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Buy tickets for concert Marko Perković - Thompson - 06.02.2026., Dvorana mladosti, Rijeka, Croatia Buy tickets for concert Marko Perković - Thompson - 06.02.2026., Dvorana mladosti, Rijeka, Croatia

CONCERT

Marko Perković - Thompson

Dvorana mladosti, Rijeka, HR
06. February 2026. 20:00h
2026
06
February
Photo by: Domagoj Skledar/ arhiva (vlastita)
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Tickets for Marko Perković - Thompson in Rijeka, Dvorana mladosti: ticket sales and seats for 06 Feb 2026

Buy tickets for the Marko Perković - Thompson concert in Rijeka at Dvorana mladosti on 06 Feb 2026 at 20:00, with a one-day ticket. This page focuses on ticket sales plus practical details: venue location on Trsat, entry guidance, hall layout and arrival planning, so you can secure your tickets early
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Thompson in Rijeka: an indoor evening that lifts emotions

Rijeka at the beginning of February is getting a concert that will surely mark the city’s winter season, because Marko Perković - Thompson is performing at Dvorana mladosti, Rijeka, HR, on 06.02.2026 20:00. The announcement of the performance quickly spread among the audience, and the very fact that it is an indoor format further increases interest, since evenings like these often bring stronger contact between the performer and the audience and a more compact energy in the space. Thompson has previously been able to fill large venues, and the Rijeka concert is awaited as a meeting that connects music, emotion, and a recognizable repertoire that the audience sings from the first to the last verse. The ticket is valid for 1 day, which means it is one intense concert evening, without dispersing focus across multiple dates within the same ticket. If you plan to be part of the atmosphere, ticket sales are available, and it pays to react in time because for concerts like this, tickets are often in higher demand than the hall can accommodate. Secure your tickets for this event immediately and click the button labeled

as soon as it becomes available, so you can settle your place without unnecessary waiting.

What the audience can expect from the setlist

Thompson’s concerts are generally built to lead the audience through several layers of his career, from early songs that marked the beginning of the nineties, through big choruses that over time became part of a broader concert folklore, all the way to newer titles that open additional thematic registers. His musical signature relies on rock energy, strong rhythm, and memorable choruses, and in an indoor venue such an approach often sounds fuller and more direct, without great distance between the stage and the stands. Part of the audience comes to concerts like these for the emotional charge and communal singing, part for the clarity of the message and identity charge, and part simply for good production and a proven concert routine of a performer who for years has been building the same type of relationship with the audience. In Rijeka, a cross-section of well-known songs that are sung loudly and without restraint is expected, but also space for newer materials that in recent months have reactivated interest around his work. When it comes to buying tickets, the setlist is often the decisive argument, because the audience wants to know whether they will get a recognizable concert story that lasts and holds attention. That is why tickets for this concert carry additional weight both for those who have followed Thompson for a long time and for those who want to experience him for the first time in an indoor setting.
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New songs and a return to the indoor format

A special context of the Rijeka performance is also recent discographic activity, because Thompson after a longer break returned with the studio album Hodočasnik, released on 13 June 2025, and it is precisely new material that often determines the tone of current concerts and changes the audience’s expectations. In practice, that means that alongside well-known classics, songs that in a short time have gained a concert life are increasingly sought, that is, choruses that already function as a shared moment of the hall. The indoor format also allows more detailed control of sound, clearer vocal lines, and a tighter rhythm, which is important for songs that rely on a strong pulse and collective singing. In such a hall the audience “catches” the tempo of the evening faster, so the atmosphere is often built already in the first songs and then only grows, especially when faster pieces and more emotional blocks alternate on the set list. Precisely for that reason, tickets for this event for many are not just an entry into the hall, but also a kind of ticket into an experience that is different from open-air venues—closer, denser, and louder. Buy tickets via the button below as soon as it appears, because indoor concerts generally reach capacity faster, and tickets for this concert disappear quickly, so buy tickets in time and plan to arrive earlier so you can enter the hall without rushing.

Marko Perković - Thompson: a phenomenon of the domestic scene

Marko Perković - Thompson for decades has been one of the most recognizable figures of Croatian popular music, a performer who at the same time has an extremely loyal audience and continually provokes public debates, which makes him interesting beyond an exclusively musical framework. His career begins in the war years, and then expands toward more massive concerts and albums that marked the 2000s, with themes that most often move between patriotic motifs, personal emotions, and religious imagery. In a concert sense, Thompson is known for the audience often taking over part of the performance, because the hall sings the choruses as if it were a fan choreography, just with a different emotional key. Such a relationship with the audience does not happen by accident, but is built through repeated concerts, recognizable arrangements, and the way songs are assembled into a whole, so the evening has dramaturgy, and not just a string of hits. An additional dimension is given by the fact that his audience often gathers across generations, so at the same concert there can be those who have followed him from the very beginnings and those who discovered him through a family or wider social context. When speaking of tickets and passes, with performers like this they often become an indicator of the current pulse of interest, because demand can grow as soon as an announcement appears, especially in cities where such a performance does not happen often. Rijeka is a specific frame in that respect, because the city has a strong musical identity, but also its own audience that knows how to clearly show what matters to it in a concert evening.

