Postavke privatnosti

Buy tickets for concert The Offspring - 23.02.2026., Avenir Centre, Moncton, Canada Buy tickets for concert The Offspring - 23.02.2026., Avenir Centre, Moncton, Canada

CONCERT

The Offspring

Avenir Centre, Moncton, CA
23. February 2026. 19:30h
2026
23
February
Photo by: Domagoj Skledar/ arhiva (vlastita)

Tickets for The Offspring at Avenir Centre in Moncton – buy tickets for SUPERCHARGED Worldwide in ’26

Find tickets for The Offspring at Avenir Centre in Moncton on this page. It’s focused on buying tickets and tracking ticket sales for the one-day show on 23 Feb 2026 at 7:30 PM, part of SUPERCHARGED Worldwide in ’26, with doors at 6:30 PM, venue details for 150 Canada Street, and practical arrival tips

Punk rock spectacle in the heart of Moncton

Moncton at the end of February gets a concert that is often retold in Atlantic Canada as the event of the season, as The Offspring arrives at the Avenir Centre with a tour announced as a continuation of a series of major arena performances in North America. The concert is scheduled for 23.02.2026 at 19:30, and the ticket is valid for 1 day, which clearly positions the evening as a focused, intense rock outing without a multi-day festival format. For the audience, this usually means one compact night with an emphasis on energy, tempo, and a repertoire that cuts across multiple eras of Californian punk rock. The Avenir Centre is a host that can logistically handle even stronger productions, so an arena atmosphere is expected where choruses are equally heard and the rhythm of the audience is seen in the floor area and the stands. Ticket sales carry special weight from the start because such titles in smaller regional centers often quickly turn into a story about the best view, the best entrance, and the best timing for buying tickets. Secure your tickets for this event immediately, especially if aiming for the sector closer to the stage and arriving with a larger group.

What the tour framework brings and why this date is important

Announcements for SUPERCHARGED Worldwide in ’26 present the tour as an early 2026 route through the USA and Canada, with an emphasis on arena dates and cities where the audience has a strong rock tradition, which naturally gives Moncton and the wider Maritimes area a sense of purpose on the map. Official announcements emphasize that the tour comes after sold-out series of performances in multiple markets, so it is expected that interest in tickets and passes will grow as soon as a local date appears. In this framework, the Moncton date functions as a strong regional gathering point, as it attracts audiences from the wider surrounding area and often includes planning transportation, accommodation, and a night out in the city. For visitors, it is also useful to know the operational details, as arena concerts of this profile have a stricter entry rhythm: according to the organizers' information on the event page, the doors open at 18:30, and the program starts at 19:30. Practically, this helps in planning arrival, parking, and avoiding crowds at the entrances, especially if aiming for an earlier entry and buying drinks or visiting the merch offer before the start. Tickets for this concert are often chosen according to audience habits: some aim for the floor and the mosh zone, others for safety and visibility from the stands, and such dynamics usually push ticket purchases earlier than one might think.

The Offspring as an arena band: a mix of hits, speed, and a singing audience

The Offspring have a rarely recognizable arena profile: the songs are short, the choruses are massive, and the set rhythm is often composed as a series of accelerations with a short breather that only serves for the audience to catch on again for the next “singalong.” Part of their current tour story is related to the more recent cycle around the album SUPERCHARGED, which was presented as a new studio chapter for the band, along with the continuation of cooperation with producer Bob Rock and an emphasis on a sound that combines punk energy and radio-friendly melody. In media interviews, the band members describe that even after four decades of working together, they still aim for the “Offspring album feel” that the audience expects, with lyrics that rely on everyday life, family, and a more mature perspective without losing the recognizable liveliness. That is exactly why an arena like the Avenir Centre is ideal: the sound system and production can support both faster songs and anthemic choruses, and the audience gets space for a collective reaction that is part of the identity of an Offspring concert. If planning to arrive with a crew, buying tickets often turns into a tactical decision about the sector and distance from the stage, as the atmosphere differs depending on whether one wants to “be in the action” or have a view and comfort. Buy tickets via the button below and secure the seats that best suit your expected way of enjoying the concert, because arena concerts of this type create different micro-atmospheres by zones. In practice, the most sought-after tickets are often those that combine a good view and good acoustics, especially when the audience joins the choruses en masse.

