Postavke privatnosti

Buy tickets for concert Till Lindemann - 18.01.2026., PICA (Port Melbourne Industrial Centre for the Arts), Melbourne, Australia Buy tickets for concert Till Lindemann - 18.01.2026., PICA (Port Melbourne Industrial Centre for the Arts), Melbourne, Australia

CONCERT

Till Lindemann

PICA (Port Melbourne Industrial Centre for the Arts), Melbourne, AU
18. January 2026. 19:00h
2026
18
January
Photo by: Domagoj Skledar/ arhiva (vlastita)

Tickets for Till Lindemann live at PICA, Port Melbourne – buy concert tickets for 18 January 2026 in Australia

This page is dedicated to fans looking for tickets to the Till Lindemann concert at PICA in Port Melbourne on 18 January 2026. Here you can quickly review key details about the event, venue and city and smoothly start the purchase of tickets for this intense industrial metal night. The focus is on clear information, travel tips and an easy path to buying your concert tickets

Till Lindemann conquers Melbourne: industrial spectacle at PICA venue

At the end of the Australian summer, on Sunday, January 18, 2026, at 19:00, Port Melbourne becomes the host of one of the most anticipated industrial metal events of the year: the concert of Till Lindemann at the PICA (Port Melbourne Industrial Centre for the Arts) venue. It is a unique opportunity for the audience in Australia to experience live the solo phase of the career of the frontman of the group Rammstein, who on the current Meine Welt tour combines new solo songs with the recognizable aesthetics of the cold, precise, and theatrical German industrial sound. The concert in Melbourne is part of an intense series of more than twenty dates across Europe, Asia, and Australia, where each guest appearance is designed as a separate, completely rounded evening – which is further emphasized by the fact that the ticket is valid exactly for that one day and one explosive evening. Strong interest is expected from fans from all over the country, so there is already talk of high demand for tickets and an atmosphere that will turn the PICA hall into a dark, pulsating theatre of sound, light, and provocative visuals. If you already know that you do not want to miss this concert, it is wise to think about buying tickets and planning your trip to Melbourne in time. Secure your tickets for this event immediately and, when available, simply click the button marked

below the text to start purchasing tickets.

Meine Welt tour: the stripped-down world of Till Lindemann

The Meine Welt tour is a logical continuation of the solo album Zunge, but also of previous singles with which Till Lindemann clearly showed that he is interested in his own world of symbols outside the framework of the band Rammstein. The audience in Melbourne can expect a set that combines new songs like Meine Welt, Und die Engel singen or Sport frei, as well as material from earlier singles Ich hasse Kinder and Entre Dos Tierras, where the energy moves from slower, almost cabaret compositions to a devastating, rhythmically very solid industrial attack. Everything is underlined by visual elements: scenography that resembles a post-industrial city, the play of light and shadow, projections, costumes, and choreography follow Lindemann's dark lyrics and often controversial themes. Precisely this dramaturgy of the concert makes every evening of the tour a kind of theatrical performance without censorship, in which the audience is simultaneously a witness and a participant. For fans who have been following Lindemann since the time of the first Rammstein albums, this concert offers a rare opportunity to follow the evolution of the artist in one evening from early industrial roots to contemporary, more personal, and sometimes brutally intimate solo poetics. Given that the ticket is linked exclusively to this date and is not transferred to other concerts of the tour, it is an experience that is not repeated, which further strengthens the motivation to secure tickets on time before the demand exceeds the available capacity of the hall.

PICA: industrial temple of loud music on the coast of Port Melbourne

PICA, full name Port Melbourne Industrial Centre for the Arts, is located at 1 Thackray Road in Port Melbourne and represents the ideal stage for this type of concert. The hall is located in a former industrial space, and today it has been converted into an impressive live venue with high ceilings, strong construction, and a sufficiently flexible layout that it can host both large productions and more intimate performances. Such a framework corresponds perfectly to Lindemann's aesthetics: cold metal, bare beams, and open space naturally emphasize the hard, industrial character of the music, while contemporary sound systems and lighting allow every detail of pyrotechnics, projections, and light effects to come to the fore. Visitors can prepare for a concert that will be experienced with all senses – from deep basses that shake under the feet, to visual shocks on stage. PICA is also a venue that is already known for fierce concerts and electronic parties, so the local audience knows that it is a space where evenings often extend late into the night. To make the experience complete, many will decide to look for accommodation near the venue, stay in Port Melbourne or the surrounding area, and enable themselves a relaxed return after the concert. That is precisely why ticket sales are often connected with earlier planning: as soon as you secure tickets, it is easier to choose accommodation, arrange transport, and fully surrender to the industrial spectacle that is coming.

