Postavke privatnosti

Buy tickets for concert Deftones - 09.02.2026., Hanns-Martin-Schleyer-Halle, Stuttgart, Germany Buy tickets for concert Deftones - 09.02.2026., Hanns-Martin-Schleyer-Halle, Stuttgart, Germany

CONCERT

Deftones

Hanns-Martin-Schleyer-Halle, Stuttgart, DE
09. February 2026. 19:30h
2026
09
February
Photo by: Domagoj Skledar/ arhiva (vlastita)
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

Tickets for Deftones at Hanns-Martin-Schleyer-Halle Stuttgart - buy tickets, entry and transport tips

Looking for tickets to see Deftones in Stuttgart? Here you can buy tickets for the show at Hanns-Martin-Schleyer-Halle and plan your night with clear entry and travel tips. Get venue guidance, bag rules, transport options and timing hints so you can catch the full support lineup and the main set without stress
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

A concert bringing together new and old audiences

Stuttgart in February gets one of those concert evenings remembered for a combination of heaviness, melody, and atmosphere that is hard to retell without wishing to be back in the hall again. Deftones represent at the Hanns-Martin-Schleyer-Halle, and the concert is scheduled for February 9th, starting at 19:30, with a ticket valid for one day and focused on a single, compactly shaped evening. The city is used to big production names, but Deftones in such a space have an added advantage because their sound lives on dynamics, from quiet transitions to sudden explosions, and moments when the audience collectively catches the same chorus. Because of this, there is already talk of increased interest, and ticket and card sales logically become a topic that is not just an administrative item, but part of the preparation for the experience. Ensure your tickets for this event immediately and follow the button labeled

, because tickets for such a concert tend to sell out in waves, especially as the week of the event approaches.

Deftones and the current moment in their career

Deftones are a band that has built a reputation over decades as performers who can be simultaneously massive and intimate, and who combine aggression with almost dreamlike texture in the same song. In the newer cycle, the emphasis is on continuing the authorial line that separated them from generational labels, so tour announcements and new material often highlight that this is a band that does not repeat recipes, but builds upon them. The announced album “private music” sets the framework for fresh songs, but also for the wider narrative of the evening, because with Deftones, new releases usually do not come as isolated promotion but as a signal that the setlist and mood of the concert are shifting. The audience that has followed them since the early days generally comes for the classics, but it is equally realistic to expect that a good part of the hall will want to hear current singles that introduce a new chapter. When such phases coincide with an arena that holds thousands of people, you get an evening where concert euphoria and curiosity mix, and that is the moment when buying tickets turns into a question of timing. Cards for this concert disappear quickly, so buy tickets on time and leave yourself enough space to plan the trip and entry into the hall.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

How Deftones sound live and why the arena is important

Deftones on stage traditionally have the power to turn songs into something rawer and more spacious than studio versions, where the wall of guitars often expands like a wave, and the vocal moves from a whisper to a scream without losing control. In arenas, that contrast gains an additional dimension because the quieter parts must fight for space, and the louder segments naturally become a physical experience that the audience feels in their chests. That is precisely why Hanns-Martin-Schleyer-Halle is not just a large hall, but a platform that can carry their production with a full range of lights, smoke, and emphasis on the rhythm section. Expectation around the repertoire in such evenings usually goes towards a combination of recognizable singles and selected “fan favorite” moments, with pauses serving to reset dynamics and create tension. In that rhythm, the audience also often plans their movement, from early entry to positions on the floor or stands, so tickets and cards are not perceived just as entry, but as a decision on the perspective of the concert. Buy tickets via the button below and aim for the position that suits you best, because in such productions both sound and image depend on where you stand or sit.

An evening built through line-up and performance tempo

A concert evening is rarely just one performance, and with big tours, the tempo is built so that the audience gradually enters the “frequency” of the main performer. In Stuttgart, it is announced that Deftones come with the support of Denzel Curry and Drug Church, which gives an interesting range of genres and energies before the main set. Such a combination in practice means that the audience will get both hip-hop intensity and punk-rock fierceness, before the arena transitions into the recognizable Deftones atmosphere where dark romance and metallic heaviness collide. For visitors coming to a concert at Schleyer-Halle for the first time, it is useful to think about the fact that the evening has its flow, so arriving earlier pays off if one wants to experience the entire program, not just the last hour and a half. Precisely in such cases, ticket sales and the choice of cards gain additional meaning, because it is not the same whether you plan to enter on time, catch the opening acts and take a spot without stress, or arrive at the last moment. If you want to experience the full story of the evening, ensure your tickets for this event immediately and plan your arrival so that entry is part of the experience, not a race against time.

