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Buy tickets for festival Lollapalooza Argentina - 13.03.2026., HipĂłdromo de San Isidro, San Isidro, Argentina Buy tickets for festival Lollapalooza Argentina - 13.03.2026., HipĂłdromo de San Isidro, San Isidro, Argentina

FESTIVAL

Lollapalooza Argentina

3 day pass
HipĂłdromo de San Isidro, San Isidro, AR
13. March 2026. 11:00h
2026
13
March
Photo by: Domagoj Skledar/ arhiva (vlastita)
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Tickets for Lollapalooza Argentina at Hipodromo de San Isidro, San Isidro - ticket sales, 3-day pass

Lollapalooza Argentina turns Hipodromo de San Isidro in San Isidro into a three-day festival city with multiple stages and major headliners. This page focuses on ticket sales and buying tickets, plus day-by-day lineup highlights and practical tips for getting there and moving around the venue
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What Lollapalooza Argentina brings

Lollapalooza Argentina returns to Hipodromo de San Isidro as one of South America’s biggest festival weekends, and the edition that starts on Friday at 11:00 promises a packed concert schedule, multiple stages, and a strong mix of global stars and local favorites. The ticket is valid for 3 day(s), which means the same festival pass covers all three festival segments, from the first daytime sets to the final evening headliners throughout the whole weekend. The location is Hipodromo de San Isidro, in the city of San Isidro in the Province of Buenos Aires, a venue that has been synonymous with massive open-air events for years and naturally rides the rhythm of the metropolis that’s within easy reach. That is precisely why audience interest traditionally rises quickly as March approaches, so ticket sales are often followed as part of the festival story just as much as the line up announcements. Secure your tickets for this event right now and click the button labeled

below, because tickets for this type of festival are most in demand in the very weeks when travel and accommodation plans are being put together.

Line up by day and how to read the program

The festival takes place over three consecutive days, from Friday to Sunday, and the concept is classic for the Lollapalooza format: strong main highlights each evening, alongside a wide network of artists covering pop, alternative, hip hop, electronic music, and guitar-driven genres. The organizers have confirmed that Lollapalooza Argentina 2026 takes place on March 13, 14, and 15 at Hipodromo de San Isidro, which aligns with the idea of a three-day ticket and the logic of a weekend trip from the region or from other parts of Argentina. When talking about the program, it’s key not to look only at the headliners, but also at the so-called bridges between earlier and later time slots: that’s often where the performances that define the day are hiding, and the audience remembers them as their own discovery. In that sense, buying tickets isn’t just entry to a concert, but a decision to surrender to a festival rhythm where you can easily move from one stage to another, with breaks for gastronomy and non-music content. If you’re planning to come from afar, it’s good to already imagine your daily schedule now, because crowds, walking across a large venue, and reshuffling between sets are easier to handle when you have a rough plan.
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Friday: hip hop, indie, and the new wave of pop

The first day of the festival is set up as a strong start that connects modern hip hop and alternative pop sensibilities, with names that have a big fan base both in Argentina and globally. According to the published artist schedule by day, Friday brings Tyler, The Creator, Lorde, and Turnstile as the day’s most high-profile highlights, along with a range of artists that broaden the aesthetic from electronic music to indie pop and new trends. In that context, the crowd’s energy is usually at its most fired up in the earlier evening hours, when the grounds fill up and that recognizable feeling appears that you’ve stepped into a festival city breathing in the same rhythm. Friday is often the day when logistics are “tested” the most, from entrances and wristbands to the first big waves toward the main stages, so it usually pays off for visitors to arrive earlier and catch a calmer tempo before the peak. For those who like combining genres, the first day is ideal for jumping between sets, because behind the headliners there are often performances unfolding that later become the biggest festival stories on social media. If you still haven’t sorted out your tickets, keep in mind that tickets for this kind of weekend kickoff tend to be especially sought after, because many people target exactly that first hit and the opening atmosphere.

Saturday: the electronic уЮар and festival anthems

Saturday traditionally carries the densest feeling of the “peak weekend,” when the biggest crowds, the most parallel performances, and the most diverse audience profiles overlap in the same day. According to the day-by-day program, Saturday highlights Chappell Roan, Skrillex, and Lewis Capaldi, alongside names that combine pop melodies, club tempo, and emotional choruses that work especially well at festivals. In that mix, electronic music usually serves as the fuel that drives the mass, while pop and singer-songwriter moments bring a breather and collective sing-alongs, which is often why buying tickets is experienced as investing in an experience, not just a concert. It’s especially interesting that the Saturday schedule also lists Paulo Londra, an artist with a strong local impact who often pulls in an audience that might not come only for the international headliners. Saturday is also the day when the festival’s accompanying content is felt the most, because people stay longer, linger more at food and drink points, and between sets the need to plan movement grows. Tickets for this concert disappear quickly, so buy your tickets on time and expect that Saturday is most often the day with the most “must see” time-slot conflicts.

