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Buy tickets for festival Ocean Sounds - 10.01.2026., Churchill Island, Melbourne, Australia Buy tickets for festival Ocean Sounds - 10.01.2026., Churchill Island, Melbourne, Australia

FESTIVAL

Ocean Sounds

Churchill Island, Melbourne, AU
10. January 2026. 12:00h
2026
10
January
Photo by: Domagoj Skledar/ arhiva (vlastita)
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Tickets for Ocean Sounds on Churchill Island – summer seaside music festival day near Melbourne, Australia 2026

Ocean Sounds on Churchill Island is a full day summer festival by the sea, with leading Australian acts, picnic vibes and sunset views over the water. This page is focused on tickets and buying tickets for the event, so you can secure your place on the grass near the stage on 10 January 2026 close to Melbourne
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Ocean Sounds at Churchill Island – a festival of summer sounds by the sea

Ocean Sounds returns in the summer of 2026 to Churchill Island, a small green island by Phillip Island not far from Melbourne, once again turning this historic farm into a big open-air music stage. On Saturday, 10 January 2026, from 12:00, visitors can look forward to an all-day festival under clear skies, where top Australian music, a sunset over the bay, and a relaxed picnic atmosphere come together. One-day tickets for Ocean Sounds are valid for that day and give you access to the entire program, so you can arrive as early as the afternoon, spread a blanket on the grass, and follow every performance from the first to the last chord. The festival is conceived as an event for all generations, from families with children to groups of friends who want to escape the city and spend a day by the sea, with good food, local wines, and a rich line-up of bands and performers. If you’re looking for a way to recharge in the middle of the Australian summer, breathe in fresh island air, and enjoy concerts at one of the most picturesque locations in Victoria, Ocean Sounds at Churchill Island is a festival worth planning a trip for – secure your tickets for this event now and start putting together the perfect one-day escape from the city.

Lineup 2026: Australian stars on one stage

Although Ocean Sounds is often listed in schedules simply as a festival on Churchill Island, this year’s 2026 edition is especially interesting for its selection of performers covering a wide range of contemporary Australian music. On the main stage you can expect The Teskey Brothers, a band whose soul and blues sound evokes the classics yet feels completely fresh in a festival setting on grass by the sea. Joining them is The Presets with their DJ set, meaning the later part of the day will take on an electronic, dance-oriented turn—ideal for the moments when the sun sinks behind the horizon and the crowd wants even more energy. Thelma Plum brings powerful singer-songwriter pop with strong lyrics, while Steph Strings represents a new generation of performers with a virtuosic approach to guitar and emotional, atmospheric sets. The lineup is rounded out by Playlunch, Holly Hebe, and The Foxy Junes, with a particularly important performance by the collective Millowl Dreaming, which connects music and storytelling with deep respect for the Boonwurrung land on which the festival is held—giving Ocean Sounds an additional cultural dimension and one more reason to make tickets for this festival part of your plan for January.

What a day at the Ocean Sounds festival looks like

A day at Ocean Sounds begins in a relaxed way, with the first visitors arriving around noon, when the hills of Churchill Island are still cooling gently from the night and the sea glimmers calmly beneath the trees and meadows. Families most often arrive earlier so they have enough time to find the ideal spot for a blanket, stroll the historic estate, and get familiar with the performance schedule before the musical peak of the afternoon and evening begins. A one-day ticket allows you to move throughout the day between the main stage, the food and wine zones, and quieter corners for a break, so you can combine concert sets with a picnic and sightseeing on the island. As the day goes on, the atmosphere gradually changes: from children’s laughter and family photos to dancing groups of friends who follow the rhythm by the sea during the final sets, under a starry sky and festival lighting. Tickets for this concert disappear quickly, so buy your tickets in time and decide for yourself whether you’ll arrive at Ocean Sounds already at noon for a relaxed picnic or join a bit later, when the stage fully comes alive with the sounds of the evening headliners.
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Churchill Island and Phillip Island: a stage between history and the ocean