Melbourne and Port Melbourne as an urban stage for a metal spectacle

Melbourne has been one of the most vibrant cultural centres of Australia for decades, a city where high culture and underground scenes intertwine in a diverse calendar of events. Port Melbourne, located right by the sea with a view of the bay, combines the scene of a container port, industrial halls, and arranged promenades by the beach, so coming to the concert of Till Lindemann is an ideal opportunity to experience both the urban and coastal side of the city. Readers planning to arrive from other parts of Australia often combine the concert with an extended weekend, a tour of the centre of Melbourne, tasting local coffee and gastronomy, and a walk by the sea before the evening departure to the PICA hall. In such a travel plan, timely reservation of accommodation for event visitors can also be helpful, whether in Port Melbourne itself, or in the city centre from where it is possible to reach the hall by public transport or a short taxi or rideshare drive. For concert lovers, it is a special pleasure to spend the day on the beach or exploring city streets, and in the evening immerse themselves in the dark, loud world of the Meine Welt tour. When the fact is added to this that tickets for such specific concerts are often sought even months in advance, it is clear why many decide to first secure tickets, and then plan the rest of the stay in Melbourne around that date.

Till Lindemann: from Rammstein to solo project

Till Lindemann has been one of the key names of the world metal and industrial scene since the mid-nineties, primarily as the frontman of the band Rammstein, with which he released a series of albums that marked the genre, from Herzeleid and Sehnsucht to newer releases like Rammstein and Zeit. His deep baritone, strict stage presence, and inclination towards shocking, sometimes provocative lyrics made him recognizable even beyond the limits of the metal audience. After the experimental project Lindemann with Peter Tägtgren, in which he combined heavy sound and grotesque, sometimes humorous visuals, Till has in recent years completely embraced a solo career under his own name. He released a series of singles and the album Zunge, on which songs like Zunge, Nass or Schweiss bring a recognizable blend of electronics, heavy riff, and poetically dark lyrics. The Meine Welt tour is thus a kind of summary of his work outside Rammstein, but also a platform for new musical chapters that the audience is just getting to know. For fans who may have already seen Rammstein in large stadiums, the concert in the PICA hall provides a more intimate, focused view of Lindemann's authorial world, where precisely the text, voice, and stage concept are in the foreground. Tickets for this event are therefore not just a ticket for another metal concert, but also a kind of pass into the personal theatre of one of the most intriguing frontmen of contemporary music.

Setlist, production, and atmosphere: concert as a theatre of extreme emotions

Although the concrete setlist can always change from city to city, experiences from previous concerts show that Till Lindemann likes to build the performance through strong dramaturgy – from introductory songs that gradually raise tension, through the central part in which the most famous singles dominate, all the way to the finale in which faster industrial pieces and more emotional, almost ballad compositions are combined. Production plays a key role in this: from projections that follow motifs from the lyrics, through stylized costumes and props, to lights that isolate Lindemann from the darkness as a central figure, while the rest of the band delivers a powerful, precise wall of sound. In Australia, special guests like the band Mélancolia will join him on the tour, which gives the evenings additional weight and makes them small mini-festivals within one night. The audience in the PICA hall can thus prepare for an evening in which choruses will be sung, chanted, fists raised in the air, and a collective feeling of energy release created – that for which metal concerts are remembered for years. In such an atmosphere, many like to be as close to the stage as possible, so it is not unusual for fans to strive to secure tickets as early as possible to take positions in the pit and experience the concert from the front rows. Tickets for such performances can disappear quickly, so it is reasonable to plan the purchase already now and, when it becomes possible, click the button

below the text to secure your place in the hall.

Tickets, age restrictions, and arrival at the PICA hall

For the concert of Till Lindemann in the PICA hall on January 18, 2026, it is especially important to emphasize that the event is intended exclusively for an adult audience, because it is a licensed 18+ venue where it is mandatory to possess a valid ID card, driver's license, passport, or other accepted document with a photo. Organizers therefore advise visitors to check documents in advance so that entry into the hall is as fast and simple as possible. PICA is located at 1 Thackray Road in Port Melbourne, and it is possible to reach it by public transport, where the use of official route planners is recommended, or by taxi and rideshare services which usually drop visitors off near specially marked zones. Since the ticket is tied exclusively to this evening and cannot be used on another date of the tour, many fans arrive earlier, to avoid the crowd and have time for a drink or socializing in front of the hall before the doors open. For those coming from outside Melbourne, additional security and peace are provided by booking accommodation near the venue, which facilitates the return after the concert and allows the whole evening to be spent without rushing. Ticket sales for such an event usually cause great interest, so the recommendation is to buy tickets as soon as they are available and to use precisely the button below the text when purchasing, which will take you to the page intended for buying tickets for this concert.

