Postavke privatnosti

Buy tickets for concert Raye - 26.04.2026., The Anthem, Washington, United States of America Buy tickets for concert Raye - 26.04.2026., The Anthem, Washington, United States of America

CONCERT

Raye

The Anthem, Washington, US
26. April 2026. 19:00h
2026
26
April
Photo by: Domagoj Skledar - illustration/ arhiva (vlastita)
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

Raye tickets for The Anthem Washington concert - pop, soul and the "This Tour May Contain New Music" era

Looking for tickets for Raye in Washington? Secure your place for her concert at The Anthem and catch a live set shaped by pop, soul, R&B and jazz. This stop on the "This Tour May Contain New Music" run is a strong pick for fans of "Escapism." and anyone drawn to powerful vocals and a full band sound
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

RAYE in Washington: an evening for an audience seeking voice, band, and a clear songwriting vision

RAYE arrives at The Anthem in Washington on April 26 at a moment when her career is no longer a story about a "rising star," but about an artist who has already defined her own space between pop, R&B, soul, jazz, and orchestral drama. For the audience, that means something very concrete: a concert people do not attend just for one hit, but for a full range of emotion, from vulnerable ballads to songs that call for a big chorus and a powerful response from the hall. Officially listed on the schedule for this evening are also guests ABSOLUTELY and AMMA, and according to The Anthem calendar, the venue doors open at 17:30. Tickets for this event are in demand.

This performance comes immediately after the release of the album "This Music May Contain Hope," published on March 27, 2026, so Washington is getting a concert at a stage when the new material is still fresh, but has already been tested in front of audiences. That is an important detail for anyone considering going: this is not a routine "best of" performance, but a tour that clearly carries the identity of a new chapter. The album has been announced as a work that moves from darkness toward light, and in interviews and announcements, RAYE described it as a very personal and healing project.

Who RAYE is live is best understood through the contrast she constantly keeps under control. On one side is a voice capable of an intimate, almost cabaret-like moment; on the other are songs that easily fill a large space and demand a band, dynamics, and an audience that knows when to fall silent and when to sing along. Her recognizability still rests on "Escapism.", one of the key songs that pushed her from the British scene into the global spotlight, but the current phase of her career shows that she did not remain locked into the formula of one viral success. Today, she is an artist who just as naturally uses soul, big band accents, modern pop, and jazz phrasing.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY
For the audience that has followed RAYE since her earlier singles, this concert carries additional weight because it shows how far she has moved as a songwriter from the period when she balanced between other people's expectations and her own signature style. For the wider audience, who may know her primarily through the songs "Escapism.", "Prada" or "You Don't Know Me", the Washington evening feels like a good entry point into her broader world: alongside radio-recognizable moments, there is also more pronounced concert dramaturgy, more live arrangements, and a sense that the songs breathe differently on stage than on streaming services. Ticket sales for this event are ongoing.

The new tour and what can actually be expected from performances so far

The title of the current tour - "This Tour May Contain New Music" - is not a stylistic ornament, but a very literal description of what the audience gets. According to the official page with the tour dates, Washington is part of a North American run of spring performances that includes Philadelphia, Boston, New Orleans, Atlanta, and Nashville before the London arenas in May. That means The Anthem is not an isolated festival date, but a stop within a seriously structured indoor leg of the tour. In practice, that usually brings a tighter band, clearer pacing of the evening, and a performance that has already gone through several important American audience tests.

When it comes to the repertoire, the fairest thing is to stick to what has actually been recorded at earlier dates of this tour. Available records from the April performances show that RAYE introduces new songs into the set such as "Girl Under The Grey Cloud." and "I Will Overcome.", but also keeps important older highlights and occasionally reaches for standards and covers. That does not mean Washington will get an identical setlist - it would not be fair to claim that - but it says enough about the format of the evening: the new album is not just an addition to the existing concert, but its center. The audience can expect a blend of new material and recognizable songs that shaped her status over the last few years.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY
One more important thing is visible precisely from those earlier performances: RAYE does not build a concert only on "delivering hits," but on transitions between moods. In the same performance, more lavish arrangements, a very stripped-down confessional song, and a moment relying on humor or irony can collide. That is why this concert is particularly attractive to an audience that is not looking only for a loud evening, but also for an artist with an authorial personality. Fans of contemporary pop will get choruses, soul lovers will get vocal control, and the audience that follows the singer-songwriter scene will get lyrics that carry weight even after the lights go out.

