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Buy tickets for concert Oklou - 15.02.2026., Arena Joondalup, Perth, Australia Buy tickets for concert Oklou - 15.02.2026., Arena Joondalup, Perth, Australia

CONCERT

Oklou

Arena Joondalup, Perth, AU
15. February 2026. 12:00h
2026
15
February
Photo by: Domagoj Skledar/ arhiva (vlastita)
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Tickets for Oklou at Arena Joondalup, Perth – Laneway Festival concert guide, set times and one-day passes

Buy tickets for Oklou at Arena Joondalup in Perth as part of Laneway Festival and plan your one-day visit on 15 February 2026 at 12:00. Explore lineup context, the kind of set you can expect, venue layout, entry and transport notes, plus where ticket sales and pass purchase are available on this page
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Oklou at Arena Joondalup: one day, one big festival wave

Perth will get a rare good reason to head north of the city in mid-February, as Oklou comes to Arena Joondalup as part of a day-long music program that transforms in one breath into a concert event with multiple performers. The performance is planned for Sunday, February 15, 2026, at 12:00, and the ticket is valid for one day, which in practice means that everything important happens in the same continuous rhythm from the first performances to the evening peaks. Oklou is a performer who does not fit into simple labels, so this arrival is also perceived as an opportunity to feel the fusion of intimate electronics, club energy, and pop melodies in an open space that sound as if they come from some parallel, softer reality. The audience in Perth already knows well what it means when one festival day spills over into a series of concerts, but with Oklou, a special kind of tension is introduced into the schedule, because her catalog knows how to surprise even those who think they have heard everything. If you want to be part of that wave and catch Oklou at the moment when her sound is best conveyed with big production, secure your tickets for this event now!

Who is Oklou and why is she talked about as a performer who pushes boundaries

Oklou is the stage name of French musician Marylou Mayniel, and her story is typical of a new generation of European producers who have replaced classical musical discipline with the internet as a laboratory of ideas. In her early years, she was formed through classical education and work on instruments, and later in the city and the club scene, she developed a language in which ambient, electronics, and pop do not collide but merge into one, almost cinematic atmosphere. The media describes her as a producer and vocalist who simultaneously builds ethereal softness and a pulse reminiscent of a club, but without aggression, more like a quiet motor under the song. It is also important that Oklou is not just a singer over a backing track, but an author who manages the sound from the inside, from textures to microdynamics, so the live performance is also experienced as an extended version of the studio world. In collaborations, she moves along the edges of contemporary pop and electronics, while remaining recognizable, which is rare today, because many sound like a trend, while she sounds like an authorial signature. That is precisely why her arrival in Perth is not just another name on a poster, but a moment in which the audience can catch a performer who has grown into a cult status for years and is now entering a wider focus.

Album choke enough and a new phase of career that is best heard through a festival sound system

When an artist who has long been a secret weapon of the underground releases an album that gains global attention, the audience begins to listen differently, and Oklou felt this with the album choke enough, which opened the doors to larger stages and more serious festival treatment. That material is built as a journey through ambient layers, bright melodies, and bass hits that appear just when you think the song will stay in a dream, and then turn into a dance impulse. Critics particularly emphasized the way Oklou combines intimate vocals and production that sounds spacious, as if every tone spreads across some imaginary plain, which is ideal for an open space and a larger sound system. Collaborations with names from the contemporary electronic and pop avant-garde further emphasize that this is an author who is not afraid to take risks, but always remains emotional, even when the sound feels cold. In the last year, expanded versions of the material and additional songs have appeared, which can make the live set even more interesting, as the repertoire does not revolve only around the most famous singles. For the audience, this means that on the day of the concert, a set can be expected that has the clarity of pop but also the courage of club electronics, and tickets for such moments usually become more sought after as the date approaches.
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What the performance might look like: intimate, but with a big impact