Churchill Island is not only the festival location, but also a place with an important role in Victoria’s history: the first European garden and wheat crop in the region were recorded on this islet, and today an intact historic farm is located here with an old homestead, gardens, and traditional farming activities. The island is connected by a bridge to Phillip Island, which in turn is connected by a bridge to the mainland, so visitors from Melbourne reach the festival meadow after a pleasant drive through rural landscapes and over bridges with views of the bay. Nearby are the Churchill Island Marine National Park and the wider area of the Phillip Island Nature Park, known for penguins, birds, and a rich coastal ecosystem, which further reinforces the sense that the festival takes place in the midst of a protected natural environment. During the day it’s easy to walk the trails around the island, take a look at the coastline, and return to the music – all within the reach of a one-day ticket. If you plan to combine the festival with a weekend stay in the region, there are plenty of options for accommodation near the venue, from island cottages to apartments in nearby settlements on Phillip Island.

Flavors, scents, and additional activities on the seaside meadows

Ocean Sounds is conceived as a “music-lovers’ all-day sunset concert”, but what happens outside the stage is just as important: food stalls, local wines and beer, desserts, and coffees create the feel of a big, laid-back picnic. Visitors can choose from a range of food trucks and stalls offering everything from gourmet burgers and dishes inspired by local ingredients to vegetarian and vegan options, so everyone can find something to suit their taste—whether they arrive with a backpack, a stroller, or a camera. The wine selection usually highlights producers from the wider region, so Ocean Sounds is a practical chance to taste local chardonnays, pinot noir, or sparkling wines in a single day, while also staying responsible, as the festival encourages arriving with a transport plan for getting home. A one-day ticket leaves you free to casually return for a drink or a bite between performances throughout the day, without rushing or unnecessary stress. On top of all that, the very fact that the concert is accompanied by a sunset over the water creates an atmosphere that has been a magnet for visitors for years, so it’s no surprise that interest in tickets is traditionally high and that tickets are often sought even while the lineup is still fresh in announcements.

How to get to the festival and plan a one-day trip

For visitors setting off from Melbourne, the trip to Ocean Sounds usually begins with driving a car or taking organized transport toward Phillip Island, which typically takes about an hour and a half to two hours, depending on traffic. The route goes along the highway to the southeast, over the bridge to Newhaven on Phillip Island, and then over another bridge to Churchill Island itself, where parking areas and access to the festival grounds are located. The number of parking spaces is limited and a special parking permit per vehicle is often required, so it’s recommended that you check all the details as soon as you complete your ticket purchase and coordinate with your group so you can travel in one car. Those who don’t drive can combine a regional bus or tourist tours to Phillip Island with an additional short transfer to the island, which requires a bit more planning but can pay off if you want to avoid road congestion. If you plan to stay overnight before or after the festival, it makes sense to research accommodation near the venue earlier and combine Ocean Sounds with another excursion or two on the island. Buy tickets via the button below and once you have your ticket in your pocket, it will be easier to align transport, departure time, and all the other details for a perfect day at a seaside music festival.
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A festival for all generations and all kinds of audiences

One of Ocean Sounds’ distinguishing features is its emphasis on a family-friendly, inclusive atmosphere: the festival is all-ages, which means you can see children running across the grass, teenagers discovering new bands, and older visitors who may have been loyal to this event for years. Different ticket categories are available, so adults, young people, and the youngest have a chance to find an option that suits them, with prices for children and youth significantly more affordable than the standard adult ticket. In previous editions of the festival, the organizers paid great attention to safety, clearly marked zones, restroom facilities, and available staff, which is important for families and for those attending a festival event of this type for the first time. Thanks to a series of successful editions in past years, Ocean Sounds has built a reputation as a place where you can enjoy a seriously good live program while keeping a relaxed, unobtrusive vibe—without aggressive crowds and chaos. That is precisely why tickets for this festival regularly attract visitors not only from the wider region, but also from other parts of Australia, who see Ocean Sounds as the perfect reason to head south in January and spend a day or weekend on the island.

