Postavke privatnosti

Buy tickets for festival Laneway Festival - 15.02.2026., Arena Joondalup, Perth, Australia Buy tickets for festival Laneway Festival - 15.02.2026., Arena Joondalup, Perth, Australia

FESTIVAL

Laneway Festival

Arena Joondalup, Perth, AU
15. February 2026. 12:00h
2026
15
February
Photo by: Domagoj Skledar/ arhiva (vlastita)

Tickets for Laneway Festival at Arena Joondalup, Perth - ticket sales, one-day lineup and guide for visitors

Laneway Festival lands at Arena Joondalup in Perth for a one-day event starting 12:00 on 15 February 2026, at Kennedya Dr, Joondalup WA 6027. Get ticket sales and a smooth tickets purchase for a 1-day entry, with lineup highlights, crowd vibe, and practical arrival guidance so you can plan the full day

Laneway Festival brings a big one-day festival experience to Perth

Perth is joining the key stops of one of Australia’s most influential festival tours this season, as Laneway Festival arrives at Arena Joondalup as an all-day event that brings together pop, indie, alternative and contemporary club sound in one compact but content-packed format. The festival is announced for 15 February, with gates from 12:00, meaning the day’s rhythm builds gradually—from early-afternoon discoveries to evening peaks—alongside a constant flow of people moving between stages and chill-out zones. The ticket is valid for 1 day, so planning is simple: arrive, enter, music, food and drinks, then music again—without thinking about multi-day schedules and logistics. In a one-day concept like this, ticket sales typically move fast, because audiences want a reliable option for one big night out in the season, and Laneway is exactly that kind of event—bringing together both headliner fans and the people hunting for a new name before it becomes huge. Secure your tickets for this event now!

A festival with a long memory and a clear taste

Laneway didn’t start as a mass spectacle, but as an idea that grew out of urban closeness, curiosity, and a feeling that the best music often happens before it hits the headlines. The story of its beginnings is tied to intimate weekly shows, a friendly network of people from the scene, and an improvised festival spirit that over time became a recognizable signature—where community is as important as the soundscape. That pedigree is still felt today in how the lineup is built, because the focus is on the current moment, unexpected combinations, and performers with a strong onstage identity—not just a hit on streaming services. That’s exactly why Laneway often serves as a kind of litmus test for the next year: a place where audiences see trends before they lock in, and where performances are talked about as events, not just as sets. When a festival like that comes to Perth—especially in a venue that can handle large-scale production—expectations rise, and with them interest in tickets, because a one-day pass becomes entry to a whole cross-section of contemporary alternative music. In a season full of tours, Laneway stands out because it’s experienced as a curated festival—and curated festivals rarely have an “off day.”

A lineup that connects a major pop moment with indie tradition

Laneway Festival at Arena Joondalup arrives as a package where headliner energy is complemented by a solid indie and alternative backbone, all stitched together with names that belong to today’s club and internet aesthetics. The artist list highlights CHAPPELL ROAN, ALEX G, CAVETOWN, THE DARE, GIGI PEREZ, LUCY DACUS, MALCOLM TODD, MT. JOY, OKLOU, PINKPANTHERESS, ROLE MODEL, TEEN JESUS AND THE JEAN TEASERS, WET LEG, WOLF ALICE, YUNG LEAN & BLADEE and DJANABA, which on paper already suggests a day where the mood will shift quickly—but logically. A lineup like this works as a map across different audiences: those who come for one name, those who want to “catch everything,” and those who will give in to wandering between sets, chasing their moment in a song they’re hearing live for the first time. In practice, that means tickets aren’t bought only for the headliner, but for the entire day—because the value lies in diversity and the chance to experience more genres in one afternoon and evening than at an average concert. Tickets for a festival like this often become a social plan too, because the group gathers around the schedule, food and drinks are planned between sets, and everyone has “their” band that must be seen. In that context, buying tickets isn’t just a formality—it’s a decision about whether you’ll be part of a big shared day in the city.

Chappell Roan as the day’s central magnet

If there’s a name right now that carries the mark of a cultural event, it’s Chappell Roan, whose live shows are often described as a mix of pop spectacle, theatricality, and powerful audience connection. For Laneway, the emphasis is that her set lands as the big moment of the season, with a production focus and a set that’s experienced as a “show,” not a casual festival stop. That dimension is exactly why tickets are in demand even among people who don’t usually follow festival tours, because they want to see an artist in a format designed for a large crowd while still keeping immediacy. In a one-day rhythm, the headliner usually comes later, so the expectation is that a narrative will build throughout the day, and the audience will gather energy through the rest of the lineup before the main hit. That kind of schedule often intensifies the experience, because anticipation accumulates and the space fills up, which further creates a sense that something special and collective is happening. Tickets for this concert disappear quickly, so buy yours in time.

