Postavke privatnosti

Buy tickets for concert Deftones - 13.02.2026., OVO Hydro, Glasgow, United Kingdom Buy tickets for concert Deftones - 13.02.2026., OVO Hydro, Glasgow, United Kingdom

CONCERT

Deftones

OVO Hydro, Glasgow, UK
13. February 2026. 18:30h
2026
13
February
Photo by: Domagoj Skledar/ arhiva (vlastita)

Tickets for Deftones at OVO Hydro Glasgow: Arena concert guide, ticket purchase focus and arrival planning

Ticket sales for Deftones at OVO Hydro in Glasgow highlight what matters: showtime is 13 Feb 2026 at 18:30, each ticket is valid for 1 day, with support from Denzel Curry and Drug Church. Use this page for practical entry and arrival guidance, plus clear steps for buying tickets via the on-page button

Deftones arrive in Glasgow and bring a concert night to remember

Glasgow in February gets a performance that is already generating serious audience interest: Deftones are coming to OVO Hydro, and the concert is scheduled for 13.02.2026 at 18:30. This is an event for which the ticket is valid for 1 day, which is important information for everyone planning travel, accommodation, and movement around the city before and after the performance. Deftones are a band with a career measured not only by the number of albums and hits, but also by their influence on an entire generation of alternative metal and related genres, so it is no surprise that ticket sales usually gain momentum quickly as soon as European tour dates open. Concerts like this in arenas like OVO Hydro often have a special energy, as they combine the intimacy of the atmosphere with a mass of people singing and breathing in the same rhythm, a combination that perfectly suits the sound of Deftones. Secure your tickets for this event immediately! and follow the button labeled

which will be placed below.

Evening program and guests who change the dynamics of the concert

The concert in Glasgow is not designed as a single-layer rock night, but as a whole in which the opening acts also build the tempo and mood of the audience before the main set. Denzel Curry and Drug Church have been announced as support for Deftones, which is an interesting combination as it blends the energy of a contemporary rap performance with the intensity of modern post-hardcore, giving the arena audience a broader cross-section of loud and intense forms. Such a choice of guests practically means that the atmosphere will heat up gradually, from rhythmic tension and fast transitions to walls of guitars and explosive choruses, and the audience that arrives earlier usually gets the best experience of the entire evening. In the context of tickets, this is a detail that is often overlooked, as some people only show up for Deftones, but those planning a full concert night also count on entry time, crowds at security checks, and the fact that the hall will already be loud and saturated with energy before the headliner. If you want to catch the full flow of the performance and avoid the stress of entry, buying tickets and planning your arrival should go hand in hand, especially when it comes to a large arena and an evening that attracts both local and traveling audiences.

Tour context: return to Europe with the album Private Music

The Glasgow date fits into the broader framework of a European and British tour with which Deftones present a period of new material and the current phase of their career, with the focus strongly linked to the album Private Music. This album was presented in the media as a return after a several-year hiatus between studio releases, with an emphasis on the fact that the band continues to push the boundaries between aggression and atmosphere, which is their trademark. The announcements also mention a production approach that combines the recognizable weight of guitars with airy layers, so it is realistic to expect that part of the setlist will be dedicated to newer songs, alongside the classics that the audience demands at every stop of the tour. Glasgow is particularly interesting in this sense because it is a city with a strong concert tradition and an audience that responds well to bands with a long tenure, especially when they bring a new catalog rather than just a nostalgic career review. That is why interest in tickets often rises as soon as it is confirmed that this is a full tour performance and not a shortened festival set, because the audience wants the entire narrative of the evening, from slower, hypnotic moments to climaxes where the arena erupts.

Deftones as a phenomenon: a blend of heaviness, melody, and experiment

The story of Deftones in a rock and metal context is always a story of a band that refused to stay confined to one box, even when market trends demanded it. Their sound over the years has moved from raw, rhythmically emphasized aggression towards increasingly layered arrangements in which heavy guitars and powerful drums collide with melancholic melodies and an almost dreamy atmosphere. This is also why part of the audience perceives them as a band that equally belongs on metal stages and alternative, almost art-rock spaces, because one song can sound like an impact, and another like a floating landscape. In a concert format, such dynamics particularly come to the fore, as sets often have tempo changes that keep the audience constantly awake, and an arena like OVO Hydro can make that contrast even greater, from quieter moments where layers of effects are heard to massive choruses that return like a wave. If you're wondering if a ticket is worth it for a band with so many nuances, the answer is usually given by the audience after the first few songs: performances like this have the ability to draw the hall into a common rhythm, and that is one of the reasons why tickets for this event are so sought after.

