound in central zones, or simply to be part of the mass that creates the atmosphere, because all of that affects the decision about tickets. As the date approaches, experience shows that psychological pressure grows too, because tickets become an ever more frequent topic, and people check more and more often whether they have already secured them. Secure your tickets for this event now!, because a one-day ticket is valid only for that evening and it’s hard to make up for what you missed once the spotlights go out.

How to get to the stadium and what a good arrival plan means

For anyone coming to Medellin or moving within the city, the key information is that Atanasio Girardot is within a sports zone that has clear transport points and recognizable entrances. Official information about the location of the administrative base in the stadium zone lists the address Calle 48 # 73-10, which can help with orientation and arranging a meeting point with friends before entering. It is especially practical that city guides to the metro system highlight the stadium’s connection to Line B, with emphasis on Estadio station as the closest point for arrival by public transport, which is often the fastest option on days of big crowds. For stadium concerts it is common for a large part of the audience to start gathering well before the start, so it is smart to account for security checks, finding your section, and possible changes in movement around the entrances. Since the ticket is valid for 1 day, organizing arrival and departure becomes part of the experience, and many want to avoid stress and get in early enough to settle in and absorb the atmosphere. Buy tickets via the button below and immediately after that plan your route, because good logistics often means a better concert experience, without rushing in the last minutes.

Tips for a more comfortable experience at a big concert

Medellin is often described as a city with a pleasant climate, and average January values point to daytime temperatures around the mid-twenties and evening values that can be noticeably lower, which means it pays to think in layers and practically. For stadium concerts, it’s important to keep in mind that the feel differs depending on the section, because open areas can be more exposed to breezes or short weather changes, so it’s useful to bring light protection if humidity or rain is expected. It is equally important to agree on a meeting point with your friends, because in a crowd it is easy to lose signal or get separated, and a plan in advance often saves the evening from unnecessary nervousness. The crowd at performances like these can be extremely energetic, so it is recommended to pay attention to personal space, hydration, and the time you’ll spend on your feet, especially if you want to keep your strength for the finale of the concert. Ultimately, nights like these function as a shared event for the whole city, so it’s nicest to arrive prepared, enter calmly, and surrender to the music, the choruses, and the atmosphere that only a full stadium can create. Tickets for this concert disappear quickly, so buy your tickets in time, and then leave yourself enough space to experience the concert without rushing and with that feeling that you’re part of a big, loud crowd that turns Medellin into one big stage.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY
Sources:
- El PaĂ­s (America Colombia) - information on the Medellin dates and audience interest
- Pitchfork - announcement of the world tour and the critical context of the album DeBÍ TiRAR MáS FOToS
- GRAMMY.com - official data on Grammy performance and Latin Grammy recognition
- Pollstar - reports on the scale of the previous tour and ticket sales
- INDER MedellĂ­n - official address and basic information about the location in the stadium zone
- Metro de MedellĂ­n - guide through Line B and highlighting Estadio station as the closest point
- FIFA (Inside FIFA and tournament content) - confirmations of the stadium being used for international matches
- Forbes Colombia - announcements of stadium modernization and the planned capacity increase

Everything you need to know about tickets for concert Bad Bunny

+ Where to find tickets for concert Bad Bunny?

+ How to choose the best seat to enjoy the Bad Bunny concert?

+ When is the best time to buy tickets for the Bad Bunny concert?

+ Can tickets for concert Bad Bunny be delivered electronically?

+ Are tickets for concert Bad Bunny purchased through partners safe?

+ Are there tickets for concert Bad Bunny in family sections?

+ What to do if tickets for concert Bad Bunny are sold out?

+ Can I buy tickets for concert Bad Bunny at the last minute?

+ What information do I need to buy tickets for the Bad Bunny concert?

+ How to find tickets for specific sections at the Bad Bunny concert?

CHECK AVAILABLE TICKETS
9 hours ago, Author: Culture & events desk

Find accommodation nearby

You may be interested

Bad Bunny

Lima
Friday 16.01. 2026 20:00
Nacional del PerĂș, C. JosĂ© DĂ­az s/n
Bad Bunny

Lima
Saturday 17.01. 2026 20:00
Nacional del PerĂș, C. JosĂ© DĂ­az s/n
Bad Bunny

MedellĂ­n
Friday 23.01. 2026 20:00
Atanasio Girardot, Cra. 74 #48010, Laureles - Estadio
Bad Bunny

MedellĂ­n
Saturday 24.01. 2026 20:00
Atanasio Girardot, Cra. 74 #48010, Laureles - Estadio
Bad Bunny

Santa Clara
Sunday 08.02. 2026 00:00
Levi's Stadium, 4900 Marie P DeBartolo Way
Bad Bunny

Buenos Aires
Friday 13.02. 2026 20:00
Estadio MĂąs Monumental, Av. Pres. Figueroa Alcorta 7597, C1424BCL Cdad
Bad Bunny

Buenos Aires
Saturday 14.02. 2026 21:00
Estadio MĂąs Monumental, Av. Pres. Figueroa Alcorta 7597, C1424BCL Cdad
Bad Bunny