Wolf Alice, Wet Leg and Alex G as a strong alternative backbone

In a lineup with a powerful pop peak, particular weight is carried by names that ensure the festival stays true to alternative and indie tradition, and Wolf Alice stands out here as a band with a reputation for a commanding live show and charisma that fills big spaces. Their presence gives the lineup seriousness and breadth, bringing rock energy that at festivals often turns into communal singing and waves of people—especially as evening temperatures drop and the pace on the stages ramps up. Wet Leg represents the other side of the same story: ironic, playful and danceable, where indie guitars meet pop instinct, and the crowd reacts fast and loud. Alex G, on the other hand, arrives as a songwriter whose influence can be felt across the contemporary indie network, so his set often draws those who love detail, arrangement and emotional nuance—not just a “chorus for the choir.” Lucy Dacus also fits well in that package, with performances experienced as intimate and precise even in a festival setting, because the lyrics and interpretation carry the focus, and the crowd knows when to be quiet at the right moments. If your goal is to get the most out of a 1-day ticket, this is the part of the lineup that justifies arriving earlier, because sets like these are often the heart of the festival experience—not just the warm-up for the end.

PinkPantheress, The Dare, and Yung Lean and Bladee as a bridge to the club and the internet

For years Laneway has shown it understands how musical taste forms on the boundary between scene, algorithm and club, so PinkPantheress and The Dare are a natural pick for an audience that wants to dance while staying within an alternative frame. PinkPantheress brings pop that’s fast, melodic and carefully tailored in production, with a sense of rhythm that in an open-air space can become collective bouncing rather than just listening. The Dare fits as an act that leans into dancefloor energy and the urban night, giving the festival momentum even in earlier hours, because sets like these can “switch on” the crowd before dark. Yung Lean and Bladee arrive with a special kind of cult status, and an announced joint performance always carries extra tension, because it merges fan bases and aesthetics that are rarely seen at the same moment on a big stage. In a festival environment, performances like these often cross the line from concert to a visual and emotional experience, with a crowd that knows every phrase—while also pulling in the curious who want to see what’s behind the myth. If you’re buying tickets with the idea of catching something “different” too, this is the segment of the day where Laneway shows its signature taste the most.

Arena Joondalup as the stage for a big festival day

The venue, Arena Joondalup in Perth, isn’t just a point on the map but a key part of the experience, because a festival like this requires a space that can handle simultaneous crowds, multiple zones, solid logistics and safe people flow. The address is Kennedya Dr, Joondalup WA 6027, and from an organizational standpoint it matters that the location is designed as a complex already experienced with major events and audiences coming for sport, concerts and mass gatherings. For visitors, it’s practical that there are plenty of parking spaces on site, and public transport access is also highlighted, because the arena is roughly a kilometer from Joondalup railway station, which in festival practice often means a mix of walking and bus routes that increase service on big-event days. Added value is that the site is expected to include a mix of surfaces—from concrete to grass and gravel—so it’s smart to come in footwear that can handle a whole day, especially if you plan to move frequently between stages and zones. The festival also emphasizes the availability of amenities that keep visitors on site, which goes hand in hand with the rule that there’s no re-entry after leaving, so the ticket works like a one-day “wristband mentality” and requires you to plan everything within the venue. Buy tickets via the button below and secure a calmer lead-up to the day, because the closer it gets to the date, the harder the plans—and the more expensive the decision.

Joondalup and Perth’s north in the rhythm of summer

Joondalup, as part of northern Perth, brings a different city feel from the center—more space, wider roads, and a clearer sense of suburban dynamics where big events turn into a day trip rather than just a night out. In February in Western Australia, summer is in full swing, so the festival day feels like a blend of sun, dust, cold water and music that lasts for hours, and that changes how the crowd plans their arrival—from sunscreen to the pace of drinking. In that context, tickets are often bought by people who might not travel far for a club show, but for a one-day festival in a large complex they do it without much hesitation, because the experience goes beyond a single performance. Additionally, Joondalup is known for having strong visitor infrastructure, from major transport hubs to quick refreshment options before entry, which matters when the program starts at noon and the crowd “warms up” much earlier than at classic concerts. Festivalgoers often arrive earlier to avoid the biggest entry surge and to catch the acts later talked about as “the best surprise of the day.” If you want to experience Laneway as a whole—not just as waiting for the headliner—the Joondalup setting is good for that approach, because it naturally pushes you into a daytime rhythm and extends the feeling that the ticket is really a pass to a whole little city of music.

