Postavke privatnosti

Buy tickets for concert The Hives - 25.01.2026., Nacional del PerĂș, Lima, Peru Buy tickets for concert The Hives - 25.01.2026., Nacional del PerĂș, Lima, Peru

CONCERT

The Hives

Nacional del PerĂș, Lima, PE
25. January 2026. 20:30h
2026
25
January
Photo by: Domagoj Skledar/ arhiva (vlastita)

Tickets for The Hives in Lima – concert at Estadio Nacional del Peru, ticket sales, info and purchase

Find tickets for The Hives in Lima at Estadio Nacional del Peru on 25 Jan 2026 at 20:30. Get band background, stadium atmosphere, and practical arrival tips, with clear ticket sales and an easy way to buy tickets for this one-day concert. Also see what to listen to beforehand and how their fast live set hits in a big stadium

A rock night in Lima that brings The Hives to the big stadium

Lima will host The Hives on Sunday, 25/01/2026 at 20:30, at a concert at Estadio Nacional del Peru, right in the heart of the city and at a venue usually associated with the country’s biggest sporting and public events. While the very fact that the energetic Swedish band is moving into a stadium format is enough to raise interest, additional weight comes from the context of a major tour date that is expected to draw a crowd that likes it loud, fast, and without a break. The Hives are known for a show experienced like a sprint, so even for those seeing them live for the first time, this is a night you plan ahead—from arrival to exit. Ticket sales are available, and if you want to be part of that wave of noise and choruses, secure your tickets for this event now! The ticket is valid for 1 day, which means everything you need to experience is packed into one night, and nights like that usually leave the most stories afterward.

The Hives as a band that became its own genre live

The Hives were formed in 1993 in Fagersta and from the start built their identity on speed, short songs, and a tension that doesn’t let up even when the audience thinks it has already said everything. The lineup includes Howlin' Pelle Almqvist, Nicholaus Arson, Vigilante Carlstroem, Chris Dangerous, and The Johan and Only, and that combination of personalities and instruments explains why they’re talked about as a band that sounds bigger on stage than is reasonable for five people. Their breakthrough in the early 2000s, during the garage-rock revival, wasn’t just the result of singles but also a reputation that every venue feels smaller once they start playing. They’re also recognizable for their black-and-white formal suits, stage names, and humor that turns a concert into a show, not just a string of songs. If you’re already thinking about tickets, this is one of those performances where the difference between watching a recording and being in the crowd becomes huge, because the best moments happen in a second, on the edge of chaos.

What their show looks like when it all comes down to tempo and audience contact

At The Hives concerts there’s no classic warm-up in the sense of slow building, because the band relies on the rhythm pulling your body in immediately, and the choruses are caught on the fly. Howlin' Pelle is a frontman who leads the audience like a conductor, with lots of talk, theatrical gestures, and a sense of timing, so even the biggest space can be turned into a club-like feel when needed. That’s exactly why a stadium night in Lima has the potential to be special, because Estadio Nacional holds tens of thousands of people and every audience reaction gains extra weight when it spills across the stands. Their songs are built to be short, but to hit hard, which enables a set with no dead time, and after a few numbers the crowd realizes that tempo is the only rule. In that context, tickets become more than entry to an event, because they’re a ticket to an experience where rock is played as if it were the last night of the tour—regardless of whether you’re in the stands or on the floor.

Songs you most often hear and why the crowd comes ready to sing

When The Hives are mentioned, many people first think of "Hate to Say I Told You So", a song that became a kind of calling card and the reason they’re still recognized today even by those who haven’t followed the entire catalog. But their repertoire doesn’t rest on one hit, because the same core elements run through their albums: a sharp guitar riff, drums that push forward, and a vocal that’s more a command than a request. In a stadium setting, choruses you can shout in unison work especially well, and those kinds of songs form the backbone of their best-known releases—from early albums to later phases when they were more playful in production, but never soft. For the audience, that means a small tradition of preparation already forms before the concert—listening to "Your New Favourite Band" or returning to key albums—because live it’s most fun when you recognize the transition before it happens. If you’re still weighing whether to buy tickets, keep in mind that this is exactly the kind of band that’s most rewarding live, because the songs gain extra speed and every call for audience reaction sounds like part of the composition.