Musical handwriting and why the audience follows him

Thompson’s sound is recognizable by a combination of a rock approach, emphasized drums and guitar lines, and choruses written to function as a mass choir, and in the hall this is felt immediately, as soon as the audience raises its voice for the first time. At his performances there is often an impression that songs have two renditions—the one from the stage and the one from the auditorium—because the audience sings as a single body, and precisely that is one of the reasons why many deliberately choose indoor concerts. In such a space, every pause, every announcement, and every transition between songs is heard more clearly, so the concert gains a more intimate note even when the number of people is large. On the other hand, production still remains important, because a powerful sound and a serious performance are expected, and Thompson is a performer who over the years has built a reputation for big concert nights and strong stage energy. The audience often comes with a clear expectation that it will get a concert that “carries” and that is remembered, which further increases interest in tickets and buying tickets as soon as the opportunity appears. If it is important to you to catch the best experience, it makes sense to follow the dynamics of ticket sales and not wait for the last moment, because the best places and the most sought-after sectors usually fill up first. In Rijeka, this effect will be felt especially due to the indoor layout, where the difference between the floor and the stands is seen also in the way the audience participates in the concert.
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Dvorana mladosti on Trsat: a place with history and the city’s memory

Dvorana mladosti is not just a technical space for a concert, but one of those Rijeka facilities that carry a layer of collective memory, because it is a hall on Trsat that was built in 1973 and for decades has served sports, culture, and various city events. Precisely that multifunctionality explains why Dvorana mladosti is often mentioned as a place where Rijeka gathers, whether for sports matches, fairs, or musical evenings, and concerts in such a space have additional weight because they build on the already existing atmosphere of “home ground.” The historical context of the hall is tied to the time of its opening, and later also to the development of Trsat and the wider area that today includes the campus as well, so the hall is literally also a symbol of the city’s urban expansion up the hill. For concert-goers it is also important that the hall is well connected with the center of Rijeka, and Trsat itself is a location that before and after the concert offers a recognizable city backdrop, from walks to viewpoints. In such a setting, Thompson’s performance gains an additional layer of story, because the musical event is placed in a space that has both identity and a habit of large gatherings. Tickets for this event are therefore not just a formality, but an entry into a space that can be very lively and in which concert energy quickly “seals” into the walls, especially when the audience sings in unison. Whoever wants to avoid crowds at the entrances will do best by sorting out tickets earlier and planning arrival with enough time, because halls of this type often have a sudden wave of entry immediately before the start.

Space layout, floor and stands as part of the experience

When a concert takes place in Dvorana mladosti, the audience most often thinks about two basic perspectives, the floor and the stands, and both experiences have their own logic and their own audience. The hall’s floor, according to the manager’s data, amounts to 1,260 m2, which means it is a spacious surface that, depending on production and organization, can accommodate a large number of people and create a “wave” of energy felt most strongly precisely in the front rows and the middle of the crowd. The stands are located on the north and south sides, with a capacity of 1,480 seats on each side, so in the hall it is possible to get an overview of the stage and the audience, which for many amplifies the feeling of spectacle because you can see how the atmosphere builds through the entire space. For those who like to sing and be part of pushing emotion toward the stage, the floor is often the first choice, while the stands are often chosen by those who want a more stable overview and a clearer focus on the performance. In both cases, tickets and passes are worth viewing also as a choice of experience, and not only as a formal right of entry, because a concert in a hall is experienced differently depending on whether you are in the crowd on the floor or in a seat above. It is additionally important to know that the hall’s ground level is adapted for the movement of persons with disabilities, and within the facility’s perimeter there are also free parking spaces, which is practical information for planning arrival. If you want to be sure you will get the sector that suits you, buying tickets makes sense as soon as the opportunity appears, because precisely the floor/stands layout often determines how much you will enjoy the concert.

Rijeka and Trsat as a stage beyond the stage

A concert in Rijeka is rarely just a two-hour or three-hour stay in the hall, because the city, especially on the center–Trsat route, naturally creates a “prelude” and an “after” atmosphere, without the need for a special program. Trsat is one of the most recognizable Rijeka toponyms, a place that many associate with walks, views, and the city’s historical layer, so coming to a concert often includes a short stay in the neighborhood, meeting friends, and getting ready for the evening. In the winter term at the beginning of February, a typical Rijeka–Kvarner dynamic is expected, where the weather can be changeable, so it is practical to count on layered clothing and on the fact that part of the audience will wait at the entrances or move between transport and the hall. Precisely for that reason, tickets and the arrival plan go together, because it is not the same whether you arrive relaxed or at the last minute, when the crowd can eat up a good part of the experience. Thompson’s audience often comes organized, in groups, so around the hall a density of people forms that already before the start of the concert gives a feeling of an event, and that is the kind of city moment that is remembered and retold. Rijeka thus gets another big musical evening in its calendar, and Dvorana mladosti confirms its role as a place where sport and culture naturally alternate, depending on the day and schedule. When such a context is combined with a performer who has a strong audience base, it is logical that there is talk of demand for tickets, because many want to be part of precisely that Rijeka edition of the concert story.
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Practical information for visitors: arrival, entry, and moving around the hall