Ocean Sounds in the summer events calendar

In the Australian summer calendar, which is not short of big city concerts and massive festivals, Ocean Sounds occupies a special place precisely because it combines a top-notch lineup with a more intimate, almost “weekend getaway” atmosphere. Unlike events that take place on concrete surfaces or in classic venues, here the audience sits on the grass, looks toward the stage set right by the sea, and follows performances at a pace that allows both dancing and calm lounging on a blanket. What’s especially attractive is that in previous years some of the most interesting Australian names have performed at Ocean Sounds, so the festival has built a reputation as a place where you can “catch” several artists in one day who otherwise fill venues and tour across the country. This year’s mix of The Teskey Brothers, The Presets, Thelma Plum, Steph Strings, and other performers continues that tradition and gives the festival a weight that goes beyond a local character, while retaining the feeling that you’re at an event closely connected to the local community and the natural surroundings. That is precisely why buying tickets for Ocean Sounds is often the first step in planning an entire summer schedule of concerts and holidays for many music lovers.

Planning your stay and accommodation around the festival

Although a ticket for Ocean Sounds is valid for one day, many visitors decide to turn the festival into an extended weekend and spend more time on Phillip Island and surrounding areas. The region offers a full spectrum of possibilities—from walking through the historic gardens of the Churchill Island Heritage Farm and birdwatching in protected wetlands to the famous Penguin Parade and surf beaches on Phillip Island itself. Because of all this, it makes sense to consider arriving a day earlier or staying a few days after the festival, especially if you’re coming from more distant parts of Australia or traveling with children. The offer of accommodation for event visitors includes apartments, family houses for rent, small hotels, and campsites, so with a bit of research you can find an option that fits your budget and desired comfort. As Ocean Sounds attracts more and more people over the years, it’s not uncommon for accommodation capacities near the island to be booked well in advance, so it’s smart to think about a bed for the night after the festival day in parallel with buying tickets.
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Practical tips for a carefree festival day

To get the most enjoyment out of a one-day ticket to Ocean Sounds, it’s worth planning a few details in advance that make a big difference on site. A blanket to sit on, a hat, sunscreen, and layered clothing are almost mandatory, because the day can be very sunny, while the evening by the sea often brings a cooler breeze; that way you can comfortably follow performances from noon daylight to nighttime tones. It’s recommended to arrive earlier to avoid queues at the entrance, find a good spot on the grass, and calmly get acquainted with the performance schedule—then let the rest of the day flow naturally, with alternating trips for food, drinks, and short walks around the island. It’s useful to agree on a meeting point with friends in advance, because the signal in certain areas can vary due to the number of visitors, and it’s easier to relax when you know where you’ll meet if someone gets lost in the crowd. Finally, it’s a good idea to regularly follow the weather forecast and any organizer notices in the days before the festival, so clothing, arrival, and your plan for getting home can be adjusted in time. When you put all that together, there’s only the most important step left – secure your tickets for this event now and reserve 10 January 2026 for a day of music, nature, and relaxed summer energy on Churchill Island.

Sources:
- Visit Phillip Island – description of Ocean Sounds 2026 and the lineup, and information about the festival’s family-friendly, picnic atmosphere
- Visit Victoria – festival description of Ocean Sounds 2026 and an emphasis on music, sunset, and the gourmet offer
- Aus Music Scene – announcement of Ocean Sounds 2026 with the date, venue, lineup, and indicative ticket prices
- Tourism portals Visit Bass Coast / Visit Victoria – historical and natural description of Churchill Island as a farm and part of a protected area
- Travel and information sites – estimate of driving time and common routes from Melbourne to Phillip Island and Churchill Island

Everything you need to know about tickets for festival Ocean Sounds

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2 hours ago, Author: Culture & events desk

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Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

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