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Buy tickets for concert Bad Bunny - 16.01.2026., Nacional del PerĂș, Lima, Peru Buy tickets for concert Bad Bunny - 16.01.2026., Nacional del PerĂș, Lima, Peru

CONCERT

Bad Bunny

Nacional del PerĂș, Lima, PE
16. January 2026. 20:00h
2026
16
January
Photo by: Domagoj Skledar/ arhiva (vlastita)

Tickets for Bad Bunny in Lima - DebĂ­ Tirar MĂĄs Fotos Tour at Estadio Nacional del Peru, concert passes

Get tickets for Bad Bunny’s Lima concert at Estadio Nacional del Peru on January 16, 2026, and explore what to expect from a full stadium production. This page focuses on ticket sales and buying concert tickets valid for one day, with practical notes on gates, timing, crowd demand, and transport after the show

Spectacle returning to the heart of Lima

Bad Bunny returns to the audience in Lima on January 16, 2026, with a concert starting at 20:00, and the venue is Estadio Nacional del Peru, the most recognizable large stage of the Peruvian capital. The ticket is valid for 1 day, which in practice means that each night is a separate story and that the experience is tied to that exact date and that time slot, from the first entry to the last song. Performances like these in Lima regularly draw audiences from all over Peru and neighboring countries, so interest can be felt weeks in advance, especially at the moment when ticket sales become the main topic among fans. The concert is conceived as a major pop-cultural event, with an emphasis on production and the stadium atmosphere, not just on the setlist, which is why tickets are often sought even in the final days. Secure your tickets for this event now!

Why Lima fits this tour especially well

Bad Bunny’s return to Peru comes at a time when his Debí Tirar Más Fotos tour is filling stadiums and when demand is described as a phenomenon rather than just a classic concert cycle. Peruvian media emphasize that the announced nights sparked enormous interest and that the tickets were among the most sought-after in the region, which is evident in the speed of sell-outs and the intensity of conversations on social networks. Part of the story includes logistical changes and schedule adjustments compared to earlier announcements, so the audience in Lima additionally mobilized around the current dates, and that is always felt in the atmosphere before entering the stadium. That is precisely why buying tickets for this event is not just a technical step, but also an entry into the rhythm of a city that, in those days, breathes in the same beat—from fan zones to the main avenues leading toward the stadium. For those who travel, the time difference is also important, because 20:00 in Lima means deep into the night for a European audience, so the whole weekend can become a mini trip with the concert as the central point.

Bad Bunny as a performer who changes the rules of the game

Over the past years, Bad Bunny has grown into a globally recognizable name that pushed Spanish-language reggaeton and trap into the center of the mainstream, while retaining a strong identity and a feel for local stories. His rise was not a classic one, because it relied on digital culture, rapid trend exchange, and the ability to blend club energy with intimate confessions in his songs, which is why audiences experience him as the voice of a generation. When a performer of that profile moves to a stadium, the concert stops being just a musical event and becomes a mass ritual in which thousands of people synchronize around choruses, movements, and recognizable shouts. That effect is further amplified by the fact that Bad Bunny regularly shifts dynamics in his performances—from hard beat drops to moments that lean on melody and nostalgia—so even those who did not come exclusively for dance hits often find their own point in the set. That is why it is understandable that tickets and passes are mentioned as part of a broader experience, because people are not buying just a seat in the stands or on the floor, but also participation in a night that gets retold.

The album DebĂ­ Tirar MĂĄs Fotos and a sound that returns to its roots

The tour carries the name of the album Debí Tirar Más Fotos in its title, a project described in criticism as a kind of homecoming and an exploration of Puerto Rican musical heritage through the contemporary language of urban production. Reviews emphasize that the album bridges Puerto Rico’s past and present, combining different influences and creating the sense that the songs are not only for clubs, but also for the street, family gatherings, and big stages. Such material gains an extra dimension in a stadium, because rhythms and the audience’s choral singing spill across the entire space, so certain choruses sound like fan chants. This is precisely where the tour’s emotional side comes to the fore, because the album title evokes memories, photographs, and fragments of the past, and the concert turns that into a shared moment of the present. Because of this, tickets for a night like this often become a matter of planning and agreement in advance, because the audience wants to be part of performances tied to the current phase of a career, not only to the greatest hits.