Historical context: Californian punk that crossed generations

The story of The Offspring in rock history is most often linked to the wave of Californian punk rock that entered the mainstream in the 1990s without completely losing its street energy, and the band established itself in that wave as a mix of speed, humor, and “working-class” stubbornness. Their breakthrough through an era where MTV and radio stations shaped listeners' tastes is often described as an example of how a punk chorus can become a staple of pop culture, so today, audiences of different generations still meet at concerts. An additional dimension to the story is the fact that the band members maintained parallel lives outside of rock stereotypes for a long time, which was often highlighted in rock media as an interesting contrast: frontman Dexter Holland was in a scientific academic environment, while other members worked “ordinary” jobs before the band exploded. Such biographical sketches are not just anecdotes but explain why The Offspring often sound like a band addressing the audience without distance, with choruses that sound like a shared experience rather than a pose. In more recent interviews, the motif of longevity and friendship returns, along with the idea that punk can be positive and “empowering,” which attracts the audience as much as the speed of the songs. When such a band comes to an arena with a capacity of around several thousand people, a “big club” feeling is created where everyone knows each other through the songs, so tickets and passes become an entrance to a collective memory, not just a seat or standing spot. This is precisely why interest in buying tickets often grows as the date approaches, because the audience knows that these kinds of evenings are most fun when arriving prepared, on time, and without logistical stress.

Special guests and program: what is known so far

On the tour announcements and on the event pages in multiple sources, it is stated that Bad Religion are included as guests on this route, which is an additional reason for fans of punk history to follow the program and start time. In the punk ecosystem, Bad Religion have the status of an institution due to their recognizable blend of melody and intellectually oriented lyrics, and their performance as guests is often perceived as a “double concert” in one evening. For the audience, this means it is worth arriving earlier, as arena schedules rarely leave much room for delay if one wants to catch the entire program from the beginning. This is where the information about the doors opening at 18:30 becomes important, as it suggests the rhythm of the evening in which entering, finding a spot, and the start of the program come quickly one after another. When two strong names are combined, ticket sales usually accelerate because the audience is not just buying “for The Offspring,” but also for the idea of an evening that covers several decades of punk rock in one arena. Tickets for such concerts often disappear first in zones that the audience considers an “optimal compromise” between view, sound, and price, so it is smart to plan the ticket purchase as soon as it is decided whether to go for the floor or the stands. At the same time, even those who come for one band often end up surprised by how much the guests' energy lifts the entire evening, which further reinforces the impression that the ticket is valuable precisely because of the total program.

Avenir Centre as an arena: capacity, entry rhythm, and experience from different sectors

The Avenir Centre is described in city communication as the largest multi-purpose facility in Moncton, with about 8,800 seats in a standard arena configuration, luxury boxes, and infrastructure covering sports, concerts, and major events. The location in the city center gives additional practical value, as visitors can often combine the concert with dinner or drinks in the downtown zone without necessarily relying on long drives after the event. For The Offspring concert, the event page also lists a specific price framework in a range that covers multiple levels of affordability, which is typical for arenas that offer both floor and stands, and thus different levels of experience. It is important to emphasize that configurations for concerts can differ from sports ones, so in practice, the experience changes depending on the stage position, acoustic “sweet spots,” and audience density. Buying tickets is therefore not just a matter of price, but also a question of what kind of concert is desired: the floor brings the most energy and movement, while the stands usually offer a view, more stable sound, and easier entry and exit logistics. Since the arena uses multiple entrances and a gate system, it is good to follow the instructions on the ticket and arrive early, as crowds usually form in a short time window before the start. Secure your tickets for this event immediately if aiming for a specific sector, because with names like these, the seating and standing arrangement often decides how much the evening will be “in the heart of the action” or “in the viewing zone.”

Moncton on a concert night: city context and the Maritimes audience

Moncton has a specific regional position: it is large enough to create an urban rhythm and compact enough for concert nights to feel like a city event, especially when an arena with thousands of visitors comes to the center. This is why concerts at the Avenir Centre often attract audiences from the wider New Brunswick area, but also from neighboring regions, as the city is a natural gathering point in terms of traffic and logistics. For visitors from outside, buying tickets often goes hand in hand with planning arrival and departure, as the winter period in February requires a bit more attention to weather conditions, parking, and the time needed for entry. The downtown location of the arena eases part of the planning because it is possible to arrive earlier, walk around, find a place for a short break before the concert, and then enter without a major reshuffling of plans. For the local audience, such an evening is often an opportunity for the “home” environment to transform into an international tour stop for one night, and that changes the energy in the city and around the arena. Precisely that feeling that “something big is happening” often raises interest in passes and tickets, so it pays to react on time, especially if coming in a group and wanting to sit or stand together. When famous choruses, a large arena, and a city that can host them in the center come together in one evening, a concert atmosphere is obtained that is retold without the need for big words.