Oklou is a performer whose performances work best when the audience can watch and listen at the same time, because her music is not just a song but also an atmosphere, and a festival framework usually amplifies that. In practice, this means that one part of the set can be almost meditative, with soft vocals and layers of synthesizers that gently build on each other, only for everything to break into a rhythm reminiscent of a club, but without the classic euphoria, more like a controlled wave. Such a dramaturgical arc keeps the audience on their toes, because you never know if the next song will be quiet and fragile or if it will open up into a bass you feel in your chest. Arena Joondalup as an open space can be ideal for that contrast, because air and distance give the production additional width, and visual elements, light, and smoke can emphasize her recognizable, somewhat cinematic style. This is exactly where that moment arises because of which people mention tickets and cards as a small stake for a big experience, because such sets are not just listening but a complete feeling of space, crowd, and sound. If you have only been following Oklou recently, this performance is an opportunity to meet her in a form that suits her, and if you have been following her for years, then it is a reward for patience.

Laneway Festival as a framework that puts Oklou in the company of the new pop and indie elite

This event at Arena Joondalup is not an isolated concert in the classic sense, but part of the Laneway Festival program that gathers performers in Perth who have been shaping the indie, pop, and electronic image of the world in recent years. On the same day, the audience gets both big names and those who are growing, so the schedule turns into a series of performances that follow each other and create their own story. The line-up mentions performers like Chappell Roan, Wolf Alice, Wet Leg, PinkPantheress, Alex G, Lucy Dacus, Role Model, Yung Lean, and Bladee, and Oklou is interesting in that combination because she brings a different tempo and texture. She is not a typical guitar indie, nor a classic pop star, but a bridge between an electronic dream and festival energy, which can be a perfect break before the evening peaks or an unexpected peak itself. Laneway is known for combining different aesthetics without losing identity, and in Perth, that idea is felt particularly well because the audience comes from different scenes and generations. On such a day, a ticket becomes a pass for a whole series of concerts, so the purchase of tickets is most often justified after just two or three performances that you catch in the right place and at the right time. Tickets for such one-day programs can sell out, so it is smart to think in time and follow your own plan for the day.

Set times, day planning, and small decisions that make a big difference

With a one-day festival, the biggest drama is usually not whether it will be good, but what you will miss, because when schedules overlap, you have to choose. Organizers and media have released the playing times these days, which means the day can be planned in advance, from entry to the moment you want to be closest to the stage. Oklou is typically found in such a schedule in the golden zone of mid-day or early afternoon, when the audience has already caught the rhythm but still has the strength for concentrated listening and dancing. It is then that her music can sound particularly good, because the sun and open space give additional airiness, and the bass and rhythm gain a physical dimension. Planning is also important because of practical things, because if you want a good view, you have to take a position earlier, and if you want to visit other performances, you have to accept that part of the set will be from a distance. Therefore, it is good to have tickets and cards ready, arrive early, and count on movement between zones, because the Arena Joondalup complex has its own audience flows.
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Arena Joondalup: a sports home that turns into a festival stage

Arena Joondalup in Joondalup on Kennedya Drive is not just one place, but an entire complex that has lived for decades as a sports and recreation center of northern Perth. It was built in 1992, and over the years it has grown and adapted, including a major renovation and redevelopment completed in 2017 that brought modernization and new infrastructure for sports and large gatherings. When such a space hosts a music program, you get an interesting combination of an open stadium feeling and festival spontaneity, where the crowd can move and breathe, and yet squeeze in front of the stage at the right moment. The location in the northern suburbs of Perth gives the event a special identity, because the audience comes from both the city and the wider belt, and that is precisely why the questions of arrival and logistics turn into part of the festival experience. The Arena has already had experience with major music events and festivals, so it is known how that space can look when it turns into a sea of people, light, and sound. For Oklou, this can be an ideal framework, because her production loves width, and the audience loves a space where they can both dance and stand aside and soak in the details.

Arrival, public transport, and small rules that make the whole day easier

If you are coming to the event at Arena Joondalup, the good news is that the whole area is well connected and that the organizers rely on public transport as a normal part of the festival routine. According to information for Laneway Perth, tickets include the right to Transperth public transport within a certain time window around the event, which means that going by train and returning can be done without extra thought, just by having your ticket with you. Joondalup Station is relatively close, and walking to the entrance is feasible even for those who do not like long walks, while for others it becomes part of the warm-up before the first performances. For those arriving by car, there are a large number of parking spaces at the location, but at large events, one should count on possible charges and the fact that traffic slows down when the crowd starts at the same time. The smartest thing is to arrive earlier, take your time, and avoid arriving at the last minute, because a one-day program does not forgive lateness, especially if you want to catch Oklou from the first song. Buy tickets via the button below and then plan your arrival as part of the experience, because when everything falls into place, the day flows smoothly and only the music remains.

