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Buy tickets for festival Orange Warsaw - 29.05.2026., Tor Sluzewiec, Varšava, Poland Buy tickets for festival Orange Warsaw - 29.05.2026., Tor Sluzewiec, Varšava, Poland

FESTIVAL

Orange Warsaw

Tor Sluzewiec, Varšava, PL
29. May 2026. 19:00h
2026
29
May
Photo by: Domagoj Skledar/ arhiva (vlastita)
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Tickets for Orange Warsaw Festival 2026 at Tor Służewiec in Warsaw, Poland: One-day pass and artists

Ticket sales for Orange Warsaw Festival at Tor Służewiec (Puławska 266) in Warsaw are the focus of this page. Check how the one-day pass works for Friday, 29 May 2026 at 19:00, and plan your arrival by public transport. Buy tickets via the button on the page and get ready for the announced artists, including Lewis Capaldi and TV Girl
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Orange Warsaw Festival and the concept of the first day at Służewiec

Orange Warsaw Festival returns to Warsaw as one of those city moments when late spring practically overlaps with the start of festival summer, and the audience already at the entrance feels they are stepping into a space that is bigger than an ordinary concert pit. The first festival day is on Friday, 29.05.2026, starting at 19:00, and the event takes place at Tor Służewiec in Warsaw, at Puławska 266, 02-684 Warszawa, Poland. The ticket is valid for 1 day, which is an excellent option for visitors who want to experience the atmosphere of a major open-air festival without committing to a two-day program, but also for those who come to the city briefly and want exactly one strong musical night out. Although the entire festival weekend is scheduled for 29–30 May, a one-day ticket allows you to focus on one evening, one rhythm, and one experience, with all the logistical advantages of a large, well-established event. Interest in tickets is traditionally high because the festival gathers an audience from all over Poland and the region, so buying tickets is often planned in advance, especially if you’re aiming for the best part of the evening and want to arrive without stress. Secure your tickets for this event right away!

Why this festival is a special story in the Polish capital

Orange Warsaw Festival has for years been building the identity of an event that connects Warsaw’s urban energy with a broad, genre-open festival logic, so pop, indie, electronic music, and more avant-garde authorial expressions coexist on the same grounds without any trouble. In its own chronicles, the festival presents itself as one of the key musical and cultural events in the city, with an emphasis on the idea of an early-summer weekend when Warsaw turns into a hub for tens of thousands of people who come for the music, socializing, and the feeling that they are at a place where something important is happening. In descriptions of previous editions, organizers highlight figures that clearly show the scale, from tens of thousands of visitors in certain years to situations in which part of the tickets sold out, which further explains why ticket sales are tracked as a topic in its own right. A more recent record about the 2025 edition mentions more than 50,000 people on the racecourse grounds, with a note that the second day sold out, which is a good illustration of how seriously the audience takes this festival and how quickly tickets can become a limited resource. An important part of the identity is also the practical side of the event, from site organization to an emphasis on accessibility and safety, which is why visitors with different habits and needs often find it easier to decide to come. If you want to catch that feeling of a massive, yet controlled festival night, tickets for this event are a logical first step, especially when you want exactly one day and a clearly planned arrival.

The first wave of announced performers and what they bring to the stage

Lewis Capaldi and the emotional pop sincerity that fills venues

Lewis Capaldi is announced for Friday, and in a festival context that means an evening in which intimate, personal emotion turns into a collective chorus that thousands of people sing as if it were theirs. His story is interesting precisely because success didn’t happen quietly, but through songs that became widely recognizable while still retaining the distinctive vulnerability and humor with which Capaldi often balances serious themes. The organizers’ description emphasizes the scale of his debut’s success and the fact that he is an artist who, in a relatively short period, became a global name—exactly the type of headliner that gives a festival clear mainstream weight. In an open-air version, such a repertoire works especially well because the audience gets both quiet moments and explosions of emotion, and in between there is enough space to hear and follow the accompanying instruments and the shared singing. If your goal is to experience a big festival sing-along without the need to stay for both days, then one-day tickets for Friday have a very concrete logic, because a headliner like this often becomes the trigger for increased interest and faster ticket sales. Tickets for this concert are disappearing fast, so buy your tickets in time.
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TV Girl and cult indie pop fueled by samples and irony

TV Girl is also announced for Friday and brings that kind of indie-pop aesthetic that sounds sunny and a little cynical at the same time, like a soundtrack for a summer night where you dance with a smile, but in the lyrics you recognize small cracks of everyday life. The organizers’ description emphasizes their play with samples, retro references, and a charm that is not loud at first, but quickly sticks with the audience, so over the years the band has built cult status and a loyal listener base. In a festival schedule, such a performance often serves as the perfect bridge between the earlier evening hours and the moment when the crowd thickens in front of the main slots, because it has a rhythm that moves you and melodies that stay with you. It’s also interesting that the announcement mentions their newer activities and collaborative projects, which suggests the setlist will be a mix of familiar and fresh—and that’s a formula that makes a live show unpredictable in a good way. For an audience that loves a festival as a place of discovery and re-encounter with bands that grew up on the internet, TV Girl is one of those assets for which buying tickets is justified even before the lineup is fully finalized. Tickets for this event often become more in demand as the date approaches, because people make plans at the last minute, and then the choice is smaller and the whole logistics harder.

