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Buy tickets for concert Biffy Clyro - 15.02.2026., Gasometers, BeÄŤ, Austria Buy tickets for concert Biffy Clyro - 15.02.2026., Gasometers, BeÄŤ, Austria

CONCERT

Biffy Clyro

Gasometers, BeÄŤ, AT
15. February 2026. 20:00h
2026
15
February
Photo by: Domagoj Skledar/ arhiva (vlastita)

Tickets for Biffy Clyro Concert at Gasometers Vienna: Futique Tour, Raiffeisen Halle Live Rock Night

Page for ticket sales and buying tickets for Biffy Clyro at Gasometers in Vienna on 15 February 2026 at 20:00. Read about the Futique tour era, likely setlist flow and crowd atmosphere, and get practical arrival tips for Raiffeisen Halle im Gasometer, including U3 access, venue entrances and nearby parking

A concert that combines new songs and proven anthems

Vienna's Gasometers will become a major stop on Biffy Clyro's European route in mid-February, and the audience can expect a concert that is always experienced in this city as an event, not just another item in the nightlife calendar. The performance is scheduled for February 15, 2026, at 20:00 in the Raiffeisen Halle im Gasometer, located at Guglgasse 8, 1110 Wien, in the Simmering district, where Vienna's industrial history turns into a vibrant concert evening. The ticket is valid for one day, which is useful for planning the trip, accommodation, and the pace of the evening, especially if you are coming from outside Vienna or combining the concert with a weekend city tour. This is precisely why ticket sales and purchasing tickets are becoming a key topic already, as such dates in the middle of winter tend to attract audiences from the wider region who aim for an indoor hall and a secure atmosphere without weather compromises. Secure your tickets for this event immediately!

Who are Biffy Clyro and why the audience trusts them live

For decades, Biffy Clyro has stood on the rare border between alternative stubbornness and big choruses that fill halls, and this balance is the foundation of their reputation with an audience that seeks both energy and emotional charge. The three members, Simon Neil and twin brothers James and Ben Johnston, built the band's identity on a precise blend of guitar impact, unexpected harmonic shifts, and memorable melodies, so their concert usually looks like a series of waves alternating from explosion to quiet intimacy. In Vienna, they are perceived as a band big enough for a mass singalong, but also personal enough that the songs sound as if they were written for the person singing them in the audience. This is exactly why tickets for such performances are not bought at the last minute, as interest comes from multiple circles, from fans of early albums to those who met them through festival headlining moments. If you aim to be part of that collective singing, buying tickets on time is the simplest way to secure your place in the hall which, when the first chorus starts, turns into one large choir.

From club days to big stages

Biffy Clyro's career is a good example of how a band can develop without losing character, as they gradually built a sound from earlier, rawer, and more experimental phases that today fills large venues without problems, yet retains unpredictability in arrangements. Over the years, their albums have grown from club dynamics to stadium choruses, but they have kept the habit of songs having unexpected rhythm changes, sudden pauses, or emphasized transitions that sound even more dramatic live. The audience loves them because even the biggest hits are never performed routinely; instead, they inject additional weight, extended transitions, or small changes that give the concert a sense of uniqueness. This is also important for those who come for the most famous singles, as they will get them, but in a package with moments unique only to this evening and this hall. When such a band comes to a city that is a transport and cultural hub of the region, ticket sales almost always follow waves of interest, so many decide to secure tickets in advance so as not to be left at the door on the day of the concert.

Futique and a new era of the tour

The tour bearing the Futique label opens space for a new phase of the band and the canon the audience expects to meet at the same concert, so there is already talk about how Vienna could get a particularly well-balanced set. The latest album Futique in 2025 set the framework for this series of performances, and media reviews of fresh gigs emphasize the combination of a future and nostalgic tone, as if the band is looking forward and backward through its own history at the same time. On stage, this most often translates into the dramaturgy of the concert, where hard and fast songs carry the backbone, followed by calm moments where the audience is heard as loudly as the band. On such evenings, tickets are not just an administrative item, but also an entry into an experience that depends on the mass, common rhythm, and energy of the space, which is why it is often said that tickets are actually a ticket for participation. Buy tickets via the button below and enter that story while ticket sales are still open without last-minute anxiety.

What to expect from the repertoire and production

With Biffy Clyro, the audience usually comes with two wishes: to hear the songs that accompanied key years and to feel how new things sound when they move from headphones to a large hall, and this concert in the Gasometers is the ideal terrain for both. Their repertoire, as a rule, holds a firm core of well-known singles and concert favorites, but within that, it leaves room for changes, so sets are known to adapt to the city, the mood of the evening, or the specific rhythm of the tour. Production-wise, the band is known for emphasizing contrast, light and dark, tension and relief, which is why the concert is not experienced as a linearly played sequence, but as a journey through constantly changing dynamics. In practice, this means that at one moment the hall will be dominated by drums and riffs, and in the next, the same space becomes quiet and emotional, as if the scene shrinks to an intimate room in the middle of a big city. If you want to be part of that range and sing in moments when the entire floor sways in the same beat, it is worth securing tickets for this concert earlier, because it is precisely the available places in the hall that determine how close you can be to that energy.

