Postavke privatnosti

Buy tickets for festival New Year's At The Bowl - 31.12.2025., Sidney Myer Music Bowl, Melbourne, Australia

Buy tickets for festival New Year's At The Bowl - 31.12.2025., Sidney Myer Music Bowl, Melbourne, Australia

FESTIVAL

New Year's At The Bowl

2 day pass
Sidney Myer Music Bowl, Melbourne, AU
31. December 2025. 23:59h
2025
31
December
Photo by: Domagoj Skledar/ arhiva (vlastita)

Tickets for New Year's At The Bowl at Sidney Myer Music Bowl in Melbourne – New Year open air music festival

Plan your New Year's Eve 2025 in Melbourne with our guide to New Year's At The Bowl and tickets for the two day festival at Sidney Myer Music Bowl. Here you can explore the lineup, stage times, open air atmosphere, transport options and on site tips to help you buy the right tickets and fully enjoy every set

New Year's At The Bowl as the new center of New Year's Eve in Melbourne

New Year's At The Bowl arrives at the Sidney Myer Music Bowl as a brand-new festival New Year's Eve celebration that combines the energy of a major open-air concert with the feeling of a city festival in a green oasis in the middle of Melbourne. On Wednesday, December 31, 2025, culminating exactly at 23:59 and transitioning through midnight into 2026, this event will transform the iconic amphitheater and the surrounding Kings Domain gardens into a massive dance floor under the stars. A ticket to the festival is valid for two calendar days, as the program and atmosphere do not stop at midnight; instead, they lead you from the old year into the new, from the afternoon warm-up to the early morning hours when the city wakes up on the first day of 2026. The idea is clear: instead of running from venue to venue and chasing fireworks across the city, everything you need for an unforgettable celebration is in one place, with a multi-hour program, multiple stages, and a carefully curated line-up of local and international performers. Secure your tickets for this event immediately and click the button marked below to reserve your spot on the lawn or in the seats in time.

A line-up that combines electronic legends and the new face of the club scene

For the first edition of the festival, an impressive line-up has been announced, which from the start positions New Year's At The Bowl among the most ambitious New Year's events in Australia. Headlining the line-up are Underworld, pioneers of electronic music whose live performances are synonymous with anthemic moments and mass singalongs to classics of contemporary club history, and Carl Cox, one of the most charismatic and influential DJs in the world. They are joined by Confidence Man with their infectious, danceable pop, Sam Gellaitry with a sophisticated electronic sound, Joy Crookes bringing soul, RnB, and pop with a strong signature style, and Berlioz, an increasingly sought-after name at the intersection of jazz, house, and contemporary electronic production. The line-up is further expanded by Ross From Friends pres. Bubble Love, Roza Terenzi, Prosumer, Tornado Wallace b2b Alex Kassian, Good Neighbours, INJI, Emma-Jean Thackray, Harvey Sutherland, Aldonna, Any Young Mechanic, Big Wett, X & Ivy, Shantan Wantan Ichiban, and others, so through one festival day and night, you can hear everything from deeper club sets to massive singalong moments. Such a breadth of programming means that tickets for this event attract fans of techno and house sounds, as well as those who love pop, soul, or live bands, and buying tickets is essentially buying entry into a cross-section of what constitutes contemporary club and festival culture in Melbourne today.

The rhythm of the celebration: from the afternoon warm-up to the countdown and the first morning of 2026

The New Year's At The Bowl program is designed to keep you moving from late afternoon until the early morning hours, without the feeling that you are missing anything in the city. The doors of the Sidney Myer Music Bowl open in the afternoon, and as the sun sets over the city, the first performers take the stages and slowly increase the tempo from laid-back, groove-oriented sets towards an increasingly energetic sound. In the lead-up to midnight, the emphasis shifts to the main stage where Sam Gellaitry and Confidence Man warm up the crowd, preparing the ground for the key part of the evening where Carl Cox takes on the responsible role of the New Year's countdown and leading thousands of people through the moment of transition from 2025 to 2026. After midnight, Underworld take the lead and transform the Bowl into a huge, pulsating arena where electronics, lighting effects, and the gasps of the audience merge into a unique experience, while parallel sets continue on other stages tasked with accompanying the audience until the first hours of the new morning. Although it is a single festival day, tickets cover two calendar dates and allow you not to worry about when the program ends, but only about how to best use every hour from the first entry to the space until the moment when, with tired feet but full of impressions, you leave the green slopes of Kings Domain.