Practical information for visitors and what the ticket actually covers

Laneway Festival in Perth takes place at Arena Joondalup, at Kennedya Dr, Joondalup WA 6027, on 15 February, starting at 12:00, with the ticket valid for 1 day and intended for an all-day stay on site. Entry requires a valid ticket on your phone and a valid photo ID, so it’s recommended to arrive with a fully charged phone and a plan to conserve battery throughout the day, because without that entry becomes stressful—and stress is the last thing you want before the first set. The rules emphasize there is no re-entry if you leave the festival, which matters for groups who otherwise like to “step out quickly,” so it’s smart to decide in advance when you’ll eat, where you’ll rest and how you’ll refill your water bottle. It’s recommended to bring an empty clear plastic water bottle, a hat, sunglasses and sunscreen, while food and drinks are purchased inside the venue, bags are searched at the entrance, and outside food and drink are not permitted. The festival is cashless, which means payment relies on cards or mobile wallets, so it’s good to check limits and linked apps before you arrive, especially if you plan to stay until the end. It’s also especially important to know the age policy: the event is 16 plus, and visitors under 18 must be accompanied at all times by a responsible adult, with a supervision ratio defined in advance, so buying tickets in such cases must align with the rules to avoid disappointment at the gate.

How to get the most from the schedule, the space and the crowd’s energy

A one-day festival that starts at noon requires a different strategy than a classic concert, because the energy doesn’t build through an explosion, but through smart pacing—with moments when you’re at the front rows and moments when you step back for water, food or shade. Practice shows that the most beautiful part of days like this is discovering artists you didn’t plan to watch, so it’s good to leave “gaps” in the schedule and allow the sound from the neighboring stage to pull you into a new set, because that’s often where the story later retold is born. Given the varied surfaces and possible uneven ground, comfortable footwear and realistic expectations about moving through the venue make the difference between enjoying and merely surviving, and in summer conditions constant hydration and sun protection help even more. For visitors who need more accessible movement, it’s emphasized that there are adapted viewing areas and accessible restrooms, with a note that a festival environment isn’t quiet or “low-stimulation,” so it’s good to think ahead about places to take a break. If you’re going with friends, agree on simple meeting points, because networks can weaken in crowds, and the best moments often get lost searching for the group instead of listening to music. In the run-up to the event day, ticket sales usually speed up, so it’s smart to sort tickets earlier and arrive prepared—with a clear idea of what you want to see, but also enough flexibility to let Laneway take you where it sounds best.

Sources:
- Laneway Festival website, Perth Event Info: location, entry rules, what to bring, re-entry policy, and food and drink information
- Laneway Festival website, Previous Lineups: historical context and the story of the festival’s origins, and the values of curation
- Laneway Festival website, Perth Youth Policy: 16-plus age limit and accompaniment rules for under-18s
- Arena Joondalup website, event page: Laneway Festival announcement at Arena Joondalup and the confirmed artist lineup
- Arena Joondalup website, Getting Here: address, parking, distance from the railway station, and basic arrival instructions
- ABC triple j, news on Laneway 2026: tour context and lineup overview
- The Guardian, article on Laneway 2026: broader cultural context, headliner focus, and an overview of key names
- VenuesWest website, Arena Joondalup: description of the complex and the venue’s role as a major event space in northern Perth

Everything you need to know about tickets for festival Laneway Festival

+ Where to find tickets for festival Laneway Festival?

+ How to choose the best spot to enjoy the Laneway Festival festival

+ When is the best time to buy tickets for the Laneway Festival festival

+ Can tickets for festival Laneway Festival be delivered electronically?

+ Are tickets for festival Laneway Festival purchased through partners safe?

+ Are there tickets for festival Laneway Festival in family sections?

+ What to do if tickets for festival Laneway Festival are sold out?

+ Can I buy tickets for festival Laneway Festival at the last minute?

+ What information do I need to buy tickets for the Laneway Festival festival

+ How to find tickets for specific sections at the Laneway Festival festival

08 January, 2026, Author: Culture & events desk

Find accommodation nearby


You may be interested

Thursday 05.02. 2026 12:00
Western Springs - Complex, Auckland 1022
Saturday 07.02. 2026 12:00
Southport Sharks, Corner Olsen and, Musgrave Ave
Sunday 08.02. 2026 12:00
Centennial Park, Centennial Park
Friday 13.02. 2026 12:00
Flemington Racecourse, 448 Epsom Rd
Saturday 14.02. 2026 12:00
Adelaide Showground, Goodwood Rd, Wayville SA 5034

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.