Gasometers and Raiffeisen Halle as a backdrop for rock

Gasometers are not a typical concert location that looks like any modern hall, but a space that carries layers of Vienna, industrial legacy, architectural renovation, and today's city entertainment in one place. Raiffeisen Halle im Gasometer is located within a complex where former gas structures have been turned into a zone of living, shopping, and events, so coming to a concert has that urban feeling of entering a neighborhood that lives both before and after the performance. For a rock band like Biffy Clyro, this is a grateful stage, because the walls and volume of the space give the concert weight, and the audience quickly packs into a compact, loud block that the band can feel from the first minute. The hall is accessible by transport, entrances are organized so that it can be entered from the inside through Gasometer B and from the street, and the mere fact that the concert takes place in a recognizable symbol of Simmering adds a special note to the whole evening. Tickets for such a location also carry additional value, as you are not just buying a performance, but also the experience of the place, so it is smart to follow ticket sales and plan the purchase of tickets without delay. Tickets for this concert are disappearing fast, so buy your tickets on time.

Simmering, Music City, and the urban rhythm of Vienna

When Simmering is mentioned, the industrial side of the city first comes to many people's minds, but it is precisely this background that is the reason why Gasometers today have such a strong identity in Vienna's cultural life. This part of the city is connected to great energy and infrastructure stories, and the gas plant in Simmering was a symbol of modernization at the end of the 19th century, which is still visible today in the monumentality of the buildings that have gained a new face over time. The complex has become a recognizable city destination that combines everyday life and events, so a concert evening easily turns into a small city trip, from arriving earlier, through a short walk around the circular facades, to entering the hall when the rows start to fill up. For visitors from outside, it is also a good way to get to know Vienna beyond the postcard center, because here the city shows how industrial memory can become a stage for contemporary music. That is precisely why tickets have additional weight, as they allow one to experience Vienna in its contemporary, living version, and not just as a series of museums and palaces. If you are planning a trip, buying tickets earlier also makes it easier to organize accommodation and transport, especially in the winter period when many aim for the same weekend.

Practical information for arrival and stay

To arrive at the concert, the simplest option is public transport, as the U3 station Gasometer literally leads to the complex itself, which is one of those rare situations where a big concert can be handled without tactical thinking about last-minute traffic. Official arrival information also lists bus line 72A, at the Rosa Fischer Gasse stop, which can be useful if you are coming from parts of the city that are better connected by buses than by the metro. If you are coming by car, it is possible to plan the direction via the A23 and the St. Marx exit, then via Modecenter Strasse to Guglgasse, with the note that in the vicinity on concert evenings traffic can get congested, so it is reasonable to arrive earlier and count on slower parking. The venue organizer also states the possibility of 1.5 hours of free parking in the Gasometer A garages on Guglgasse 6 and Gasometer C on Guglgasse 12, which is a convenient option for those who want to combine arriving earlier with a short stay in the complex before entering the hall. Ticket sales are available, and buying tickets in advance allows you to deal only with arrival and atmosphere on the day of the concert, not logistics and stress. Buy tickets via the button below and leave yourself enough time to enter calmly at the entrance, without rushing.

How to plan the concert evening

Since the ticket is for one day, it is most practical to arrange the evening as a clear whole: arrival, entry, concert, and return, without stretching that can tire you out before the lights go down. In practice, this means coming to the neighborhood earlier, passing by the entrance, checking where the lines are forming and how the hall is filling up, as this avoids the worst wave of crowds that usually occurs immediately before the start. If you want to be closer to the stage, arriving earlier is almost a rule, because good places on the floor form quickly, and with a band that loves contact with the audience, the difference between the middle and the front rows is felt in every song. It is also useful to keep in mind that the venue, in its frequently asked questions, points to the rules that apply to minors according to Vienna regulations, so for the younger audience and parents, it is smart to check the details in advance at the entrance itself or on the event signs. Concerts in such halls can be loud and physically intense, so it is reasonable to bring hearing protection if you are sensitive, and plan short breaks for water without getting out of the rhythm of the evening. Tickets are an entry into an experience that depends on the energy of the mass, so buying tickets on time and arriving without rushing is the best recipe to experience the concert with full intensity.

Why this tour stop is special

For Biffy Clyro, Vienna is a natural meeting point for audiences from several countries, and Gasometers is large enough to accommodate mass singing, but compact enough for the band to feel every chorus that returns to them from the hall floor. The mid-February date also carries that special advantage of winter concerts: the audience comes focused, there is less dispersion, and the whole evening boils down to music, rhythm, and collective catharsis, which suits this band perfectly. As the tour is linked to the band's latest period, it is realistic to expect an evening where new songs are measured against classics, and the audience gets the feeling of attending a moment of transition, not just a replay of the past. This is precisely why tickets are not just a piece of paper, but also confirmation that you were there when an era was being rearranged before the audience, in a hall that itself symbolizes transformation, from industry to culture. If you feel that this is a concert you don't want to miss, ticket sales are where that decision turns into a plan, and buying tickets into a peace of mind that lasts until the day of the performance. Secure your tickets for this event immediately!

Sources:
- Biffy Clyro, official tour page, list of dates including Vienna and Gasometer
- Gasometer.at, information about location, arrival, public transport, and parking
- Planet.tt Gasometer, FAQ about entrances and access organization to the hall
- Wien Energie, historical context of Simmering and the importance of Gasometer in the city's industrial history
- Ateliers Jean Nouvel, architectural context and timeframe of the Gasometer conversion
- Official Charts, data on the album Futique and the context of the band's latest phase
- The Guardian, announcement interview and career context of the band ahead of the Futique release
- MetalTalk, review of a fresh tour performance and description of concert dramaturgy

Everything you need to know about tickets for concert Biffy Clyro

+ Where to find tickets for concert Biffy Clyro?

+ How to choose the best seat to enjoy the Biffy Clyro concert?

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12 hours ago, Author: Culture & events desk

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