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Buy tickets for festival Laneway Festival - 07.02.2026., Southport Sharks, Southport, Australia Buy tickets for festival Laneway Festival - 07.02.2026., Southport Sharks, Southport, Australia

FESTIVAL

Laneway Festival

Southport Sharks, Southport, AU
07. February 2026. 12:00h
2026
07
February
Photo by: Domagoj Skledar/ arhiva (vlastita)
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Tickets for Laneway Festival 7 Feb 2026 at Southport Sharks, Southport: One-day Gold Coast Festival Info

Ticket sales for Laneway Festival at Southport Sharks in Southport bring a full-day program from 12:00 with artists such as Chappell Roan, PinkPantheress, Wet Leg and Wolf Alice. Buy tickets early to plan entry, transport and stage-hopping for one-day access. Your ticket is valid for 1 day, so set your schedule and arrive early
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Laneway Festival as the Gold Coast’s new summer anchor

Laneway Festival returns with another one-day edition, bringing its signature mix of contemporary indie pop, alternative rock, electronic music, and new-name discoveries to the Gold Coast—this time with added symbolism, as the Queensland stop moves to Southport. The festival takes place at the Southport Sharks venue in Southport, at Corner Olsen and Musgrave Ave, Southport QLD 4215, and is planned as an all-day program starting at 12:00 and running into the evening, making it a typical “noon to dark” format for an audience that wants to catch both early sets and the main evening slots. The ticket is valid for 1 day, so the whole experience is built around smart scheduling and picking the right moments: when to enter, when to reshuffle between stages, and when to “save energy” for the finale. In practice, that means ticket sales are experienced as entry into one compact festival story—with no breaks and no need for multi-day planning—yet with enough content to make the day fly by. Secure your tickets for this event now! Interest in this type of festival traditionally grows as the date approaches, so tickets are often discussed already at the stage of arranging travel, accommodation, and the group you’re going with.

Why the move to Southport matters and what it means for the audience

For years, Laneway in Queensland has been part of the summer urban rhythm, and the shift to the Gold Coast opens a new chapter for both organizers and audiences because it changes arrival logistics, but also the ambience in which the festival is experienced. In official announcements by local partners and the host venue itself, it is emphasized that this is the first time the Gold Coast takes on the role of home for this event, fitting into the broader story of strengthening the city’s and region’s cultural calendar. At the same time, the background also mentions the context of redevelopment and infrastructure growth in Brisbane ahead of 2032, which accelerated the need for a new space and a new solution for a large one-day festival. Such a change typically affects audience habits: some visitors combine the festival with a weekend on the coast for the first time, while part of the local crowd gets an event “on the doorstep” without traveling to another city. In that story, tickets aren’t just a formality, but a planning signal: people buy earlier to secure accommodation, transport, and their group—especially because the one-day format is prone to rapid sell-outs of the most desirable options. The new ground also brings more curiosity, so many will arrive earlier, “walk” the site, and catch the first few sets to feel how Southport Sharks breathes as a festival location.

The venue and how Southport Sharks works as a festival space

Southport Sharks isn’t a classic “empty field,” but a large sports-and-entertainment complex with event-ready infrastructure, which is an important difference in the festival experience—especially for visitors who value clear organization and amenities within reach. According to information from the venue itself, Southport Sharks welcomes more than a million visitors a year and gathers a large member base, and the offer includes multifunctional spaces, hospitality, and accompanying facilities that become an advantage on a festival day—from rest points to stronger food-and-drink logistics. This type of location often reduces “wandering” and makes it easier to move between zones, which matters when the lineup spans a wide range of genres and the audience wants to switch stages often. For those buying tickets with the idea of spending the whole day inside, the space matters because of the small things: enough places to refill a water bottle, clear meeting points, and natural “pockets” for a breather without missing the music. Although festival scenography and stage layout on the day define the final feel, the baseline infrastructure suggests the focus will be on flow, safety, and fast service—exactly what separates a pleasant all-day festival from an exhausting marathon. And if you factor in that the ticket is one-day and there is no “tomorrow,” it’s logical that you want to see and hear everything in one go—so even movement planning becomes part of the fun.
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A lineup that blends a big name with a tastemaker tradition

For years, Laneway has built a reputation as a festival that combines strong international names with artists who are only becoming “the next big thing,” and in 2026 that shows in the mix of headliners and a run of acts covering indie, pop, electronic, and guitar-driven scenes. On the Gold Coast stop, the announced names include, among others, Chappell Roan, PinkPantheress, Wet Leg, Wolf Alice, Role Model, Alex G, Lucy Dacus, Mt. Joy, Yung Lean & Bladee, The Dare, BENEE, and Cavetown, alongside additional acts that fill out the day’s rhythm and add breadth to the program. This kind of schedule usually means the day is built in waves: early slots belong to discoveries and acts that catch the attention of people who arrived early, the middle of the day is reserved for “safe” favorites, and the evening is the peak when the largest number of people pours in front of the main stages. That’s exactly why buying tickets is often tied to the question “who can’t I miss,” because it’s not the same to arrive at 12:00 and catch the whole story, or to enter later and aim only for the finale. Laneway’s crowd typically comes ready to rework the plan on the fly, so it’s useful already when buying tickets to think about how much an all-day stay matters to you—and how much comfort, shade, and water matter in the hottest part of the day. In Laneway’s lineup logic, there’s always that emotional element too: the feeling that you “were there” when an artist moved from the hype phase into star status, and those moments often happen precisely at festivals that curate their program carefully.