Sunday: the final night of big choruses and a wall of guitars

Sunday, in a three-day format, is often the day when a mix of euphoria and fatigue is felt, but that’s exactly when the most emotional moments happen, because the crowd knows the last big wave of music is ahead of them. According to the published line up by day, Sunday is carried by Sabrina Carpenter, Deftones, and Doechii, with additional strong points such as Kygo and Interpol, which on paper already suggests a shift between pop hits, heavy guitar energy, and modern rap expression. That mix isn’t accidental: the final day is usually built so that everyone in the crowd gets their moment, whether through choruses sung out loud together, or through a sonic wall of guitars and powerful light production on the main stages. Sunday is also a good reminder of why a three-day ticket is practical, because it allows you to experience the program as a whole, without the feeling that you missed the “second half of the story” that often happens right at the end. In festival dynamics, the closing performances often become the most quoted, because the crowd has already “settled” into the venue, knows where the entrances are, where the rest zones are, and where it’s easiest to exit the crowd after big sets. Buy tickets via the button below if you want to secure your place in the Sunday finale, because that day tends to attract even those who come specifically for a few of the biggest names.
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The festival as an experience: stages, gastronomy, and content beyond the concerts

Lollapalooza Argentina doesn’t function as a series of individual concerts, but as a complex whole in which music shares attention with food, art installations, activations, and zones that keep the audience on site all day. Official information states that the festival pass includes access to a program with more than 100 artists and five stages, with additional content such as art zones, free water points, the option to rent lockers, and areas intended for different visitor profiles. The organizers also highlight the gastronomic segment, with multiple patios gastronomicos and a large number of offerings, which in practice means that between sets it doesn’t all come down to a quick break, but a good part of the day is spent in the “in-between space” where the festival atmosphere is created. In such an environment, tickets often become a planning currency too: will you devote the day to hunting for new bands, or will you prioritize the main stages and leave time for a break in the shade and food before the evening rush. It’s important to know that the official description also mentions sectors such as Espíritu Verde and Kidzapalooza, which suggests an attempt for the festival to be family-friendly and educational, not just a night party. If you’re hesitating about buying tickets, keep in mind that the value of a three-day pass shows most precisely in the fact that you can enter early, explore, and build your own version of the festival, rather than rushing only to a single performance.

Hipodromo de San Isidro: history and why it’s ideal for massive events

Hipodromo de San Isidro isn’t just a big field with stages, but a venue with serious infrastructure and a history that explains why it can “swallow” tens of thousands of people while still keeping movement logic. According to Hipodromo’s own data, it is a venue owned by the Jockey Club, inaugurated on December 8, 1935, located about 22 kilometers north of the city of Buenos Aires and spread across approximately 148 hectares. The Hipodromo states a capacity of around 100,000 spectators in six grandstands, and as a historic record it mentions 102,600 visitors at the Gran Premio Carlos Pellegrini in 1952, a figure that illustrates the scale of the location well. For a festival audience, that “sports” DNA means wide corridors, a large open space, and the ability for different content to take place simultaneously, from main stages to side zones, without total gridlock. It’s also important that it’s a venue designed for mass arrivals, entrances, and grandstands, so part of the festival’s logistics leans on existing spatial habits of people who visit the Hipodromo for other events as well. When you choose tickets and think about arrival, this context helps explain why each March in San Isidro turns into a big, well-organized open-air event.