Repertoire: classics that marked generations and new songs live

On tour, Deftones typically balance between songs that marked key periods of their career and newer compositions that offer the audience a fresh look at the band's direction. This means that in Glasgow, one can expect an evening where recognizable, long-adopted choruses alternate with new material that is just gaining its full concert form, and it is precisely this transformation of songs on stage that fans often want to experience live. There is a special kind of tension when a new song first washes over the arena and when the audience, even if they don't know every word yet, reacts to the energy and dynamics, which is especially visible with bands with long careers and a loyal listener base. In such a concert environment, tickets are not just entry to the hall, but entry into a moment where the band's catalog is rearranged before the audience, and the setlist becomes a story that cannot be fully replicated on a recording. Therefore, it is useful to think about buying tickets as part of the experience, especially if you want to choose a position in the hall and arrive early enough to absorb the entire evening, including the opening acts and changes in scenography. Tickets for such a concert often attract audiences from outside Glasgow, so it pays to plan ahead and coordinate all travel details so the focus remains on the music.

OVO Hydro: an arena designed for spectacle and the sound of big tours

OVO Hydro is part of the Scottish Event Campus, a large complex that includes other halls and spaces, and the arena itself stands out with a capacity of about 14,300 visitors and the status of one of the most prominent concert locations in the United Kingdom. Organizers often emphasize that OVO Hydro is regularly among the most active arenas globally according to concert statistics, which is important because it speaks to the venue's experience in handling large productions, rapid event changes, and mass audience arrivals. In practice, this means clearer entry flows, recognizable concert infrastructure, and the feeling that the arena was built for moments when sound and light must cope with a large mass of people without losing clarity and impact. Located along the River Clyde, in a zone that has been strongly regenerated and urbanistically strengthened in recent decades, the arena is also a kind of symbol of modern Glasgow, a city that lives on culture, sports, and big events. If you want to experience Deftones in a format that emphasizes both power and atmosphere, this kind of hall gives the full picture, so it’s no wonder that ticket sales for performances at OVO Hydro often go fast. Tickets for this concert are disappearing quickly, so buy your tickets on time.

Glasgow and the city context: concert audience in a city that loves live performances

Glasgow is not just a point on a tour map, but a city with a reputation where concerts are experienced as part of identity, from clubs and theaters to arenas that bring in world productions. The position of OVO Hydro on the Clyde and its connection to urban areas like Finnieston and the wider West End create the impression that a big concert night naturally overflows into city life, with restaurants, bars, and promenades filling up before and after the event. Audiences coming from other parts of the United Kingdom or Europe often combine the concert with a short stay in the city, so the ticket is simultaneously a reason for travel, which further increases interest and pressure on ticket availability. In February, a special dynamic is felt in Glasgow as the evenings are longer and colder, and people look for events that have weight and give energy, which a Deftones concert in the arena perfectly fulfills. For those who want to make the most of the experience, it is important to think about arrival time, crowds, and the logic of moving around the city, because big concerts change the rhythm of traffic and pedestrian flows, and good planning allows the focus to remain on the performance and atmosphere, not on logistics.

Practical information: address, arrival, security, and tickets

The concert takes place at OVO Hydro, part of the Scottish Event Campus, at the address Exhibition Way, Glasgow, G3 8YW, which is key information for everyone coming from out of town or visiting this complex for the first time. The arena is well connected by rail, as the Exhibition Centre station is nearby, allowing for a quick arrival from the center of Glasgow, and pedestrian access is organized so that the audience can relatively easily reach the entrance without long wandering around the neighborhood. If you are coming by car, there is a multi-story garage on campus, but for large concerts, you should count on an earlier arrival due to crowds and exiting after the event, so it is useful to have a plan for the return as well, especially if your accommodation is outside the center. Regarding security rules, organizers list restrictions for bags, whereby bags larger than A3 size are not allowed at events in the campus arenas, so it is smart to travel light and avoid unnecessary things that slow down entry. Tickets for this event are valid for 1 day, and to make entry as simple as possible, the audience often uses a digital ticket format, so check your phone battery and prepare the ticket before arriving at the control. Buy tickets via the button below and plan your arrival so you arrive on time for the support as well, because then the evening has full meaning and the rhythm as intended.Sources:
- OVO Hydro, Events detail of the Deftones concert in Glasgow, including guests and tour context
- OVO Hydro, About and The Campus pages, data on capacity and positioning of the arena in the Scottish Event Campus
- OVO Hydro, Contact Us and How to Get Here, address and basic arrival guidelines
- Scottish Event Campus, information on security and bag size limits
- Pitchfork, announcement of the album Private Music and details on singles and production
- Kerrang!, news about the EU and UK tour 2026 and confirmation of guests on dates
- Metal Hammer on Louder, tour context and positioning of Deftones in the current phase of their career
- GRAMMY.com, overview of key songs and discographic development ahead of the album Private Music
- Revolver, interview and story about the sound, legacy, and creative direction of the band in the Private Music era
- People, conversation about the album Eros and reasons why it remains part of the band's unreleased history
- Foster + Partners, text about the OVO Hydro project and the architectural context of the arena by the Clyde
- VisitScotland, description of the Scottish Event Campus and its role in the city and national cultural infrastructure
- ScotRail, practical description of arriving at OVO Hydro by train via Exhibition Centre station

Everything you need to know about tickets for concert Deftones

+ Where to find tickets for concert Deftones?

