Postavke privatnosti

Buy tickets for concert Deftones - 03.02.2026., Zenith, Munchen, Germany Buy tickets for concert Deftones - 03.02.2026., Zenith, Munchen, Germany

CONCERT

Deftones

Zenith, Munchen, DE
03. February 2026. 19:30h
2026
03
February
Photo by: Domagoj Skledar/ arhiva (vlastita)

Tickets for Deftones at Zenith Munich: guide to the concert night, travel tips and buying tickets in Feb 2026

Looking for tickets for Deftones at Zenith in Munich? This page focuses on ticket sales and buying tickets for the concert on 3 February 2026 at 19:30 (1-day ticket), with key venue details, U6 access to Freimann, entry planning and what to expect from the live atmosphere. Check the essentials before you go so you can secure your spot early

Concert that brings together heavy guitar and a hypnotic atmosphere

Deftones return before the audience in Munich with a concert at the Zenith hall, scheduled for February 3, 2026 at 19:30, with a ticket valid for 1 day. For a city accustomed to big rock and metal nights, this is a date that quickly gets written into plans, because Deftones have the rare ability to combine arena energy with the intimacy of a dark club, often within the same song. Their sound, at the very same moment, can be brutal and gentle, full of space, noise, and melody, so the concerts are experienced as a journey, not just a sequence of songs. That is precisely why ticket sales usually show the direction of audience interest early, especially when the band comes to a mid- to larger-capacity venue where good spots get snapped up fast. Secure your tickets for this event immediately and click the

button below, because tickets for concerts like this can disappear before the crew and transport are even arranged.

Deftones as a phenomenon: a band that outlived genre drawers

Ever since the early days, Deftones have stood out among the bands that in the early and mid-nineties pushed heavier guitar toward the mainstream, but without agreeing to simple labels and expected formulas. Their music balances between alternative metal, shoegaze haze, post-hardcore blows, and art-rock sensibility, all carried by China Moreno’s recognizable vocal range, from a whisper to a scream that cuts through a wall of distortion. Instead of building songs only on riffs, they often build them on dynamics—on the sudden opening of a chorus, on unexpected harmonies, and on rhythms that, in a second, can turn from a tribal drive into a breakdown. That is why the audience experiences them equally through emotion and through power, so tickets for their shows attract both those who otherwise listen to metal and those who come for the atmosphere and textures. In a concert setting, that approach becomes even clearer, because the band on stage emphasizes contrasts—silence, echo, and then explosion—which is an ideal combination for a venue like Zenith. If you plan to come, buying tickets in time is the simplest way to avoid the nerves in the last days before the concert, when remaining tickets are hunted down and last details are arranged.

Live repertoire: classics that shaped generations and new material

Although set lists differ from city to city, the Deftones audience has for years followed the expectation that, in the same breath, they will hear both the punchy singles and the deeper songs that on the albums reveal their full value only after multiple listens. In practice, that means the concert often includes material from the period when they broke through to a wider audience, but also songs that over time gained cult status precisely because of their unusual structure and emotional charge. A special place in the band’s story belongs to the era of the album White Pony, often mentioned as a turning point, and the song Elite also brought the band a Grammy for Best Metal Performance, a detail still highlighted today as confirmation that their experiments carried weight even outside the genre circle. As the band entered a new phase with the album Private Music, announced as an important step in their discography, it is realistic to expect that part of the night at Zenith will also be devoted to newer songs, which live gain a firmer edge and a stronger punch. Such a combination usually raises the interest of audiences from different generations, so ticket sales do not rely only on nostalgia but also on curiosity—on the desire to hear how the new material breathes on a big sound system. Tickets for this concert disappear quickly, so buy tickets in time and count on the best spots on the floor and in the stands filling up first.