Practical information: address, time, entrances, and arrival planning

The concert takes place at the Avenir Centre, at 150 Canada Street in Moncton, New Brunswick, and the start is scheduled for 19:30 with information that the doors open at 18:30, which is a key item for planning. Since the ticket is valid for 1 day, all content and the experience are concentrated in one evening, so it is recommended to arrive early enough to avoid stress, especially if arriving by car and needing to handle parking. Arena concerts usually have clear rules about what can be brought in and what cannot, so it is most practical to bring only necessary things and follow the instructions on the ticket so that control is faster. If planning to buy drinks or visit the offer at the stands, arriving earlier is a real advantage, as the largest crowds usually form in the last 30 to 45 minutes before the start. In the context of buying tickets, it is also useful to think about the exit after the concert: the stands often allow for a faster exit, while the floor can be slower due to the crowd, which can be important for those traveling outside the city. Buy tickets via the button below if the plan is already decided, because buying tickets earlier leaves more time for organizing transport and arrangements, and less room for last-minute improvisation.

How to choose tickets: experience, view, and audience energy

Choosing a ticket for The Offspring in an arena like the Avenir Centre often comes down to the question of what kind of concert someone wants to experience, as the same performance can look and sound different depending on the sector. The floor is traditionally the space of greatest energy in punk rock culture, where the rhythm of the drum is felt through the body, the audience moves spontaneously, and choruses are sung as if it were a collective ritual. The stands, on the other hand, offer a more stable view of the entire scene and light production, and for many, they are also more comfortable for longer standing or coming with a younger audience that wants to see, but not necessarily be in the crowd. In the price range listed by the event host, differences in practice often coincide with differences in distance, viewing angle, and the special offer of individual sectors, so buying tickets comes down to finding one's own optimum. As the date approaches, tickets for positions that the audience perceives as a “middle ground” between proximity and visibility usually disappear first, so those who want a specific zone usually do not wait for the last moment. It is also important that it is a one-day ticket: there is no “second chance tomorrow,” so the choice of seat gains extra weight. Ticket sales are available and often move with the dynamics of waves of interest, so it is useful to react as soon as a decision appears and secure tickets before the choice becomes limited.

Repertoire and expected atmosphere: from anthems to newer songs

Although setlists change, The Offspring concerts usually carry a recognizable arc: a fast start that immediately lifts the audience, a series of the biggest hits distributed so that the energy does not drop, and segments in which more current material is presented. This means that the audience can expect a mixture of songs that have marked different phases of their career, from material that defined the 1990s to newer releases related to the SUPERCHARGED era, which is emphasized in official tour announcements as the current context. In the arena, this mix is usually felt through the way the audience reacts: older fans sing choruses that have accompanied them for decades, while younger ones often come with the idea that they want to experience a “big punk arena concert” and be part of the crowd. If guests are on the program, the evening gets additional dynamics as the audience gets into the rhythm earlier, so it is smart to plan the arrival so as not to miss the start. That is exactly why tickets also have a time dimension: whoever wants the full experience does not just buy a ticket, but also organizes the evening around the exact time of entry and start. Tickets for such a concert disappear quickly, so buy tickets on time, especially if aiming for a certain type of atmosphere, whether it's “at the barricade” or “with the best view.”

What such a concert means for the local scene and for the traveling audience

Bringing a big punk rock name to an arena in the center of Moncton has a wider effect than the concert evening itself, as it reminds that cities outside the largest metropolises can be key stops for international tours. For the local scene and audience, this often means greater interest in related events, more talk about concerts in the weeks before and after the performance, and a feeling that the region is being written onto the wider musical map. For travelers from surrounding places, the ticket often becomes an “anchor” for the whole trip: transport, eventual accommodation, and a night out in the city are planned around it, and this is especially important in the winter period when good organization is more valued. The Avenir Centre as a city project also represents a symbol of modern downtown gathering, which means that the concert audience naturally spills into the city center before and after the performance, creating a lively image of the streets and hospitality. On such an evening, tickets and passes are not just a formality, but an entrance to the city energy that is felt even outside the arena, in audience encounters, band t-shirts, and spontaneous conversations about favorite songs. Secure your tickets for this event immediately if you want to plan without haste, because an earlier purchase of tickets leaves more room for a smart choice of transport and a more relaxed arrival. Moncton at such moments looks like a city that knows how to host a big tour, and the audience gets an evening that does not have to end with any conclusion to remain remembered.