Olivia Dean and the new face of the British pop and neo-soul wave

Olivia Dean is announced for Saturday, but her name is already an important part of the overall OWF 2026 story because it speaks to the festival’s direction and how it combines mass appeal with sophistication. The organizers’ description emphasizes that after her 2023 debut she experienced a strong rise, with recognition in the UK context and broader international visibility, which is the kind of career trajectory that is often best felt on big open-air stages. Her style, which relies on vocal warmth and clear, personal lyricism, works well in festival dynamics because it brings a break from more aggressive rhythms without losing energy, so the audience gets the feeling that in the same evening they have moved through several moods. Even if your focus is on Friday and a one-day ticket, this kind of Saturday-program announcement helps explain why the festival is two days long and why some of the audience chooses a package while others choose a targeted one-day ticket. In practice, that means tickets are planned according to personal taste and travel rhythm, and OWF 2026 is already profiling itself from the start as a weekend with clear contrasts and a thoughtful selection of performers. When ticket sales enter a more serious wave, names like this often pull in those who are not typical festivalgoers, further boosting interest in one-day tickets as well.

FKA twigs and avant-garde pop as an experience, not just a concert

FKA twigs is announced for Saturday and represents that segment of the lineup that gives the festival artistic sharpness, because her aesthetic is not only musical but also performative, visual, and choreographic. The organizers’ biography emphasizes her role as an author who combines sound, movement, and image, and the fact that she is an artist who constantly pushes the boundaries of the medium, which is especially important at a festival that wants to be more than a pop parade. In practice, that means the performance is expected as a complete experience where production details, rhythm, light, and physical execution merge into a single narrative, and the audience gets the feeling that they witnessed an event, not just a set of songs. Such an approach is ideal for a large space like Służewiec, because open air allows width and breathing room, while a big stage can support more complex production, and the audience can position themselves according to their own comfort. Although your ticket may apply to one day, the fact that OWF 2026 is already announcing such diverse names at an early stage suggests that interest in tickets will grow as the lineup fills out, so buying tickets is often done preventively. Once the wave of planning travel, accommodation, and transport begins, it is usually easier to already have tickets sorted than to chase availability later and try to fit everything in at the last minute.
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Sound and atmosphere: what a festival night at the racecourse looks like

Orange Warsaw Festival is experienced as a classic urban open-air event with big stages and lots of people, but the specificity is that the racecourse space gives a sense of breadth, greenery, and a kind of escape from asphalt, even though you are still practically in Warsaw’s metropolitan rhythm. In the 2026 announcements, the organizers already use the phrase about the perfect start of festival summer, which in practice is seen in how the audience arrives earlier, stays longer, and builds the evening through multiple performances rather than just one concert peak. The night usually has its arc, from the first arrivals and searching for the best spot, through the moment when the crowd thickens before the main slots, to the later hours when the space turns into a big, shared dance floor under the open sky. In such an environment, tickets are not just entry, but also the key to an entire mini-city within the festival, where you move between stages, rest zones, and points that make it easier to stay on the grounds. If you are aiming for the best experience, it is worth arriving early enough to catch the rhythm of the space and feel how the audience changes from hour to hour, because that part often stays in memory as much as the headliner does. Buy tickets via the button below and plan your arrival so you don’t miss the start of the evening, because at big open-air events crowds at entrances and approaches can be part of reality.

Tor Służewiec as a festival location

Tor Służewiec did not become a permanent festival address by accident, because it is a space with a long sporting tradition and a strong architectural identity, which gives open-air events a special scenography that is hard to copy on classic meadows or parking lots. Historical overviews of the complex state that in the interwar period about 150 hectares of land were purchased for the development of the racecourse, and then a modern complex was built and ceremonially opened on 3 June 1939, which today gives the place a layer of story that you can feel even when you come for a concert. In more recent architectural texts, Służewiec is described as an icon of Warsaw modernism and functionalism, with the designed logic of stands, tunnels, park greenery, and infrastructure intended to serve as a multifunctional sports and social center. Today, that sporting DNA merges with the cultural calendar, and tourist and city sources explicitly state that large concerts and music festivals are held here, including Orange Warsaw Festival, which confirms that the location has already been tested in large productions. For the visitor, that means a spacious terrain, a good sense of orientation, and a place that can absorb a large audience without the impression that you are squeezed into a narrow corridor, although in the most popular slots crowds naturally form. That is precisely why tickets are also experienced as entry into a special, historically layered space, not just a ticket for a show, so part of the audience comes also for the location itself and the atmospheric contrast between the racecourse and a modern festival.