Denzel Curry and Drug Church as contrast and reinforcement

Denzel Curry is a performer who in a live environment relies on strong contact with the audience and energy that often reminds as much of a rock concert as a hip-hop performance, so his place in the line-up can serve to “ignite” the audience before the main set. Drug Church, on the other hand, brings a different type of rawness, closer to punk and hardcore sensibility, which in arenas can sound like a concise punch, without excess decoration, exactly what prepares the ground well for Deftones. For the audience, this means that the mood in the hall changes through the evening, and that feeling of traveling through different energies often leaves the impression that the concert lasted longer and was more substantive than the clock shows. In the context of buying tickets, such a line-up can also encourage those who did not necessarily come exclusively for Deftones, but want the “package” of the evening, which additionally raises the demand for cards. If you care about the full concert story, buying tickets on time has practical value, because it allows you to arrive earlier without nervousness, pass security checks, and catch the beginning of the program. In such evenings, it often happens that the audience “switches” into concert mode precisely during the opening acts, and then Deftones are greeted by an already warmed-up and loud arena.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

Hanns-Martin-Schleyer-Halle as a host of large productions

Hanns-Martin-Schleyer-Halle in NeckarPark has for decades held the status of one of the key Stuttgart arenas for music, sports, and show programs, and the fact that it was opened back in 1983 gives it special weight in the local concert culture. As part of the HallenDuo complex, with the Porsche-Arena in the immediate vicinity, Schleyer-Halle functions as a space that can host large tours and demanding stage setups, which is important for bands whose performances depend on strong lighting and precise dynamic control. According to hall information, maximum capacity goes up to about 15,500 visitors, and the large interior surface facilitates logistics and production, including the entry of large vehicles in assembly and disassembly phases. For the audience, this usually means the experience is “arena-like”, but with relatively good flow of entry and movement, provided one arrives on time and respects rules on bringing in items. In the context of tickets, this type of hall often has a clear division between the floor and stands, so buying cards is not just a question of price but also of personal experience, whether you want to be in the crowd in front of the stage or prefer a view and more stable sound from the stands. Ticket sales for such spaces usually accelerate as the date approaches, so it pays not to wait for the last moment, especially if you are traveling from outside Stuttgart and want to arrange a plan without improvisation.

NeckarPark and Bad Cannstatt as a concert district

NeckarPark is not an isolated concert point, but a wider sports and entertainment district that turns into a sort of city within a city on evenings of big events, with increased traffic, a larger number of people, and a clear feeling that something is happening. The proximity of the stadium and large event spaces, as well as the fact that the area leans on Bad Cannstatt, gives concert evenings additional local charm, because the audience often spills over towards neighborhood routes, public transport, and famous Stuttgart points before and after the performance. For visitors coming for the first time, it is useful to know that in these zones the rhythm of the city changes depending on the event calendar, so logistics, from arrival to departure, are most easily solved by planning in advance. In such an environment, tickets also have a broader meaning, because they are not just entry to the hall but a ticket for a city evening, with expected crowds and atmosphere around the arena. If you plan to come earlier, you can use that for a calmer entry and orientation, and that is often the difference between stress and a pleasant start to the concert. When it comes to cards, the logic is simple, if you want to avoid improvisation and catch the best arrival routine, buying tickets on time facilitates the entire plan, from transport to entry time.