The officially confirmed guests for the Washington date are ABSOLUTELY and AMMA. That is not a secondary detail because both also enter the broader context of RAYE's current period: they appear on other tour dates as well, and AMMA and ABSOLUTELY are also connected to her recent creative circle. For a visitor, that suggests the evening will not be assembled randomly, but as a programmatically cohesive package with artists close to the sound and atmosphere of the main performance.

The album currently carrying the concert

"This Music May Contain Hope" is not just a new title in the discography, but an album that significantly changes the way RAYE is read as a live performer. According to the released information about the album, it is a project divided into four thematic parts, with an emphasis on the journey from heavier emotions toward relief, hope, and self-confidence. In musical terms, the album combines soul, jazz, big band, orchestral elements, and pop, so it easily turns into material that can sound broader and more "alive" on stage than on the studio recording. For the audience at The Anthem, that is good news because this is a venue that gives such arrangements room.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY
If you expect a clear entry point into her current work from the concert, a few facts are worth keeping in mind:

  • "This Music May Contain Hope" was released on March 27, 2026.

  • The tour on which RAYE performs in Washington is titled "This Tour May Contain New Music".

  • Guests ABSOLUTELY and AMMA are confirmed on the official page for the Washington date.

  • Earlier April sets show that the new material occupies an important place in the concert, while the best-known songs are still retained.



The audience coming primarily because of the older hits should not fear being left without familiar moments, but they should count on the fact that the focus is nevertheless on the new chapter. That is precisely the main value of this date in Washington: what is being seen is not an artist who "reminds people of what she used to be," but an author showing in real time where she is going. Places are disappearing quickly.

The Anthem as a space for this kind of concert

The Anthem is one of the venues in Washington that suits artists whose performances require both breadth and a sense of closeness. It is located at 901 Wharf Street SW, within The Wharf zone, right by the water in Southwest Waterfront. According to the venue's data, the space is flexible: it can accommodate around 2,500 to 3,200 people in a seated configuration, while standing capacity goes up to 6,000. That is large enough for the concert to have the energy of a serious indoor event, but also adaptable enough that the audience does not lose the feeling of direct contact with the stage.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY
For RAYE, that is an important detail. Her concert language does not rest only on volume or visual impact, but on the nuance of the voice, on how the band breathes with her, and on how the audience responds to quieter parts just as attentively as to the big choruses. It is precisely medium to larger venues such as The Anthem that often provide the best ratio between concert power and clarity of performance. Those who love arena spectacles may get less distance here, and more detail. Those who usually choose more intimate spaces, on the other hand, may be pleasantly surprised by how much The Anthem still preserves a sense of immediacy.

The location at The Wharf further helps the atmosphere of the evening. It is a developed waterfront part of the city designed as a zone that can be reached on foot, by public transport, by car, by rideshare, or even by water taxi. For visitors arriving from outside Washington, that is practical because in the same district it is easy to combine arrival, dinner, and the concert without major reshuffling around the city. It is worth securing tickets in time.

How to get there and what to know before entering

The simplest practical information is this: The Anthem is located on pedestrian-oriented Wharf Street, one block south of Maine Avenue, and the entrance and box office are located behind the 900 Maine Avenue SW block, right on the waterfront. If you are arriving by car, there are garages beneath The Wharf, but the venue itself warns that they fill up quickly on concert day. Because of that, for an evening slot it is more useful to count on arriving earlier than on "I'll catch a spot at the last minute".
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY
Public transport is a serious advantage here, not a backup option. According to information from the venue and the city's tourism organization, The Wharf and The Anthem are well connected to the Metro network and VRE, and bus lines W9, 74, P6, and V1 as well as the free District Wharf Circulator also stop nearby. For visitors arriving by train or from other parts of the region, that means the trip does not necessarily have to end with a hunt for parking in the city center.

