Postavke privatnosti

Buy tickets for concert Lady Gaga - 29.01.2026., Tokyo Dome, Tokio, Japan Buy tickets for concert Lady Gaga - 29.01.2026., Tokyo Dome, Tokio, Japan

CONCERT

Lady Gaga

Tokyo Dome, Tokio, JP
29. January 2026. 19:00h
2026
29
January
Photo by: Domagoj Skledar/ arhiva (vlastita)

Tickets for Lady Gaga – The Mayhem Ball at Tokyo Dome in Tokyo, concert on 29 January 2026 and a night of pop spectacle

Buy tickets for Lady Gaga’s The Mayhem Ball concert on 29 January 2026 at Tokyo Dome in Tokyo and secure your seat for an unforgettable pop night. On this page you will find key details about ticket purchase, the venue, the set list, nearby accommodation and practical tips for planning your trip to Tokyo

Lady Gaga brings The Mayhem Ball to Tokyo Dome

When Lady Gaga steps onto the stage, the evening stops being an ordinary concert and turns into a theatrical spectacle—and that is exactly the kind of experience the audience can expect at Tokyo’s Tokyo Dome on January 29, 2026, at 19:00. It is one of the key nights of her global tour The Mayhem Ball, through which she promotes the album Mayhem while also celebrating every phase of her career, from the club debut Just Dance to the generational anthem Born This Way and the recent hits that fill stadiums on every continent. Tokyo thus briefly becomes the center of the pop world, and tickets for this event have been in demand for months, because it is well known that Gaga prepares production on a Broadway-show level in arenas like Tokyo Dome, with a developed story, characters, and visual motifs that run through the entire evening. It is especially important to emphasize that the ticket is valid exclusively for that one day, so those who want to be part of this specific Tokyo night must choose precisely the date January 29, 2026, and carefully plan travel, accommodation, and arrival at the venue. If you already know that you want to be part of that moment when the lights go out and the first beats of Mayhem echo through the “Big Egg,” don’t wait until the last minute—secure your tickets for this event right away and follow the button labeled

, which will allow you to purchase tickets easily as soon as you decide.

Spectacular production and a setlist to remember

The Mayhem Ball is not just another tour in a series, but a conceptual show that connects the new album Mayhem with the key chapters of Lady Gaga’s career, with dramaturgy that few in pop music have offered so far. Her past tours were known for rich stage designs, costume changes, and a strong narrative, and in this new chapter of the story, viewers follow a kind of battle between Gaga’s artistic persona and the chaos that symbolizes periods of creative and personal transformation. The setlist is expected to mix the latest hits like Abracadabra and Die With a Smile with Bruno Mars, which have dominated the charts for months, with timeless favorites such as Bad Romance, Poker Face, Alejandro, and Shallow—so every fan will find at least a few songs they have been waiting to hear live, maybe for years. The production includes multi-level stages, a massive central screen, and various scenic installations that shift from futuristic urban landscapes to intimate, almost cabaret-like scenes, with each segment of the evening having a clearly defined mood. The very fact that this is a fully conceived, cohesive spectacle makes tickets for this concert even more appealing, because the tickets are actually an invitation into a world where pop, theater, and visual art merge into a unique experience that is hard to recount—but remembered for a lifetime.

Tokyo Dome – “The Big Egg” as a temple of pop

For decades, Tokyo Dome has held the status of a “sacred place” for major music and sporting events in Japan, so it is no coincidence that this very venue was chosen for The Mayhem Ball in Tokyo. Located in the Bunkyo district, at the address Koraku 1-chome, this impressive complex opened in 1988 and quickly became a reference point for size and significance— in Japan, surface areas are still often described by comparison with the size of Tokyo Dome. In a concert configuration, the venue can accommodate more than 50,000 visitors, and every seat and every section of the stands is carefully designed to provide a good view of the stage, while the acoustics are adapted to the specific demands of large productions like Gaga’s. In the immediate vicinity of the venue is an entertainment complex with shops, restaurants, and smaller attractions, which means visitors can spend the entire day in the zone around the stadium, combining sightseeing, dinner, and the concert into one route. Since there will be enormous interest for the evening of January 29, it is advisable to research accommodation near the venue in advance, so you can arrive without rushing, pick up your tickets or digital passes, and take your place in time before the lighting effects begin to sketch the first outlines of The Mayhem Ball story.