What the repertoire in Lima might look like

Although the official setlist is generally not confirmed in advance, Peruvian media in recent days have been conveying audience expectations and circulating setlists that suggest a show of almost thirty songs, with a combination of newer singles and proven stadium favorites. Such projections usually arise from previous nights of the tour and audience reactions in other cities, but it is important to count on improvisations, guests, or tempo changes, especially in cities where a strong emotional investment from the audience is expected. Part of the charm of Bad Bunny’s shows is also that he knows how to incorporate a local reference, gesture, or segment that is remembered precisely for that night, so it is realistic to expect that Lima will get its own special moments. That is also why many decide to buy tickets as soon as the opportunity opens, because they want to be sure they won’t miss a performance that people talk about for days. Tickets for this concert disappear quickly, so buy your tickets in time.

The stage, production, and the idea of a second meeting point

One of the most interesting pieces of information about the tour concept in Lima is that there is talk of expanded scenography and additional zones, and of a secondary space that brings a more intimate feel within a large stadium. Peruvian reports mention new zones alongside the main stage and a particularly highlighted idea of a second, smaller space called La Casita, conceived as a place where part of the repertoire is performed closer to the audience and in a different visual setting. That concept creates the feeling that the concert has multiple chapters, as if the audience is moving through different scenes of the same story, from massive moments on the main stage to details that look as if they were pulled from a film set. In practice, that means the experience also depends on where you are located, so it is understandable that, when choosing tickets, people think about perspective, proximity, and the atmosphere of a given sector. Buy tickets via the button below and choose the experience that suits you best.

Estadio Nacional del Peru as a symbol of the city and mass gatherings

Estadio Nacional in Lima is not just a sports facility, but an urban institution that for decades has been the site of big moments, from national-team matches to concerts that defined generations. In more recent texts about the stadium, it is stated that it is located on JosĂ© DĂ­az avenue and that modernization plans consider increasing capacity from about 45,000 toward 50,000 seats, with upgrades to access, lighting, and security systems. That fact is also important for concert audiences, because it shows that the venue is continuously adapting to major events, rather than remaining static. Throughout its history, the stadium has also been a place that shaped security protocols after historically significant, but also tragic events, so today’s organization of mass gatherings in Lima also carries experience that was paid for dearly. For visitors, that means entry is often strictly guided, and movement inside the facility is planned to avoid bottlenecks, which is why it is good to arrive earlier and have your tickets ready.

A practical location and the city context around the stadium

One advantage of Estadio Nacional is its central position in Lima, which makes it easier to plan your arrival, especially for travelers staying in the wider center or coming from tourist zones. Stadium guides state that it is located in central Lima, not far from the historic core and alongside major city arteries that connect the center with more southern districts, so arrival can be organized from several directions. In the immediate vicinity there is also the famous Circuito Mágico del Agua in Parque de la Reserva, an attraction often mentioned as one of the city’s evening highlights because of its light and water shows, so a concert day can turn into an all-evening plan, not just a trip to the stadium. This is especially useful for those coming to Lima for the first time, because everything happens in a compact urban area where it is easy to move from one activity to another. In such a schedule, concert tickets become the backbone of the whole itinerary, because around them you arrange sightseeing time, dinner, and your approach to the entrances.

Entrances, orientation, and an address that helps with navigation

At big events in Lima, orientation around Estadio Nacional can be just as important as the performance itself, because in a short time a huge number of people gather in the same area. Official stadium tour information states that entry for an organized tour uses Puerta 29 on Tribuna Sur, with the address Calle Madre de Dios 463, which is a practical landmark for anyone agreeing on where to meet before the concert. Although concert entrances and sectors may be arranged differently, such a detail helps to understand the structure of the venue and to navigate more easily among the streets surrounding the stadium. The same official source also mentions representative spaces inside the stadium such as Salón de las Américas, the historic tunnel, and murals dedicated to important sporting moments, which confirms that it is a place with an identity, not just a concrete shell. Precisely because of that combination of symbolism and mass scale, audiences often want to enter earlier, catch the atmosphere, photograph the stands, and find their place without rushing, so it is useful to have tickets saved and accessible.