For quick orientation before departure, it is worth keeping the following in mind:

  • the venue address is 901 Wharf Street SW, Washington, DC 20024

  • according to the venue calendar, the doors for the RAYE concert open at 17:30

  • parking is available in the garages beneath The Wharf, but spaces are limited on the evening of the concert

  • the proximity of the Metro, VRE, and bus lines is often a more practical choice than arriving by car



The duration of the performance for this date has not been published in the information that has been publicly confirmed, so it is more reasonable not to rely on arbitrary estimates. What can be said is that some April tour dates in publicly available records ended after a multi-part set with a clear dramaturgical arc, so the evening is not conceived as a short festival episode, but as a full concert program. That does not provide an exact running time for Washington, but it gives a good idea that it is worth planning the entire evening around the performance, and not arriving "halfway through".
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY

Who this concert is an especially good choice for

The first group is longtime fans who followed RAYE even when she was perceived primarily through singles and collaborations. For them, the Washington date is attractive because it shows the full range of authorial and performance confidence she has built in the meantime. The second group is listeners who like contemporary pop, but for whom it is important that behind the songs there is a real vocal and a band. The third is the audience attracted by a blend of soul, jazz, retro arrangements, and modern pop writing. In other words, this is not a concert closed off to a narrow circle of insiders, but neither is it an evening that reduces everything to a superficial stringing together of hits.

If what interests you most in concerts is mass euphoria at any cost, here you will probably value the performance more than "show for show's sake". If, however, you are looking for a concert where a serious voice, ambitious arrangements, and contemporary pop sensitivity meet in a venue large enough to carry the energy, but not so huge that the artist disappears into the distance, RAYE at The Anthem has a very meaningful profile. That is precisely why the Washington date feels like one of those tour stops where both the city and the space match the music.

City context for visitors coming from outside

Washington is a city where a concert at The Anthem can easily also become an evening out without too much logistics. The Wharf has been developed so that it is relatively easy to reach from other parts of the city, from Union Station, or from the direction of the airport, and the district itself has enough amenities that you do not have to rush between several distant locations. For travelers combining the concert with a weekend visit, that is useful because the waterfront zone naturally connects to the wider city center and its main points.
CHECK AVAILABLE TICKETS
BOOK ACCOMMODATION NEARBY
At the same time, RAYE is not coming to Washington as a passing festival add-on, but for a concrete indoor date within a tour that has already attracted attention because of the new album and the new concert identity. That is exactly why this performance carries more weight than an ordinary spring guest appearance. It is an evening that may be especially interesting even to those who have not seen her live so far, because they are getting an artist at a stage when both the songs and the stage concept are clearly shaped, but have not yet become routine. Ticket sales for this event are ongoing.

Sources:
- The Anthem / calendar and venue information - concert date, door opening time, confirmed guests ABSOLUTELY and AMMA, address, directions, parking, and basic space information
- RAYE Official / live dates - the position of the Washington concert within the tour and confirmation of guests on the American dates
- ELLE and The Times - context of the new album, the career phase, and the artist's musical direction
- setlist.fm - overview of recent April tour performances as a basis for describing the concert format and the ratio of new material to well-known songs, without claiming that Washington will have an identical setlist
- Washington.org and WMATA - context of The Wharf district, connectivity with the city, Metro, VRE, and transport for visitors coming from outside

Everything you need to know about tickets for concert Raye

+ Where to find tickets for concert Raye?

+ How to choose the best seat to enjoy the Raye concert?

+ When is the best time to buy tickets for the Raye concert?

+ Can tickets for concert Raye be delivered electronically?

+ Are tickets for concert Raye purchased through partners safe?

+ Are there tickets for concert Raye in family sections?

+ What to do if tickets for concert Raye are sold out?

+ Can I buy tickets for concert Raye at the last minute?

+ What information do I need to buy tickets for the Raye concert?

+ How to find tickets for specific sections at the Raye concert?

CHECK AVAILABLE TICKETS
2 hours ago, Author: Culture & events desk

Find accommodation nearby

You may be interested

Raye

Atlanta
Tuesday 28.04. 2026 20:00
Coca-Cola Roxy, 800 Battery Ave SE #500
Raye

Nashville
Wednesday 29.04. 2026 20:00
Ryman Auditorium, 116 5th Ave N
Raye

Houston
Friday 01.05. 2026 20:00
713 Music Hall, 401 Franklin St Suite 1600
Raye

Dallas
Sunday 03.05. 2026 20:00
South Side Ballroom, 1135 Botham Jean Blvd #101
Raye

Austin
Monday 04.05. 2026 19:30
Moody Amphitheater, 1401 Trinity St
Raye

Phoenix
Thursday 07.05. 2026 20:00
Arizona Financial Theatre, 400 W Washington St
Raye

Las Vegas
Friday 08.05. 2026 20:00
The Chelsea, The Chelsea Tower, 3708 Las Vegas Blvd S Level 3
Raye