For those planning to arrive without stress, it is important to remember a few firm facts, and the first is the address, because Dvorana mladosti is located at Trg Viktora Bubnja 1, Rijeka, on Trsat. According to information from the City of Rijeka, the hall is connected with the city center by bus line number 2, and with Donja Vežica and Pećine by line 1B, which makes planning without a car easier for many, especially on evenings when a bigger crowd forms around the hall. If you are coming by car, it is useful to count on arriving earlier, because the number of people who arrive in a short time often spills over into traffic around Trsat, and parking at such times can fill up quickly, although within the facility’s perimeter there are free parking spaces. Entry organizers as a rule increase throughput so the audience arrives on time, but it is still reasonable to come earlier, especially if you want to calmly find your sector and catch the start without pushing through the crowd. The ticket is valid for 1 day, so it is important to have it ready for inspection and to follow the staff’s instructions at the entrances, because that avoids unnecessary delays and nervousness in the crowd. Buy tickets via the button below as soon as it becomes available, because that is the simplest way to secure your entry in time, and then you can plan travel and arrival as part of the experience, instead of as a problem solved at the last minute.

Atmosphere in the hall and why tickets here mean more

Indoor concerts have one special advantage, and that is that the audience becomes one body faster, because sound and energy are enclosed in a space that does not “escape” into the open, so every chorus gains extra strength. With Thompson, that effect is often amplified by the audience’s habit of singing loudly and in unison, so the hall turns into a shared voice, and the performer gets feedback energy that pushes the concert forward. Right there we come to the reason why tickets and passes for such performances are so sought after, because many want to be part of the moment in which a song becomes a mass event, and not just listening to music. In Dvorana mladosti, that experience gets an additional tone because of the floor-and-stands layout, where you can see the whole picture, from the front rows to the highest seats, so the audience literally sees its own energy. Whoever has already experienced similar evenings knows that after the first few songs you no longer think about time, but about rhythm and how the hall “rises,” and that is a part of the experience that cannot be conveyed by a recording. Because of such intensity, many decide to secure tickets as soon as an opportunity appears, because they do not want to risk being left outside the hall while inside a concert is happening that people will talk about. Secure your tickets for this event immediately and click the button labeled

as soon as it is posted, because precisely that click often separates a plan from a missed opportunity.
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Order, safety, and the culture of going to a big concert

At events that attract a large number of people, the best part of the evening begins when the audience and organization breathe together, and that means arriving on time, respecting instructions at the entrances, and being aware that in a crowd everything is resolved faster if a calm pace is maintained. Dvorana mladosti is a space that over the years has hosted different types of events, so it is used to large inflows of visitors, but experience shows that the biggest crowds form in the last half hour before the start, when everyone at once wants to get in. If you want to avoid unnecessary waiting, it makes sense to come earlier, have your ticket ready, and agree in advance with your group on a meeting point, because in the crowd it is easy to get separated, and later it is hard to find each other. It is also important to respect other visitors’ personal space, especially on the floor, where emotion can carry you away, but the best atmosphere lasts when everyone feels safe and when the crowd is kept under control. The ticket is valid for 1 day, so the evening is worth using wisely, without unnecessary exiting and re-entering if event rules restrict that, and with enough fluids and rest before the concert, because indoor energy can be intense. Tickets for this concert disappear quickly, so buy tickets in time and click the button labeled

as soon as it becomes available, so that your only focus on 06.02.2026 20:00 is the music and the atmosphere in Dvorana mladosti, and not whether you caught entry at the last moment.

Sources:
- Novi list: announcement of the concert by Marko Perković - Thompson at Dvorana mladosti in Rijeka
- 24sata: news about the announcement of the Rijeka concert and the context of the indoor tour
- City of Rijeka: official description of Dvorana mladosti, location on Trsat and transport connections via bus lines
- Rijeka sport: contacts and address of Dvorana mladosti (Trg Viktora Bubnja 1, Rijeka)
- Rijeka sport: technical data for Dvorana mladosti (floor 1,260 m2, stands, access for persons with disabilities, parking)
- Croatia Records: discographic context and information about the album Hodočasnik and the performer’s recent activity
- Novi list: historical context of the opening of Dvorana mladosti and its role in Rijeka’s sport and public life
- Autotrolej: information about city bus line 2 (Trsat) and the line timetable

Everything you need to know about tickets for concert Marko Perković - Thompson

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+ When is the best time to buy tickets for the Marko Perković - Thompson concert?

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+ What to do if tickets for concert Marko Perković - Thompson are sold out?

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3 hours ago, Author: Culture & events desk

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