Buenos Aires
Sunday 15.02. 2026 20:00
Estadio MĂąs Monumental, Av. Pres. Figueroa Alcorta 7597, C1424BCL Cdad
Bad Bunny

Sao Paulo
Friday 20.02. 2026 21:00
Allianz Parque, Avenida Francisco Matarazzo, 1705, R. Palestra Itålia, 200 - Água Branca
Bad Bunny

Sao Paulo
Saturday 21.02. 2026 21:00
Allianz Parque, Avenida Francisco Matarazzo, 1705, R. Palestra Itålia, 200 - Água Branca
Bad Bunny

Sydney
Saturday 28.02. 2026 17:00
ENGIE Stadium, Grand Parade, Sydney Olympic Park NSW 2127
Bad Bunny

Sydney
Sunday 01.03. 2026 17:00
ENGIE Stadium, Grand Parade, Sydney Olympic Park NSW 2127
Bad Bunny

Barcelona
Friday 22.05. 2026 21:00
LluĂ­s Companys Olympic Stadium, Passeig OlĂ­mpic, 15-17, Sants-MontjuĂŻc
Bad Bunny

Barcelona
Saturday 23.05. 2026 20:00
LluĂ­s Companys Olympic Stadium, Passeig OlĂ­mpic, 15-17, Sants-MontjuĂŻc
Bad Bunny

Lisbon
Tuesday 26.05. 2026 20:00
Estådio da Luz, Av. Eusébio da Silva Ferreira
Bad Bunny

Lisbon
Wednesday 27.05. 2026 19:00
Estådio da Luz, Av. Eusébio da Silva Ferreira
Bad Bunny

Madrid
Saturday 30.05. 2026 20:00
Metropolitano Stadium, Avenida de Luis Aragonés, 4
Bad Bunny

Madrid
Sunday 31.05. 2026 20:00
Metropolitano Stadium, Avenida de Luis Aragonés, 4
Bad Bunny

Madrid
Tuesday 02.06. 2026 20:00
Metropolitano Stadium, Avenida de Luis Aragonés, 4
Bad Bunny

Madrid
Wednesday 03.06. 2026 20:00
Metropolitano Stadium, Avenida de Luis Aragonés, 4
Bad Bunny

Madrid
Saturday 06.06. 2026 20:00
Metropolitano Stadium, Avenida de Luis Aragonés, 4
Bad Bunny

Madrid
Sunday 07.06. 2026 20:00
Metropolitano Stadium, Avenida de Luis Aragonés, 4
Bad Bunny

Madrid
Wednesday 10.06. 2026 20:00
Metropolitano Stadium, Avenida de Luis Aragonés, 4
Bad Bunny

Madrid
Thursday 11.06. 2026 20:00
Metropolitano Stadium, Avenida de Luis Aragonés, 4
Bad Bunny

Madrid
Sunday 14.06. 2026 20:00
Metropolitano Stadium, Avenida de Luis Aragonés, 4
Bad Bunny

Madrid
Monday 15.06. 2026 20:00
Metropolitano Stadium, Avenida de Luis Aragonés, 4
Bad Bunny

Dusseldorf
Saturday 20.06. 2026 20:00
Merkur Spiel-Arena, Arena-Straße 1
Bad Bunny

Dusseldorf
Sunday 21.06. 2026 20:00
Merkur Spiel-Arena, Arena-Straße 1
Bad Bunny

Arnhem
Tuesday 23.06. 2026 20:00
GelreDome, Batavierenweg 25
Bad Bunny

Arnhem
Wednesday 24.06. 2026 20:00
GelreDome, Batavierenweg 25
Bad Bunny

London
Saturday 27.06. 2026 17:00
Tottenham Hotspur Stadium, 782 High Rd, Tottenham
Bad Bunny

London
Sunday 28.06. 2026 17:00
Tottenham Hotspur Stadium, 782 High Rd, Tottenham
Bad Bunny

Marseille
Wednesday 01.07. 2026 19:00
Stade VĂ©lodrome, 3 Bd Michelet
Bad Bunny

Nanterre
Saturday 04.07. 2026 19:00
Paris La DĂ©fense Arena, 99 Jard. de l'Arche
Bad Bunny

Nanterre
Sunday 05.07. 2026 19:00
Paris La DĂ©fense Arena, 99 Jard. de l'Arche
Bad Bunny

Stockholm
Friday 10.07. 2026 19:30
Strawberry Arena, RÄsta StrandvÀg 1, 169 79 Solna
Bad Bunny

Stockholm
Saturday 11.07. 2026 19:30
Strawberry Arena, RÄsta StrandvÀg 1, 169 79 Solna
Bad Bunny

Warsaw
Tuesday 14.07. 2026 17:00
PGE Narodowy, al. Księcia Józefa Poniatowskiego 1
Bad Bunny

Milan
Friday 17.07. 2026 21:00
Ippodromo Snai La Maura, Via Lampugnano, 95
Bad Bunny

Milan
Saturday 18.07. 2026 19:00
Ippodromo Snai La Maura, Via Lampugnano, 95
Bad Bunny

Brussels
Wednesday 22.07. 2026 00:00
King Baudouin Stadium, Marathonlaan 135/2

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.