Zenith in Freimann: an industrial hall turned into a concert machine

Zenith, also known as Zenith, die Kulturhalle, has a specific character you feel as soon as you enter the space, because it is a venue that carries industrial heritage and architectural massiveness, while at the same time being adapted to modern concert productions. It is located in the northern part of Munich, in the Freimann district, at Lilienthalallee 29, 80939 MĂĽnchen, which makes it accessible both from the center and from the approach traffic routes. According to available data about the space and how the hall is used, Zenith is configurable, so depending on the setup it can accommodate several thousand visitors, often around 5,500 to approximately 6,000 people, which is an ideal size for a band that wants to retain the intensity of a club performance, but with the logistics of a larger event. For Deftones, whose concerts rely on layered sound and big dynamic jumps, a space like this gives enough air for atmosphere, yet still keeps a sense of closeness, especially on the floor. That is exactly why tickets and passes are not merely a formality, but a practical tool for planning the experience, because the choice of spot determines how immersed you will be in the bass, how much you will feel the kick drum in your chest, and how closely you will see the band. Buy tickets via the

button below if you want to secure a position that matches your way of listening—whether you’re chasing the sound image, the energy of the mosh pit, or the overview from the stands.

How Deftones build concert tension and why the audience reacts so strongly

Deftones are not a band that relies on one kind of energy; instead, they consciously build a show as a series of waves, so the audience goes through calming, tension, and explosion multiple times during the night. In one song they can leave space for the vocal to almost float above the guitars, and then in the next tighten the rhythm to the breaking point, with riffs that feel like they cut the air. That live dramaturgy works especially well in venues like Zenith, where light, haze, and focus can be controlled, so the concert is often experienced as a complete audiovisual story, not just a gig. The audience responds because the sound is both physical and emotional, and many fans say Deftones concerts stay in their memory because they contain both aggression and vulnerability, without cheap pathos. Because of that reputation, tickets are experienced as entry into an experience that does not repeat in the same way, so interest grows as the date approaches, and tickets become ever more sought after in the last weeks. If you want to avoid a situation where you search for remaining tickets at the last minute or adapt to compromise spots, buying tickets earlier is the calmest choice, especially for those coming from outside Munich.

Tour context: Europe and the UK as the stage of the band’s new phase

Announcements for 2026 generally place Deftones within a broader European and UK tour framework, which means the Munich concert fits into a dense schedule of performances in major cities where the band traditionally has a strong fan base. In such tours, it is often clearly seen how the band plans the relationship between the new album and the classics, because audiences in different countries have different favorites, and Deftones like to play with those nuances. Tour announcements also mention guests, including Denzel Curry and Drug Church, which points to a night that can have an interesting genre range and extra energy before the main set, but it is always advisable to follow the final timetable and running order as the date approaches. For the audience, that means the ticket covers the whole concert evening, not just the main set, so it’s worth planning to arrive earlier so the start of the program isn’t missed and to avoid crowds at the entrances. When interest is high, ticket sales can accelerate precisely because of the tour context, because part of the audience catches multiple cities, and part travels specifically to the nearest date. If Munich is your most practical option, secure your tickets in time and count on demand for tickets, accommodation, and transport increasing in the last days before the concert.

Munich’s winter frame: a city that knows how to host big rock nights

Early February in Munich has its specific atmosphere, because the city is then in full winter rhythm, with colder evenings and busy traffic, which gives the concert an extra dose of intensity, especially as the audience streams toward the hall from different parts of the city. Zenith is in the more northern area, outside the classic tourist core, so getting there often turns into a small city ritual, from riding the subway to the final walk toward the hall. That context suits the Deftones aesthetic well, because their sound is often described as nocturnal, dense, and cinematic, so the city around the venue for a moment turns into a set. For visitors from outside Bavaria, Munich is also a logistical hub, with good rail and road connections, which further increases interest and can affect ticket availability. In such situations, tickets are not only entry but also a confirmation of the plan, because the concert is often tied to a weekend, an overnight stay, or at least an evening out. If you are thinking about the trip, buying tickets in advance makes planning accommodation and transport easier, and often reduces stress around last changes.

Arrival and navigation: public transport, walking, and parking

For Zenith, arriving by public transport is often recommended, because the venue is well connected to Munich’s U-Bahn network, and on concert days that is usually the fastest way to avoid congestion on the approaches. The most common scenario is the U6 toward Garching Forschungszentrum, getting off at the Freimann station, from where about 700 meters of walking follow to the venue, which is a straightforward route even for those coming for the first time. As an alternative, some visitors choose the combination of getting off at Kieferngarten and transferring to bus line 178 to the Edmund Rumpler Straße stop, after which there is again a short walk, which can be practical depending on the starting point. For those arriving by car, there is parking around the venue, and larger parking areas are also mentioned nearby, but before big concerts spaces fill up quickly, so it’s worth leaving earlier and allowing extra time. Exactly in this part of planning, tickets play a role, because with purchased tickets you can precisely coordinate arrival, entrances, and meeting with your group, without wandering and improvising. Buy tickets via the

button below, and then calmly put together your route, because on the day of the concert the biggest value will be to arrive on time and get in without rushing.