Tokyo as a stage for global music events

Tokyo is a city that never rests, and big music names like Lady Gaga fit perfectly into its constant rhythm and visual dynamism. Whether you are coming for the first time or you already know this ĐŒĐ”ĐłĐ°ĐżĐŸĐ»ĐžŃ, the very trip to a concert at Tokyo Dome is a chance to experience the city from a different perspective—from the neon streets of Shibuya, through the historic quarters of Asakusa, to the modern business district of Shinjuku, everything is just a few subway rides away. Japanese audiences are known for exceptional respect toward performers, precise adherence to rules, and an almost ritual preparation for concerts, so it is not unusual to see fans who patiently wait for hours before the start with banners, stylized costumes, and carefully crafted props inspired by Gaga’s fashion excursions. This combination of local culture, technologically organized urban life, and a global pop phenomenon gives every concert ticket in Tokyo additional emotional value—you are not buying only a ticket to enter the venue, but also a chance to become, for one day, part of the living mosaic of a city that inspires artists worldwide. To round out that experience, it is worth checking accommodation offers in Tokyo in advance, planning a few extra days for sightseeing, and turning the concert into a short trip that will combine the music, culture, and gastronomy of this unique city.

Lady Gaga’s career and the new era of the album Mayhem

From the moment she conquered global top charts in the late 2000s with songs like Just Dance and Poker Face, Lady Gaga built a reputation as an artist who simultaneously pushes the boundaries of pop and wins over a mass audience. Her album The Fame defined a new aesthetic of electronic pop, while Born This Way brought a bold combination of dance, rock, and anthemic messages about identity and acceptance, making Gaga one of the key figures of the LGBTQ+ community and a voice that shaped an entire generation of listeners. Chromatica in 2020 showed how, after personal and creative turbulence, one can return to the dance floor, and the newest album Mayhem continues that path, blending darker, introspective themes with explosive choruses and production signed by leading contemporary producers. Mayhem is precisely the backbone of The Mayhem Ball tour, but Gaga never forgets her roots, so on this tour the setlist also stretches across her entire discography, from early club singles to film ballads like Shallow. For fans, that means tickets for this concert carry the promise of an evening in which her entire career unfolds before your eyes, in one continuous story of transformation, vulnerability, and the power of art to reshape its own chaos.

The audience experience and atmosphere on The Mayhem Ball tour

Reviews of the first concerts on The Mayhem Ball tour highlight that it is one of the most ambitious and emotionally intense productions Lady Gaga has ever performed, which says a lot for an artist who has long accustomed audiences to spectacles. The audience moves through a series of thematic “chapters”—from darker, almost dystopian visual solutions to euphoric, cathartic moments when the entire stadium sings in unison, and Gaga, often with simpler staging, delivers vocal performances that remind why she is considered one of the best pop singers of her generation. Each segment of the concert is carefully choreographed, yet it still leaves room for spontaneous moments, communication with the audience, and small improvisations that make every night different. Fans in the front rows often arrive in stylized costumes inspired by her iconic looks—from the “meat dress” to futuristic armor—so even watching the crowd becomes part of the experience for those entering this world for the first time. In such an atmosphere, it is clear why tickets for The Mayhem Ball in cities like Tokyo disappear quickly, so if you want to be part of that collective rapture, buying tickets via the button below is the logical next step before the available seats vanish from the offer.

Planning your arrival, transport, and accommodation

One of the advantages of concerts at Tokyo Dome is the excellent transport connectivity of the venue with the rest of the city, which greatly eases arrival planning for visitors traveling from other parts of Japan or from abroad. The venue can be reached via several nearby stations—among them Korakuen, Suidobashi, and Kasuga—which connect different subway and rail lines, so it is enough to plan your route according to your accommodation and arrival time. Given that the Lady Gaga concert on January 29 starts at 19:00, it is recommended to arrive in the zone around the complex at least two hours earlier, so you have enough time to pick up physical tickets, pass security checks, buy souvenirs, and perhaps have a quick dinner before the program begins. Near the venue there are many hotels of different categories, from business to boutique accommodations, and if you want to organize everything in advance, it is useful to explore accommodation for concert visitors already now and choose a location that allows you an easy return after the concert ends. Considering that the ticket is valid only for that day, a well-planned arrival, reserved accommodation, and timely ticket purchase are the best way to avoid stress and fully surrender to the experience the moment you step into Tokyo Dome.