Address, entrance, and orientation on the ground

For this concert, it is important to remember simple facts: the venue is Hanns-Martin-Schleyer-Halle, and the address is MercedesstraĂźe 69, 70372 Stuttgart, which is the standard reference for navigation and arrangements with company. The Schleyer-Halle and Porsche-Arena halls use a common main entrance and foyer, and access is organized so that the entrance is reached via a pedestrian bridge near the NeckarPark (Stadion) station and the P10 parking lot, which is useful for everyone coming by public transport or car. Hall organizers recommend arriving earlier, and this is advice that makes sense both due to security checks and because exact information on entry times is often published closer to the event date. In practice, arriving earlier also means more time for the cloakroom, orientation, buying basic necessities within the space, and taking a position without pushing. Precisely here tickets and cards turn into logistics, because it is not the same to enter the hall when the crowd has already thickened or pass control earlier and calmly await the start of the program. If you want to experience the concert without unnecessary nervousness, plan your arrival with a buffer and keep your ticket at hand, because it may be requested for inspection during your stay in the space.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

Public transport as the most practical choice

Stuttgart is a city where public transport often beats the car when it comes to big evenings, and HallenDuo states that Schleyer-Halle and Porsche-Arena are very well connected to the city transport network. Key points highlighted are the S-Bahn stations Bahnhof Bad Cannstatt and NeckarPark (Mercedes-Benz), and near the main entrance there is also a U-Bahn station and bus stop NeckarPark (Stadion), which facilitates arrival from different parts of the city. For those coming by train to Stuttgart Hauptbahnhof, the hall is approximately three kilometers away, so it is realistic to expect a quick transfer through the S-Bahn and U-Bahn network without the need for a taxi. The hall also notes that for certain events there is a possibility that public transport is used without an additional ticket within the regional network, depending on event conditions and markings on the ticket itself, which is a detail worth checking before departure. In such logistics, ticket sales also gain a practical role, because when you have a ticket on time, you can check conditions, plan transfers, and avoid unnecessary costs. Buying tickets and organizing arrival go hand in hand, especially if you want to arrive early enough for the entire program, including opening acts.

Arrival by car, parking, and the reality of concert crowds

If you are coming by car, it is important to count on NeckarPark filling up quickly on evenings of big events, and the traffic picture depends on what else is happening simultaneously in surrounding spaces. HallenDuo states that the area is connected to parking zones and that entry and movement towards the hall rely on clear signaling and pedestrian flows, where the P10 parking lot at Cannstatter Wasen is mentioned as one of the reference points, which is the most known option nearby for many. In practice, even when parking goes smoothly, one should calculate the time for walking to the entrance and passing through control, and that is exactly that “hidden timing” for which earlier arrival is recommended. For those who do not like looking for a spot at the last moment, a combination of Park and Ride access and public transport is often a calmer variant, because the densest traffic ring around the arena is avoided. When tickets and cards are already secured, it is smart to use that part for logistics, instead of the day of the concert turning into improvisation. Ticket sales may be available for a long time, but good travel organization is rarely done at the last minute, especially if your goal is to enter the hall before the main wave of the audience starts.

Entry rules, security, and what is smart to bring

Large halls today have clear security rules, and HallenDuo especially emphasizes the ban on larger bags and backpacks, stating a format larger than DIN A4 as the limit, with a note that the organizer of a specific event may have even stricter rules. Additionally, through security instructions and house rules, it is stated that certain items are not allowed, such as professional cameras, outside food and drinks, drones, pyrotechnics, and other things that may pose a security risk, and in such cases entry may be refused. For visitors, this means that the best strategy is to come with minimal luggage, with documents and ticket at hand, and with clothing adapted to the crowd and temperature, because it easily gets hot in the arena, while outside in February it can be cold. The hall also lists practical details like the possibility of buying earplugs at a vending machine or obtaining hearing protection for younger visitors at the cloakroom, which is useful if you are sensitive to loudness or coming with a younger crew. Such information directly affects the experience, because no one wants to solve a bag problem or an item that cannot be brought in at the entrance, and precisely here “ensure your tickets” turns into a broader advice, ensure a calm entry too. Since you are already planning the purchase of tickets and cards, also plan what you are carrying, because good preparation means the concert starts the moment the lights go out, not on the security belt.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