How to make use of the whole day in Melbourne with the concert of Till Lindemann

For many visitors, the concert is just the central part of the whole day or weekend in Melbourne, so it is worth considering how to further enrich the experience. Port Melbourne offers promenades by the sea, cafes, and bars with a view of the bay, so it is possible to start the day with a late breakfast, continue with a walk to the beach or a short trip to the city centre, and then head towards the PICA hall in the early evening. Those coming from other states or more distant parts of Victoria often choose accommodation offers in the host city, so they can arrive at the concert without rushing, stay until the end, and slowly return home the next day. Additionally, Melbourne is known for a rich offer of galleries, street art, and music clubs, so a whole weekend dedicated to culture can easily be put together – from the nightly industrial spectacle of Till Lindemann, to daily walks through neighbourhoods full of murals and the small scene. Tickets for the concert in that context become the key link around which the rest of the trip is arranged: once you are sure you have tickets in your pocket, it is easier to organize transport, book a restaurant or accommodation, and make the most of your stay in Melbourne. Tickets for this concert will quickly attract the attention of fans from the entire region, so if you already know that you want to be part of this evening, buy tickets on time and follow the button

below the text as a safe path to purchase.Sources:
- Bandsintown: basic information about the date and place of the concert in the PICA hall in Melbourne
- Meine Welt Tour (fan page): overview of dates of the Australian part of the tour and context of the tour 2025/2026
- Hear2Zen: announcement of the Australian tour of Till Lindemann and information about the special guest Mélancolia
- PICA Melbourne FAQ and official information: address of the hall, age restrictions 18+ and recommendations for arrival
- Ticketek / business directories: confirmation of the address of the PICA hall as 1 Thackray Rd, Port Melbourne VIC 3207
- RammWiki and Wikipedia: biographical data about Till Lindemann, Rammstein discography and development of solo career
- Lindemann World: data about the album Zunge and the latest singles Meine Welt and Und die Engel singen
- Beat Magazine and Visit Port Melbourne: description of the PICA hall as an industrial concert space and overview of the live music scene in Port Melbourne

Everything you need to know about tickets for concert Till Lindemann

+ Where to find tickets for concert Till Lindemann?

+ How to choose the best seat to enjoy the Till Lindemann concert?

+ When is the best time to buy tickets for the Till Lindemann concert?

+ Can tickets for concert Till Lindemann be delivered electronically?

+ Are tickets for concert Till Lindemann purchased through partners safe?

+ Are there tickets for concert Till Lindemann in family sections?

+ What to do if tickets for concert Till Lindemann are sold out?

+ Can I buy tickets for concert Till Lindemann at the last minute?

+ What information do I need to buy tickets for the Till Lindemann concert?

+ How to find tickets for specific sections at the Till Lindemann concert?

2 hours ago, Author: Culture & events desk

Find accommodation nearby


You may be interested

Wednesday 31.12. 2025 20:00
Lotus Arena, 2, 1 Soi Cherng Taley 1, Tambon Choeng Thale, Thalang District
Saturday 03.01. 2026 20:00
UOB LIVE, Floor 6, EmSphere, 622 Sukhumvit Rd, Klongton, Khlong Toei
Sunday 04.01. 2026 19:00
Coca-Cola Arena, Al Wasl - City Walk
Tuesday 06.01. 2026 19:00
Almaty Arena, prospekt Sujunbaja 211
Wednesday 07.01. 2026 19:00
Almaty Arena, prospekt Sujunbaja 211
Sunday 11.01. 2026 19:00
Tbilisi Sports Palace, 1-26 otsdaekvsi maisis moedani
Thursday 15.01. 2026 19:00
Fortitude Music Hall, 312-318 Brunswick St, Fortitude Valley QLD 4006
Saturday 17.01. 2026 20:00
Hordern Pavilion, 1 Driver Ave, Moore Park NSW 2021
Tuesday 20.01. 2026 19:00
Adelaide Entertainment Centre, 98 Port Rd, Hindmarsh SA 5007

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.