What to bring, how to move, and why one day can feel like a mini journey

A one-day festival event in Perth in February almost always means heat, sun, and the need to think ahead, not only about music but also about your own comfort. In practice, this means light clothing, sun protection, water, and short breaks, because that way you will endure a whole series of performances without a drop in energy. Festival organizers emphasize rules about entry, food, and drink, as well as the fact that there is no re-entry if you leave once, so it is smart to enter with the idea that you are staying and that you have prepared everything. In the Arena, the audience usually spreads out by zones, someone likes to be in front, someone likes to stand on the edge and listen, and someone looks for shade and peace, and all this is normal as long as you follow the staff's instructions and movement flows. If you are going because of Oklou, it is good to know where you want to position yourself before her set begins, because she has songs that sound best when you are close enough to feel the details of production and rhythm. In addition, since the event is 16+ in Australian cities, the audience should also count on identity checks and entry conditions, which is another reason to arrive earlier and avoid stress at the entrance.
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Joondalup and northern Perth: urban context that gives the event a different color

Joondalup is more than a satellite suburb, because over the years it has developed as one of the main northern centers of Perth, with its own urban rhythm, university and shopping zones, and infrastructure that can swallow large waves of people. City information emphasizes that the area is accessible by road and rail, and that the center is located north of Perth along the main transport corridors, which explains why Arena Joondalup is a logical place for events that gather audiences from the wider region. When a festival comes here, a difference in atmosphere is also felt, because people do not come just for a concert but for an excursion, for a day-long gathering, and for a small escape from routine. For visitors from outside, this can be an opportunity to combine music with getting to know the city, and for locals, it is confirmation that the northern part of the metropolis has the capacity to be a host of major cultural events. In such a framework, Oklou also gets an additional dimension, because her music often talks about space, distance, and the feeling of movement, and here you literally move through the city, the station, the entrance, and the crowd until the moment the song begins. That's why it's a good idea to plan the whole day as one experience, from arrival to return, and have your ticket at hand because it is used as both an entrance and part of the logistics.

Tickets, audience interest, and why this date is talked about as a day not to be missed

Laneway in Perth already has a reputation as an event to go to because of the combination of big names and performers you are yet to discover, and that is exactly where Oklou sits perfectly, because she is famous enough to attract fans, and unpredictable enough to surprise those who came for something else. Since the ticket is valid for one day, buying tickets is also a decision to treat yourself to the entire program, not just one concert, which the audience often appreciates because they get more different sounds in the same space. Interest usually grows as February approaches, especially when set times are announced and when people realize where everything overlaps, so they start hunting for the ideal plan for the day. At that moment, tickets become a topic of conversation, not because of panic but because of the simple logic that it is easier to enjoy when you have everything settled in advance. Tickets for this concert are disappearing fast, so buy tickets in time, then leave yourself room to think about music, not logistics, and on Sunday just enter the Arena and surrender to the day. Secure your tickets for this event now!

Sources:
- Arena Joondalup: Laneway Festival event page with date and line-up
- Laneway Festival: Perth event info with location, address, and transport information
- VenuesWest: Arena Joondalup profile with historical data and location
- Arena Joondalup: venue information and FAQ with data on parking and distance from the railway station
- Transperth: event page with information on arrival by train and entrance opening times
- The Guardian: Oklou profile and description of musical style
- Pitchfork: tour announcement and context of the performance as part of Laneway Festival
- True Panther Records: description of the release choke enough and biographical context of the performer
- City of Joondalup: city profile with information on accessibility and the position of the city center
- Happy Mag: overview of published set times for Laneway Festival 2026

Everything you need to know about tickets for concert Oklou

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12 hours ago, Author: Culture & events desk

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Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

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