What to expect from the atmosphere and why tickets are in demand

Deftones concerts often have that rare combination of collective euphoria and personal, almost intimate experience, because the audience knows how to sing choruses in unison, but simultaneously leaves room for “dive in and listen” moments. In an arena, this can look like a large mass rolling in rhythm, but also like quiet moments when only the voice and echo are heard, before the band pulls everyone back into a stronger part of the set. Such a range of emotions usually motivates even those who are not sure if they are going, to buy tickets anyway, because the experience is not just “loud”, but also textural, with many layers that are easier to feel live than to hear on headphones. On evenings when the line-up is reinforced by interesting guests, the audience tends to arrive earlier and stay longer, so the card is also perceived as entry to a full-evening program, not as a formality. Therefore, it is understandable that ticket sales become a topic even in conversations outside fan circles, because Stuttgart is close enough even for audiences from the wider region looking for a strong concert reason to travel. Ensure your tickets for this event immediately and click the button labeled

, because when February approaches, decisions that were “maybe” often become “pity I didn't earlier”, and then the best places thin out the fastest.

Practical rhythm of the evening for those traveling

For visitors coming from outside Stuttgart, the most important thing is to arrange the evening as a series of realistic steps, arrival in the city, transfer to NeckarPark, entry into the hall, and return plan, where the most time is usually lost on underestimating the crowd. HallenDuo recommends using the full entry time and arriving earlier, and the information that detailed entry times may be published approximately two weeks before the event helps those who like to have a precise plan. If you are catching a train or accommodation, leave a reserve for exiting the hall as well, because after the concert thousands of people simultaneously move towards the same stations and same traffic routes, so the rhythm of the city changes briefly. In such circumstances, tickets and cards are not just “I have them on my mobile”, but also part of the travel map, because without them it makes no sense to arrange other logistical points. A good habit is to check entry rules, bag limits, and nearest stations before departure, in order to avoid unpleasant situations at the entrance or unnecessary return to the car or accommodation. Buy tickets via the button below and treat them as the first step of the journey, because when that step is solved on time, everything else is arranged more calmly and precisely.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY
Sources:
- HallenDuo im Neckarpark, event details and line-up (Deftones, Denzel Curry, Drug Church), start time and location
- HallenDuo, information about the hall and capacity and general description of Schleyer-Halle
- City of Stuttgart, official address and contact of Hanns-Martin-Schleyer-Halle
- HallenDuo, directions for arrival and public transport (S-Bahn and U-Bahn stations near NeckarPark)
- HallenDuo, admission information and security instructions (bag limits and list of prohibited items)
- Warner Records press material about the album “private music” and single “my mind is a mountain”
- Pitchfork, news about the album “Private Music” and the context of the band's current cycle
- Kerrang!, announcement of European and UK tour 2026 with guests

Everything you need to know about tickets for concert Deftones

+ Where to find tickets for concert Deftones?

+ How to choose the best seat to enjoy the Deftones concert?

+ When is the best time to buy tickets for the Deftones concert?

+ Can tickets for concert Deftones be delivered electronically?

+ Are tickets for concert Deftones purchased through partners safe?

+ Are there tickets for concert Deftones in family sections?

+ What to do if tickets for concert Deftones are sold out?

+ Can I buy tickets for concert Deftones at the last minute?

+ What information do I need to buy tickets for the Deftones concert?

+ How to find tickets for specific sections at the Deftones concert?

CHECK AVAILABLE TICKETS
13 hours ago, Author: Culture & events desk

Find accommodation nearby

You may be interested

Deftones

Brussels
Friday 30.01. 2026 18:30
Forest National, Av. Victor Rousseau 208, 1190 Forest
Deftones

Hamburg
Sunday 01.02. 2026 19:00
Barclaycard Arena, Hellgrundweg 44
Deftones

Munich
Tuesday 03.02. 2026 19:30
Zenith, Lilienthalallee 29
Deftones

Lodz
Thursday 05.02. 2026 19:00
Atlas Arena, aleja ks. bp. Władysława Bandurskiego 7
Deftones

Berlin
Friday 06.02. 2026 19:30
Max-Schmeling-Halle, Am Falkplatz 1
Deftones

Dortmund
Saturday 07.02. 2026 19:00
Westfalenhalle, Rheinlanddamm 200
Deftones

Amsterdam
Tuesday 10.02. 2026 20:00
Afas Live, Johan Cruijff Boulevard 590
Deftones