How to get there and how to plan your arrival

Getting to Tor Służewiec is easiest to plan as a combination of metro and bus or tram, because the venue is located south of central Warsaw, and access instructions often start from the M1 line and the Wilanowska hub. In a guide for getting to the festival site, it is stated that from the main railway stations you can take the metro to Wilanowska, and then continue with bus lines 331, 709, 727, or 739 to the Wyścigi 01 stop, or with tram lines 4 and 10 in the direction of Wyścigi, which is useful as a framework for planning 2026 as well, because it shows the main connections to the location. The same document mentions practical details such as ramps, uneven ground on certain sections, and the fact that city buses are low-floor, which is important if you are arriving with more things or want to minimize effort when moving around. For those arriving by plane, the instructions also mention the possibility of a direct bus connection to the vicinity of Wyścigi, which is practical if you want to land, drop your things off, and head straight to the festival without complicated transfers. Independent city guides additionally highlight that the entrance is from Puławska Street and that you can also reach the location by tram, which is a good reminder that public transport is a realistic and often the fastest option in the evening when traffic can slow down. Secure your tickets for this event right away! and then leave yourself enough time to arrive, because at big festivals the most nerves happen when you try to make it at the last minute, while it is actually nicer to catch the first atmosphere and slowly enter the night.
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Tickets and what a one-day stay means

A one-day ticket is a format that suits an audience that wants a precise plan particularly well, because everything can be arranged around one date and one rhythm, without the need for two-day logistics, additional costs, or reorganizing the next day. On the official information about OWF 2026 tickets, it can be seen that the festival provides both one-day and two-day variants, as well as special categories like VIP options and benefits for children and visitors with disabilities, which shows that the audience is segmented according to real needs and habits. In practice, a one-day ticket is best if you are coming primarily for Friday and the performers announced for 29.05, or if you want to experience a big festival in one dose and leave Saturday for sightseeing, rest, or another plan. Such a format often encourages a different pace at the festival itself, because people with a one-day ticket more often arrive earlier, stay late, and try to get the maximum out of one evening, so the atmosphere can be particularly intense. Since tickets are a key part of the experience, it is worth sorting them out in time and then calmly assembling everything else, from transport to clothing and arrangements with your crew, because buying tickets later often comes with more compromises. If your goal is Friday at Służewiec, buying tickets in advance allows you to focus on what matters on the day of the event—music, the venue, and the experience—instead of stressing about ticket availability.

Warsaw around the festival: neighborhoods, the city rhythm, and places that naturally fit in

Part of the charm of Orange Warsaw Festival is that it happens in a city with a strong urban identity, so a festival night easily connects with a daytime plan, a walk along the Vistula, museums, cafés, and nightlife, depending on your pace. Służewiec is well connected enough that you can stay in the broader center and still arrive by public transport, yet far enough that the racecourse grounds give that sense of openness a real festival needs. If you are coming for just one day, a good strategy is to have a simple daytime plan and save energy for the evening, because open-air events require walking, standing, and a lot of moving between zones, which is felt most toward the end of the night. Warsaw is a city that often surprises visitors with its combination of modern architecture, traces of history, and a lively cultural calendar, so the festival easily turns into a повод for a mini trip, even if your main mission is just one evening of music. In that sense, tickets for this event also become a ticket for a city weekend, because once the ticket is sorted, everything else is built around it—from choosing accommodation to the movement plan and the place where you will end up after the last chorus. Tickets for this concert are disappearing fast, so buy your tickets in time, and leave the rest to the city and your own mood, because Warsaw has enough to keep the festival story going even outside the Służewiec fence.

Sources:
- Orange Warsaw Festival portal: OWF 2026 announcement and confirmation of the dates 29-30.05.2026 and the location Służewiec Horse Racetrack
- Orange Warsaw Festival portal: artist pages for OWF 2026 (Lewis Capaldi, TV Girl, Olivia Dean, FKA twigs) and a description of their profile
- Orange Warsaw Festival portal: OWF 2026 tickets page (ticket categories, one-day and two-day variants, VIP and special categories)
- Orange Warsaw Festival portal: history and chronicle of editions with data on attendance and the festival’s character through the years
- Tor Służewiec portal: official venue address Puławska 266 and basic information about the facility
- Tor Służewiec portal: racecourse history (land purchase, complex scale, and development in the 20th century)
- WhiteMAD: architectural text about Służewiec Racecourse as an icon of Warsaw modernism, opening in 1939, and the functional concept of the complex
- Getting to the Orange Warsaw Festival Site 2025 (PDF): practical public transport arrival instructions (M1 metro to Wilanowska, bus and tram lines toward Wyścigi)
- In Your Pocket Warsaw: short guide to the Służewiec Racecourse location and an overview of key public connections (tram and bus options)

Everything you need to know about tickets for festival Orange Warsaw

+ Where to find tickets for festival Orange Warsaw?

+ How to choose the best spot to enjoy the Orange Warsaw festival

+ When is the best time to buy tickets for the Orange Warsaw festival

+ Can tickets for festival Orange Warsaw be delivered electronically?

+ Are tickets for festival Orange Warsaw purchased through partners safe?

+ Are there tickets for festival Orange Warsaw in family sections?

+ What to do if tickets for festival Orange Warsaw are sold out?

+ Can I buy tickets for festival Orange Warsaw at the last minute?

+ What information do I need to buy tickets for the Orange Warsaw festival

+ How to find tickets for specific sections at the Orange Warsaw festival

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2 hours ago, Author: Culture & events desk

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Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

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