New material and a recent phase that reignited the band’s story

After a longer studio pause, the band returned with the album "The Death of Randy Fitzsimmons" released in 2023, and that comeback was described in critical reviews as proof that their garage rock still has freshness when played without compromise. Their mythological layer is also interesting—the story around the name Randy Fitzsimmons, which runs through as part of the band’s humor and self-aware theatricality—and it’s precisely that combination of jokes and serious playing that keeps the audience alert. In 2025 they also announced the album "The Hives Forever, Forever The Hives", which shows they’re entering 2026 with material that isn’t just nostalgia but a continuation of their own formula in a modern moment. That matters for the concert in Lima too, because the audience most often gets a mix of classics and new songs, and the set’s dynamics change depending on how quickly the new choruses “catch on” in the crowd. In practice, that means part of the night will be devoted to old favorites, but it can also happen that a newer song turns into the moment everyone talks about afterward, which further boosts interest and demand for tickets.

Estadio Nacional del Peru as a stage with history and the capacity for massive concerts

Estadio Nacional del Peru is a symbol of Lima and all of Peru, a stadium opened in 1952 that has undergone multiple renovations over the decades, including a major modernization completed in 2011, so today it functions as a contemporary venue for large-format events. The capacity cited in public data is around 50,000 seats, and with boxes and additional zones the sense of scale is even more pronounced, which is key when the program includes a concert aimed at a broader audience. The stadium is also known by a nickname tied to Avenida Jose Diaz, which well describes how it’s embedded in the city grid rather than set out on the periphery, so getting to an event is often paired with a night out in town. That’s precisely why a concert like this is both logistically and emotionally different from a club gig: the crowd flows in as one wave, tickets are checked at multiple entrances, and every minute of delay can mean missing the opening, which with The Hives is usually lightning-fast. For those chasing the best experience, planning the entry and the layout in the stands or on the floor becomes part of the story, and tickets are chosen based on how close you want to be to the blast of sound.

Lima in January and getting to the stadium without stress

The stadium’s central position makes it easier to navigate because it’s located relatively close to the historic center, and according to stadium guides it is less than two kilometers from Plaza San Martin and lies along major city arteries that connect the center with coastal districts. That’s useful for visitors coming from different parts of the city, because you can plan a meetup, dinner, or a short walk before the concert without a long transfer. Given that January in Lima is part of the warmer period, with typical daytime temperatures in the mid-twenties Celsius and evening values that are still pleasant, many will count on lighter clothing, but also on the fact that the air is often humid, so the feeling of warmth intensifies in a crowd. Details like that also influence decisions about arriving earlier, bringing water, and choosing a spot—especially if you plan to stand on the floor where the energy spreads fastest. When you add ticket checks and security procedures, the smartest move is to plan for an earlier arrival so entry is calm and the night stays devoted to the music, not the line.

The atmosphere of a stadium night and why tickets are often sought until the last moment

A stadium concert has its own psychology: the audience feels like part of a big community, and every chorus sounds bigger because several thousand voices sing it at once, something The Hives know how to harness through calls for reaction and rhythmic breaks. Their style, which combines garage rock and punk charge, works well in such a space because it’s based on clear, short messages and guitar lines that cut through the noise of the crowd. In that context, tickets aren’t just a formality but a pass for a night where it can happen that the entire stadium jumps in place, and that’s a sight you remember even when the sound goes quiet. Tickets for this concert disappear quickly, so buy tickets in time, especially if you’re targeting a specific section or want to be closer to the stage where the contact with the band is most intense. If you’ve already been to big concerts in Lima, you know the city has experience with mass events, but every band brings its own crowd, and The Hives attract both those who love classic rock and those who seek raw energy without unnecessary decoration.