Chappell Roan, pop theatricality, and the festival finale

In the Laneway format, the headliner’s role isn’t only the size of the name, but the ability to lock in the atmosphere and pull the crowd into a shared moment—and in that sense Chappell Roan arrives as an artist whose shows often emphasize visual identity, energy, and a clearly recognizable pop moment. Media preview texts in Australia and the region highlight exactly that combination of theatricality and a strong repertoire, which is ideal in a festival setting because the big stage naturally “fills” with both sound and scenography. For the audience, that means tickets aren’t just entry to one star’s concert, but entry into a day that gradually builds toward a single point of culmination, with a string of “side” peaks that happen along the way when you discover a new band or find yourself in the right crowd at the right time. In practice, many decide to buy tickets precisely because of the headliner, but in the end they also remember what they didn’t plan—like a set that surprises them or a collaboration that happens spontaneously. If you want to get the maximum out of a day like that, it’s worth thinking about arriving earlier and about conserving energy, because the 12:00-to-evening format also demands smart dosing of sun, hydration, and breaks. In that context, ticket sales often go hand in hand with planning “how to last the whole day,” so tickets are bought in time to organize arrival without rushing—especially for those coming from outside the Gold Coast.

The guitar-driven thread: Wolf Alice, Wet Leg, and modern indie rock

One of the reasons Laneway typically appeals to different generations of audiences is that, alongside pop and electronic music, it always keeps a strong guitar-driven thread—and in 2026 you can feel it through the presence of bands with that festival “engine” sound. Wolf Alice and Wet Leg carry the part of the story that relies on infectious choruses, expressive dynamics, and moments when the crowd syncs up most easily—whether that’s singing, jumping, or simply surrendering to the rhythm. In a one-day format, performances like these often serve as a “reset” and an energy shift between pop and electronic sets, so the audience naturally reshuffles both in mood and in position in front of the stage. If buying tickets starts from the desire to experience exactly this type of indie rock charge, then it pays to think about when to position yourself, how much earlier to arrive, and how to avoid entrance crowds in the most critical hours. For those who want to hear more than one “big” act, the ticket is essentially entry into a series of concerts in a single day—and that’s the charm of a festival: one moment you’re in a guitar-driven crowd, the next you’re at a pop set, and the third you’re dancing to an electronic pulse. Laneway has always had an instinct for connecting different scenes without the feeling that something is “pasted on,” so this year’s combination too sounds like a carefully tailored ticket for a one-day escape from routine.
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Electronic music and hip hop edges: PinkPantheress and Yung Lean & Bladee

The Laneway lineup traditionally leaves room for contemporary electronic music and artists who move between pop structure and club aesthetics, and PinkPantheress fits in as a name that draws the crowd both for melody and for the dance-ready foundation. On the other hand, Yung Lean & Bladee bring a different urban edge, more tied to hip hop aesthetics, internet culture, and a specific atmosphere that at festivals often turns into a separate “world” within the program. Such diversity is key for a one-day ticket because it gives the sense that the ticket pays off across the entire day—not just at one point in the evening—so ticket buying is often justified by the argument “you get more genres at once.” An audience that prefers electronic music usually aims for the part of the day when the sun drops, because club energy works more easily outdoors then, and those who love rap and alternative sounds often move between stages looking for the best sound and the best view. In that kind of movement, it’s important to have a good tactic: arrive earlier, get to know the venue, find water and rest points, and don’t leave entry until the last minute, because a one-day festival at the strongest part of the day can be logistically demanding. Tickets for this concert are disappearing fast, so buy your tickets in time. When the lineup is this broad, what most often happens is you make a plan at home and then change it on site—which is actually the best sign the festival is doing what it exists to do.

New and rising names: from Alex G and Lucy Dacus to The Dare and Oklou

Laneway often builds a bridge between established artists and those in strong ascent, so 2026 also includes names with loyal fan bases as well as audiences discovering them live for the first time. Alex G and Lucy Dacus represent a songwriter line that leans on song, lyrics, and atmosphere, which is an important counterpoint to “big” festival moments because it makes room for a more intimate experience and more attentive listening. The Dare and Oklou, each in their own way, lean toward a contemporary sound that often works best in a festival environment where the audience arrives open to new things, so the sets turn into a conversation between stage and crowd. This is exactly where tickets gain that added value: you’re not buying only the “known,” but also the chance to fall in love with something new—and those moments later become stories people retell. For visitors who come to discover, it’s ideal to arrive as close to the start as possible, because the most interesting surprises often happen in the early and mid slots while the venue is still flowing and the energy is fresh. Add to that the fact that the event is 16+ and brings together both experienced attendees and a new generation of concertgoers, and you get a mix that often creates a special atmosphere: everyone is there with the same goal, but each person is chasing a different “perfect set” in the day.