San Francisco
Sunday 10.05. 2026 20:00
Bill Graham Civic Auditorium, 99 Grove St
Raye

Los Angeles
Tuesday 12.05. 2026 20:00
Greek Theatre Los Angeles, 2700 N Vermont Ave
Raye

Los Angeles
Wednesday 13.05. 2026 20:00
Greek Theatre Los Angeles, 2700 N Vermont Ave
Raye

London
Tuesday 19.05. 2026 18:30
O2 Arena, Peninsula Square
Raye

London
Wednesday 20.05. 2026 18:30
O2 Arena, Peninsula Square
Raye

Montreux
Friday 03.07. 2026 20:30
Auditorium Stravinski, Grand' Rue 95
Raye
3 day pass

Leeds
Friday 28.08. 2026 08:00
Bramham Park, Bramham Park
Raye

Reading
Saturday 29.08. 2026 09:30
Richfield Avenue, Richfield Avenue
Raye

Leeds
Sunday 30.08. 2026 09:30
Bramham Park, Bramham Park

Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

In our newsroom write people who know what a stage looks like when the lights go out, how the audience breathes while waiting for the first note, and what happens behind the curtain while instruments or microphones are still being adjusted. Many of us have spent years standing on stage ourselves, participating in programme organisation, volunteering at festivals or helping artist friends present their projects. This experience from both sides of the stage gives us the ability to view events not merely as items in a calendar, but as living encounters between creators and audiences.

Our stories do not stop at who performed and how many people attended. We are interested in the processes that precede every appearance before the public: how the idea for a concert or festival is born, what it takes for a comedy to reach its audience, how much time is spent preparing an exhibition or a multimedia project. In our texts we try to convey the atmosphere of the space, the energy of the performers and the mood of the audience, as well as the context in which all this happens – why a certain performance is important, how it fits into the broader music or art scene, and what remains after the venue empties.

The editorial team for arts, music and events builds its credibility on persistence and long-term work. Behind us are decades of writing, editing, talking with artists and observing how scenes change, how some styles come to the forefront while others retreat into the background. This experience helps us distinguish fleeting hype from events that truly push boundaries and leave a mark. When we give something space, we strive to explain why we believe it deserves attention, and when we are critical, we explain our reasons, aware of the effort behind every project.

Our task is simple and demanding at the same time: to be reliable witnesses of cultural and entertainment life, to write honestly toward the audience and honestly toward performers. We do not deal in generic praise; we aim to precisely describe what we see and hear, knowing that every text may be someone’s first encounter with a certain band, festival, comedian or artist. The editorial team for arts, music and events therefore exists as a place where all these encounters are recorded, interpreted and passed on – humanly, clearly and with respect for the very reason it exists at all: the live, real event in front of a real audience.

COPYRIGHT NOTICE
This article is not affiliated with, sponsored by, or approved by any sports, cultural, entertainment, music, or other organization, association, federation, or institution mentioned in the content.
Names of events, organizations, competitions, festivals, concerts, and similar entities are used solely for accurate public information purposes, in accordance with Articles 3 and 5 of the Media Act of the Republic of Croatia, and Article 5 of Directive 2001/29/EC of the European Parliament and of the Council.
The content is informational in nature and does not imply any official affiliation with the mentioned organizations or events.
NOTE FOR OUR READERS
Karlobag.eu provides news, analyses and information on global events and topics of interest to readers worldwide. All published information is for informational purposes only.
We emphasize that we are not experts in scientific, medical, financial or legal fields. Therefore, before making any decisions based on the information from our portal, we recommend that you consult with qualified experts.
Karlobag.eu may contain links to external third-party sites, including affiliate links and sponsored content. If you purchase a product or service through these links, we may earn a commission. We have no control over the content or policies of these sites and assume no responsibility for their accuracy, availability or any transactions conducted through them.
If we publish information about events or ticket sales, please note that we do not sell tickets either directly or via intermediaries. Our portal solely informs readers about events and purchasing opportunities through external sales platforms. We connect readers with partners offering ticket sales services, but do not guarantee their availability, prices or purchase conditions. All ticket information is obtained from third parties and may be subject to change without prior notice. We recommend that you thoroughly check the sales conditions with the selected partner before any purchase, as the Karlobag.eu portal does not assume responsibility for transactions or ticket sale conditions.
All information on our portal is subject to change without prior notice. By using this portal, you agree to read the content at your own risk.