San Isidro and northern Buenos Aires: the local context for a festival weekend

For many visitors from outside Argentina, San Isidro is a pleasant surprise, because it offers a calmer, greener counterpoint to the energy of downtown Buenos Aires, yet it’s close enough that festival days can be combined with city activities. Travel guides often highlight the historic district, a relaxed atmosphere, and proximity to the riverfront, which makes San Isidro a logical place for a walk before or after concerts, especially if you’re coming for all three days and want a break from the noise. In the very heart of the city there is the cathedral and the main square, and visitors often mention that it’s an area connected by rail and that it’s convenient to reach as part of an outing through the northern zone of the metropolis. That local layer is especially important for the festival, because Lollapalooza Argentina isn’t isolated on “no man’s land,” but leans on the city’s rhythm: restaurants and cafĂ©s, promenades and neighborhoods that come alive on weekends. People who buy tickets often plan side activities too, from morning walks to late dinners after the final sets, so the value of a three-day ticket is also seen in the fact that the weekend becomes a mini trip, not just one night out. If you like traveling smart, San Isidro offers enough content to get the festival weekend as a complete experience with a local flavor, without the need to spend every break exclusively inside the festival grounds.
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Sustainability and logistics within the festival city

One trend that has been most visible at major festivals in recent years is the emphasis on sustainability, and Lollapalooza Argentina communicates that part as an integral part of the event’s identity, with the message that music is in their “DNA,” but so is caring for the environment. In the official description of initiatives, goals are listed such as reducing environmental impact, waste management strategies, an emphasis on sorting waste, using renewable energy sources, and incentives for more sustainable mobility, which matters in the context of big crowds and mass arrivals in San Isidro. A special program Rock and Recycle is described in official materials through educational activities and concrete mechanisms for collecting plastic, including the so-called “botellas de amor,” bottles into which plastic waste is placed to raise awareness of the amount of waste we generate. For visitors, that means the festival space isn’t just a place of entertainment, but also a place where, through simple habits such as proper waste disposal and using available points, you can participate in a bigger story. Official information also mentions free water stations, which is practically important at large open-air events, because it reduces the need for constant packaging purchases and supports audience safety. When you buy tickets, it’s worth thinking about this dimension too, because the organization and behavior culture of the crowd directly affect how pleasant, fluid, and safe the experience will be for everyone.

Practical information for arrival and tickets

The festival starts on Friday 13.03.2026 at 11:00, and the ticket is valid for 3 day(s), which in practice means that with one three-day ticket you cover the entire festival weekend, from March 13 to 15, at the same venue Hipodromo de San Isidro. The venue address, according to Hipodromo data, is Av. Marquez 700, San Isidro (1642), Provincia de Buenos Aires, Argentina, so that is the most useful reference for navigation, taxis, and arranging a meeting point with your crew. For arrival by public transport, mobility apps and guides in Buenos Aires state that the Mitre train line and Tren de la Costa pass by the Hipodromo, as well as bus lines (colectivos) 407, 707, and 338, which is useful if you want to avoid parking crowds and avoid unnecessary waiting after the last sets. Since it’s a massive event, it’s smart to arrive earlier, refill your bottle at the water stations, agree on a “backup” meeting point in case you lose signal, and use the locker option if you don’t want to carry everything with you all day. Ticket sales are available, and if you’re aiming for the best experience, secure your tickets on time and click the button labeled

below, because demand for tickets and for the three-day pass and for day variants most often rises right before March. In the festival rhythm, good preparation makes the difference between “surviving” the crowd and enjoying the program, and here everything is arranged so that three days give you enough space both for headliners and for discovering new artists.
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Sources:
- Lollapalooza Argentina portal: confirmed dates, the general festival concept, and festival announcements
- Lollapalooza Argentina portal, Informacion: location, contents included in the pass, and practical items such as stages and water points
- Lollapalooza Argentina portal, Sustentabilidad and Rock and Recycle: description of sustainable initiatives and the program with bottles for plastic
- OhlalĂĄ portal: line up by day and an overview of key artists for Friday, Saturday, and Sunday
- Hipodromo de San Isidro portal: history, capacity, distance, and basic characteristics of the venue
- Hipodromo de San Isidro portal, Contactenos: confirmed address Av. Marquez 700, San Isidro (1642)
- Moovit portal: public transport lines that pass near the Hipodromo (train and colectivos)
- Britannica: historical facts about the origins of the Lollapalooza format and the festival’s global context
- Go To Buenos Aires portal: context of San Isidro, the historic zone, and the experience of northern Buenos Aires

Everything you need to know about tickets for festival Lollapalooza Argentina

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2 hours ago, Author: Culture & events desk

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Culture & events desk

The editorial team for arts, music and events brings together journalists and volunteers who have spent years living alongside stages, clubs, festivals and all those spaces where art and audience meet. Our writing comes from long-standing journalistic experience and genuine involvement in cultural life: from endless evenings in concert halls, from conversations with musicians before and after performances, from improvised press corners at festivals, from premieres that end with long discussions in theatre corridors, but also from small, intimate events that attract only a handful of curious people yet remain engraved in their memory for a lifetime.

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