Birmingham
Thursday 12.02. 2026 18:00
bp pulse LIVE, bp pulse LIVE, Perimeter Rd, Marston Green
Deftones

Glasgow
Friday 13.02. 2026 18:30
OVO Hydro, Exhibition Way, Stobcross Rd
Deftones

Manchester
Saturday 14.02. 2026 18:30
Co-op Live, Etihad Campus, 1 Sportcity Way
Deftones

Cardiff
Wednesday 18.02. 2026 18:30
Utilita Arena Cardiff, Mary Ann St
Deftones

London
Friday 20.02. 2026 18:30
O2 Arena, Peninsula Square
Deftones
3 day pass

San Isidro
Friday 13.03. 2026 11:00
Hipódromo de San Isidro, Av. Bernabé Márquez 700
Deftones

Santiago
Friday 13.03. 2026 11:00
Parque O'Higgins, Santiago
Deftones
3 day pass

Santiago
Friday 13.03. 2026 12:00
Parque O'Higgins, Santiago
Deftones

San Isidro
Sunday 15.03. 2026 12:00
Hipódromo de San Isidro, Av. Bernabé Márquez 700
Deftones
3 day pass

AsunciĂłn
Tuesday 17.03. 2026 00:00
Jockey Club, Cedro
Deftones
3 day pass

Sao Paulo
Friday 20.03. 2026 11:00
Autódromo José Carlos Pace, Av. Sen. Teotônio Vilela, 261 - Jardim Malia I
Deftones

Sao Paulo
Friday 20.03. 2026 12:00
Autódromo José Carlos Pace, Av. Sen. Teotônio Vilela, 261 - Jardim Malia I
Deftones
3 day pass

Bogota
Friday 20.03. 2026 12:00
SimĂłn BolĂ­var Metropolitan Park, Av. Calle 53 Avenida La Esmeralda #s/n y
Deftones
2 day pass

Bogota
Friday 20.03. 2026 12:30
SimĂłn BolĂ­var Metropolitan Park, Av. Calle 53 Avenida La Esmeralda #s/n y
Deftones
2 day pass

Bogota
Saturday 21.03. 2026 12:30
SimĂłn BolĂ­var Metropolitan Park, Av. Calle 53 Avenida La Esmeralda #s/n y
Deftones

Bogota
Sunday 22.03. 2026 13:00
SimĂłn BolĂ­var Metropolitan Park, Av. Calle 53 Avenida La Esmeralda #s/n y
Deftones
3 day pass

Monterrey
Friday 27.03. 2026 13:00
Fundidora Park, Adolfo Prieto S/N, Obrera
Deftones

Monterrey
Friday 27.03. 2026 14:00
Fundidora Park, Adolfo Prieto S/N, Obrera
Deftones

Mexico City
Sunday 29.03. 2026 19:00
Palacio de los Deportes, Colonia Granjas MĂ©xico, Iztacalco
Deftones

Brisbane
Wednesday 06.05. 2026 20:00
Brisbane Entertainment Centre, Brisbane Entertainment Centre, 1 Melaleuca Dr, Boondall QLD 4034
Deftones

Brisbane
Thursday 07.05. 2026 19:00
Brisbane Entertainment Centre, Brisbane Entertainment Centre, 1 Melaleuca Dr, Boondall QLD 4034
Deftones

Auckland
Wednesday 13.05. 2026 19:00
Spark Arena, 42/80 Mahuhu Crescent, Parnell
Deftones

Berlin
Tuesday 18.08. 2026 19:00
ParkbĂĽhne Wuhlheide, An d. Wuhlheide 187
Deftones

London
Sunday 23.08. 2026 14:00
Victoria Park, Greater London
Deftones

Edinburgh
Thursday 27.08. 2026 17:00
Royal Highland Centre, Ingliston
Deftones
3 day pass

Lisbon
Friday 28.08. 2026 00:00
Bela Vista Park, Parque Urbano Vale da Montanha
Deftones

Fort Worth
Saturday 24.10. 2026 00:00
Texas Motor Speedway, 3545 Lone Star Cir

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.