+ How to choose the best seat to enjoy the Deftones concert?

+ When is the best time to buy tickets for the Deftones concert?

+ Can tickets for concert Deftones be delivered electronically?

+ Are tickets for concert Deftones purchased through partners safe?

+ Are there tickets for concert Deftones in family sections?

+ What to do if tickets for concert Deftones are sold out?

+ Can I buy tickets for concert Deftones at the last minute?

+ What information do I need to buy tickets for the Deftones concert?

+ How to find tickets for specific sections at the Deftones concert?

9 hours ago, Author: Culture & events desk

Find accommodation nearby


You may be interested

Friday 30.01. 2026 18:30
Forest National, Av. Victor Rousseau 208, 1190 Forest
Sunday 01.02. 2026 19:00
Barclaycard Arena, Hellgrundweg 44
Tuesday 03.02. 2026 19:30
Zenith, Lilienthalallee 29
Thursday 05.02. 2026 19:00
Atlas Arena, aleja ks. bp. Władysława Bandurskiego 7
Friday 06.02. 2026 19:30
Max-Schmeling-Halle, Am Falkplatz 1
Saturday 07.02. 2026 19:00
Westfalenhalle, Rheinlanddamm 200
Monday 09.02. 2026 19:30
Hanns-Martin-Schleyer-Halle, MercedesstraĂźe 69
Tuesday 10.02. 2026 20:00
Afas Live, Johan Cruijff Boulevard 590
Thursday 12.02. 2026 18:00
bp pulse LIVE, bp pulse LIVE, Perimeter Rd, Marston Green
Saturday 14.02. 2026 18:30
Co-op Live, Etihad Campus, 1 Sportcity Way
Wednesday 18.02. 2026 18:30
Utilita Arena Cardiff, Mary Ann St
Friday 20.02. 2026 18:30
O2 Arena, Peninsula Square
Friday 13.03. 2026 11:00
Hipódromo de San Isidro, Av. Bernabé Márquez 700
Friday 13.03. 2026 11:00
Parque O'Higgins, Santiago
Friday 13.03. 2026 12:00
Parque O'Higgins, Santiago
Sunday 15.03. 2026 12:00
Hipódromo de San Isidro, Av. Bernabé Márquez 700
Tuesday 17.03. 2026 00:00
Jockey Club, Cedro
Friday 20.03. 2026 11:00
Autódromo José Carlos Pace, Av. Sen. Teotônio Vilela, 261 - Jardim Malia I
Friday 20.03. 2026 12:00
Autódromo José Carlos Pace, Av. Sen. Teotônio Vilela, 261 - Jardim Malia I
Friday 20.03. 2026 12:00
SimĂłn BolĂ­var Metropolitan Park, Av. Calle 53 Avenida La Esmeralda #s/n y
Friday 20.03. 2026 12:30
SimĂłn BolĂ­var Metropolitan Park, Av. Calle 53 Avenida La Esmeralda #s/n y
Saturday 21.03. 2026 12:30
SimĂłn BolĂ­var Metropolitan Park, Av. Calle 53 Avenida La Esmeralda #s/n y
Sunday 22.03. 2026 13:00
SimĂłn BolĂ­var Metropolitan Park, Av. Calle 53 Avenida La Esmeralda #s/n y
Friday 27.03. 2026 13:00
Fundidora Park, Adolfo Prieto S/N, Obrera
Friday 27.03. 2026 14:00
Fundidora Park, Adolfo Prieto S/N, Obrera
Sunday 29.03. 2026 19:00
Palacio de los Deportes, Colonia Granjas México, Iztacalco
Wednesday 06.05. 2026 20:00
Brisbane Entertainment Centre, Brisbane Entertainment Centre, 1 Melaleuca Dr, Boondall QLD 4034
Thursday 07.05. 2026 19:00
Brisbane Entertainment Centre, Brisbane Entertainment Centre, 1 Melaleuca Dr, Boondall QLD 4034
Wednesday 13.05. 2026 19:00
Spark Arena, 42/80 Mahuhu Crescent, Parnell
Tuesday 18.08. 2026 19:00
ParkbĂĽhne Wuhlheide, An d. Wuhlheide 187
Sunday 23.08. 2026 14:00
Victoria Park, Greater London
Thursday 27.08. 2026 17:00
Royal Highland Centre, Ingliston
Friday 28.08. 2026 00:00
Bela Vista Park, Parque Urbano Vale da Montanha
Saturday 24.10. 2026 00:00
Texas Motor Speedway, 3545 Lone Star Cir

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.