Sidney Myer Music Bowl as a unique open-air stage

The Sidney Myer Music Bowl is one of Australia's most recognizable outdoor performance spaces, and New Year's At The Bowl utilizes all its advantages to give New Year's Eve a special visual and acoustic framework. The amphitheater layout with a combination of seating under the roof structure and a spacious lawn behind them allows everyone to find their ideal spot – from those who want to dance in the front row in front of the stage to those who prefer a blanket, sitting on the grass, and watching the light show from a slightly greater distance. The facility was opened in the late fifties of the last century, has hosted countless concerts since then, from symphony orchestras to rock icons, and is protected as a space of cultural and architectural value, so the mere fact that tickets for this event include a stay at such a special location carries additional weight. The capacity for thousands of people, the combination of concrete construction and a wavy roof, grassy slopes, and the view towards the city skyline create the impression of an intimate yet simultaneously monumental space that is ideal for a massive collective countdown. If you are planning to arrive from out of town, it is a good idea to research accommodation near the venue in advance, as the Bowl's location in the middle of parks means you are close enough, yet far enough from the crowds of the busiest streets on New Year's Eve.

Melbourne and Kings Domain: a green belt in the middle of an urban celebration

One of the greatest advantages of the New Year's At The Bowl festival is its location in the heart of Melbourne, yet surrounded by the greenery provided by Kings Domain and the surrounding parks. While street parties and fireworks take place at multiple locations across the city, here you have the impression of being in your own festival zone, yet just a step away from everything Melbourne offers – restaurants, bars, trams, and train lines leading to all neighborhoods. The city is known for its love of music, nightlife, and cultural events, so tickets for this event are expected to attract a mix of local visitors and guests from other parts of Australia and the world. The atmosphere is also enhanced by the fact that part of the city skyline is visible above the Bowl's lawn, so you feel that all of Melbourne is counting down with you, while simultaneously staying in a safe, organized festival environment. If you are coming from afar or planning an extended stay, it is wise to look at accommodation offers in the host city when buying tickets, as New Year's is always a period of increased demand, and better accommodation closer to the center means an easier return after an all-night dance marathon.

The audience, atmospheric details, and the experience of multiple stages

The organizers of the New Year's At The Bowl festival clearly target an audience that loves strong audiovisual experiences, but also those who care about details – from light design and visuals to carefully composed transitions between sets on different stages. Imagine a lawn filled with glitter, shimmering outfits, light installations, and projections spilling over the Bowl's roof, while a monumental techno and house marathon takes place on one stage, and soul, jazz, and electronics create a slightly more intimate but equally infectious groove on another. The audience can migrate freely between stages, seeking the perfect balance between euphoric peaks and breaks for rest, food, and drink, with the feeling that every part of the space offers a different frame of the same story. It is this combination of a massive collective moment at midnight and the ability to tailor your own festival scenario for the rest of the time that makes tickets for this event particularly valuable, as buying tickets doesn't just mean entry to one concert, but access to an entire small world filled with music and visuals. Tickets for this concert are finding their owners quickly, so buy tickets via the button marked below while they are still available.

Tickets, passes, and what you get for a two-day experience

The price range for tickets covers different types of experiences, from basic lawn access to premium options with a better view of the main stage and additional benefits, so visitors can choose according to their budget and the way they want to spend New Year's Eve. Since the festival lasts from the afternoon of December 31st until the early hours of January 1st, each ticket practically covers two days of the celebration, which means that for one purchase you get a multi-hour program, multiple stages, and the opportunity to follow the performances that interest you most without rushing. In practice, this means you can enter the space at dusk, find your spot, explore the stage schedule, and then slowly build your own tempo towards the midnight climax and further into the new morning. Ticket sales for this type of event are usually very dynamic, especially as the end of the year approaches, so it is not unusual for tickets to disappear long before the date of the event. Therefore, for an organized visitor, buying tickets in advance brings a peaceful celebration without the nervous search for the last available tickets, while simultaneously allowing them to plan their arrival, accommodation, and return home earlier.

Arrival, public transport, and accommodation near the Bowl

One of the great advantages of the Sidney Myer Music Bowl is its extremely good connection with the rest of the city, which is especially important on a night when hundreds of thousands of people move towards the center of Melbourne for fireworks and various celebrations. The location in Kings Domain means you are within walking distance of major tram and train hubs, so most visitors can easily arrive by public transport and avoid traffic jams and limited parking availability. It is recommended to check the increased New Year's schedules and plan to arrive a bit earlier to avoid the biggest wave of entry before the main performers start. For those who do not live in the city or want an extended stay, it is ideal to combine buying tickets for the festival with an early accommodation reservation, and an overview of various options offered by accommodation for event visitors can help, from hotels in the center to apartments in neighborhoods well-connected by tram or train. If New Year's At The Bowl sounds like the ideal way for you to enter 2026, secure your tickets as soon as possible via the button below so you don't end up without a spot on the lawn or in the seating area.