Practical information: getting there, entry, movement, and the rhythm of the day

For a one-day festival, the most important thing is a smart arrival, because crowds and waiting can eat into the program, and official information for the Gold Coast edition emphasizes several practical options. Southport Sharks is on the Gold Coast, and as a reference point for travelers from outside the city, the airport in Coolangatta is often mentioned, about a 45-minute drive away, which is useful for those combining the festival with a short trip. For public transport, it is highlighted that Helensvale railway station is about 8.5 km from the festival entrance and that dedicated shuttle services are planned, while the nearest light rail and bus stop is Griffith University Station, from which you reach the entrance with a short walk. Rideshare users are advised a specific drop-off point to make access to the entrance easier, and regarding parking, caution is suggested because there is no dedicated festival parking; instead, paid parking in the surrounding area is used while respecting local restrictions. In that kind of logistics, buying tickets gains an extra dimension: once you have tickets, it’s easier to decide whether you’ll arrive by shuttle, light rail, or car—and when to leave so that at 12:00 you’re ready for the start. Buy tickets via the button below. On the festival day, the best practice is to arrive earlier, pass security checks without stress, and then catch the first sets while the space is most comfortable—especially if you plan to stay until the end.
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Tickets, age limit, and what it means for planning your group

Laneway in Australian cities has a 16+ age limit, and for the Gold Coast edition, communication from the host and organizers particularly emphasizes that it’s an event targeting both experienced festivalgoers and a younger audience just entering the concert world. This is important information for planning your group, because it affects who can enter, how to agree on transport, and how to structure the day so everyone has a safe and pleasant stay. When the ticket is one-day and the program runs into the evening, part of the audience also plans shared meeting points, because at a festival groups often split and reunite depending on who goes to which set. In that sense, buying tickets in time also helps organize the crew’s “micro logistics”: who arrives earlier, who later, where you meet, and how you get home after the finish. The age limit often also means more varied energy in the crowd, with more enthusiasm and more “first time” moments—which is exactly the raw festival emotion Laneway loves. If your goal is to maximize the lineup, tickets should be viewed as the starting line, not the end of the story: once tickets are sorted, you can calmly map your route through the day and decide which sets you want to watch from the front rows and which from a “safe” distance.

What to bring, how to behave in the space, and how to stay in the game until dark

An all-day festival in the Australian summer requires discipline that’s often forgotten in the euphoria, so organizer recommendations boil down to a few simple things: a valid ticket on your phone, a valid photo ID, and basic sun protection. Since the event is cashless, it’s practical to prepare a card or phone for payment, and for hydration it is emphasized that there are drinking-water stations and that you can bring an empty transparent plastic bottle to refill throughout the day. Entry rules and security checks also mean that bags are searched and no outside food or drink is allowed, so it’s smart to plan meals and breaks in line with the performance schedule—especially in the hottest part of the day. It is also emphasized that there is no re-entry once you leave, which in a one-day format further underlines the importance of good planning: once you enter, assume you’re inside until the end, so time everything—from sunscreen to your crew’s meeting spot. In practice, tickets will “pay off” most for those who stay flexible, manage their energy, and don’t try to do everything as a sprint, because the day is long and the best things often happen in the evening hours when the crowd thickens, the lights come on, and the atmosphere becomes fully festival. If you want the full experience, arrive early, move smartly between sets, and leave yourself room for the lineup to surprise you—because it’s precisely in that combination of organization and spontaneity that Laneway at its new Gold Coast location can show why it has been a synonym for a “tastemaker” festival for two decades.

Sources:
- Laneway Festival (Gold Coast): Event Info page with details on the venue, address, arrival, and visitor rules
- Laneway Festival (Gold Coast): Lineup page with the list of performers for the Gold Coast edition
- Experience Gold Coast: official event page with the stated duration and a summary of the festival’s history
- Southport Sharks: announcement about hosting Laneway Festival on the Gold Coast and the context of the relocation
- Experience Gold Coast (corporate news): press release about the 21st edition of the festival and its arrival on the Gold Coast
- ABC triple j and The Guardian: media overviews of the lineup and the broader context of Laneway Festival 2026

Everything you need to know about tickets for festival Laneway Festival

+ Where to find tickets for festival Laneway Festival?

+ How to choose the best spot to enjoy the Laneway Festival festival

+ When is the best time to buy tickets for the Laneway Festival festival

+ Can tickets for festival Laneway Festival be delivered electronically?

+ Are tickets for festival Laneway Festival purchased through partners safe?

+ Are there tickets for festival Laneway Festival in family sections?

+ What to do if tickets for festival Laneway Festival are sold out?

+ Can I buy tickets for festival Laneway Festival at the last minute?

+ What information do I need to buy tickets for the Laneway Festival festival

+ How to find tickets for specific sections at the Laneway Festival festival

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08 January, 2026, Author: Culture & events desk

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Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

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