Arriving by public transport and moving after the concert

For the return after the concert, the biggest challenge is to get out of the stadium zone without unnecessary delays, and that is where the value of public transport and pre-agreed routes shows. In ATU’s official announcements for major concerts at Estadio Nacional, it is stated that on such occasions the operating hours of the Estadio Nacional station on the Metropolitano system may be extended until midnight, with additional organization of boarding northbound and southbound, as well as extended service on certain city corridor lines. Such steps are usually taken to relieve the streets around the stadium and enable a safer trip home, so it is smart to follow current city notices and plan your departure in advance. If you are arriving in a group, agree on a meeting point outside the most congested zone, because in the first minutes after the concert a wave forms that slows communication and movement. In that context, buying tickets and entering on time are also important because of the exit, because the better you know your sector and exit, the easier you will manage when the lights come on.

The pre-show atmosphere and what can be learned from 2022

Lima has experience with Bad Bunny’s concert crowds, and reports from 2022 describe a stadium filled with tens of thousands of people, strong choral singing, and visual moments that spilled from the stage into the stands. Such an atmosphere is part of the reason why the return is still spoken of today as a major cultural event, but also why order, patience, and following instructions are emphasized ahead of the concert. Local media also recorded situations in which the audience gathered very early, and even tried to camp around the stadium to secure a better position, which shows the level of emotion, but also the need for everything to be handled in an organized way. For visitors, it is therefore useful to think about practical things like water, light clothing, and the safe keeping of personal belongings, because it is a summer date and a big crowd. When you add the fact that the ticket is valid for one day, everyone wants to make the most of their night, so arriving without stress makes the difference between exhaustion and enjoyment.

What to bring, how to plan your time, and where tickets fit into that story

The safest plan for a night like this is to arrive earlier, pass checks without rushing, and give yourself time to find your sector, because the stadium is not a small hall and changing levels or stands can take time. If you are in Lima as a tourist, consider spending the day in the center or at nearby attractions like Parque de la Reserva, and then head toward the stadium before the biggest rush, because traffic and pedestrian flows intensify as the start approaches. If you are in the city only briefly, it is good to arrange your return in advance, whether by public transport or taxi, and set a clear meeting point, because after the concert signals and communication can slow down. Ticket sales are available, and the most important thing is to reach your spot on time and without nervousness, because the concert experience is built from the moment you pass the entrance, not only when the first song starts. Secure your tickets via the button below and plan the evening so you still have room for spontaneous euphoria when the stadium roars.Sources:
- Andina, the state news agency, on demand and the context of the DebĂ­ Tirar MĂĄs Fotos tour
- RPP, reports on audience interest and sell-outs and on the performer’s return to Lima
- Infobae Peru, article about additional zones and the production concept with the La Casita element
- Infobae Peru, article about modernization plans and the capacity of Estadio Nacional and the historical context of the venue
- Instituto Peruano del Deporte on gob.pe, official information about touring the stadium and the Puerta 29 landmark and the address Calle Madre de Dios 463
- Autoridad de Transporte Urbano on gob.pe, the official practice of extending Metropolitano operating hours at the Estadio Nacional station for major concerts
- Pitchfork, critical review of the album DebĂ­ Tirar MĂĄs Fotos and a description of its sonic direction
- Rolling Stone, review of the album DebĂ­ Tirar MĂĄs Fotos and highlights about the return to roots
- Britannica, biographical overview and context of Bad Bunny’s influence on reggaeton and trap
- Visita Lima portal and Peru Travel, description of Circuito MĂĄgico del Agua as an attraction near Estadio Nacional

Everything you need to know about tickets for concert Bad Bunny

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9 hours ago, Author: Culture & events desk

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Culture & events desk

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