Tickets, availability, and purchasing tips

Interest in Lady Gaga in Japan is traditionally extremely high, and the fact that The Mayhem Ball in Tokyo spans multiple nights further encourages fans to compare dates and choose the night that suits them best—for many, that will be January 29, 2026, when a particularly electrified atmosphere is expected at Tokyo Dome. Since this is a large venue with different categories of seated and possible standing areas, ticket prices are most often arranged in several tiers depending on distance from the stage and visibility, so it is advisable to study the venue map before buying and decide whether you want to be closer to the stage or prefer a more panoramic view from higher levels of the stands. Most importantly, tickets for concerts like this often change availability as the date approaches—first the most affordable categories disappear, then the central sectors, while occasional remaining contingents appear later and sell out quickly. To avoid uncertainty, it is wise to act as soon as you know you want to go: ticket sales are available already now, and you can buy tickets for this event via the button below, making sure that during payment you check the selected date and seat category. Tickets for this concert disappear quickly, so buy your tickets in time and click the button labeled as soon as you decide that Tokyo Dome on January 29 is your destination “Big Egg” for this winter.

A night to remember on January 29, 2026

For many Lady Gaga fans, January 29, 2026 will remain recorded as the date when they first heard their favorite songs in the enormous dome of Tokyo Dome, together with tens of thousands of people who share the same passion for music. The third Tokyo night of The Mayhem Ball carries special weight because it follows the tour’s already established rhythm, but at the same time allows Gaga to refine her performances and respond to the energy of a city that has often been an inspiration to her throughout her career. Being part of such an event means not only witnessing one of the biggest pop spectacles of today, but also personally experiencing the moment when lights, sound, fashion, and emotions fuse into a unique wave that runs through the entire venue. Tickets for this event are therefore not just an ordinary item in the calendar, but a reminder that on a winter January evening time slot you were in the place where contemporary pop history is being written in real time. If the idea draws you that you be part of that shared refrain in which tens of thousands of voices sing “Don’t call me Gaga, call me Lady,” now is the right moment to secure your tickets for this event immediately and buy tickets via the button below, before the last remaining options disappear and the opportunity for this Tokyo episode of The Mayhem Ball remains only an unrealized plan.

Sources:
- Metropolis Japan – announcement of Lady Gaga Tokyo Tour 2026 and performance dates at Tokyo Dome
- Wikipedia – Lady Gaga biography, discography, the album Mayhem and the tour The Mayhem Ball
- Britannica – overview of Lady Gaga’s career and her role in contemporary pop culture
- Japan Travel – description of Tokyo Dome, its capacity, and its role among major Japanese concert venues
- Tokyo Dome City – information on events, visitor rules, and the venue’s location within the complex
- People / Entertainment Weekly / Reuters – news about the release of the album Mayhem, awards, and The Mayhem Ball tour during 2025

Everything you need to know about tickets for concert Lady Gaga

+ Where to find tickets for concert Lady Gaga?

+ How to choose the best seat to enjoy the Lady Gaga concert?

+ When is the best time to buy tickets for the Lady Gaga concert?

+ Can tickets for concert Lady Gaga be delivered electronically?

+ Are tickets for concert Lady Gaga purchased through partners safe?

+ Are there tickets for concert Lady Gaga in family sections?

+ What to do if tickets for concert Lady Gaga are sold out?

+ Can I buy tickets for concert Lady Gaga at the last minute?

+ What information do I need to buy tickets for the Lady Gaga concert?

+ How to find tickets for specific sections at the Lady Gaga concert?

03 January, 2026, Author: Culture & events desk

Find accommodation nearby


You may be interested

Wednesday 21.01. 2026 19:00
Kyocera Dome Ìsaka, 3 Chome-Naka 2-1 Chiyozaki, Nishi Ward
Thursday 22.01. 2026 19:00
Kyocera Dome Ìsaka, 3 Chome-Naka 2-1 Chiyozaki, Nishi Ward
Sunday 25.01. 2026 18:00
Tokyo Dome, 1 Chome-3-61 Koraku, Bunkyo City
Monday 26.01. 2026 19:00
Tokyo Dome, 1 Chome-3-61 Koraku, Bunkyo City
Friday 30.01. 2026 19:00
Tokyo Dome, 1 Chome-3-61 Koraku, Bunkyo City

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.