What to expect in the venue: sound, visibility, and the rhythm of the concert night

Zenith is a venue often described as a space where the weight of the sound is felt well, because the industrial structure and large open volume amplify the physical impression of bass and drums, which is especially important for Deftones. Depending on the setup, the experience differs between the floor and the stands, so some choose the floor for the energy and immediacy, while others choose a higher position to catch the wider picture of light, haze, and scenography. With concerts like this, you should count on dynamic changes in volume, on moments when the atmosphere calms to an almost ambient level, and then suddenly explodes, which is part of the band’s identity and the reason why the audience often leaves exhausted, but satisfied. The rhythms in Deftones songs live can gain extra drive, and the guitars become even thicker, so it’s good to bring basic preparation, from comfortable shoes to the awareness that on the floor the energy can quickly condense. In that sense, tickets are not just a formality, because the choice of spot and the way you enter determine how much you will be at the center of the event and how much in the observation zone, so it’s worth thinking about what you want from the night. If your goal is as close to the stage as possible and full intensity, secure your tickets earlier and arrive earlier, because the best position on the floor is often built from the first minutes after entry.

Deftones and emotional history: behind the noise stands a story of continuity and change

The Deftones story often breaks between creative growth and difficult life chapters, and that very mixture of experiences is felt in the way the band writes and performs songs. In public, people spoke for years about periods of tension and moments when the members had to reconnect as a group, and part of that story is also tied to the tragic fate of bassist Chi Cheng, which left a deep mark on the band and its community. Instead of remaining trapped in the past, Deftones after that continued to develop their sound, often choosing production and arrangement decisions that move toward layering and experiment, which kept them relevant even after three decades. Today, as they present the new album Private Music and connect it with the tour, it is clear that the Munich concert is not just another date, but part of a broader phase in which the band merges new energy and a long discography. For the audience, that means buying tickets is not an investment in mere reminiscing, but in the band’s current moment that still has something to say and show on stage. Ticket sales are available, and if you want to be part of a night where history and new chapters meet, buy tickets via the

button below and let the sound pull you into its rhythm.

Practical information worth keeping in mind before you go

The concert is announced as a one-night event, with a ticket valid for 1 day, so planning should be aligned with one arrival and one departure, without counting on a multi-day format. Since the start is stated as 19:30, it is realistic to expect the audience to gather earlier, and crowds on access roads and in public transport often grow as the start of the program approaches. If you are coming from other cities or countries, it is worth planning a small time buffer, because winter conditions and city traffic can add unforeseen minutes, and nobody wants to miss the first songs. In venues like Zenith, a basic security check is often required at the entrance, so it is recommended to travel light and with a minimum of unnecessary things, so entry is faster and more pleasant. In the context of demand, tickets and passes should be treated as part of logistics, because as the date approaches, everything else—from accommodation to transport—naturally becomes more expensive or less available, so earlier ticket purchase often also means easier planning of the rest of the trip. Tickets for this concert disappear quickly, so buy tickets in time by clicking the button below and leave yourself room to think only about the music in Munich.

Sources:
- Motorworld MĂĽnchen, Zenith: description of the venue, industrial history, and location context
- IN MĂĽnchen: Zenith location profile and information on arriving by public transport and the address
- JIZ MĂĽnchen: Zenith address and practical instructions for arriving on foot from U6 Freimann
- Pitchfork: announcement of the album Private Music and singles and production details
- Kerrang: announcement of the 2026 European and UK tour and mention of tour guests
- GRAMMY.com: editorial texts and historical data about the band, including the Grammy for Elite
- LouderSound (Metal Hammer): confirmation of the touring framework and support on the European leg of the tour
- People: interview and context around the album Eros and the creative phase of the band

Everything you need to know about tickets for concert Deftones

+ Where to find tickets for concert Deftones?

+ How to choose the best seat to enjoy the Deftones concert?

+ When is the best time to buy tickets for the Deftones concert?

+ Can tickets for concert Deftones be delivered electronically?

+ Are tickets for concert Deftones purchased through partners safe?