Practical information worth keeping in mind before entry

The Hives concert at Estadio Nacional del Peru starts at 20:30, so it’s useful to plan the evening to avoid arriving at the last minute, especially because entry to large venues goes through multiple checkpoints and can take time. The ticket is valid for 1 day, which is important for anyone planning travel or organizing a group, because there’s no room for postponement or “we’ll go tomorrow”—everything happens on that one Sunday. It’s recommended to check the details on your ticket, have an ID document at hand, and enter with enough time to find your section, especially if you’re coming to this stadium for the first time. Due to the summer conditions in Lima in January, it’s good to count on comfortable warmth and possible humidity, so it pays to bring what makes being in a crowd easier, along with a practical choice of clothing and footwear. If you want to secure your place that night, buy tickets via the button below, because interest in rock dates like this in a stadium setting is usually high, and the difference between planning ahead and improvising can be big.

What to listen to before the concert if you want to arrive ready for the first riff

For the best warm-up before the concert, it’s worth going through several phases of their catalog, because that makes it easier to feel how they built their identity from early garage recordings to material that’s more modern in production, but still without any drop in energy. Start with the songs that brought them to the forefront and that the crowd almost always asks for, then add tracks from the albums that cemented their reputation as a band that sounds like the stage is its natural state. After that, throw in newer songs from the 2023 comeback album, because that’s where you can hear how the band sounds today when it goes into the studio with the intention to stay true to itself, yet still sound fresh. When you listen to such a cross-section for a few days before the event, the concert feels more intense, because you recognize small transitions, stops, and moments where the frontman communicates with the audience as part of the performance. If you still haven’t sorted out tickets on top of that, ticket sales are available and it’s worth reacting in time, because nights like this in a big venue seem like the ideal moment to experience The Hives at full volume.

Sources:
- The Hives (official website) - list of live dates for 2026 and context of South American shows https://thehives.com/
- The Hives (official bio) - current lineup, description of sound, and the band’s new phase https://thehives.com/bio/
- Wikipedia - The Hives - basic facts about origins, lineup, and discography https://en.wikipedia.org/wiki/The_Hives
- Wikipedia - National Stadium of Peru - stadium history, renovations, and capacity https://en.wikipedia.org/wiki/National_Stadium_of_Peru
- The Stadium Guide - Estadio Nacional del Peru - location in the city and arrival orientation https://www.stadiumguide.com/estadio-nacional-del-peru/
- Weather and Climate - Lima in January - typical temperatures and weather feel https://weather-and-climate.com/Lima-January-averages
- Pitchfork - The Hives announced the album The Hives Forever Forever the Hives (2025) - details about the new release and collaborators https://pitchfork.com/news/the-hives-announce-tour-and-enlist-mike-d-and-josh-homme-for-new-album-share-video-for-new-song-watch/
- Pitchfork - The Death of Randy Fitzsimmons (review) - comeback context and the sound of the 2023 album https://pitchfork.com/reviews/albums/the-hives-the-death-of-randy-fitzsimmons/

Everything you need to know about tickets for concert The Hives

+ Where to find tickets for concert The Hives?

+ How to choose the best seat to enjoy the The Hives concert?

+ When is the best time to buy tickets for the The Hives concert?

+ Can tickets for concert The Hives be delivered electronically?

+ Are tickets for concert The Hives purchased through partners safe?

+ Are there tickets for concert The Hives in family sections?

+ What to do if tickets for concert The Hives are sold out?

+ Can I buy tickets for concert The Hives at the last minute?

+ What information do I need to buy tickets for the The Hives concert?

+ How to find tickets for specific sections at the The Hives concert?

21 hours ago, Author: Culture & events desk

Find accommodation nearby


You may be interested

Thursday 22.01. 2026 19:00
Vive Claro - Distrito Cultural, Av. La Esmeralda #42 - 41
Thursday 05.02. 2026 21:00
Allianz Parque, Avenida Francisco Matarazzo, 1705, R. Palestra Itålia, 200 - Água Branca

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.