Sources:
- Avenir Centre, event page: door opening time, start, basic information, and location
- City of Moncton, Avenir Centre: arena description, capacity, and address
- The Offspring, official announcement on the website: SUPERCHARGED Worldwide in January and February 2026 and announcement of guests
- Live Nation Newsroom: announcement of the SUPERCHARGED Worldwide in ’26 tour and North American route framework
- Concord Records: information about the SUPERCHARGED album and release context
- People: interview about the SUPERCHARGED album and the band's longevity
- The Independent: band profile and historical context of formation and influence
- Bad Religion, official website: basic presentation of the band and updates

Everything you need to know about tickets for concert The Offspring

+ Where to find tickets for concert The Offspring?

+ How to choose the best seat to enjoy the The Offspring concert?

+ When is the best time to buy tickets for the The Offspring concert?

+ Can tickets for concert The Offspring be delivered electronically?

+ Are tickets for concert The Offspring purchased through partners safe?

+ Are there tickets for concert The Offspring in family sections?

+ What to do if tickets for concert The Offspring are sold out?

+ Can I buy tickets for concert The Offspring at the last minute?

+ What information do I need to buy tickets for the The Offspring concert?

+ How to find tickets for specific sections at the The Offspring concert?

13 February, 2026, Author: Culture & events desk

Find accommodation nearby


You may be interested

Thursday 19.02. 2026 19:30
Canadian Tire Centre, 1000 Palladium Dr
Saturday 21.02. 2026 19:30
Bell Centre, 1909 Canadiens-de-Montréal Avenue
Tuesday 24.02. 2026 19:30
Scotiabank Centre, 1800 Argyle St
Thursday 05.03. 2026 20:00
Hard Rock Live, 1 Seminole Way
Saturday 07.03. 2026 19:30
Florida strawberry festival, 2203 Reynolds St
Friday 01.05. 2026 13:00
Redondo Beach, 250 N Harbor Dr
Saturday 02.05. 2026 11:30
Redondo Beach, 250 N Harbor Dr
Thursday 07.05. 2026 00:00
Daytona International Speedway, 1801 W International Speedway Blvd
Friday 08.05. 2026 00:00
Daytona International Speedway, 1801 W International Speedway Blvd
Wednesday 13.05. 2026 19:30
Tyson Events Center, 401 Gordon Dr
Friday 15.05. 2026 00:00
Historic Crew Stadium, One Black and Gold Blvd
Wednesday 03.06. 2026 00:00
Sweden Rock Festival, Norjebokevägen 2
Friday 05.06. 2026 12:00
NĂĽrburgring, NĂĽrburgring Boulevard 1
Friday 05.06. 2026 12:00
Zeppelinfeld Nurnberg, ZeppelinstraĂźe
Saturday 06.06. 2026 13:00
Zeppelinfeld Nurnberg, ZeppelinstraĂźe
Sunday 07.06. 2026 13:00
NĂĽrburgring, NĂĽrburgring Boulevard 1
Tuesday 09.06. 2026 21:30
Capannelle Racecourse, Via Appia Nuova, 1245
Friday 12.06. 2026 13:00
Pannonia Fields II, Burgenland Grenzlandhof
Thursday 18.06. 2026 00:00
Hellfest Festival, Rue du Champ Louet
Friday 19.06. 2026 12:00
Flugplatz Neuhausen Ob Eck, Take-Off Gewerbepark
Friday 19.06. 2026 12:00
Eichenring, ---
Sunday 21.06. 2026 00:00
Hellfest Festival, Rue du Champ Louet
Wednesday 24.06. 2026 11:00
Ekebergveien, 70 Ekebergveien
Wednesday 24.06. 2026 12:00
Ekebergveien, 70 Ekebergveien
Sunday 28.06. 2026 13:00
Crystal Palace Park, Thicket Rd
Wednesday 01.07. 2026 17:30
Luxexpo Open Air, 10 Circuit de La Foire Internationale, 1347 Kirchberg
Friday 03.07. 2026 00:00
Recinto Ferial Auditorio Miguel RĂ­os, P.Âş Alicia Alonso, 28521 Rivas-Vaciamadrid
Saturday 04.07. 2026 00:00
Recinto Ferial Auditorio Miguel RĂ­os, P.Âş Alicia Alonso, 28521 Rivas-Vaciamadrid
Tuesday 07.07. 2026 20:00
Water Square, Leof. Poseidonos
Friday 10.07. 2026 21:00
Life Park, Bahçeköy Yeni, Bahçeköy Cd. No:114
Saturday 08.08. 2026 16:00
Aeropor, 22 Chem. de l'Aéroport

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.