+ Are there tickets for concert Deftones in family sections?

+ What to do if tickets for concert Deftones are sold out?

+ Can I buy tickets for concert Deftones at the last minute?

+ What information do I need to buy tickets for the Deftones concert?

+ How to find tickets for specific sections at the Deftones concert?

2 hours ago, Author: Culture & events desk

Find accommodation nearby


You may be interested

Friday 30.01. 2026 18:30
Forest National, Av. Victor Rousseau 208, 1190 Forest
Sunday 01.02. 2026 19:00
Barclaycard Arena, Hellgrundweg 44
Thursday 05.02. 2026 19:00
Atlas Arena, aleja ks. bp. Władysława Bandurskiego 7
Friday 06.02. 2026 19:30
Max-Schmeling-Halle, Am Falkplatz 1
Saturday 07.02. 2026 19:00
Westfalenhalle, Rheinlanddamm 200
Monday 09.02. 2026 19:30
Hanns-Martin-Schleyer-Halle, MercedesstraĂźe 69
Tuesday 10.02. 2026 20:00
Afas Live, Johan Cruijff Boulevard 590
Thursday 12.02. 2026 18:00
bp pulse LIVE, bp pulse LIVE, Perimeter Rd, Marston Green
Friday 13.02. 2026 18:30
OVO Hydro, Exhibition Way, Stobcross Rd
Saturday 14.02. 2026 18:30
Co-op Live, Etihad Campus, 1 Sportcity Way
Wednesday 18.02. 2026 18:30
Utilita Arena Cardiff, Mary Ann St
Friday 20.02. 2026 18:30
O2 Arena, Peninsula Square
Friday 13.03. 2026 11:00
Hipódromo de San Isidro, Av. Bernabé Márquez 700
Friday 13.03. 2026 11:00
Parque O'Higgins, Santiago
Friday 13.03. 2026 12:00
Parque O'Higgins, Santiago
Sunday 15.03. 2026 12:00
Hipódromo de San Isidro, Av. Bernabé Márquez 700
Tuesday 17.03. 2026 00:00
Jockey Club, Cedro
Friday 20.03. 2026 11:00
Autódromo José Carlos Pace, Av. Sen. Teotônio Vilela, 261 - Jardim Malia I
Friday 20.03. 2026 12:00
Autódromo José Carlos Pace, Av. Sen. Teotônio Vilela, 261 - Jardim Malia I
Friday 20.03. 2026 12:00
SimĂłn BolĂ­var Metropolitan Park, Av. Calle 53 Avenida La Esmeralda #s/n y
Friday 20.03. 2026 12:30
SimĂłn BolĂ­var Metropolitan Park, Av. Calle 53 Avenida La Esmeralda #s/n y
Saturday 21.03. 2026 12:30
SimĂłn BolĂ­var Metropolitan Park, Av. Calle 53 Avenida La Esmeralda #s/n y
Sunday 22.03. 2026 13:00
SimĂłn BolĂ­var Metropolitan Park, Av. Calle 53 Avenida La Esmeralda #s/n y
Friday 27.03. 2026 13:00
Fundidora Park, Adolfo Prieto S/N, Obrera
Friday 27.03. 2026 14:00
Fundidora Park, Adolfo Prieto S/N, Obrera
Sunday 29.03. 2026 19:00
Palacio de los Deportes, Colonia Granjas México, Iztacalco
Wednesday 06.05. 2026 20:00
Brisbane Entertainment Centre, Brisbane Entertainment Centre, 1 Melaleuca Dr, Boondall QLD 4034
Thursday 07.05. 2026 19:00
Brisbane Entertainment Centre, Brisbane Entertainment Centre, 1 Melaleuca Dr, Boondall QLD 4034
Wednesday 13.05. 2026 19:00
Spark Arena, 42/80 Mahuhu Crescent, Parnell
Tuesday 18.08. 2026 19:00
ParkbĂĽhne Wuhlheide, An d. Wuhlheide 187
Sunday 23.08. 2026 14:00
Victoria Park, Greater London
Thursday 27.08. 2026 17:00
Royal Highland Centre, Ingliston
Friday 28.08. 2026 00:00
Bela Vista Park, Parque Urbano Vale da Montanha
Saturday 24.10. 2026 00:00
Texas Motor Speedway, 3545 Lone Star Cir

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.