Planning your stay and how to get the most out of visiting Melbourne

For many visitors, New Year's At The Bowl will not just be a concert, but also a reason for a mini-vacation in Melbourne, a city known for its cafes, restaurants, hidden laneways, galleries, and strong music scene throughout the year. If you are coming from other parts of Australia or from abroad, it makes sense to extend your stay for at least one more day to add a morning coffee in one of the famous laneways, a visit to galleries, or a walk along the river to your festival experience. Planning ahead means you can coordinate arrivals and departures, reserve a table at a restaurant for lunch or a late breakfast before or after the festival, and check what other exhibitions and events are taking place in the city during those days. It is particularly practical to choose accommodation near the venue or near major tram lines, as after dancing all night, you will appreciate the shortest possible return to bed. When everything is added up – from a ticket covering two calendar days of celebration, through a rich line-up, to the opportunity to explore the city in the days around the festival – it becomes clear why tickets for such an event carry the weight of an investment in an overall New Year's experience, not just a single concert evening.

Safety, comfort, and sustainability during the festival

Large open-air events like New Year's At The Bowl require good organization and responsible behavior for the experience to be pleasant for everyone, so visitors are advised to think ahead about what they are bringing and how they plan to move through the space. It is best to choose comfortable clothing and footwear adapted to hours of standing and dancing, dress in layers due to possible temperature changes during the night, and check the rules regarding permitted items, bags, and bottles so there are no surprises at the entrance. The festival concept increasingly emphasizes sustainability, so it is likely that the focus will be on waste reduction, recycling, and the use of reusable cups, which is an additional reason for visitors to think about their environmental impact while enjoying the music. In the context of safety, it is recommended to plan your return with friends, agree on a meeting point in case you get separated in the crowd, and follow official information on-site. A responsible approach to alcohol, hydration, and occasional breaks are just as important as the line-up itself, as they ensure that the tickets you bought result in an evening you will remember fondly, rather than unexpected problems.

A new city celebration ritual and an invitation to those who love outdoor music

New Year's At The Bowl has all the prerequisites to become a new ritual for those who want to spend New Year's Eve with a strong musical story, but also with the sense of community characteristic of large open-air festivals. The combination of an iconic space, carefully chosen headliners like Underworld and Carl Cox, a diverse program on multiple stages, and the fact that the ticket covers a two-day transition from one year to the next makes this festival a natural choice for fans of electronics, pop, and live performances. Instead of a scattered New Year's Eve across multiple locations, here you get a single, clearly structured event that takes care of sound, light, atmosphere, and logistics, while you only need to worry about buying tickets in time and gathering the company you want to welcome 2026 with. If the idea of welcoming the New Year on the lawn, under the stage lights, with the anthems of contemporary electronic music and a view of the city glowing in the distance appeals to you, then this festival is practically the definition of what you are looking for. Tickets for this concert are disappearing quickly, so buy your tickets in time via the button marked below and prepare for a celebration that combines the best of Melbourne, outdoor music, and New Year's spectacle.

Sources:
- What's On Melbourne – city guide with details of dates, times, location, and basic information about New Year's At The Bowl
- Rolling Stone Australia – article about confirmed schedules and the role of headliners Underworld and Carl Cox in the New Year's program at the Bowl
- AusMusicScene and scenestr – overview of the line-up and genre diversity of performers at New Year's At The Bowl 2025
- Music Festival Wizard and That Festival Site – context of the creation of the new two-day festival concept for New Year's Eve at the Sidney Myer Music Bowl
- Wikipedia, venue manager's page, and tourist portals – history, capacity, and urban context of the Sidney Myer Music Bowl and Kings Domain in Melbourne
- Local media from Victoria – data on the scale of New Year's celebrations and the atmosphere in central Melbourne in recent years

Everything you need to know about tickets for festival New Year's At The Bowl

+ Where to find tickets for festival New Year's At The Bowl?

+ How to choose the best spot to enjoy the New Year's At The Bowl festival

+ When is the best time to buy tickets for the New Year's At The Bowl festival

+ Can tickets for festival New Year's At The Bowl be delivered electronically?

+ Are tickets for festival New Year's At The Bowl purchased through partners safe?

+ Are there tickets for festival New Year's At The Bowl in family sections?

+ What to do if tickets for festival New Year's At The Bowl are sold out?

+ Can I buy tickets for festival New Year's At The Bowl at the last minute?

+ What information do I need to buy tickets for the New Year's At The Bowl festival

+ How to find tickets for specific sections at the New Year's At The Bowl festival

9 hours ago, Author: Culture & events desk

Find accommodation nearby


You may be interested

Wednesday 31.12. 2025 16:01
Sidney Myer Music Bowl, Kings Domain Gardens, Linlithgow Ave
Thursday 01.01. 2026 14:00
Sidney Myer Music Bowl, Kings Domain Gardens, Linlithgow Ave

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.